{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1848\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1848\u0026page=1","next":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1848\u0026page=3","last":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1848\u0026page=4"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":4,"limit_value":10,"offset_value":10,"total_count":35,"first_page?":false,"last_page?":false}},"data":[{"id":"vimtvl_repositories_3_resources_65","type":"collection","attributes":{"title":"John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection","creator":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_65#creator","type":"document_value","attributes":{"value":"Washington, John Augustine, III, 1821-1861","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_65#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_65#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vimtvl_repositories_3_resources_65","ead_ssi":"vimtvl_repositories_3_resources_65","_root_":"vimtvl_repositories_3_resources_65","_nest_parent_":"vimtvl_repositories_3_resources_65","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_65.xml","title_ssm":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"title_tesim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"unitdate_ssm":["1834-1957"],"unitdate_inclusive_ssm":["1834-1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.848","/repositories/3/resources/65"],"text":["RM.848","/repositories/3/resources/65","John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","The collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection.","(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)","John Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.","As the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. ","These visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. ","John Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. ","This diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection.","Early Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection","This collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. ","Descendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.","Lists signatures and states that all members of Congress would sign if requested.","States they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.","Mrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.","She had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.","His mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"","Apologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.","Describes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.","Urges sale of Mount Vernon to Virginia rather than to a private sale.","Resolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.","Introduces some friends who wish to visit Mount Vernon.","Gives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.","Is sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.","Sends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.","Thanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"","Is against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.","Brief note of regards, translated by J. Perkins.","Heard about people being charged to enter the garden. Wishes he would stop this.","Wants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)","Was glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)","Is in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.","Lists names of executors and legatees and their shares and values.","Tells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.","Is worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.","Doubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.","Is horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026 Ohio Canal. (contains typed transcript)","Tells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.","Recommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.","First letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.","Discusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.","Discussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.","Discusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.","Answering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.","Discusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.","He wishes to meet with him in the middle of November, at which time they can conclude their business.","Discusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.","Discusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"","Invites him to the wedding of his oldest daughter the next week.","Has been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"","(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.","First letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.","Wants him to petition the Court to finally settle the estate of General Washington.","First letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.","An account by a boat company of receipts over the past year.","Discusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.","Acknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.","Agreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.","Has been unable to contact other parties to the contract. Hopes to be able to do so soon.","A committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.","Encloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.","Addressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.","Does not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.","Discusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.","(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.","Wants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.","The Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.","Draft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"","Draft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).","Encloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.","The state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"","As long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.","Feels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.","Urges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.","Has the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.","Assures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.","Encloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.","Invites him to come to his lodgings at any time at 9 a.m.","Is unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"","Reports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.","Feels it is very important for him to communicate with the federal government and is willing to help in any way.","Mr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.","Wants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.","Gives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.","Encloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.","Is very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.","Gives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more","Will not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.","Tells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.","Discusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.","Discusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.","Wants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.","Is writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.","(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"","(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.","(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.","(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.","(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.","Wants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.","Urges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"","His musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.","Would love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.","He remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.","(Typed transcription enclosed) Identical to previous letter.","(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.","(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"","(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.","Again says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.","(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"","The Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.","(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.","Inquires whether any action has been taken by the Legislature or is likely to be.","Tells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.","Discusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.","(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.","(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.","(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.","Invites recipient to the elevation of the Statue of Washington on February 22 in Richmond.","(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.","(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"","Gives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.","(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.","(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.","(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"","(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.","(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.","(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.","(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026 cupidity of the timid \u0026 narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.","(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?","(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.","(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.","Says he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.","(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.","(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.","Reiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.","(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.","Again states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.","Urges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.","(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.","(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.","(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.","(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.","(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.","(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.","(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"","Is preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.","(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"","(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.","(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.","(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.","(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.","(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026 Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.","(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"","(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"","(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.","He deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.","(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.","(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.","Wants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.","He is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.","Again requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.","Agrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.","The first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.","Urges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.","Wants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.","Acknowledges his decline to the proposition.","Replying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.","As a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.","Writes to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.","Is involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.","Is amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.","(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.","(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.","(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.","Thanks him for the hospitality given to him and his sister on their visit to Mount Vernon.","(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.","First letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.","Hopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.","(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"","Miss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.","Tells him of payment to Burke \u0026 Herbert of $10,000 on that day.","Tells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.","(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.","Wants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.","Their project would require the consent of the Regent of the MVLA.","(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.","(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"","(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.","Thanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.","Acknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.","The Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.","(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.","Tells them he has written to the Regent requesting her instructions about the matter they raised with him.","(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.","They wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.","(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.","(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.","(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"","(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"","(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026 Herbert for the last installment.","(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.","(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.","(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"","Wants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.","Again asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.","(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.","(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"","Thanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.","Details work done on various dresses.","Is sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.","Cannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.","Wants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.","Thanks him for sending money from the steamboat company for the MVLA.","Will be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.","Wishes to obtain a copy of the inventory of General Washington's estate.","Makes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.","Is returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.","(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"","Miss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.","Is still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.","(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.","Thanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.","Sees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.","(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.","Tells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.","Sends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.","(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.","(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.","He is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"","(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.","(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.","(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.","Acknowledges his letter but does not need receipts for premiums of insurance.","Reports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.","(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.","Tells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.","Funeral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.","Asks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.","Two leaflets advertising the writings of Dr. Lyon G. Tyler.","Full title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.","Wants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.","Photographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"","Small engraving probably clipped from a publication. Unknown location or residence shown in image.","Hair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"","Small black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.","Black and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).","Boston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"","Diary inscribed \"Account of all my recpts. \u0026 expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details.","Photocopies of undated manuscripts from the collection.","Photocopies of manuscripts dated 1834-1838 from the collection.","Photocopies of manuscripts dated 1841-1845 from the collection.","Photocopies of manuscripts dated 1846-1849 from the collection.","Photocopies of manuscripts dated 1851-1853 from the collection.","Photocopies of manuscripts dated 1854-1855 from the collection.","Photocopies of manuscripts dated 1856-1857 from the collection.","Photocopies of manuscripts dated 1858 from the collection. (1 of 2)","Photocopies of manuscripts dated 1858 from the collection. (2 of 2)","Photocopies of manuscripts dated 1859 from the collection.","Photocopies of manuscripts dated 1860-1861 from the collection.","Handwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection.","Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917","English \n.    "],"unitid_tesim":["RM.848","/repositories/3/resources/65"],"normalized_title_ssm":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"collection_title_tesim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"collection_ssim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creator_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creator_persname_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creators_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"has_online_content_ssim":["true"],"extent_ssm":["3 Linear Feet 7 boxes"],"extent_tesim":["3 Linear Feet 7 boxes"],"date_range_isim":[1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection."],"bioghist_html_tesm":["\u003cp\u003e(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)\u003c/p\u003e\n","\u003cp\u003eJohn Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.\u003c/p\u003e\n","\u003cp\u003eAs the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. \u003c/p\u003e\n","\u003cp\u003eThese visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. \u003c/p\u003e\n","\u003cp\u003eJohn Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)","John Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.","As the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. ","These visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. ","John Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. "],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) Collection, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) Collection, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eEarly Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Early Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. \u003c/p\u003e\n","\u003cp\u003eDescendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.\u003c/p\u003e","\u003cp\u003eLists signatures and states that all members of Congress would sign if requested.\u003c/p\u003e","\u003cp\u003eStates they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.\u003c/p\u003e","\u003cp\u003eMrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.\u003c/p\u003e","\u003cp\u003eShe had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.\u003c/p\u003e","\u003cp\u003eHis mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"\u003c/p\u003e","\u003cp\u003eApologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.\u003c/p\u003e","\u003cp\u003eDescribes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.\u003c/p\u003e","\u003cp\u003eUrges sale of Mount Vernon to Virginia rather than to a private sale.\u003c/p\u003e","\u003cp\u003eResolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.\u003c/p\u003e","\u003cp\u003eIntroduces some friends who wish to visit Mount Vernon.\u003c/p\u003e","\u003cp\u003eGives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.\u003c/p\u003e","\u003cp\u003eIs sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.\u003c/p\u003e","\u003cp\u003eSends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.\u003c/p\u003e","\u003cp\u003eThanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"\u003c/p\u003e","\u003cp\u003eIs against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.\u003c/p\u003e","\u003cp\u003eBrief note of regards, translated by J. Perkins.\u003c/p\u003e","\u003cp\u003eHeard about people being charged to enter the garden. Wishes he would stop this.\u003c/p\u003e","\u003cp\u003eWants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)\u003c/p\u003e","\u003cp\u003eWas glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)\u003c/p\u003e","\u003cp\u003eIs in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.\u003c/p\u003e","\u003cp\u003eLists names of executors and legatees and their shares and values.\u003c/p\u003e","\u003cp\u003eTells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.\u003c/p\u003e","\u003cp\u003eIs worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.\u003c/p\u003e","\u003cp\u003eDoubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.\u003c/p\u003e","\u003cp\u003eIs horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026amp; Ohio Canal. (contains typed transcript)\u003c/p\u003e","\u003cp\u003eTells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.\u003c/p\u003e","\u003cp\u003eRecommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.\u003c/p\u003e","\u003cp\u003eFirst letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.\u003c/p\u003e","\u003cp\u003eDiscusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.\u003c/p\u003e","\u003cp\u003eDiscussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.\u003c/p\u003e","\u003cp\u003eDiscusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.\u003c/p\u003e","\u003cp\u003eAnswering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.\u003c/p\u003e","\u003cp\u003eDiscusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.\u003c/p\u003e","\u003cp\u003eHe wishes to meet with him in the middle of November, at which time they can conclude their business.\u003c/p\u003e","\u003cp\u003eDiscusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.\u003c/p\u003e","\u003cp\u003eDiscusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"\u003c/p\u003e","\u003cp\u003eInvites him to the wedding of his oldest daughter the next week.\u003c/p\u003e","\u003cp\u003eHas been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.\u003c/p\u003e","\u003cp\u003eFirst letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.\u003c/p\u003e","\u003cp\u003eWants him to petition the Court to finally settle the estate of General Washington.\u003c/p\u003e","\u003cp\u003eFirst letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.\u003c/p\u003e","\u003cp\u003eAn account by a boat company of receipts over the past year.\u003c/p\u003e","\u003cp\u003eDiscusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.\u003c/p\u003e","\u003cp\u003eAcknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.\u003c/p\u003e","\u003cp\u003eAgreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.\u003c/p\u003e","\u003cp\u003eHas been unable to contact other parties to the contract. Hopes to be able to do so soon.\u003c/p\u003e","\u003cp\u003eA committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.\u003c/p\u003e","\u003cp\u003eEncloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.\u003c/p\u003e","\u003cp\u003eAddressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.\u003c/p\u003e","\u003cp\u003eDoes not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.\u003c/p\u003e","\u003cp\u003eDiscusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.\u003c/p\u003e","\u003cp\u003e(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.\u003c/p\u003e","\u003cp\u003eWants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.\u003c/p\u003e","\u003cp\u003eThe Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.\u003c/p\u003e","\u003cp\u003eDraft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"\u003c/p\u003e","\u003cp\u003eDraft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).\u003c/p\u003e","\u003cp\u003eEncloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.\u003c/p\u003e","\u003cp\u003eThe state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"\u003c/p\u003e","\u003cp\u003eAs long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.\u003c/p\u003e","\u003cp\u003eFeels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.\u003c/p\u003e","\u003cp\u003eUrges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.\u003c/p\u003e","\u003cp\u003eHas the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.\u003c/p\u003e","\u003cp\u003eAssures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.\u003c/p\u003e","\u003cp\u003eEncloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.\u003c/p\u003e","\u003cp\u003eInvites him to come to his lodgings at any time at 9 a.m.\u003c/p\u003e","\u003cp\u003eIs unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"\u003c/p\u003e","\u003cp\u003eReports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.\u003c/p\u003e","\u003cp\u003eFeels it is very important for him to communicate with the federal government and is willing to help in any way.\u003c/p\u003e","\u003cp\u003eMr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.\u003c/p\u003e","\u003cp\u003eWants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.\u003c/p\u003e","\u003cp\u003eGives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.\u003c/p\u003e","\u003cp\u003eEncloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.\u003c/p\u003e","\u003cp\u003eIs very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.\u003c/p\u003e","\u003cp\u003eGives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more\u003c/p\u003e","\u003cp\u003eWill not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.\u003c/p\u003e","\u003cp\u003eTells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.\u003c/p\u003e","\u003cp\u003eDiscusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.\u003c/p\u003e","\u003cp\u003eDiscusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.\u003c/p\u003e","\u003cp\u003eWants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.\u003c/p\u003e","\u003cp\u003eIs writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.\u003c/p\u003e","\u003cp\u003eWants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.\u003c/p\u003e","\u003cp\u003eUrges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"\u003c/p\u003e","\u003cp\u003eHis musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.\u003c/p\u003e","\u003cp\u003eWould love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.\u003c/p\u003e","\u003cp\u003eHe remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Identical to previous letter.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"\u003c/p\u003e","\u003cp\u003e(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.\u003c/p\u003e","\u003cp\u003eAgain says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"\u003c/p\u003e","\u003cp\u003eThe Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.\u003c/p\u003e","\u003cp\u003eInquires whether any action has been taken by the Legislature or is likely to be.\u003c/p\u003e","\u003cp\u003eTells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.\u003c/p\u003e","\u003cp\u003eDiscusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.\u003c/p\u003e","\u003cp\u003eInvites recipient to the elevation of the Statue of Washington on February 22 in Richmond.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"\u003c/p\u003e","\u003cp\u003eGives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.\u003c/p\u003e","\u003cp\u003e(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026amp; cupidity of the timid \u0026amp; narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.\u003c/p\u003e","\u003cp\u003eSays he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.\u003c/p\u003e","\u003cp\u003eReiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.\u003c/p\u003e","\u003cp\u003eAgain states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.\u003c/p\u003e","\u003cp\u003eUrges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"\u003c/p\u003e","\u003cp\u003eIs preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026amp; Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.\u003c/p\u003e","\u003cp\u003eHe deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.\u003c/p\u003e","\u003cp\u003eWants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.\u003c/p\u003e","\u003cp\u003eHe is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.\u003c/p\u003e","\u003cp\u003eAgain requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.\u003c/p\u003e","\u003cp\u003eAgrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.\u003c/p\u003e","\u003cp\u003eThe first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.\u003c/p\u003e","\u003cp\u003eUrges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.\u003c/p\u003e","\u003cp\u003eWants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.\u003c/p\u003e","\u003cp\u003eAcknowledges his decline to the proposition.\u003c/p\u003e","\u003cp\u003eReplying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.\u003c/p\u003e","\u003cp\u003eAs a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.\u003c/p\u003e","\u003cp\u003eWrites to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.\u003c/p\u003e","\u003cp\u003eIs involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.\u003c/p\u003e","\u003cp\u003eIs amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.\u003c/p\u003e","\u003cp\u003eThanks him for the hospitality given to him and his sister on their visit to Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.\u003c/p\u003e","\u003cp\u003eFirst letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.\u003c/p\u003e","\u003cp\u003eHopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"\u003c/p\u003e","\u003cp\u003eMiss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.\u003c/p\u003e","\u003cp\u003eTells him of payment to Burke \u0026amp; Herbert of $10,000 on that day.\u003c/p\u003e","\u003cp\u003eTells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.\u003c/p\u003e","\u003cp\u003eWants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003eTheir project would require the consent of the Regent of the MVLA.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.\u003c/p\u003e","\u003cp\u003eThanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.\u003c/p\u003e","\u003cp\u003eThe Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.\u003c/p\u003e","\u003cp\u003eTells them he has written to the Regent requesting her instructions about the matter they raised with him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.\u003c/p\u003e","\u003cp\u003eThey wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026amp; Herbert for the last installment.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"\u003c/p\u003e","\u003cp\u003eWants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.\u003c/p\u003e","\u003cp\u003eAgain asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"\u003c/p\u003e","\u003cp\u003eThanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.\u003c/p\u003e","\u003cp\u003eDetails work done on various dresses.\u003c/p\u003e","\u003cp\u003eIs sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.\u003c/p\u003e","\u003cp\u003eCannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.\u003c/p\u003e","\u003cp\u003eWants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.\u003c/p\u003e","\u003cp\u003eThanks him for sending money from the steamboat company for the MVLA.\u003c/p\u003e","\u003cp\u003eWill be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.\u003c/p\u003e","\u003cp\u003eWishes to obtain a copy of the inventory of General Washington's estate.\u003c/p\u003e","\u003cp\u003eMakes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.\u003c/p\u003e","\u003cp\u003eIs returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"\u003c/p\u003e","\u003cp\u003eMiss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.\u003c/p\u003e","\u003cp\u003eIs still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.\u003c/p\u003e","\u003cp\u003eThanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.\u003c/p\u003e","\u003cp\u003eSees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.\u003c/p\u003e","\u003cp\u003eTells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.\u003c/p\u003e","\u003cp\u003eSends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.\u003c/p\u003e","\u003cp\u003eHe is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.\u003c/p\u003e","\u003cp\u003eAcknowledges his letter but does not need receipts for premiums of insurance.\u003c/p\u003e","\u003cp\u003eReports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.\u003c/p\u003e","\u003cp\u003eTells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.\u003c/p\u003e","\u003cp\u003eFuneral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.\u003c/p\u003e","\u003cp\u003eAsks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.\u003c/p\u003e","\u003cp\u003eTwo leaflets advertising the writings of Dr. Lyon G. Tyler.\u003c/p\u003e","\u003cp\u003eFull title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.\u003c/p\u003e","\u003cp\u003eWants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.\u003c/p\u003e","\u003cp\u003ePhotographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"\u003c/p\u003e","\u003cp\u003eSmall engraving probably clipped from a publication. Unknown location or residence shown in image.\u003c/p\u003e","\u003cp\u003eHair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"\u003c/p\u003e","\u003cp\u003eSmall black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.\u003c/p\u003e","\u003cp\u003eBlack and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).\u003c/p\u003e","\u003cp\u003eBoston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"\u003c/p\u003e","\u003cp\u003eDiary inscribed \"Account of all my recpts. \u0026amp; expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.\u003c/p\u003e","\u003cp\u003eIncludes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.\u003c/p\u003e","\u003cp\u003eIncludes \"List of Negroes\" and Mount Vernon farming and maintenance details.\u003c/p\u003e","\u003cp\u003ePhotocopies of undated manuscripts from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1834-1838 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1841-1845 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1846-1849 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1851-1853 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1854-1855 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1856-1857 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1858 from the collection. (1 of 2)\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1858 from the collection. (2 of 2)\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1859 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1860-1861 from the collection.\u003c/p\u003e","\u003cp\u003eHandwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. ","Descendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.","Lists signatures and states that all members of Congress would sign if requested.","States they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.","Mrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.","She had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.","His mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"","Apologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.","Describes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.","Urges sale of Mount Vernon to Virginia rather than to a private sale.","Resolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.","Introduces some friends who wish to visit Mount Vernon.","Gives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.","Is sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.","Sends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.","Thanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"","Is against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.","Brief note of regards, translated by J. Perkins.","Heard about people being charged to enter the garden. Wishes he would stop this.","Wants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)","Was glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)","Is in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.","Lists names of executors and legatees and their shares and values.","Tells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.","Is worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.","Doubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.","Is horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026 Ohio Canal. (contains typed transcript)","Tells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.","Recommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.","First letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.","Discusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.","Discussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.","Discusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.","Answering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.","Discusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.","He wishes to meet with him in the middle of November, at which time they can conclude their business.","Discusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.","Discusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"","Invites him to the wedding of his oldest daughter the next week.","Has been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"","(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.","First letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.","Wants him to petition the Court to finally settle the estate of General Washington.","First letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.","An account by a boat company of receipts over the past year.","Discusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.","Acknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.","Agreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.","Has been unable to contact other parties to the contract. Hopes to be able to do so soon.","A committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.","Encloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.","Addressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.","Does not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.","Discusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.","(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.","Wants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.","The Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.","Draft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"","Draft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).","Encloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.","The state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"","As long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.","Feels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.","Urges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.","Has the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.","Assures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.","Encloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.","Invites him to come to his lodgings at any time at 9 a.m.","Is unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"","Reports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.","Feels it is very important for him to communicate with the federal government and is willing to help in any way.","Mr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.","Wants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.","Gives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.","Encloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.","Is very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.","Gives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more","Will not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.","Tells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.","Discusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.","Discusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.","Wants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.","Is writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.","(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"","(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.","(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.","(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.","(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.","Wants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.","Urges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"","His musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.","Would love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.","He remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.","(Typed transcription enclosed) Identical to previous letter.","(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.","(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"","(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.","Again says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.","(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"","The Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.","(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.","Inquires whether any action has been taken by the Legislature or is likely to be.","Tells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.","Discusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.","(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.","(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.","(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.","Invites recipient to the elevation of the Statue of Washington on February 22 in Richmond.","(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.","(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"","Gives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.","(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.","(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.","(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"","(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.","(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.","(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.","(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026 cupidity of the timid \u0026 narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.","(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?","(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.","(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.","Says he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.","(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.","(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.","Reiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.","(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.","Again states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.","Urges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.","(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.","(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.","(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.","(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.","(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.","(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.","(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"","Is preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.","(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"","(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.","(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.","(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.","(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.","(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026 Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.","(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"","(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"","(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.","He deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.","(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.","(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.","Wants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.","He is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.","Again requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.","Agrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.","The first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.","Urges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.","Wants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.","Acknowledges his decline to the proposition.","Replying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.","As a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.","Writes to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.","Is involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.","Is amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.","(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.","(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.","(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.","Thanks him for the hospitality given to him and his sister on their visit to Mount Vernon.","(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.","First letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.","Hopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.","(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"","Miss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.","Tells him of payment to Burke \u0026 Herbert of $10,000 on that day.","Tells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.","(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.","Wants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.","Their project would require the consent of the Regent of the MVLA.","(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.","(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"","(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.","Thanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.","Acknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.","The Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.","(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.","Tells them he has written to the Regent requesting her instructions about the matter they raised with him.","(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.","They wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.","(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.","(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.","(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"","(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"","(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026 Herbert for the last installment.","(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.","(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.","(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"","Wants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.","Again asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.","(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.","(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"","Thanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.","Details work done on various dresses.","Is sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.","Cannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.","Wants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.","Thanks him for sending money from the steamboat company for the MVLA.","Will be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.","Wishes to obtain a copy of the inventory of General Washington's estate.","Makes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.","Is returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.","(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"","Miss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.","Is still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.","(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.","Thanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.","Sees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.","(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.","Tells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.","Sends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.","(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.","(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.","He is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"","(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.","(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.","(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.","Acknowledges his letter but does not need receipts for premiums of insurance.","Reports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.","(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.","Tells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.","Funeral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.","Asks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.","Two leaflets advertising the writings of Dr. Lyon G. Tyler.","Full title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.","Wants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.","Photographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"","Small engraving probably clipped from a publication. Unknown location or residence shown in image.","Hair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"","Small black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.","Black and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).","Boston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"","Diary inscribed \"Account of all my recpts. \u0026 expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details.","Photocopies of undated manuscripts from the collection.","Photocopies of manuscripts dated 1834-1838 from the collection.","Photocopies of manuscripts dated 1841-1845 from the collection.","Photocopies of manuscripts dated 1846-1849 from the collection.","Photocopies of manuscripts dated 1851-1853 from the collection.","Photocopies of manuscripts dated 1854-1855 from the collection.","Photocopies of manuscripts dated 1856-1857 from the collection.","Photocopies of manuscripts dated 1858 from the collection. (1 of 2)","Photocopies of manuscripts dated 1858 from the collection. (2 of 2)","Photocopies of manuscripts dated 1859 from the collection.","Photocopies of manuscripts dated 1860-1861 from the collection.","Handwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":251,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:55:09.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_3_resources_65","ead_ssi":"vimtvl_repositories_3_resources_65","_root_":"vimtvl_repositories_3_resources_65","_nest_parent_":"vimtvl_repositories_3_resources_65","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_65.xml","title_ssm":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"title_tesim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"unitdate_ssm":["1834-1957"],"unitdate_inclusive_ssm":["1834-1957"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.848","/repositories/3/resources/65"],"text":["RM.848","/repositories/3/resources/65","John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","The collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection.","(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)","John Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.","As the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. ","These visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. ","John Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. ","This diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection.","Early Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection","This collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. ","Descendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.","Lists signatures and states that all members of Congress would sign if requested.","States they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.","Mrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.","She had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.","His mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"","Apologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.","Describes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.","Urges sale of Mount Vernon to Virginia rather than to a private sale.","Resolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.","Introduces some friends who wish to visit Mount Vernon.","Gives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.","Is sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.","Sends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.","Thanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"","Is against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.","Brief note of regards, translated by J. Perkins.","Heard about people being charged to enter the garden. Wishes he would stop this.","Wants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)","Was glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)","Is in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.","Lists names of executors and legatees and their shares and values.","Tells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.","Is worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.","Doubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.","Is horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026 Ohio Canal. (contains typed transcript)","Tells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.","Recommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.","First letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.","Discusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.","Discussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.","Discusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.","Answering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.","Discusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.","He wishes to meet with him in the middle of November, at which time they can conclude their business.","Discusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.","Discusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"","Invites him to the wedding of his oldest daughter the next week.","Has been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"","(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.","First letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.","Wants him to petition the Court to finally settle the estate of General Washington.","First letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.","An account by a boat company of receipts over the past year.","Discusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.","Acknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.","Agreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.","Has been unable to contact other parties to the contract. Hopes to be able to do so soon.","A committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.","Encloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.","Addressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.","Does not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.","Discusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.","(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.","Wants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.","The Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.","Draft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"","Draft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).","Encloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.","The state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"","As long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.","Feels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.","Urges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.","Has the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.","Assures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.","Encloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.","Invites him to come to his lodgings at any time at 9 a.m.","Is unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"","Reports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.","Feels it is very important for him to communicate with the federal government and is willing to help in any way.","Mr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.","Wants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.","Gives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.","Encloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.","Is very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.","Gives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more","Will not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.","Tells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.","Discusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.","Discusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.","Wants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.","Is writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.","(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"","(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.","(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.","(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.","(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.","Wants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.","Urges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"","His musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.","Would love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.","He remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.","(Typed transcription enclosed) Identical to previous letter.","(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.","(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"","(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.","Again says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.","(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"","The Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.","(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.","Inquires whether any action has been taken by the Legislature or is likely to be.","Tells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.","Discusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.","(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.","(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.","(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.","Invites recipient to the elevation of the Statue of Washington on February 22 in Richmond.","(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.","(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"","Gives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.","(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.","(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.","(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"","(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.","(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.","(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.","(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026 cupidity of the timid \u0026 narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.","(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?","(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.","(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.","Says he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.","(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.","(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.","Reiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.","(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.","Again states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.","Urges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.","(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.","(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.","(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.","(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.","(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.","(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.","(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"","Is preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.","(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"","(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.","(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.","(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.","(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.","(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026 Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.","(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"","(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"","(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.","He deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.","(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.","(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.","Wants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.","He is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.","Again requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.","Agrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.","The first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.","Urges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.","Wants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.","Acknowledges his decline to the proposition.","Replying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.","As a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.","Writes to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.","Is involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.","Is amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.","(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.","(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.","(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.","Thanks him for the hospitality given to him and his sister on their visit to Mount Vernon.","(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.","First letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.","Hopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.","(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"","Miss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.","Tells him of payment to Burke \u0026 Herbert of $10,000 on that day.","Tells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.","(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.","Wants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.","Their project would require the consent of the Regent of the MVLA.","(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.","(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"","(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.","Thanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.","Acknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.","The Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.","(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.","Tells them he has written to the Regent requesting her instructions about the matter they raised with him.","(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.","They wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.","(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.","(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.","(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"","(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"","(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026 Herbert for the last installment.","(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.","(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.","(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"","Wants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.","Again asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.","(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.","(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"","Thanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.","Details work done on various dresses.","Is sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.","Cannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.","Wants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.","Thanks him for sending money from the steamboat company for the MVLA.","Will be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.","Wishes to obtain a copy of the inventory of General Washington's estate.","Makes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.","Is returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.","(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"","Miss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.","Is still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.","(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.","Thanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.","Sees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.","(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.","Tells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.","Sends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.","(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.","(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.","He is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"","(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.","(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.","(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.","Acknowledges his letter but does not need receipts for premiums of insurance.","Reports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.","(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.","Tells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.","Funeral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.","Asks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.","Two leaflets advertising the writings of Dr. Lyon G. Tyler.","Full title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.","Wants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.","Photographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"","Small engraving probably clipped from a publication. Unknown location or residence shown in image.","Hair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"","Small black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.","Black and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).","Boston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"","Diary inscribed \"Account of all my recpts. \u0026 expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details.","Photocopies of undated manuscripts from the collection.","Photocopies of manuscripts dated 1834-1838 from the collection.","Photocopies of manuscripts dated 1841-1845 from the collection.","Photocopies of manuscripts dated 1846-1849 from the collection.","Photocopies of manuscripts dated 1851-1853 from the collection.","Photocopies of manuscripts dated 1854-1855 from the collection.","Photocopies of manuscripts dated 1856-1857 from the collection.","Photocopies of manuscripts dated 1858 from the collection. (1 of 2)","Photocopies of manuscripts dated 1858 from the collection. (2 of 2)","Photocopies of manuscripts dated 1859 from the collection.","Photocopies of manuscripts dated 1860-1861 from the collection.","Handwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection.","Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917","English \n.    "],"unitid_tesim":["RM.848","/repositories/3/resources/65"],"normalized_title_ssm":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"collection_title_tesim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"collection_ssim":["John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) collection"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creator_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creator_persname_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"creators_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865"],"has_online_content_ssim":["true"],"extent_ssm":["3 Linear Feet 7 boxes"],"extent_tesim":["3 Linear Feet 7 boxes"],"date_range_isim":[1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically with undated material listed at the beginning in alphabetical order by folder title. Addenda, photocopies, and bound volumes are described at the end of the collection."],"bioghist_html_tesm":["\u003cp\u003e(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)\u003c/p\u003e\n","\u003cp\u003eJohn Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.\u003c/p\u003e\n","\u003cp\u003eAs the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. \u003c/p\u003e\n","\u003cp\u003eThese visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. \u003c/p\u003e\n","\u003cp\u003eJohn Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["(Taken from the Digital Encyclopedia entry by Matthew Costello, George Washington's Mount Vernon website)","John Augustine Washington III was the great-grand nephew of George Washington and the last private owner of Mount Vernon. The fourth of five children, he was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. John Augustine spent his young childhood at his parents' Blakeley plantation near present day Charles Town, West Virginia, but after the deaths of Bushrod Washington and his wife Julia in 1829, the Mount Vernon estate became the possession of Bushrod's nephew, John Augustine Washington II. As the son of a wealthy Virginia planter, John Augustine enjoyed a comfortable lifestyle at Mount Vernon, developing interests in politics, hunting, and agriculture. After John Augustine Washington II passed away in June 1832, the estate was left to his widow Jane Charlotte, who vowed to maintain the estate to the best of her ability without involving her children's inheritances. While John Augustine Washington III preferred his more aristocratic pastimes, Jane insisted that he attend college after his father's death. He graduated from the University of Virginia in 1840, returning to Mount Vernon in September 1841 with a proposition to manage the estate for his mother. She agreed, loaning him twenty-two slaves and contracting his employment for five hundred dollars per year for seven years.","As the oldest living male heir, John Augustine Washington III positioned himself to take possession of Mount Vernon from his mother. While she did not pass away until 1855, she gave John Augustine the proverbial keys to the kingdom, granting him full autonomy to run the plantation as he saw fit. However, John Augustine quickly realized that the deteriorating Mount Vernon estate was a far cry from the profitable plantation that his great-great uncle George Washington once presided over. His primary means of income came from wheat and potato production, woodcutting, selling slaves and outsourcing slave labor, collecting land rents, and his herring operation on the Potomac River. However, soil degradation, poor harvests, temperamental weather, and the devastation of crops by insects and pests limited his agricultural returns. While he managed to slow Mount Vernon's financial decline, these endeavors were not enough to stop the downward spiral. In addition to facing these hardships, John Augustine also experienced constant interruptions by sightseers, many of whom wanted the meet the living descendent of General George Washington, see the Mansion, and ask questions about Washington's life. ","These visitors were considered a nuisance to John Augustine's family, and their presence slowed plantation work for slaves, overseers, and hired farm laborers. Initially John Augustine followed the precedential policies of his mother, father, and uncle Bushrod, publishing trespassing notices around the property, requesting letters of introduction to enter the Mansion, and denying the landing of steamboats on the Potomac River. But with his lands yielding such little profit, John Augustine decided to embrace this historical tourism, implementing business strategies to extract money from the thousands of visitors who journeyed to the home of George Washington. In order to bring more people to the estate, he entered into a contract with the proprietors of the Thomas Collyer to permit their steamboat to dock directly at Mount Vernon. He also promoted and invested in the construction of the Alexandria, Mount Vernon, and Accotink Turnpike Road, which was designed to make travel easier to Mount Vernon over land. As more visitors descended upon the grounds, he instructed slaves and laborers to sell bouquets of flowers, fruit, milk, and hand-carved canes to tourists. Beyond the property boundaries, he went into business with James Crutchett, who purchased timber from the estate and manufactured wooden Washington trinkets near the Baltimore and Ohio Railroad depot in the nation's capital. While John Augustine Washington capitalized on the American fascination with George Washington, these sales were not substantial enough to convince him to retain Mount Vernon. He attempted to sell the property to both the federal government and the state of Virginia, but both bodies were deeply mired in sectional and political partisanship. Convinced that neither would meet his terms, he agreed to sell 200 acres of the Mount Vernon estate, which included the Mansion, outlying buildings, and the family tomb to the Mount Vernon Ladies' Association (MVLA) in 1858 for $200,000. ","John Augustine and his family vacated Mount Vernon for their new home Waveland plantation in February 1860. About a year later the state of Virginia called for a convention to debate the issue of secession, and in April 1861, Virginia delegates responded to the firing on Fort Sumter by voting in favor of leaving the Union. John Augustine joined the Confederate Army as a lieutenant colonel, and he served as aide-de-camp to his relative by marriage, General Robert E. Lee. In September 1861, John Augustine was killed during a reconnaissance mission at the Battle of Cheat Mountain by a Union bushwhacker. In a letter to John's teenage daughter Louisa, Lee painfully informed her that her father \"fell in the cause to which he had devoted all his energies, and which his noble heart was earnestly enlisted.\" The two men had shared many conversations and moments together as tent mates, and Lee admired his unflinching \"devotion to Almighty God,\" assuring Louisa that \"He is now safely in Heaven.\" John Augustine was buried in the Zion Episcopal Churchyard in Charles Town, West Virginia, one of several Washington family members who fought and died for Southern independence. "],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) Collection, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], John Augustine Washington III and Mount Vernon Ladies' Association (MVLA) Collection, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This diary may not actually be part of accession RM-848 as it is not mentioned in the initial inventory/correspondence. However, it was in the same box as the other diaries and the almanac when found on the shelf, therefore it was described with the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eEarly Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Early Records of the Mount Vernon Ladies' Association ;\nPapers of the Mount Vernon Ladies' Association ;\nJohn Augustine Washington III and Eleanor Love Selden Correspondence ;\nJohn Augustine Washington III and Descendants Papers ;\nHistoric Manuscripts Collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. \u003c/p\u003e\n","\u003cp\u003eDescendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.\u003c/p\u003e","\u003cp\u003eLists signatures and states that all members of Congress would sign if requested.\u003c/p\u003e","\u003cp\u003eStates they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.\u003c/p\u003e","\u003cp\u003eMrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.\u003c/p\u003e","\u003cp\u003eShe had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.\u003c/p\u003e","\u003cp\u003eHis mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"\u003c/p\u003e","\u003cp\u003eApologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.\u003c/p\u003e","\u003cp\u003eDescribes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.\u003c/p\u003e","\u003cp\u003eUrges sale of Mount Vernon to Virginia rather than to a private sale.\u003c/p\u003e","\u003cp\u003eResolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.\u003c/p\u003e","\u003cp\u003eIntroduces some friends who wish to visit Mount Vernon.\u003c/p\u003e","\u003cp\u003eGives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.\u003c/p\u003e","\u003cp\u003eIs sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.\u003c/p\u003e","\u003cp\u003eSends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.\u003c/p\u003e","\u003cp\u003eThanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"\u003c/p\u003e","\u003cp\u003eIs against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.\u003c/p\u003e","\u003cp\u003eBrief note of regards, translated by J. Perkins.\u003c/p\u003e","\u003cp\u003eHeard about people being charged to enter the garden. Wishes he would stop this.\u003c/p\u003e","\u003cp\u003eWants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)\u003c/p\u003e","\u003cp\u003eWas glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)\u003c/p\u003e","\u003cp\u003eIs in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.\u003c/p\u003e","\u003cp\u003eLists names of executors and legatees and their shares and values.\u003c/p\u003e","\u003cp\u003eTells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.\u003c/p\u003e","\u003cp\u003eIs worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.\u003c/p\u003e","\u003cp\u003eDoubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.\u003c/p\u003e","\u003cp\u003eIs horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026amp; Ohio Canal. (contains typed transcript)\u003c/p\u003e","\u003cp\u003eTells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.\u003c/p\u003e","\u003cp\u003eRecommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.\u003c/p\u003e","\u003cp\u003eFirst letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.\u003c/p\u003e","\u003cp\u003eDiscusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.\u003c/p\u003e","\u003cp\u003eDiscussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.\u003c/p\u003e","\u003cp\u003eDiscusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.\u003c/p\u003e","\u003cp\u003eAnswering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.\u003c/p\u003e","\u003cp\u003eDiscusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.\u003c/p\u003e","\u003cp\u003eHe wishes to meet with him in the middle of November, at which time they can conclude their business.\u003c/p\u003e","\u003cp\u003eDiscusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.\u003c/p\u003e","\u003cp\u003eDiscusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"\u003c/p\u003e","\u003cp\u003eInvites him to the wedding of his oldest daughter the next week.\u003c/p\u003e","\u003cp\u003eHas been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.\u003c/p\u003e","\u003cp\u003eFirst letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.\u003c/p\u003e","\u003cp\u003eWants him to petition the Court to finally settle the estate of General Washington.\u003c/p\u003e","\u003cp\u003eFirst letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.\u003c/p\u003e","\u003cp\u003eAn account by a boat company of receipts over the past year.\u003c/p\u003e","\u003cp\u003eDiscusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.\u003c/p\u003e","\u003cp\u003eAcknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.\u003c/p\u003e","\u003cp\u003eAgreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.\u003c/p\u003e","\u003cp\u003eHas been unable to contact other parties to the contract. Hopes to be able to do so soon.\u003c/p\u003e","\u003cp\u003eA committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.\u003c/p\u003e","\u003cp\u003eEncloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.\u003c/p\u003e","\u003cp\u003eAddressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.\u003c/p\u003e","\u003cp\u003eDoes not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.\u003c/p\u003e","\u003cp\u003eDiscusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.\u003c/p\u003e","\u003cp\u003e(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.\u003c/p\u003e","\u003cp\u003eWants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.\u003c/p\u003e","\u003cp\u003eThe Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.\u003c/p\u003e","\u003cp\u003eDraft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"\u003c/p\u003e","\u003cp\u003eDraft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).\u003c/p\u003e","\u003cp\u003eEncloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.\u003c/p\u003e","\u003cp\u003eThe state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"\u003c/p\u003e","\u003cp\u003eAs long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.\u003c/p\u003e","\u003cp\u003eFeels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.\u003c/p\u003e","\u003cp\u003eUrges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.\u003c/p\u003e","\u003cp\u003eHas the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.\u003c/p\u003e","\u003cp\u003eAssures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.\u003c/p\u003e","\u003cp\u003eEncloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.\u003c/p\u003e","\u003cp\u003eInvites him to come to his lodgings at any time at 9 a.m.\u003c/p\u003e","\u003cp\u003eIs unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"\u003c/p\u003e","\u003cp\u003eReports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.\u003c/p\u003e","\u003cp\u003eFeels it is very important for him to communicate with the federal government and is willing to help in any way.\u003c/p\u003e","\u003cp\u003eMr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.\u003c/p\u003e","\u003cp\u003eWants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.\u003c/p\u003e","\u003cp\u003eGives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.\u003c/p\u003e","\u003cp\u003eEncloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.\u003c/p\u003e","\u003cp\u003eIs very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.\u003c/p\u003e","\u003cp\u003eGives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more\u003c/p\u003e","\u003cp\u003eWill not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.\u003c/p\u003e","\u003cp\u003eTells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.\u003c/p\u003e","\u003cp\u003eDiscusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.\u003c/p\u003e","\u003cp\u003eDiscusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.\u003c/p\u003e","\u003cp\u003eWants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.\u003c/p\u003e","\u003cp\u003eIs writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.\u003c/p\u003e","\u003cp\u003eWants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.\u003c/p\u003e","\u003cp\u003eUrges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"\u003c/p\u003e","\u003cp\u003eHis musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.\u003c/p\u003e","\u003cp\u003eWould love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.\u003c/p\u003e","\u003cp\u003eHe remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Identical to previous letter.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"\u003c/p\u003e","\u003cp\u003e(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.\u003c/p\u003e","\u003cp\u003eAgain says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"\u003c/p\u003e","\u003cp\u003eThe Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.\u003c/p\u003e","\u003cp\u003eInquires whether any action has been taken by the Legislature or is likely to be.\u003c/p\u003e","\u003cp\u003eTells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.\u003c/p\u003e","\u003cp\u003eDiscusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.\u003c/p\u003e","\u003cp\u003eInvites recipient to the elevation of the Statue of Washington on February 22 in Richmond.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"\u003c/p\u003e","\u003cp\u003eGives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.\u003c/p\u003e","\u003cp\u003e(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026amp; cupidity of the timid \u0026amp; narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.\u003c/p\u003e","\u003cp\u003eSays he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.\u003c/p\u003e","\u003cp\u003eReiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.\u003c/p\u003e","\u003cp\u003eAgain states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.\u003c/p\u003e","\u003cp\u003eUrges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"\u003c/p\u003e","\u003cp\u003eIs preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026amp; Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.\u003c/p\u003e","\u003cp\u003eHe deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.\u003c/p\u003e","\u003cp\u003eWants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.\u003c/p\u003e","\u003cp\u003eHe is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.\u003c/p\u003e","\u003cp\u003eAgain requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.\u003c/p\u003e","\u003cp\u003eAgrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.\u003c/p\u003e","\u003cp\u003eThe first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.\u003c/p\u003e","\u003cp\u003eUrges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.\u003c/p\u003e","\u003cp\u003eWants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.\u003c/p\u003e","\u003cp\u003eAcknowledges his decline to the proposition.\u003c/p\u003e","\u003cp\u003eReplying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.\u003c/p\u003e","\u003cp\u003eAs a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.\u003c/p\u003e","\u003cp\u003eWrites to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.\u003c/p\u003e","\u003cp\u003eIs involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.\u003c/p\u003e","\u003cp\u003eIs amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.\u003c/p\u003e","\u003cp\u003eThanks him for the hospitality given to him and his sister on their visit to Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.\u003c/p\u003e","\u003cp\u003eFirst letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.\u003c/p\u003e","\u003cp\u003eHopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"\u003c/p\u003e","\u003cp\u003eMiss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.\u003c/p\u003e","\u003cp\u003eTells him of payment to Burke \u0026amp; Herbert of $10,000 on that day.\u003c/p\u003e","\u003cp\u003eTells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.\u003c/p\u003e","\u003cp\u003eWants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.\u003c/p\u003e","\u003cp\u003eTheir project would require the consent of the Regent of the MVLA.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.\u003c/p\u003e","\u003cp\u003eThanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.\u003c/p\u003e","\u003cp\u003eAcknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.\u003c/p\u003e","\u003cp\u003eThe Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.\u003c/p\u003e","\u003cp\u003eTells them he has written to the Regent requesting her instructions about the matter they raised with him.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.\u003c/p\u003e","\u003cp\u003eThey wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026amp; Herbert for the last installment.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"\u003c/p\u003e","\u003cp\u003eWants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.\u003c/p\u003e","\u003cp\u003eAgain asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"\u003c/p\u003e","\u003cp\u003eThanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.\u003c/p\u003e","\u003cp\u003eDetails work done on various dresses.\u003c/p\u003e","\u003cp\u003eIs sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.\u003c/p\u003e","\u003cp\u003eCannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.\u003c/p\u003e","\u003cp\u003eWants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.\u003c/p\u003e","\u003cp\u003eThanks him for sending money from the steamboat company for the MVLA.\u003c/p\u003e","\u003cp\u003eWill be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.\u003c/p\u003e","\u003cp\u003eWishes to obtain a copy of the inventory of General Washington's estate.\u003c/p\u003e","\u003cp\u003eMakes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.\u003c/p\u003e","\u003cp\u003eIs returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"\u003c/p\u003e","\u003cp\u003eMiss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.\u003c/p\u003e","\u003cp\u003eIs still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.\u003c/p\u003e","\u003cp\u003eThanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.\u003c/p\u003e","\u003cp\u003eSees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.\u003c/p\u003e","\u003cp\u003eTells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.\u003c/p\u003e","\u003cp\u003eSends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.\u003c/p\u003e","\u003cp\u003eHe is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.\u003c/p\u003e","\u003cp\u003eAcknowledges his letter but does not need receipts for premiums of insurance.\u003c/p\u003e","\u003cp\u003eReports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.\u003c/p\u003e","\u003cp\u003e(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.\u003c/p\u003e","\u003cp\u003eTells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.\u003c/p\u003e","\u003cp\u003eFuneral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.\u003c/p\u003e","\u003cp\u003eAsks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.\u003c/p\u003e","\u003cp\u003eTwo leaflets advertising the writings of Dr. Lyon G. Tyler.\u003c/p\u003e","\u003cp\u003eFull title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.\u003c/p\u003e","\u003cp\u003eWants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.\u003c/p\u003e","\u003cp\u003ePhotographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"\u003c/p\u003e","\u003cp\u003eSmall engraving probably clipped from a publication. Unknown location or residence shown in image.\u003c/p\u003e","\u003cp\u003eHair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"\u003c/p\u003e","\u003cp\u003eSmall black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.\u003c/p\u003e","\u003cp\u003eBlack and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).\u003c/p\u003e","\u003cp\u003eBoston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"\u003c/p\u003e","\u003cp\u003eDiary inscribed \"Account of all my recpts. \u0026amp; expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.\u003c/p\u003e","\u003cp\u003eIncludes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.\u003c/p\u003e","\u003cp\u003eIncludes \"List of Negroes\" and Mount Vernon farming and maintenance details.\u003c/p\u003e","\u003cp\u003ePhotocopies of undated manuscripts from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1834-1838 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1841-1845 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1846-1849 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1851-1853 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1854-1855 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1856-1857 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1858 from the collection. (1 of 2)\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1858 from the collection. (2 of 2)\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1859 from the collection.\u003c/p\u003e","\u003cp\u003ePhotocopies of manuscripts dated 1860-1861 from the collection.\u003c/p\u003e","\u003cp\u003eHandwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection concerns the inheritance, maintenance, and sale of the Mount Vernon estate by its last private owner, John Augustine Washington III. A large majority of the collection is correspondence to or from John Augustine Washington III with a significant portion relating to the purchase of the estate by the Mount Vernon Ladies' Association. Three diaries kept by John Augustine are also included and contain important information about his slaves, agricultural practices, and finances. Other types of material in the collection include legal documents, receipts, photographs, and ephemera. Photocopies were made for most of the manuscripts and can be viewed as surrogates to the originals. ","Descendants of John Augustine Washington III maintained ownership of these records until 1990 when they were sold to Gary Hendershott, a manuscripts dealer from Little Rock, Arkansas. The Mount Vernon Ladies' Association purchased the collection in October 1990.","Lists signatures and states that all members of Congress would sign if requested.","States they are now the \"best of friends.\" She is angry at people who denigrate his motives. Wants to make known his true nature.","Mrs. Ritchie requests he arrive at the theatre a little after 12:00 so all guests may be seated prior to the rise of the curtain.","She had sent her present of flowers to Mrs. Madison, and they were \"greatfully\" received.","His mother wants help valuing her sheep. Describes one offer for Mount Vernon with great disdain. They want to have entertainments there. He has great respect for \"your manly pride.\"","Apologizes for having intruded too much on his privacy during a recent visit when Mrs. Ritchie and others of the ladies \"took forcible possession of me\" and requested cuttings of flowers. Hopes he will establish a Botanic Garden and suggests a location for a Mausoleum.","Describes her return from Mount Vernon in much rain. Discusses crops. Gives instructions for sending things to her. Asks report of conversation that was \"highly derogatory to me.\" Feels items should be sold to visitors so they will not pilfer mementos.","Urges sale of Mount Vernon to Virginia rather than to a private sale.","Resolution wants to change the site of the Military Asylum to Mount Vernon if a part of the estate can be purchased at a reasonable price.","Introduces some friends who wish to visit Mount Vernon.","Gives family news and an account of a visit by a gentleman who spent the night at Mount Vernon and gave $5 to West Ford. Discusses sale of a slave to his cousin. Has heard of a bill by the federal government to purchase Mount Vernon and wishes it would be accepted. Mentions prices and terms.","Is sending oats and other items to Mount Vernon. Urges him to pursue his studies. Wishes him to send some oysters and sugar.","Sends funds for completing the vault at Mount Vernon and authorizes him to take more money from his bank if necessary.","Thanks him for the many civilities experienced by them during their visit to Mount Vernon. Sends a piece of a branch of a fig tree cut from the birth spot of \"your immortal ancestor.\"","Is against his plans for Mount Vernon and opening it to \"every low idler.\" Discusses payments and what form they would take.","Brief note of regards, translated by J. Perkins.","Heard about people being charged to enter the garden. Wishes he would stop this.","Wants to know price and terms of sale of Mount Vernon. If not for sale, could it be leased. (Contains typed transcript.)","Was glad to hear that Mount Vernon was not for sale as it should remain in the hands of the Washington family. Wishes to \"establish a house of entertainment in the vicinity of Mount Vernon.\" Asks questions as to materials and location of such. (Contains typed transcript.)","Is in the market to purchase negroes as one of his men, Alfred, has run off. Wants to know whether she still wishes to dispose of her negroes and what her price would be. He could pay $500 cash and then pay off the principal in a year or two.","Lists names of executors and legatees and their shares and values.","Tells him of an upcoming visit to Washington and Mount Vernon by a \"highly respectable volunteer corps.\" They wish to arrive by boat and see the tomb of Washington. He understands permission to do so is necessary.","Is worried his health is suffering by his labors at Mount Vernon. Hopes he will accept any reasonable offer by the U.S. Government for it. Went into town to have magistrates witness her acknowledgment of the deed of release. Discusses a suit brought by Judge Douglass and the health of various family members.","Doubts whether an offer will be made by the U.S. Government. Hopes it would as she feels his health is suffering from attending to business at Mount Vernon. Recommends someone to help him acquire an overseer. Was paid money for him. Discusses the failing health of Dr. Alexander's mother and others.","Is horrified to learn of auction of Wood Lawn. Proposes to run a steamboat between Washington to Wood Lawn, Fort Washington, Mount Vernon, and the White House. Gives references. Pledges to bring members of Congress there and feels it would enhance the chances of the purchase of Mount Vernon by the government. Suggests it could be used as a summer home for the President. Discusses various items left by Washington and the soon to be completed Chesapeake \u0026 Ohio Canal. (contains typed transcript)","Tells him of a letter he received from an unknown man who wants to obtain a tree from Mount Vernon to transplant in France to shade the bench of Christopher Columbus which he possesses.","Recommends leaving it to Congress to propose a price for the purchase of Mount Vernon. She feels he wants too much for it, and that it really should not be sold. Gives family news. Gives advice on his search for an overseer.","First letter discusses the Supreme Court taking on the suit of Mr. Hammond against General Washington. Bassett says he discharged all debts owed by Captain Lewis. There is another copy of the names of executors and legatees and their shares and values. Discussions of various debts owed to different people.","Discusses various suits, mostly Hammonds, against the estate and their current status. Many people have died since 1827 when they were last listed. Will take a long time to find people.","Discussion of the Hammond suit and payments still owed to various creditors, to be paid by all the legatees of General Washington's estate. Most dollar figures are left blank to be filled in later. Prompt payment by all legatees is required.","Discusses his father's will and his lack of knowledge of the whereabouts of various other people mentioned in JAW's letter.","Answering his inquiries as to various relatives. Suggests he write to the clerk of Kanawha County for the information he requires. Suggests he contact Andrew Parks who probably has all the facts.","Discusses sale of swamp land. He paid the taxes on it for the Washington heirs. The land is not worth much since the timber had been taken from it by many people over the years. Would like to be reimbursed for the money he paid.","He wishes to meet with him in the middle of November, at which time they can conclude their business.","Discusses the bill in Congress to purchase Mount Vernon. Wants assets divided up between her children so all are taken care of. Tells of Charles' upcoming marriage before he leaves for California.","Discusses the codicil of his father's will. Mrs. Washington is not compelled to sell. Upon her death, the heirs may sell despite the codicil. Suggests Mrs. Washington partition the land before her death in order that JAW may do \"what you please with the land.\"","Invites him to the wedding of his oldest daughter the next week.","Has been in Charlestown attending services for the week. Is amazed at the prospect of $200,000 being paid for Mount Vernon by the government. Wants him to send fish and to pickle some \"Rock.\"","(Typed transcription included) George Page and a surveyor from Maryland wanted to survey land in the Potomac River adjacent to Mount Vernon with the object of bringing steamboats there. Was notified he would be charged with some offense by Maryland. Makes him aware that the compact between the states means they have no claim on him.","First letter – wants to know if Mount Vernon Estate will be sold. Second letter – understands the government might become the owner of the estate and wants to meet.","Wants him to petition the Court to finally settle the estate of General Washington.","First letter – wants to examine Mount Vernon with a view to the establishment of a military asylum for the relief of soldiers. Second letter – tells him the price for Mount Vernon is too high, and purchase of a location nearer Washington will be undertaken.","An account by a boat company of receipts over the past year.","Discusses the landing of boats at Mount Vernon without JAW's previous knowledge. Wants them to be allowed to dock if they pay the usual fare to him.","Acknowledges payment for the pianoforte. Wants four walking sticks cut from near General Washington's tomb to be sent to monks in Italy.","Agreement to sell 200 acres of Mount Vernon for $200,000. Includes all buildings and the tomb, as well as furnishings currently there. Also will allow heirs to be buried there. He may not sell the estate without first offering it to the U.S. Government and the State of Virginia for no more than $350,000.","Has been unable to contact other parties to the contract. Hopes to be able to do so soon.","A committee of the House of Delegates has been appointed to consider the purchase of Mount Vernon. Wants to meet him in Alexandria to discuss this.","Encloses a newspaper clipping about the acquisition of Mount Vernon by the State of Virginia. Tells him the committee of five will look into the will of the people as to this acquisition.","Addressed only to \"Mrs. Washington.\" Unclear whether it is addressed to Mrs. Jane C.B. Washington or Mrs. Eleanor L.S. Washington. (Typed transcription included) Has heard that Mount Vernon is for sale, possibly to northern people. Feels the Ladies of the South might instead procure it and wants to know the price.","Does not wish to part with Mount Vernon but wishes to keep it from the changeable fortunes of a family and to ally it to the State. Would sell 200 acres with stipulations for $200,000. If the State wants to establish a model farm there, he would sell an additional 1,000 acres for $300,000. Invites them to visit.","Discusses his offer to sell Mount Vernon to the state. Says $200,000 is less than the property could sell for on the market. Talks about having a model farm as nothing meant more to Washington than farming. Would welcome them to visit. Reminds them that his terms cannot be materially modified.","(Typed transcription included) Says he is asking less money of the state than he had been offered by others. Tells them of his desire for a model farm as the pursuit of an improved system of agriculture was of great importance to General Washington. Would welcome a visit from them.","Wants to clear up suggestions that he is falsely referring to higher offers for Mount Vernon.","The Committee feels the price for Mount Vernon \"is enormous.\" Would prefer the money to be used for a rail road.","Draft in writing of John Augustine Washington III. Addressed to \"Miss Cunningham\" but could also be a response to Louisa Cunningham's letter instead of Ann Pamela Cunningham. Praises the women of the south for their affection for Washington. Does not wish to dispose of the property except to the government of the United States or Virginia and so declines the proposition from the \"Ladies of the South.\"","Draft thought to be in the writing of Jane C.B. Washington. Identical text to previous letter (draft in the hand of John Augustine Washington III).","Encloses a power of attorney and some other letters. Has agreed to reduction of $50,000 on 1000 acres. Will accept nothing less than $200,000 for the 200 acres. Agrees to pay him 5% of what he gets from either government agency, provided it occurs in the current session.","The state might be willing to pay $50,000 per year for four years for Mount Vernon but not the total of $200,000 at once. Wonders what is happening with the federal government. \"Things are coming to a head rapidly.\"","As long as negotiations with Virginia remain open, it would not be proper for him to entertain any proposals from other parties for the purchase of Mount Vernon. Might be interested in the future in making an offer.","Feels priority should be given to Congress to purchase Mount Vernon, and therefore Virginia is holding off on more committee meetings. Wants him to be there for future committee meetings.","Urges him to meet with Arthur Taylor as his representative in the proposed sale of Mount Vernon. Requests that he not send papers to Col. Bissell before meeting with him.","Has the papers from Mr. Washington and wants to meet with him to discuss the sale of Mount Vernon to the U.S. Government.","Assures him that he has not given the letters from him to Mr. Bissell and has requested Mr. Taylor to come see him.","Encloses the previous letter and hopes they will be able to meet soon. Feels it best to not commit to any course with the U.S. until a definite answer comes from the Virginia Legislature.","Invites him to come to his lodgings at any time at 9 a.m.","Is unable to return to his \"hospitable roof\" at this time. Values the time she was there and having been \"entrusted with the training of such bright intelligences.\"","Reports on his share of earnings from \"Washington's Writings.\" Many copies of the book were destroyed in a fire, but the stereotype and engraved plates were in a fire proof vault.","Feels it is very important for him to communicate with the federal government and is willing to help in any way.","Mr. Taylor shared his letter proposing to bring the subject of the purchase of Mount Vernon again before Congress. His terms are already known to him – the same as those agreed to for the State of Virginia.","Wants to bring up the purchase of Mount Vernon in Congress but wants to know just what terms he agreed to with Virginia. Wants the Northern States to purchase it.","Gives terms of sale, including that family members still living may also be buried there. Additional property to total 1000 acres may be purchased for $300,000, for a model farm as suggested by Gen. Washington. Tells him the state of Virginia had proposed the sale for less than he wanted which he refused.","Encloses a copy of the bill reported to the House of Delegates Committee for the purchase of Mount Vernon. He told them it would not meet with JAW's approval. Urges him to move quickly on the Turnpike matter for this session.","Is very desirous of having the State of Virginia take possession of Mount Vernon and \"have the sole control and ownership forever.\" Wants to know what terms he proposes.","Gives him the terms of sale. The Washington family shall be permitted to be buried on the site, and no remains shall ever be disturbed. The price shall be $200,000, with an additional 800 acres available for $100,000 more","Will not accede to propositions of the steamboat company. Will be busy for a few weeks but wants to see a copy of the agreement currently in effect.","Tells him of Mrs. Mason presenting \"a remonstrance against your turnpike.\" Wants access to $250 at Farmers Bank in Alexandria.","Discusses payments based on sales of \"Washington's Writings.\" Tells percentages paid to various legatees.","Discusses quarrelling and squabbling among the ladies purchasing Mount Vernon. Is concerned about security around the remains of George Washington.","Wants him to send a letter to him so he may correct disparaging remarks made about his impending sale of Mount Vernon.","Is writing to her as requested by JAW. Describes a woman mourning her deceased eight-year-old son. Includes a poem about grief and moving on after death of a child.","(Typed transcription enclosed) Mr. Mason very much wants to meet him and getting a letter from JAW that would announce the news of their \"progress.\"","(Typed transcription enclosed) Thanks him for the kindness of him and Mrs. Washington on her recent visit to Mount Vernon. Urges him to send a letter to be published about the sale of Mount Vernon before the news is released by someone else.","(Typed transcription enclosed) Assures her he does not care what others say about him and remains hopeful of selling Mount Vernon to the State of Virginia.","(Typed transcription enclosed) Explains the absence of Mr. Toombs when JAW came to see him. Tells him why she is now dealing with Mr. Toombs rather than Mr. Mason.","(Typed transcription enclosed) Hopes to meet him in Washington City as she will be there for a few days during her travel south. Wants a thorough understanding of his wishes and intentions before meeting with the governor of Virginia.","Wants him to reconsider his determination as expressed in his letter in the National Intelligencer and put the estate under the care of the State of Virginia. (This is a copy of a letter written by Anna's husband.) Second letter, dated March 5, 1857 on same paper: Refers to letter copied out by her. Is certain a sufficient sum will have been raised by February 22 to enable Virginia to purchase Mount Vernon.","Urges him to reconsider his determination as expressed in his letter to the National Intelligencer and consent to place the estate once more at the disposal of Virginia which has an arrangement with the \"Ladies' Mount Vernon Association of the Union.\"","His musical association played a concert on behalf of the \"Ladies Mt. Vernon Association\" at which $100 was raised. The musical group would benefit greatly from receiving this money back if Mr. Washington has no plans to sell to the Ladies Association.","Would love to spend time at Mount Vernon, but his schedule will not allow at this time. His book will be published during the winter and spring, but he doesn't feel a visit would add anything.","He remains willing to place Mount Vernon in the hands of the State of Virginia, under his terms which the state has not seemed to want to meet. The proposal to have Mount Vernon by under the Mount Vernon Ladies Association of the Union is unacceptable to him. Doubts they could maintain the estate in perpetuity. It would then be taken over by the state.","(Typed transcription enclosed) Identical to previous letter.","(Typed transcription enclosed) Responding to his letter to Mr. Ritchie. Urges him to put out that the Ladies are to raise $200,000 on behalf of the State of Virginia for the purchase of Mount Vernon.","(Typed transcription enclosed) Does not wish to publish parts of letters. Feels \"nothing but silent contempt can put them at rest.\"","(W.L. Underwood – most likely Warner Lewis Underwood, Kentucky Senator) Tells JAW that if his current negotiations for Mount Vernon should fall through that his organization would be pleased to enter into further discussions.","Again says he wishes Mount Vernon to go to the State of Virginia, to be decided upon by the current session of the General Assembly.","(Typed transcription enclosed) Wants to know who told her that he was \"willing… for a pecuniary consideration to break engagements and promises.\"","The Masonic Brotherhood is interested in purchasing Mount Vernon. Thanks him for the tour the previous day. Apologizes for the bad behavior of one member and hopes that will not prejudice him against the Fraternity.","(Typed transcription enclosed) She met with the governor who told her the \"Extra Session\" of the Legislature was for the \"presidential contest,\" so the Legislature will not be meeting again until the next winter. Realizes this delay is not pleasing to him.","Inquires whether any action has been taken by the Legislature or is likely to be.","Tells him no action has yet been taken by the Legislature but feels sure it will be taken up after the Christmas recess, after which the ladies will be enabled to purchase Mount Vernon and have its title transferred to Virginia.","Discusses various prices for Mount Vernon and quotes JAW as vehemently denying that he wanted the remains of General Washington moved. He wishes the estate to be the property of the United States and all the people.","(Typed transcription enclosed) Tells him she has been very ill but is sure that the Legislature will act.","(Typed transcription enclosed) Labeled as Private. Tells him Gov. Wise is \"inimical to our 'cause'\" which is the reason the Legislature has not taken up the subject of the purchase of Mount Vernon.\" Talks of the financial crisis which is being felt by \"we victimized cotton planters.\" Tells him of the impending sale of copies of a portrait of Washington.","(Typed transcription enclosed) She writes of her illness and lack of strength. The Constitution of the Association was signed by the governor. Tells him various Masonic orders have decided to become allies of the Association. Hopes to have the contract signed between Virginia and him on the 22nd of February.","Invites recipient to the elevation of the Statue of Washington on February 22 in Richmond.","(Typed transcription enclosed) Labeled as Private. Is looking forward to the inauguration of the Washington statue. Wants him to vow that the Ladies of the Association are the \"very best friends you have in the world.\" Tells him that Gov. Wise is no friend to him or to her and this cause.","(Typed transcription enclosed) Has a document that states Virginia will purchase Mount Vernon from him and encloses a copy of the bill. Is sure the governor will act strongly to defeat this. Wants him to attend the address by Mr. Everett a few days before the 22nd of February. Tells him how lucky he is to get $200,000 in \"these awful times.\"","Gives price of sale of $200,000 for 200 acres of the Mount Vernon estate and pledges the MVLA to guarantee to not disturb any remains currently there and to allow descendants of JAW to also be interred there.","(Typed transcription enclosed) Praises him for agreeing that Mount Vernon is to be a public shrine and to limit interments there. Gen. Chapman included that in the third reading of the bill. Discusses the building of a new mausoleum for Washington which would not go against his will. Talks of her illness.","(Typed transcription enclosed) Tells her the disposition of family remains, as well as those of General Washington, are his biggest concerns in the sale.","(Typed transcription enclosed) Hopes he is happy about the bill as read in the Legislature. Tells him it is she and not the Committee who wants to arrange for a magnificent mausoleum. Closes by saying she is too exhausted to \"even give a hint of the nature of woman's revenge should you not be in a state of delight over our bill!!!\"","(Typed transcription enclosed) Remains adamant as to a future mausoleum as Washington stated where he wished his remains to be. Cannot travel to Richmond at present due to the illness of Mrs. Washington.","(Agreement ends with reference to the 10th of February) Deals with payment of $6,000 to heirs of W.F. Alexander and Anna Alexander as a share of Mount Vernon. Expressly says none of these heirs have any claim to the proceeds arising from a sale of Mount Vernon, other than the $6,000.","(Typed transcription enclosed) Tells him that though Gov. Wise is no friend to the Mount Vernon cause, he did not intend to put his remarks under the head of Lunatic Asylum. It was a complete accident.","(Typed transcription enclosed) Encloses another article by Mr. Pryor who is \"using his art to arouse the fear, \u0026 cupidity of the timid \u0026 narrow minded of this Legislature.\" Asks him about his previous offer from a company to purchase the estate, and that he wanted to wait for Congress to act.","(Typed transcription enclosed) States that his price for Mount Vernon has always been $200,000, since he gained control of it in 1849. Asks whether he ever made an offer for Mount Vernon for $100,000. If so, under whose authority was it made?","(Typed transcription enclosed) Wants to confirm with him that his offer to sell Mount Vernon as a site for the Military Asylum in 1851 was for $200,000 and not $100,000.","(Typed transcription enclosed) Tells her of a contract with a gentleman to sell him 200 acres of Mount Vernon for $200,000 with the condition that the property should be offered to the U.S. and to Virginia. If neither purchased it, he should take the property. He then offered $50,000 to release him from that obligation, but JAW refused. Says he never has offered it for sale in public or private.","Says he was authorized by JAW to offer Mount Vernon for a Military Asylum for $100,000. Will search for papers to confirm this.","(Typed transcription enclosed) Advises that on March 25, 1851, he made an offer to sell about 150 acres of the Mount Vernon estate for $200,000 for an Army Asylum or some other government purpose.","(Typed transcription enclosed) Labeled as Private. Thanks him for sending a copy of the correspondence of Gen. Scott. Miss C. is intensely engaged in getting past Mr. Pryor's malicious misrepresentation of the Bill. If he can defeat us, he will.","Reiterates that Alexander and his heirs have no claim to any proceeds arising from a sale of Mount Vernon beyond the agreed upon $6,000 and requests him to add a paragraph to that effect to the agreement they will both sign.","(Typed transcription enclosed) Wants him to come see her in Richmond, despite his recent fall. Refers to the animosity of Mr. Pryor toward the bill. Wishes there could be an Extra Session for it to pass.","Again states his disagreement with Mr. McKenzie's assertion of his having offered $100,000 for Mount Vernon. No one else knew of such an offer. Gen. Scott agrees with JAW in his recollections. Tells her of a recent fall from a horse which will prevent his visit to Richmond on the 22nd.","Urges him and his family to attend the inauguration of the equestrian statue of Washington on the Capital Square in Richmond. Says he would be pleased to host them at their home near the city.","(Typed transcription enclosed) Is uncertain whether he will be able to travel to Richmond and wants her to update him on matters related to the Bill as \"I have not in any manner approached\" any of his friends or acquaintances on the subject. It is important for her to convince members that the association only needs the name of the State which will not be called upon to pay any of the money for the purchase.","(Typed transcription enclosed) Miss Cunningham begs him to attend Mr. Everett's oration and hopes to speak to him on the Square tomorrow.","(Typed transcription enclosed) Continues to be unwell. Introduces him to Mr. A.H.H. Dawson of Georgia, \"an eccentric genius.\" He is devoted to the purposes of the Association and has delivered an address about it in 30 towns in Georgia. Urges him to come to Richmond to meet with members of the Legislature.","(Typed transcription enclosed) Is sorry he was unable to call on her before leaving Richmond. Wants clarification about alterations Mr. Yancy thought necessary in the paper he left with her. He wants a decision by the Legislature, yes or no, soon.","(Typed transcription enclosed) Tells him that the Legislature is \"in a row\" and will not pass any bills before an Extra Session. Wants him to bring a contract to her so they are prepared for any contingencies. Tells him of her illness of the lungs and her treatment.","(Typed transcription enclosed) Reiterates the importance of the sanctity of the family burying ground. Wants to have some alterations and additions of a substantial permanent character made to the present vault, with a durable enclosure around it. He is open to payment in stocks or cash for the estate. Says they should have an act of incorporation before signing a contract.","(Typed transcription enclosed) Gen. Chapman was drawing up an act of incorporation before the bill comes up. He said Virginia must not hold the tomb; the Association must hold it. She remains very ill. \"yrs in much suffering\"","Is preparing a pamphlet to defend JAW against detractors and wants copies of correspondence he had with Gen. Scott and others about possible purchase of Mount Vernon.","(Typed transcription enclosed) The bill in Virginia for the purchase of Mount Vernon, to be refunded by the MVLA, was defeated in the House of Delegates. In addition Congress cannot purchase land in a sovereign state without its consent. Tells him it should be the property of the Nation and should be sold to the MVLA. \"With grateful women pledged to guard the sacred ashes of Washington and to adorn his home for a national shrine.\"","(Typed transcription enclosed) Says it has become obvious that neither Virginia nor the U.S. wish to purchase Mount Vernon. Therefore \"the women of the land will probably be the safest as they will certainly be the purest guardians of a national shrine.\" He waits for her to make a proposal to him.","(Typed transcription enclosed) Miss Cunningham requests that he answer the letter she gave him relating to the purchase of Mount Vernon and to return it to her. She will give him a copy.","(Typed transcription enclosed) Is returning her letter to him as it seemed to be improperly dated and lacked her signature. When she remedies those defects, he will send an answer.","(Typed transcription enclosed) Wants to meet with him on Saturday morning in Alexandria to sign the contract.","(Typed transcription enclosed) Is very unhappy about delays put forth by Messrs. Macfarland \u0026 Myers. They felt there had to be an acceptance of the contract by all or a majority of the Vice Regents before it could be signed. They can do this by telegraph, permitting Mrs. Ritchie to act for them.","(Typed transcription enclosed) Urges him to come without delay. It was thought things would be delayed as Mrs. Walton's husband had died, but now Mr. McFarland advised them to send for him at once. Miss Cunningham is not good and needs to bring matters to a close \"ere it be too late.\"","(Typed transcription enclosed) Wants him to come see her that afternoon or evening as Dr. Beale \"considers it necessary to apply a severe blister without delay.\"","(Typed transcription enclosed – labeled Private) Upon reflection she feels the letter she sent him for publication is not to be published. She does not wish to \"make enemies even in a State which has given me so little cause to respect it.\" Mrs. Ritchie will work on a better worded one which she will send to him.","He deposited money to his credit for the contract and wants to know if this was correct. Tells him the pony he was inquiring about is not for sale. Also felt much concern about the accounts of the fisheries. Looks forward to a visit with him.","(Typed transcription enclosed) Encloses the plat of the 200 acres of land he agreed to sell to the MVLA. Wants him to sign it and return it.","(Typed transcription enclosed) About the plat, he is having the land resurveyed and \"have the necessary corners stones set.\" He will send it back with a signature after that. Also encloses her letter of March 12 and wants a copy of her letter as published with her signature.","Wants to know if George Thorburn may visit Mount Vernon in the 28th of May to inspect the grounds in regards to the improvements to be made. He is \"no doubt the first horticulturist in America\" and a plain, unpolished person. It would be good for JAW's surveyor to meet with Mr. Thorburn to go over the grounds.","He is \"exceedingly provoked\" at the newspaper coverage in connection with the sale of Mount Vernon. As a college friend he felt he had to contact an editor and correct the information. He hopes he did not make the situation worse.","Again requests he host the \"celebrated florist\" at Mount Vernon to look over the grounds before they come to Mount Vernon on the 29th for a few hours.","Agrees to have Mr. Thorburn come and meet with surveyors. Asks if Mr. Thorburn could be appointed the Agent of the Association in drawing up with the surveyors the lines of the 200 acres. He will \"grant any reasonable request of the Association.\" Hopes to see Mr. Ritchie and her while he yet resides at Mount Vernon.","The first attests to receipt of interest on the $6,000 owed to Mrs. Jane Washington. \tThe second is for $2,000 as part of the $6,000 owed.","Urges him to reduce the price of Mount Vernon to $150,000 so as to better fund all the expenses associated with its ownership by the MVLA. Tells him to buy land in \"some of the new states\" with that money.","Wants to know what stocks or bonds would be acceptable as part of the purchase price. Gives the current rate of Virginia stock.","Acknowledges his decline to the proposition.","Replying to a previous letter. Cannot answer the questions of Miss Lewis as he does not remember where Col. Fielding Lewis died. Her wishes are an illusion. Wonders if some land in Kentucky is what she is dreaming of. Hopes the Ladies will be able to preserve Mount Vernon after they complete the purchase.","As a new Mason, wants to know if he will amend the contract to state that the property will revert to the United States or the Masonic Fraternity in the event of a dissolution of the MVLA and not to the state of Virginia.","Writes to her cousin about an article in the paper that morning that was a \"vile abolition libel on you.\" Wants to assure her lady friends that it is untrue.","Is involved in illustrating an article about Mount Vernon as it is of interest to the American people. Wants to visit to sketch objects that have not been drawn. The MVLA is in favor of such an article to assist with their fund raising.","Is amazed at the scurrilous attacks made on him by Northern Papers which are calculated to embarrass the Mount Vernon Association.","(Typed transcription enclosed) Thanks him for his letter about the calumnies in some Northern newspapers but has no desire to enter into a controversy with the papers.","(Typed transcription enclosed – labeled Private) Wants him to tell her of his agreement with Mr. Crutchett of Mount Vernon Cane Factory who was given permission to come and cut trees on the estate. Asks what value he puts on the remainder of the estate contiguous to the 200 acres.","(Typed transcription enclosed) Gives details of his contract with Mr. Crutchett which expired in February 1856. He was permitted to take more trees before January 1857. He has no right to \"come upon the property I have sold the Association to cut timber.\" Has not put a price on the remainder of Mount Vernon.","Thanks him for the hospitality given to him and his sister on their visit to Mount Vernon.","(Typed transcription enclosed) Miss Cunningham was happy to hear his account of the transactions with Mr. Crutchett. Wants him to come to Philadelphia to confer upon private matters of great importance to the Association and himself. She is equally interested in the final settlement of the boundary lines.","First letter (incomplete) congratulates him on the sale of Mount Vernon. Requests return of portrait of his mother. Second letter thanks him for agreeing to return the portrait. He and his family would very much like to visit Mount Vernon again before it becomes public.","Hopes he can come to Washington to meet with him. Wants Mr. Washington to stay with him to \"pay off the debt of visiting you at Mt. Vernon.\" Miss Cunningham is making arrangements to pay the first bond with interest in December.","(Typed transcription enclosed – labeled Private) Looks forward to making payment of the first installment. Mr. Riggs will pay sums of $5,000 as soon as it is raised. Hopes to be able to pay the remainder of 2d installment on 1st of January 1859. Begs him to keep these matters as a \"profound secret.\"","Miss Cunningham wants to make the first payment on December 14, the anniversary of Washington's death.","Tells him of payment to Burke \u0026 Herbert of $10,000 on that day.","Tells him the box containing the chairs has not yet arrived. He wants to be allowed to pay for the repairs necessary to the chairs. Invites him and his family to visit him in Richmond before they go farther away from it.","(Typed transcription enclosed – labeled Private) Wants to make the first payment on the 1st, but this is a holiday. Urges him not to risk sending the plat executed by Washington himself but to have it be lithographed. Wants to clear up the boundaries. Tells him to keep the discussion of the sale of additional land private.","Wants to gather branches from the estate in order to make canes to sell to aid in the purchase of Mount Vernon.","Their project would require the consent of the Regent of the MVLA.","(Typed transcription enclosed – labeled Confidential) Miss Cunningham is too ill to reply to his last letter. Lets him know his presence might be required on the 22nd but all arrangements must be kept private. The upcoming payment will be about $14,000.","(Typed transcription enclosed) Urges him to accept the money already paid to him (for the \"selling your relations bones.\") He already received more money than the estate was worth. Note on the letter states he ensured his control over the remains in \"such a way that they can never be sold by any one.\"","(Typed transcription enclosed) Does not want to go to Philadelphia unless it is absolutely necessary. He recently heard that Mrs. Esther M. Lewis (widow of Lorenzo Lewis) wants to present the harpsichord that was given to Nelly to the MVLA.","Thanks him for copy of the inscription on a bust. He realized he had not copied the pencil sketch of the Destruction of the Bastille. Would JAW please have a photograph of it sent to him for an upcoming book on the history of Mount Vernon. Will send a copy of the book to him in September when it is published.","Acknowledges receipt of $1,000 which completes the payment of $6,000 owed to Mrs. Jane Washington.","The Regent wants JAW to not allow any more sketches to be made of Mount Vernon or the grounds without her consent. Attached is a copy of an advertisement for sale of a portrait of Washington. The Mount Vernon Record gives an account of fund raising to date. Mr. Everett thanks Devereux for sending him a copy of the Farewell Address.","(Typed transcription enclosed) Requests her to send him definite instructions to enable him to prohibit people from making sketches of Mount Vernon.","Tells them he has written to the Regent requesting her instructions about the matter they raised with him.","(Typed transcription enclosed) The Regent now feels that it would \"not be practicable for you to refuse privileges hitherto granted\" in the matter of sketches. There is also a newspaper clipping with letters from JAW and the Regent about the sale of Mount Vernon.","They wrote to him on the 14th as the Regent was prostrated. Requests any material he might have about the area in England where Washington's ancestor came from.","(Typed transcription enclosed) Tells her of terms under which they ran their steamboat to Mount Vernon. They paid him money with the understanding that he would make repairs to the wharf and footway, under the agreement, but he did not. He ordered his captain to have it done and will retain that money.","(Typed transcription enclosed) Encloses a copy of the previous letter and asks him to advise her as to her response to Mr. Bryan.","(Typed transcription enclosed) Miss Cunningham much enjoyed his previous letter and its humor. Hopes he will waive the requisition of 10 days notice before receiving payments. Can give him at least 30 days notice before requiring possession, and hopefully 60 days. She has \"been very much of an invalid for many weeks.\"","(Typed transcription enclosed) Wants him to come to Philadelphia around the 10th or 12th so they may consult in regard to the future. They can have the boundary line settled and put many business affairs in order. Miss Cunningham intends to make a payment on the last installment as soon \"as you will receive it.\"","(Typed transcription enclosed) He will travel to Philadelphia and meet with her on Wednesday. Will give directions to Messrs. Burke \u0026 Herbert for the last installment.","(Typed transcription enclosed) Miss Cunningham wants him to arrive on Thursday and then accompany her to hear Mr. Everett in the evening. She and Mr. Everett would then meet with him on Friday.","(Typed transcription enclosed) He agrees to come to Philadelphia on Thursday and meet as she suggests.","(Typed transcription enclosed) The Regent wants him to \"have the kindness not to speak of the particulars of your interview with her.\" She also requests him to confer with Mr. Herbert, after which Mr. Herbert should meet with Mr. Riggs and let her know the arrangements he would be willing to make. \"This matter she particularly desires should be confidential.\"","Wants him to send him the photographs of the Picture of the Bastille and let him know what he owes for this service. Thanks him for his kindness in all this matter.","Again asks for the photograph of the Bastille picture as his book is finished, and he is only waiting for that.","(Typed transcription enclosed) Miss Cunningham regrets that he and Mr. Riggs were unable to meet at Mount Vernon to discuss all it is possible to do without annoyance to the family. Would like to commence work on the outbuildings near the garden and to rebuild the roof and pillars of the piazza. Also wants to do work around the Tomb.","(Typed transcription enclosed) Apologizes for delay in responding to his recent letter, but the news of Captain Cunningham's decease has made it impossible for Miss Cunningham to \"think of even the most pressing business.\"","Thanks him for sending the photograph and encloses $5. Apologizes for keeping three documents for so long. Wants to return the documents and send him a copy of the book in September. Asks whether he may keep the Pohick elevation as it is in Washington's hand.","Details work done on various dresses.","Is sorry to hear that JAW will be leaving Mount Vernon before Hubard can get there to visit. Wants to know whether Mr. Mills does possess the moulds made by Houdon. Wants to see a cast made from the mould as he is convinced it is a fraud.","Cannot say whether the Richmond statue is accurate but to him the head looks identical to the Mount Vernon bust. Has never heard of the moulds being left at Mount Vernon and does not believe Mr. Mills would have removed anything without his permission.","Wants to clarify his original assertion that he feels Houdon did not use the moulds made from Washington's face as he asserts they are very different from the head of Houdon. Also wants to know whether the table on which Washington lay when the moulds were made is still at Mount Vernon.","Thanks him for sending money from the steamboat company for the MVLA.","Will be writing an article for Encyclopedia Britannica and is \"desirous of stating the facts relative to the emancipation of the Genl's slaves.\" Also wants to know whether Mrs. Washington left a will and whether she freed her slaves in it.","Wishes to obtain a copy of the inventory of General Washington's estate.","Makes assertion that General Washington was sued and judgment rendered against him. Also some northern papers are speculating that he lost his money and had mortgaged the Mount Vernon estate for $400,000. Encloses a copy of the certificate of the appraiser as entered in 1810.","Is returning the papers lent to him and sending a copy of his book on Mount Vernon. Thanks him for the use of the papers.","(Typed transcription enclosed) Reminds her that his request for her lawyer to sift through an abstract of his title to Mount Vernon has not been complied with. This would answer questions raised by anonymous persons which have \"caused you some uneasiness.\"","Miss Cunningham wants to conclusively prove the falsehood of assertions of the invalidity of his title to the estate. The Clerk of Fairfax County will attest to the truth but wants to see his father's will and evidence of the payment of $6,000 charged to the estate. Looks forward to putting to rest this falsehood.","Is still waiting for the certificate from the Clerk of Fairfax County. That will give the \"lie to any slander of title.\" Is unable to visit due to his duties in the Legislature.","(Typed transcription enclosed) Miss Cunningham thanks him for sending the package of papers and hopes to be able to write herself in a few days about other matters.","Thanks him for sending the papers. Does not appear from them that \"Mrs. Washington emancipated the dower negroes.\" Requests more information on that point.","Sees that Miss Cunningham has published an abstract of title furnished her by the Clerk of Fairfax Court, so imagines she will not require further information. Will soon return the other papers.","(Typed transcription enclosed) Has forwarded to her a package of papers which he recovered, apparently detailing the kinds and locations of trees planted at Mount Vernon.","Tells her his lack of response to her letter is due to being away most of the month and having visits from friends, possibly for the last time at Mount Vernon. Pointed out the lines of the old vistas marked by ancient trees. The insurance policies he had were on the house only, not the outbuildings. Recommends she make a new road. Also recommends repairing the wharf.","Sends a newspaper copy of an advertisement she placed wishing to obtain a copy of the photograph taken the previous August at the tomb of Washington which included her daughter, now deceased. She would like to know if she could obtain a list of the attendees of that day so she might write and request this as it is the only photograph of her daughter.","(Typed transcription enclosed) Tells her the Association still must raise $140,000 to support the Estate which will require extraordinary effort on the part of the Association. Asks her to address visitors at Mount Vernon on the imperative nature of this.","(Typed transcription enclosed – labeled Private) Wants to arrange a \"Grand Ceremonial in connection with the taking of the title\" in order to let people know fund raising is not complete after the purchase. Refers to political turmoil and the impending dissolution of the Union and all the difficulties this will cause. Plans to be at Mount Vernon for 10 days and wants to meet with him to finalize things.","He is fine with executing a deed for the sale of Mount Vernon to the Association and feels there would be no difficulty in the event of his death. He worries about Virginia's seceding from the Union that she might object to selling part of her soil to a corporation composed \"in part of unfriendly foreigners.\"","(Typed transcription enclosed) Miss Cunningham is gratified that he concurs in her proposition and feels her decease would be the most serious difficulty to be apprehended. Wants to meet him at Mount Vernon to place the deed in escrow. Does not feel the possibilities for Virginia he suggested would form a significant barrier.","(Typed transcription enclosed) Encloses an order to Mr. Riggs for steamboat receipts through December 31st. Would be happy to meet her at Mount Vernon.","(Typed transcription enclosed) Encloses the order on Mr. Bryan for the steamboat receipts. Has been paying insurance which continues until June next and has deducted that from the receipts.","Acknowledges his letter but does not need receipts for premiums of insurance.","Reports that Mr. Herbert only wants to clear the lot of land offered him. Also Mr. Norris has rented out his farm. Turner is not sure where he moved to in Kentucky. Discusses acquisition of material to make shirts for servants.","(Typed transcription enclosed) Had not replied to his earlier letter due to excessive fatigue from her journey from Columbia. Hopes to use patriotic influence to get the \"Agent\" to remit or reduce his fee.","Tells him of a minister who will be in Alexandria and is looking for a vacant church where he could officiate.","Funeral was conducted at Waveland. There is a description of the body and the family. Invoked the Gospel. JAW began family prayers following the death of his wife. Description of his activities over the following days.","Asks Mrs. Howard for a biographical sketch of her father (John Augustine Washington III) for the National Cyclopedia of American Biography.","Two leaflets advertising the writings of Dr. Lyon G. Tyler.","Full title \"A Confederate catechism: The war of 1861-1865.\" Third edition, November 21, 1929. Series of 20 questions and answers about the war.","Wants to know whether the Ladies will discuss the purchase of the pictures and maps he has been offering. He will offer them elsewhere.","Photographic print, cabinet card of a drawing of the east view of the Mansion by unknown artist. Reverse side of card reads \"D.H. Naramore, Photographer, No. 321 King Street, Alexandria, VA.\"","Small engraving probably clipped from a publication. Unknown location or residence shown in image.","Hair clippings in envelope with note \"Hair of the late Lawrence Washington - 1856 - Found among articles bequested to MVLA by Miss Cunningham. Miss Comegys, Regent (1923) directs Supt. to send this to the widow of Mr. Lawrence W.\"","Small black and white photographic print showing the gravestone for Lt. Col. John Augustine Washington.","Black and white photographic print mounted on gray board. Shows Waveland residence with man, two women, and several children visible (unidentified).","Boston: Published by Charles Bowen. Front page signed \"Jane C. Washington, Mount Vernon, 1834.\"","Diary inscribed \"Account of all my recpts. \u0026 expenditures beginning with Sept. 16th, 1841, that being the date at which I came to Mount Vernon to reside.\" There are intermittent entries through November 1859. This is not as full a diary but includes lists of food, clothing, and china, table, and cookware.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details. Loose note at the front reads \"Extracts from the diary of my father\" with notes on this diary and previous ones.","Includes \"List of Negroes\" and Mount Vernon farming and maintenance details.","Photocopies of undated manuscripts from the collection.","Photocopies of manuscripts dated 1834-1838 from the collection.","Photocopies of manuscripts dated 1841-1845 from the collection.","Photocopies of manuscripts dated 1846-1849 from the collection.","Photocopies of manuscripts dated 1851-1853 from the collection.","Photocopies of manuscripts dated 1854-1855 from the collection.","Photocopies of manuscripts dated 1856-1857 from the collection.","Photocopies of manuscripts dated 1858 from the collection. (1 of 2)","Photocopies of manuscripts dated 1858 from the collection. (2 of 2)","Photocopies of manuscripts dated 1859 from the collection.","Photocopies of manuscripts dated 1860-1861 from the collection.","Handwritten notes probably by a librarian or other Mount Vernon staff member including summaries of the letters within the collection."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Washington, John Augustine, III, 1821-1861","Cunningham, Ann Pamela, 1816-1875","Ritchie, Anna Cora Mowatt, 1819-1870","Washington, Jane Charlotte Blackburn, 1786-1855","Lossing, Benson John, 1813-1891","Everett, Edward, 1794-1865","Washington, George Corbin, 1789-1854","Lewis, Lawrence, 1767-1839","Lewis, Eleanor Parke Custis, 1779-1852","Davis, Henry Winter, 1817-1865","Bassett, George Washington, 1800-1878","Johnson, Joseph, 1785-1877","Corcoran, W.W. (William Wilson), 1798-1888","Custis, George Washington Parke, 1781-1857","McKenzie, Lewis, 1810-1895","Cunningham, Louisa Bird, 1794-1873","Washington, Eleanor Love Selden, 1824-1860","Taylor, John L. (John Lampkin), 1805-1870","Sparks, Jared, 1789-1866","Washington, Bushrod C. (Bushrod Corbin), 1839-1919","Tyler, Nathaniel, 1828-1917"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":251,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:55:09.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_65"}},{"id":"viu_repositories_3_resources_941","type":"collection","attributes":{"title":"John L. Nau III Civil War History Collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Bell \u0026amp; Bro., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., New York; Negative by Brady \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marks, Houston, Texas\u003c/p\u003e","\u003cp\u003ePublished by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026amp; Picture Frames, 810 Washington St. Boston, Mass\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Main\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Rideout, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. P. \u0026amp; F. W. Hardy, Ranger, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. S. Dunshee, Rochester, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. B. Conant, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePainted by Robt. W. Weit; Engraved by Geo. W. Watch\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / 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Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival 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Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941"}},{"id":"vimtvl_repositories_3_resources_57_c02","type":"Series","attributes":{"title":"Letters from Eleanor Love Selden Washington","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_57_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_3_resources_57_c02","ref_ssm":["vimtvl_repositories_3_resources_57_c02"],"id":"vimtvl_repositories_3_resources_57_c02","ead_ssi":"vimtvl_repositories_3_resources_57","_root_":"vimtvl_repositories_3_resources_57","_nest_parent_":"vimtvl_repositories_3_resources_57","parent_ssi":"vimtvl_repositories_3_resources_57","parent_ssim":["vimtvl_repositories_3_resources_57"],"parent_ids_ssim":["vimtvl_repositories_3_resources_57"],"parent_unittitles_ssm":["John Augustine Washington III and Eleanor Love Selden correspondence"],"parent_unittitles_tesim":["John Augustine Washington III and Eleanor Love Selden correspondence"],"text":["John Augustine Washington III and Eleanor Love Selden correspondence","Letters from Eleanor Love Selden Washington","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","English ."],"title_filing_ssi":"Letters from Eleanor Love Selden Washington","title_ssm":["Letters from Eleanor Love Selden Washington"],"title_tesim":["Letters from Eleanor Love Selden Washington"],"unitdate_inclusive_ssm":["1842-1860"],"normalized_date_ssm":["1842/1860"],"normalized_title_ssm":["Letters from Eleanor Love Selden Washington"],"component_level_isim":[1],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["John Augustine Washington III and Eleanor Love Selden correspondence"],"creator_ssim":["Washington, Eleanor Love Selden, 1824-1860"],"has_online_content_ssim":["true"],"child_component_count_isi":73,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":99,"parent_access_restrict_tesm":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"date_range_isim":[1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860],"names_ssim":["Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861"],"persname_ssim":["Washington, Eleanor Love Selden, 1824-1860","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 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."],"_nest_path_":"/components#1","timestamp":"2026-05-21T05:50:40.181Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_3_resources_57","ead_ssi":"vimtvl_repositories_3_resources_57","_root_":"vimtvl_repositories_3_resources_57","_nest_parent_":"vimtvl_repositories_3_resources_57","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_57.xml","title_ssm":["John Augustine Washington III and Eleanor Love Selden correspondence"],"title_tesim":["John Augustine Washington III and Eleanor Love Selden correspondence"],"unitdate_ssm":["1842-1860"],"unitdate_inclusive_ssm":["1842-1860"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.528"],"text":["RM.528","John Augustine Washington III and Eleanor Love Selden correspondence","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","Saw Dr. Powell on Thursday. Cases of bilious fever. Arrangements for slave Eliza's return to Mount Vernon. Crabs are \"disappearing very rapidly.\"","The collection is arranged first by letters written by John Augustine Washington III, organized chronologically, and second by letters written by Eleanor Love Selden Washington, organized chronologically.","John Augustine Washington III (1821-1861): John Augustine Washington was the great-grandnephew of George Washington and the last Washington to own Mount Vernon before its sale to the Mount Vernon Ladies Association (MVLA).  He was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. He graduated from the University of Virginia in 1840, and returned to Mount Vernon to manage the declining estate with his widowed mother's permission. In 1843, he married Eleanor Love Selden with whom he had seven children. He sold 200 acres of Mount Vernon to the MVLA in 1858 for $200,000, and he and his family moved to Waveland plantation in Fauquier County, Virginia in 1860. He served as aide-de-camp to General Robert E. Lee, but was shot by a bushwhacker and died one week later on September 13, 1861.","Eleanor Love Selden Washington (1824-1860): Born April 12, 1824 to Wilson Cary Selden and Louisa Elizabeth Fontaine Alexander Selden, \"Nelly\" married John Augustine Washington III on February 16, 1843. Together, they had seven children: Louisa, Jane Charlotte (\"Jenny\"), Eliza (\"Lily\"), Anna Maria, Lawrence, Eleanor (\"Nelly\"), and George. She died from childbirth October 9, 1860.","Bushrod Washington Family Papers ;\nJohn Augustine Washington III and Descendants Papers ;\nElswyth Thane Beebe Collection of Washington Family Papers ;\nHistoric Manuscripts Collection","The collection contains correspondence between John Augustine Washington III and his wife Eleanor Love Selden. The letters begin during the Washingtons' engagement and continues through eighteen years of marriage, ending with a letter from John Augustine to Eleanor composed the day prior to her sudden death. The letters contain information on family matters, the management of the Mount Vernon estate, and plantation life prior to the Civil War.","Expresses his happiness at receiving Nelly's letters and love for her. \"I do not object to the whole world knowing that I love you.\"","Must defer visit to Exeter for four or five days due to appointments. His mother will visit Nelly on her way up to Leesburg.","Feels pain at parting from Nelly. Cousin William [Turner] distraught over his intention to marry Betty [Selden].","Arrived Christmas day. Distressed at being apart from Nelly. Saw the family at Mount Ida [Wilson Cary Selden, Sr.'s family] on Saturday.","Love letter. \"…as the dearest moments of my life have been with you, so the happiest hopes that my soul can form, have you for their reigning star.\"","Will probably not see or hear from Nelly until their wedding. Discredits stories that his relative Thomas Turner mistreated his family and servants.","Is unable to return to Jefferson until the middle or end of next week. Gives instructions for Dick [Richard Blackburn Washington] regarding delivery of wheat, receipts, and a shingles order. Mentions Bushrod Washington and West Ford.","Changed route after leaving Nelly. Hopes Nelly recovers from her headaches. Did she get the box from Stabler's safely?","\"Time hangs heavily on me when you are absent…\" Updates on relations. A new academy is to be built opposite Mr. Burr Harrison's. Leaves for Jefferson tomorrow.","\"…not having been aware of my right to vote out of the county in which I resided, at the Presidential election I made arrangements to return home…\" Hyacinths planted.","His case came up in Court and estate committed to Augustine's hands. Encloses ten dollars to entertain Dick and Christian Washington. Two or three snowstorms since his arrival at Blakeley. Scarlet fever prevailing.","Scarlet fever disappeared. Direct West [Ford] to tell William Hayes to procure eggs or chickens, \"but know the price beforehand, or he will charge you double.\"","Absence of Gabriel and desertion of some of the hired hands. Has decided not to sell Gabriel. \"If it were possible to without them [slaves], I do not think I could own one, but situated as we are, landed property would be almost valueless without them, and it is a matter of necessity to have their labor.\"","Sowing wheat. \"I have never had soft crabs in perfection before.\" Asks if mother [Jane C. B. Washington] has received money on his wheat. Offers two sets of names for Dick and Christian Washington's daughter.","Sale of Exeter will not take place until spring. Dr. Alexander struggling with debt.","\"I have not seen our friends here, but hear that Bentley bought Cousin Eliza's negroes at $1,200.00.\"","Mother [Jane Charlotte Blackburn Washington] ill. His letter will be taken to Nelly \"by two negro men who I have purchased, and by Julia whom I send down. I wish West to set them to getting rails…\"","\"I left the negroes I got in Alexandria, where I had an offer of $650.00 for them from a negro trader, but I prefer selling to a private person if I can do so. I found several of the servants sick, and Phil who was very low, died this evening.\"","Servants recovering. Nelly's cloak was dyed mazarine blue. Shall begin seeding wheat.","West [Ford] has taken sick this morning. \"The stockings and socks for the negroes are nearly done…The coat patterns are eaten up by the rats…\"","Got up to Blakeley night before last accompanied by Charles Washington. \"I have the prospect of employing an overseer for next year.\"","He has been trying to procure signatures for a \"petition for the division of our county.\" The sale of Woodlawn and the Quakers who are to settle on it.","Received Nelly's letter of September 18th. Has succeeded in obtaining an overseer \"at the rate of one hundred and fifty dollars a year.\"","Relates journey to Blakeley. Was delayed as Turbeville Stuart had typhus or nervous fever. Pneumonia and typhoid fever \"prevailing through this neighborhood.\"","Augustine is losing his overseer due to his marriage to a widow, Ms. Spence. Discusses case at the Alexandria Superior Court.","\"Between pleasant company and bad weather I was detained in the lower country some days longer than I expected.\" Pleased with Gloucester. Disappointed in Old Point. Gabriel's duties and tasks.","Has been twice at church. Hopes Nelly received a package with silk, a bottle with slips, and peach stones. Preserves and pickles are done.","Describes weather and damage caused by drought and storms. Mr. Turner informs him that he can probably obtain an overseer but \"the chance of getting a tenant is not so good.\"","Returned home yesterday from trip to Maryland. Visited Mr. Sewall at Poplar Hill. Went to visit Dr. Crawfort but he was absent, so went to Mr. Shipley's. Recommends Nelly go to Baltimore. Presumes Elizabeth Blackburn was married today.","Wheat machine broke. Sends thirty dollars. Colonel Bailey Peyton is to marry Julia Thompson. Employed three Irish workers to see if they could replace slaves but the \"experiment\" failed.","Sends a carriage up for Nelly. He shall leave tomorrow or the next day for Jefferson.","Relates arrival in Baltimore and journey to Mount Vernon. Steamboat brought five hundred visitors during the week. Misses Nelly: \"…I feel a constant yearning to have you at my side, to hear you, to see you…\"","Dreams of Nelly. Monuments were erected at the vault. Steamboat continues to come full. President Filmore and his cabinet postponed visit. Plasterer to come and fix dining room and cellars.","Will be down tomorrow accompanied by William Turner and two other gentlemen.","Is obliged to go to Fairfax Court House to \"sue out attachments against Mr. Whitehall's property.\"","Writes in haste. Ephraim died yesterday evening. Too hazardous for Nelly to come down until epidemic subsides. Sends a package containing a fan and dress.","Will be in Alexandria on Friday. Dick [Richard Washington] unwell with attack of erysipelas. Fears John Washington will be deformed. New steamboat for the Mount Vernon route will not begin trips until the week after next.","Short letter. Will not be in Alexandria before Saturday. Needs to attend to business with \"Brother\" Thomas [Blackburn Washington]. Families at Blakeley are well.","Short letter. Mother [Jane C. B. Washington] is \"dangerously ill.\" Requests a carpet bag with clean clothes. \"Send John [Michum] up tomorrow morning for my Buggy.\"","Mother is better but still weak. Gives instructions for Mr. Stowell regarding corn for mules at Marshall Hall.","Mother is better. \"I have been purchasing negroes—and am in negotiation for others…\" Gives instructions for \"grubbing and ploughing.\" Overseer position. Includes letter to daughter Louisa on same sheet regarding various cousins.","Sends Jim up with the carriage today for Nelly. Augustine writes he is \"completely tired of bacheloring.\"","Heard of Mrs. [Eleanor Parke Custis] Lewis' illness. Describes journey with stops in Berryville and Chantilly. Harriet subject to fainting attacks. Threshing machine is set. Negotiations with Mr. Stowell as overseer. Death of General Roger Jones","Health of Aunt Eliza and Mr. Lloyd. Railroad festival at Salem [now Marshall]. Cary, Fontaine and John hunting and fishing. Describes flowers in Louisa's garden. Wharf and buildings being put up at the White House for the steamboat and visitors.","Going to Alexandria to sell a load of wheat. The slave Eliza was injured when she \"ran a needle in her arm and broke it off…\" Ends with proclamation of undying love: \"Indeed as I grow older my heart seems to cling closer to you…and never do I feel this more deeply than when you are absent from me.\"","Finished ploughing in Maryland. Tried to sell the slave Matilda but she was unwilling. Has employed a German gardener. Gives updates on the steamboat, visitors, and construction of new wharf.","Attaches a check for fifty dollars for travel expenses by canal. Good weather to begin work again. Heard through West [Ford] of Cousin Esther's death. Health of servants","Mount Vernon and other farms have lost one third to one half of harvest due to rains. Has finally engaged a Maryland bricklayer and plasterer.","Was unable to write due to a cold. Noblet Herbert's death. Disappointed in sale of mountain land. Instructions for sowing and sale of clover seed.","He cannot get up to the house. Requests beef, ham, knives and forks, Worcestershire sauce, and cream or milk.","Sold Matilda and her family to Mr. Bevin. Augustine has had attacks of ague. Cases of scarlet fever and dysentery. Gives instructions for Mr. Stowell regarding sheep and wheat machine.","Brief letter. Getting on slowly with work. Will probably not come down tomorrow.","\"Brother T's [cousin Thomas Washington] corpse has not yet arrived.\" John Alexander has dysentery.","Thomas Washington's body arrived and was buried at Charlestown. John Alexander's death. Will conclude funeral arrangements tomorrow.","Servants sick. Bought and forwarded a dress for Louisa. Will take Louisa to Bath after sale of Richwoods [home of Thomas Blackburn Washington].","\"Richard [Washington] was rather better last night.\" Brief letter.","He is detained a few days longer due to Dr. Alexander's absence. Asks Nelly to send the wagon up for coal. Has sold corn at three dollars.","Arrived in Charlestown yesterday. Restaurants in Charlestown and Harper's Ferry filthy. Richard [Washington] sold about 300 acres of his land at $60.00 per acre.","\"Alexandria May 18\" crossed out at top. His health continues to improve, will join her in a few days. Requests pills and tea.","\"My cold is broken and a great deal better.\" Regrets that sickness prevents him from joining her as planned.","Augustine writes he will be down on Thursday or Friday. Direct Mr. Browner to get ready to kill the hogs next Saturday.","Has commenced hauling today. Encloses check for fifty dollars. Sends up a swan.","Augustine writes that though his health has improved, he's still unable to return.","Sends bacon, shad and fish by West [Ford]. Wrote a short note to Nelly this morning to be delivered by girl Maria. Son Lawrence and the baby [Eleanor] are well.","Encloses a letter from California. Has had stormy weather. Requests that Nelly tell Cousin Sally or the doctor to inform him how she is.","Stormy and rainy weather prevented his going to see Nelly. Weather unfavorable for fishing.","Forwards check for $100.","Instructions to send several servants [enslaved workers?] from Mount Vernon to Alexandria.","The slave Sarah \"had run off from Mr. Taylor and had gone home this morning.\" Has not heard from Richmond [regarding sale of Mount Vernon to the Mount Vernon Ladies Association]","Regarding negotiations with the Mount Vernon Ladies' Association.","Relates his visits with the children to the University, Monticello, Farmington, and the \"Asylums for the Insane and for the Blind and the Deaf and Dumb.\"","Relates visit to Wyers Cave. Saw John Selden and his children. Visited Cousin Ann and Miss Mary Peter. Saw Sister Hannah and Jenny. \"My farm as usual will yield but a small rent, and I have half made up my mind to sell it.\"","Brief letter. Is detained until Monday and \"then have to go to Balt[imore]. If I do not get home on Tuesday in the boat, send up for me Wednesday morning.\"","Must travel to Baltimore with Mr. Herbert. Instructs William Ford to meet him in Alexandria to show him lots [of timber?] to be labeled.","Encloses letter from Magruder Mason. Gives instructions for delivering slaves George, Charlotte and Milly who have been hired out.","Has requested Mr. Price send down game and fish. Expects to meet Willie Rogers and Mr. Robinson on Saturday.","Christian Washington's baby had an operation on her lip. Heavy fall of snow. Gives instructions regarding clover seed, ploughs, and windows of hot beds.","Shall leave tomorrow for Frederick and Fauquier and be home Friday or Saturday. Bad weather prevented his visiting friends in Audley and Berryville. Has arranged matters with Mr. Richardson about Joe [a slave boy].","Describes journey to Chicago: stops and sights. Unsure if he can make an investment in Chicago or not.","Relates investigation of investments with Mr. Wright and Mr. McFarland. Describes geography of Chicago, Lake Michigan, and river and its relation to property value. Visited a Mr. Kerfoot. Describes scenery.","Has bought two pieces of property. Gives instructions regarding harvest. Inquires after cradles and rakes.","Richard and Bushrod Washington came down with him. \"I fear I shall be disappointed in selling Marshall Hall to the person who I expected to buy it.\"","Constant rains on Tuesday, Wednesday and Thursday. Will go to Washington to meet John F. Lee. Thinks they can move to Waveland by the first of December.","\"This box contains the correspondence between my wife and myself from October 1842 to October 1860. From the time of our engagement to her Death - John A. and E. L. Washington.\"","Dr. Lloyd's funeral will take place tomorrow. Requests suit of black clothes.","Description of journey from St. Louis to Chicago. Fertility of the prairie and poverty of inhabitants. Business in Chicago remains uncertain.","Received Nelly's letter of April 1st. Has not made much progress in his business. \"I went out yesterday about 35 miles on the Milwaukee Railroad branch…\"","Has rented a part of his property. Ogden suit will come up in a few days. Dined at Mr. Kerfoot's. Describes a \"feat of house lifting\" he witnessed.","His lawyers are confident in winning the Ogden Suit [Malebon D. Ogden vs. John A. Washington and William F. Turner]. Met with friends and relations; mentions Cassins, Grahams, and Mr. Morgan Johnson. Says he is \"wife sick or love sick.\"","Expects to leave tomorrow night or Saturday for Indianapolis and Louisville. Encloses flowers. \"I regret to hear that Miss Cunningham's enterprise turned out indifferently. It was I thought rather inconsiderate in her to attempt anything of the sort while we are living there, but I suppose she did not think of this.\"","Forgot trunk key and requests to have Nelly mail it. Has sent up boxes of silver, white and brown sugar, and soap. Gives instructions regarding a box of stolen sugar.","Going to Leesburg this morning with friends. Postscript \"Thursday morning.\"","\"Mr. Turner though still very unwell is going about a little, and we are engaged in sowing wheat…\" Bought a carpet for the library. Has sent up stair carpet rods.","Augustine writes he had intended going up to Waveland yesterday but \"as I have some little unfinished business here and have not had an opportunity of seeing Cousin H[arriet] I shall wait until tomorrow and accompany them up.\"","Reports he will not return as soon as planned. Encloses ten dollars.","After receiving her father's permission to respond to Augustine's letter, she writes that she has never before attempted such a letter. Expresses her feelings for him.","Disappointed in trip to Walnut Farm. Supposes Augustine has arrived at Mount Vernon. Death of Mrs. Mason.","If Augustine is detained, their separation will be nearly three weeks. Delivered messages to Dick. Recent storm caused flooding and destroyed fencing.","Spent yesterday at Mount Vernon. Whitewashing has improved the appearance of the yard. Longs for the twenty-sixth to come.  Miss Morey [Maury] leaves tomorrow.","Bridal party arrived [for wedding of Christian Maria and Richard Washington]. Asks Augustine to get a new pair of boots or have his mended.","Augustine's last letter dated the 10th. Pleased he employed a white overseer.","No time fixed for Dick's [Richard Washington] marriage. Will Augustine get the baby a pair of shoes? Penciled note by Augustine possibly noting property lines.","When did Augustine leave Loudon? Louisa has learned several words. Nelly has visited several friends.","Intends to have her tooth drawn. Weather very cold. Louisa learned waltzing.","Discusses weather. Mr. Stuart arrived. \"Louisa has completely retrieved her character since you left.\" Letter continues September 2nd. Nelly \"left Blakeley yesterday morning to spend this week with Aunt Maria and Anne.","Louisa's health. \"I was really gratified to hear you did not find it necessary to sell Gabriel.\" Louisa has \"several times mistaken persons down the street for you…\"","Delivery and payment of wheat. Louisa is well. Christian Washington already named her daughter Elizabeth. Old Mr. [John] Sinclair died and his slaves are to be sold.","Dined with Ellen Powell. Louisa \"fell against the table and nearly broke her nose…\"","Nelly writes she had a bad cold on Monday. Louisa's arm is almost entirely well. West [Ford] was in town yesterday. Charles Lee and Anne Gardener are engaged.","Daughter Jenny [Jane Charlotte Washington] sick with fever and welts.","Daughter Jenny and other family members illl. Cousin Thomas and Noblet returned last week. Postscript asking for money for children's dresses.","Aunt Eliza doing well. Nelly went to hear Hertz play: He is \"one of the most celebrated performers on the piano.\" Does not understand Anne's letter.","Short letter. Chastises Augustine for not writing. Asks \"is it because your wife is not of sufficient importance to you to write to her.\"","\"I shall be ready to go any day that you can come for me.\" Asks for mutton suet and cat mint.","\"Mr. George Turner, starts for Boston tomorrow, and I have determined to go under his escort.\" Discusses meetings with friends and relatives. Cousin Rebecca had a son.","Discusses harvest and rain. Jack and Anne drove up this morning. \"If there are any damsons, I wish you would have some preserved.\"","Hopes Augustine had a pleasant trip and \"felt no evil effects from crabs and oysters.\" Nelly treated Louisa's illness with calomel and oil. Sorry to hear that Mr. Moore the overseer took a wife. Enclosed note and postscript regarding letter from Sister Mary.","Inquires if the slave Mary has washed the bedstead. Will try to get a larger sheet of paper. Postscript regarding daughter Louisa's tin cow.","\"It has been nearly three weeks since my confinement…\" Uncle Bushrod [Washington] leaves for the Salt Sulphur on Monday.","Nelly and Augustine have been apart nine weeks. Describes her recovery and the new baby [Eliza]. General Rust [new owner of Exeter] traveled up on Sunday.","Requests Augustine have a log cabin built. \"Our children are well, having two babies keeps me pretty constantly employed.\" Postscript regarding poor pen and Aunt Eliza's confinement.","\"Our dear child is quite well again [Louisa].\" Hopes to hear from Augustine soon.  Postscript, \"Dear little Molly [Mary Selden Page] continues I think to improve.\"","Short letter. Aunt Eliza gave birth to a girl yesterday, about three o'clock.","Family news. Asks Augustine set a date for her to return to Mount Vernon.","Cary was thrown over his horse's head. Mrs. Carter died last night. Daughter Eliza goes looking for Augustine. Nelly makes requests and gives instructions for making preserves, \"and please don't forget my hen house.\"","Arrived Thursday evening. Requests more money to buy things for the winter. Mentions Aunt Maria, Rebecca and Dr. Tabb, and Aunt Eliza.","Daughter Eliza sick past ten days. \"Louisa and Jenny talk incessantly about you.\" Nelly has been walking a good deal.","Uncle Cary's death. Discusses children and weather. Passes on Mr. Lloyd's questions regarding hiring an overseer such as salary and privileges.","\"Old Dolly gave me the letter I enclose about ten days ago…\" Sister Mary wrote after her confinement. Today is Harriet's wedding day.","Boat landed with 50 or 60 visitors. Susan, a slave, prefers being sold.","She shall \"be down in the boat tomorrow to see you.\" Shall not bring the children.","Visitors. No one is sick. \"The boat had just come in sight and it is beginning to rain right fast…\"","Anxious to hear about Mother [Jane C. B. Washington]. A man came \"to apply for situation as overseer, at Marshall Hall…\" Note at end of letter written by Louisa Washington. Misses her father. Writes about dogs, birds, and sheep.","Has heard rumors and is unsure if Mrs. [Eleanor Parke Custis] Lewis is dead or alive. Went to Charlestown on Sunday. Visited with relations. Describes wellbeing of her daughters: \"Maria has five teeth.\"","Expresses her happiness at receiving Augustine's last letter. Sorry to hear of Eliza's injury. Describes children's party. Would be glad if he could finish the threshing.","\"Mrs. Byrd and Mrs. Alsbone… appear very nervous about the state of our slaves. They think the negroes hate the whites so much, that we are in constant danger.\"","Louisa has measles. Dr. Lloyd shipwrecked twice and lost everything. Scarlet fever and whooping cough going around.","Daughters Jenny, Lily [Eliza] and Maria all have measles. Distressed to hear about Augustine's wheat and corn. Begs for a letter from him; \"I am miserable.\"","Steamboat quite full today with sixty or seventy persons. Tomorrow is Louisa's birthday. Spoke to Susan [a slave] and \"she prefers being sold.\"","\"Aunt Eliza had a little girl last night, she and the child are both doing well.\"","Arrived at Cave Farm on Monday. Heard that \"Mr. Alexander was so extravagant that if you were not careful, Cousin Hannah's property would all in short time go.\" Louisa looks forward to a child's party. Nelly requests vanilla.","Instructions to have her black bonnet sent up as well as a night gown, linens, and visit cards. Went to hear Dr. Butler's sermon. \"Don't forget the butter from Maryland…\"","Encloses letter from Mr. Davis. She is visiting Richard and Christian. Asks Augustine to bring the \"baby's sucking bottle.\" Gives instructions for the slave Sarah to make a brine to drop the butter in.","Richard returned from town and says that court will begin on the second Monday of October, and the sale at Claymont will take place on the following Wednesday.","Daughter [Anna] Maria broke her left arm.","Infant [Lawrence] very ill. Family news.","Nursery chimney caught on fire yesterday. Son Lawrence has been ill. Mr. Turner salted hams. Wants to see Christian and the children this winter.","Is very concerned about Lawrence's fever. Asks that Augustine send for a doctor.","Has heard that his Uncle Augustine was unwell. Requests word on how he is. Sends a bottle of castor oil.","Regrets to hear that his health has not improved. Lawrence is better.","Nelly reports that she is ready to go home and regrets that she be sent for.","Her health continues to improve, hopes to be able to return soon. Letter sent with West [Ford].","Clara [Heilman] has arrived. Nelly is disappointed that the weather keeps her away. \"I am as well as ever, look very fat…and right strong.\"","Lawrence's health improves. Postscript regarding Edith and Mrs. Powell.","Their niece Anne, daughter of Augustine's brother Richard Blackburn and Christian Washington has died.","Gives preserving instructions for slaves Sarah and Matilda. Secret engagement of Andrew Kennedy. Asks about having the dining room fixed. Anne is sick with dysentery.","\"The baby [George Washington] improves every day.\" Watermelons in the ice house.","Dined with Harriett Cazenove. \"Everything is going on at home here as usual.\"","\"Everybody is leaving so fast that by Thursday everyone will be gone…\" She can be at Walnut Farm on Saturday.","Daughter Nelly had fever and boils. Nelly writes she is delighted she left [Capon Springs] as the \"house keeper, servants and all were dismissed and the stages taken off the line on Friday.\" Instructs Augustine to bring clothes for the children.","Louisa and Jenny went to a concert. Yesterday a crowd with Masons came by boat and made a speech. Received a letter from Miss [Ann Pamela] Cunningham requesting permission for an address.","Much rain. Wheat looks well. Family news.","Summer weather. Had first dish of asparagus yesterday. Miss [Ann Pamela] Cunningham's address is Saturday with Dr. Hawks of New York as orator.","\"Yesterday was the day fixed on by Miss Cunningham for her grand doings here…. There were benches enough to accommodate six hundred but I don't think there could have been more than one hundred and fifty or two hundred at most on the grounds.\"","Received his sixth letter this morning. Mrs. Robert [Mary Anna Custis] Lee staying with them. Son George has not learned to say a word since Augustine left. \"Wishing you happy dreams and hoping I may be the burden of them as you are of mine.\"","Nelly writes she cannot find the trunk key Augustine requested. She delivered his message to Mr. Lunsford [overseer at Waveland].","Mr. Lunsford finished seeding and now setting strawberry plants. Cabbage plants have come up but they look like kale. Received letters from ladies applying for \"the situation\" [teaching position?]. Requests jonquil roots, hairpins, and tea toweling.","Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Ford, West, approximately 1784-1863","Chew, Louisa Fontaine Washington, 1844-1927","English \n.    "],"unitid_tesim":["RM.528"],"normalized_title_ssm":["John Augustine Washington III and Eleanor Love Selden correspondence"],"collection_title_tesim":["John Augustine Washington III and Eleanor Love Selden correspondence"],"collection_ssim":["John Augustine Washington III and Eleanor Love Selden correspondence"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860"],"creator_ssim":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860"],"creator_persname_ssim":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860"],"creators_ssim":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860"],"has_online_content_ssim":["true"],"extent_ssm":["0.5 Linear Feet"],"extent_tesim":["0.5 Linear Feet"],"physfacet_tesim":["2 boxes"],"date_range_isim":[1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"altformavail_html_tesm":["\u003cp\u003eSaw Dr. Powell on Thursday. Cases of bilious fever. Arrangements for slave Eliza's return to Mount Vernon. Crabs are \"disappearing very rapidly.\"\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Saw Dr. Powell on Thursday. Cases of bilious fever. Arrangements for slave Eliza's return to Mount Vernon. Crabs are \"disappearing very rapidly.\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged first by letters written by John Augustine Washington III, organized chronologically, and second by letters written by Eleanor Love Selden Washington, organized chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged first by letters written by John Augustine Washington III, organized chronologically, and second by letters written by Eleanor Love Selden Washington, organized chronologically."],"bioghist_html_tesm":["\u003cp\u003eJohn Augustine Washington III (1821-1861): John Augustine Washington was the great-grandnephew of George Washington and the last Washington to own Mount Vernon before its sale to the Mount Vernon Ladies Association (MVLA).  He was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. He graduated from the University of Virginia in 1840, and returned to Mount Vernon to manage the declining estate with his widowed mother's permission. In 1843, he married Eleanor Love Selden with whom he had seven children. He sold 200 acres of Mount Vernon to the MVLA in 1858 for $200,000, and he and his family moved to Waveland plantation in Fauquier County, Virginia in 1860. He served as aide-de-camp to General Robert E. Lee, but was shot by a bushwhacker and died one week later on September 13, 1861.\u003c/p\u003e\n","\u003cp\u003eEleanor Love Selden Washington (1824-1860): Born April 12, 1824 to Wilson Cary Selden and Louisa Elizabeth Fontaine Alexander Selden, \"Nelly\" married John Augustine Washington III on February 16, 1843. Together, they had seven children: Louisa, Jane Charlotte (\"Jenny\"), Eliza (\"Lily\"), Anna Maria, Lawrence, Eleanor (\"Nelly\"), and George. She died from childbirth October 9, 1860.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Augustine Washington III (1821-1861): John Augustine Washington was the great-grandnephew of George Washington and the last Washington to own Mount Vernon before its sale to the Mount Vernon Ladies Association (MVLA).  He was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. He graduated from the University of Virginia in 1840, and returned to Mount Vernon to manage the declining estate with his widowed mother's permission. In 1843, he married Eleanor Love Selden with whom he had seven children. He sold 200 acres of Mount Vernon to the MVLA in 1858 for $200,000, and he and his family moved to Waveland plantation in Fauquier County, Virginia in 1860. He served as aide-de-camp to General Robert E. Lee, but was shot by a bushwhacker and died one week later on September 13, 1861.","Eleanor Love Selden Washington (1824-1860): Born April 12, 1824 to Wilson Cary Selden and Louisa Elizabeth Fontaine Alexander Selden, \"Nelly\" married John Augustine Washington III on February 16, 1843. Together, they had seven children: Louisa, Jane Charlotte (\"Jenny\"), Eliza (\"Lily\"), Anna Maria, Lawrence, Eleanor (\"Nelly\"), and George. She died from childbirth October 9, 1860."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], John Augustine Washington III and Eleanor Love Selden correspondence, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernonn [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], John Augustine Washington III and Eleanor Love Selden correspondence, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernonn [hereafter Washington Library], Mount Vernon, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eBushrod Washington Family Papers ;\nJohn Augustine Washington III and Descendants Papers ;\nElswyth Thane Beebe Collection of Washington Family Papers ;\nHistoric Manuscripts Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bushrod Washington Family Papers ;\nJohn Augustine Washington III and Descendants Papers ;\nElswyth Thane Beebe Collection of Washington Family Papers ;\nHistoric Manuscripts Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains correspondence between John Augustine Washington III and his wife Eleanor Love Selden. The letters begin during the Washingtons' engagement and continues through eighteen years of marriage, ending with a letter from John Augustine to Eleanor composed the day prior to her sudden death. The letters contain information on family matters, the management of the Mount Vernon estate, and plantation life prior to the Civil War.\u003c/p\u003e","\u003cp\u003eExpresses his happiness at receiving Nelly's letters and love for her. \"I do not object to the whole world knowing that I love you.\"\u003c/p\u003e","\u003cp\u003eMust defer visit to Exeter for four or five days due to appointments. His mother will visit Nelly on her way up to Leesburg.\u003c/p\u003e","\u003cp\u003eFeels pain at parting from Nelly. Cousin William [Turner] distraught over his intention to marry Betty [Selden].\u003c/p\u003e","\u003cp\u003eArrived Christmas day. Distressed at being apart from Nelly. Saw the family at Mount Ida [Wilson Cary Selden, Sr.'s family] on Saturday.\u003c/p\u003e","\u003cp\u003eLove letter. \"…as the dearest moments of my life have been with you, so the happiest hopes that my soul can form, have you for their reigning star.\"\u003c/p\u003e","\u003cp\u003eWill probably not see or hear from Nelly until their wedding. Discredits stories that his relative Thomas Turner mistreated his family and servants.\u003c/p\u003e","\u003cp\u003eIs unable to return to Jefferson until the middle or end of next week. Gives instructions for Dick [Richard Blackburn Washington] regarding delivery of wheat, receipts, and a shingles order. Mentions Bushrod Washington and West Ford.\u003c/p\u003e","\u003cp\u003eChanged route after leaving Nelly. Hopes Nelly recovers from her headaches. Did she get the box from Stabler's safely?\u003c/p\u003e","\u003cp\u003e\"Time hangs heavily on me when you are absent…\" Updates on relations. A new academy is to be built opposite Mr. Burr Harrison's. Leaves for Jefferson tomorrow.\u003c/p\u003e","\u003cp\u003e\"…not having been aware of my right to vote out of the county in which I resided, at the Presidential election I made arrangements to return home…\" Hyacinths planted.\u003c/p\u003e","\u003cp\u003eHis case came up in Court and estate committed to Augustine's hands. Encloses ten dollars to entertain Dick and Christian Washington. Two or three snowstorms since his arrival at Blakeley. Scarlet fever prevailing.\u003c/p\u003e","\u003cp\u003eScarlet fever disappeared. Direct West [Ford] to tell William Hayes to procure eggs or chickens, \"but know the price beforehand, or he will charge you double.\"\u003c/p\u003e","\u003cp\u003eAbsence of Gabriel and desertion of some of the hired hands. Has decided not to sell Gabriel. \"If it were possible to without them [slaves], I do not think I could own one, but situated as we are, landed property would be almost valueless without them, and it is a matter of necessity to have their labor.\"\u003c/p\u003e","\u003cp\u003eSowing wheat. \"I have never had soft crabs in perfection before.\" Asks if mother [Jane C. B. Washington] has received money on his wheat. Offers two sets of names for Dick and Christian Washington's daughter.\u003c/p\u003e","\u003cp\u003eSale of Exeter will not take place until spring. Dr. Alexander struggling with debt.\u003c/p\u003e","\u003cp\u003e\"I have not seen our friends here, but hear that Bentley bought Cousin Eliza's negroes at $1,200.00.\"\u003c/p\u003e","\u003cp\u003eMother [Jane Charlotte Blackburn Washington] ill. His letter will be taken to Nelly \"by two negro men who I have purchased, and by Julia whom I send down. I wish West to set them to getting rails…\"\u003c/p\u003e","\u003cp\u003e\"I left the negroes I got in Alexandria, where I had an offer of $650.00 for them from a negro trader, but I prefer selling to a private person if I can do so. I found several of the servants sick, and Phil who was very low, died this evening.\"\u003c/p\u003e","\u003cp\u003eServants recovering. Nelly's cloak was dyed mazarine blue. Shall begin seeding wheat.\u003c/p\u003e","\u003cp\u003eWest [Ford] has taken sick this morning. \"The stockings and socks for the negroes are nearly done…The coat patterns are eaten up by the rats…\"\u003c/p\u003e","\u003cp\u003eGot up to Blakeley night before last accompanied by Charles Washington. \"I have the prospect of employing an overseer for next year.\"\u003c/p\u003e","\u003cp\u003eHe has been trying to procure signatures for a \"petition for the division of our county.\" The sale of Woodlawn and the Quakers who are to settle on it.\u003c/p\u003e","\u003cp\u003eReceived Nelly's letter of September 18th. Has succeeded in obtaining an overseer \"at the rate of one hundred and fifty dollars a year.\"\u003c/p\u003e","\u003cp\u003eRelates journey to Blakeley. Was delayed as Turbeville Stuart had typhus or nervous fever. Pneumonia and typhoid fever \"prevailing through this neighborhood.\"\u003c/p\u003e","\u003cp\u003eAugustine is losing his overseer due to his marriage to a widow, Ms. Spence. Discusses case at the Alexandria Superior Court.\u003c/p\u003e","\u003cp\u003e\"Between pleasant company and bad weather I was detained in the lower country some days longer than I expected.\" Pleased with Gloucester. Disappointed in Old Point. Gabriel's duties and tasks.\u003c/p\u003e","\u003cp\u003eHas been twice at church. Hopes Nelly received a package with silk, a bottle with slips, and peach stones. Preserves and pickles are done.\u003c/p\u003e","\u003cp\u003eDescribes weather and damage caused by drought and storms. Mr. Turner informs him that he can probably obtain an overseer but \"the chance of getting a tenant is not so good.\"\u003c/p\u003e","\u003cp\u003eReturned home yesterday from trip to Maryland. Visited Mr. Sewall at Poplar Hill. Went to visit Dr. Crawfort but he was absent, so went to Mr. Shipley's. Recommends Nelly go to Baltimore. Presumes Elizabeth Blackburn was married today.\u003c/p\u003e","\u003cp\u003eWheat machine broke. Sends thirty dollars. Colonel Bailey Peyton is to marry Julia Thompson. Employed three Irish workers to see if they could replace slaves but the \"experiment\" failed.\u003c/p\u003e","\u003cp\u003eSends a carriage up for Nelly. He shall leave tomorrow or the next day for Jefferson.\u003c/p\u003e","\u003cp\u003eRelates arrival in Baltimore and journey to Mount Vernon. Steamboat brought five hundred visitors during the week. Misses Nelly: \"…I feel a constant yearning to have you at my side, to hear you, to see you…\"\u003c/p\u003e","\u003cp\u003eDreams of Nelly. Monuments were erected at the vault. Steamboat continues to come full. President Filmore and his cabinet postponed visit. Plasterer to come and fix dining room and cellars.\u003c/p\u003e","\u003cp\u003eWill be down tomorrow accompanied by William Turner and two other gentlemen.\u003c/p\u003e","\u003cp\u003eIs obliged to go to Fairfax Court House to \"sue out attachments against Mr. Whitehall's property.\"\u003c/p\u003e","\u003cp\u003eWrites in haste. Ephraim died yesterday evening. Too hazardous for Nelly to come down until epidemic subsides. Sends a package containing a fan and dress.\u003c/p\u003e","\u003cp\u003eWill be in Alexandria on Friday. Dick [Richard Washington] unwell with attack of erysipelas. Fears John Washington will be deformed. New steamboat for the Mount Vernon route will not begin trips until the week after next.\u003c/p\u003e","\u003cp\u003eShort letter. Will not be in Alexandria before Saturday. Needs to attend to business with \"Brother\" Thomas [Blackburn Washington]. Families at Blakeley are well.\u003c/p\u003e","\u003cp\u003eShort letter. Mother [Jane C. B. Washington] is \"dangerously ill.\" Requests a carpet bag with clean clothes. \"Send John [Michum] up tomorrow morning for my Buggy.\"\u003c/p\u003e","\u003cp\u003eMother is better but still weak. Gives instructions for Mr. Stowell regarding corn for mules at Marshall Hall.\u003c/p\u003e","\u003cp\u003eMother is better. \"I have been purchasing negroes—and am in negotiation for others…\" Gives instructions for \"grubbing and ploughing.\" Overseer position. Includes letter to daughter Louisa on same sheet regarding various cousins.\u003c/p\u003e","\u003cp\u003eSends Jim up with the carriage today for Nelly. Augustine writes he is \"completely tired of bacheloring.\"\u003c/p\u003e","\u003cp\u003eHeard of Mrs. [Eleanor Parke Custis] Lewis' illness. Describes journey with stops in Berryville and Chantilly. Harriet subject to fainting attacks. Threshing machine is set. Negotiations with Mr. Stowell as overseer. Death of General Roger Jones\u003c/p\u003e","\u003cp\u003eHealth of Aunt Eliza and Mr. Lloyd. Railroad festival at Salem [now Marshall]. Cary, Fontaine and John hunting and fishing. Describes flowers in Louisa's garden. Wharf and buildings being put up at the White House for the steamboat and visitors.\u003c/p\u003e","\u003cp\u003eGoing to Alexandria to sell a load of wheat. The slave Eliza was injured when she \"ran a needle in her arm and broke it off…\" Ends with proclamation of undying love: \"Indeed as I grow older my heart seems to cling closer to you…and never do I feel this more deeply than when you are absent from me.\"\u003c/p\u003e","\u003cp\u003eFinished ploughing in Maryland. Tried to sell the slave Matilda but she was unwilling. Has employed a German gardener. Gives updates on the steamboat, visitors, and construction of new wharf.\u003c/p\u003e","\u003cp\u003eAttaches a check for fifty dollars for travel expenses by canal. Good weather to begin work again. Heard through West [Ford] of Cousin Esther's death. Health of servants\u003c/p\u003e","\u003cp\u003eMount Vernon and other farms have lost one third to one half of harvest due to rains. Has finally engaged a Maryland bricklayer and plasterer.\u003c/p\u003e","\u003cp\u003eWas unable to write due to a cold. Noblet Herbert's death. Disappointed in sale of mountain land. Instructions for sowing and sale of clover seed.\u003c/p\u003e","\u003cp\u003eHe cannot get up to the house. Requests beef, ham, knives and forks, Worcestershire sauce, and cream or milk.\u003c/p\u003e","\u003cp\u003eSold Matilda and her family to Mr. Bevin. Augustine has had attacks of ague. Cases of scarlet fever and dysentery. Gives instructions for Mr. Stowell regarding sheep and wheat machine.\u003c/p\u003e","\u003cp\u003eBrief letter. Getting on slowly with work. Will probably not come down tomorrow.\u003c/p\u003e","\u003cp\u003e\"Brother T's [cousin Thomas Washington] corpse has not yet arrived.\" John Alexander has dysentery.\u003c/p\u003e","\u003cp\u003eThomas Washington's body arrived and was buried at Charlestown. John Alexander's death. Will conclude funeral arrangements tomorrow.\u003c/p\u003e","\u003cp\u003eServants sick. Bought and forwarded a dress for Louisa. Will take Louisa to Bath after sale of Richwoods [home of Thomas Blackburn Washington].\u003c/p\u003e","\u003cp\u003e\"Richard [Washington] was rather better last night.\" Brief letter.\u003c/p\u003e","\u003cp\u003eHe is detained a few days longer due to Dr. Alexander's absence. Asks Nelly to send the wagon up for coal. Has sold corn at three dollars.\u003c/p\u003e","\u003cp\u003eArrived in Charlestown yesterday. Restaurants in Charlestown and Harper's Ferry filthy. Richard [Washington] sold about 300 acres of his land at $60.00 per acre.\u003c/p\u003e","\u003cp\u003e\"Alexandria May 18\" crossed out at top. His health continues to improve, will join her in a few days. Requests pills and tea.\u003c/p\u003e","\u003cp\u003e\"My cold is broken and a great deal better.\" Regrets that sickness prevents him from joining her as planned.\u003c/p\u003e","\u003cp\u003eAugustine writes he will be down on Thursday or Friday. Direct Mr. Browner to get ready to kill the hogs next Saturday.\u003c/p\u003e","\u003cp\u003eHas commenced hauling today. Encloses check for fifty dollars. Sends up a swan.\u003c/p\u003e","\u003cp\u003eAugustine writes that though his health has improved, he's still unable to return.\u003c/p\u003e","\u003cp\u003eSends bacon, shad and fish by West [Ford]. Wrote a short note to Nelly this morning to be delivered by girl Maria. Son Lawrence and the baby [Eleanor] are well.\u003c/p\u003e","\u003cp\u003eEncloses a letter from California. Has had stormy weather. Requests that Nelly tell Cousin Sally or the doctor to inform him how she is.\u003c/p\u003e","\u003cp\u003eStormy and rainy weather prevented his going to see Nelly. Weather unfavorable for fishing.\u003c/p\u003e","\u003cp\u003eForwards check for $100.\u003c/p\u003e","\u003cp\u003eInstructions to send several servants [enslaved workers?] from Mount Vernon to Alexandria.\u003c/p\u003e","\u003cp\u003eThe slave Sarah \"had run off from Mr. Taylor and had gone home this morning.\" Has not heard from Richmond [regarding sale of Mount Vernon to the Mount Vernon Ladies Association]\u003c/p\u003e","\u003cp\u003eRegarding negotiations with the Mount Vernon Ladies' Association.\u003c/p\u003e","\u003cp\u003eRelates his visits with the children to the University, Monticello, Farmington, and the \"Asylums for the Insane and for the Blind and the Deaf and Dumb.\"\u003c/p\u003e","\u003cp\u003eRelates visit to Wyers Cave. Saw John Selden and his children. Visited Cousin Ann and Miss Mary Peter. Saw Sister Hannah and Jenny. \"My farm as usual will yield but a small rent, and I have half made up my mind to sell it.\"\u003c/p\u003e","\u003cp\u003eBrief letter. Is detained until Monday and \"then have to go to Balt[imore]. If I do not get home on Tuesday in the boat, send up for me Wednesday morning.\"\u003c/p\u003e","\u003cp\u003eMust travel to Baltimore with Mr. Herbert. Instructs William Ford to meet him in Alexandria to show him lots [of timber?] to be labeled.\u003c/p\u003e","\u003cp\u003eEncloses letter from Magruder Mason. Gives instructions for delivering slaves George, Charlotte and Milly who have been hired out.\u003c/p\u003e","\u003cp\u003eHas requested Mr. Price send down game and fish. Expects to meet Willie Rogers and Mr. Robinson on Saturday.\u003c/p\u003e","\u003cp\u003eChristian Washington's baby had an operation on her lip. Heavy fall of snow. Gives instructions regarding clover seed, ploughs, and windows of hot beds.\u003c/p\u003e","\u003cp\u003eShall leave tomorrow for Frederick and Fauquier and be home Friday or Saturday. Bad weather prevented his visiting friends in Audley and Berryville. Has arranged matters with Mr. Richardson about Joe [a slave boy].\u003c/p\u003e","\u003cp\u003eDescribes journey to Chicago: stops and sights. Unsure if he can make an investment in Chicago or not.\u003c/p\u003e","\u003cp\u003eRelates investigation of investments with Mr. Wright and Mr. McFarland. Describes geography of Chicago, Lake Michigan, and river and its relation to property value. Visited a Mr. Kerfoot. Describes scenery.\u003c/p\u003e","\u003cp\u003eHas bought two pieces of property. Gives instructions regarding harvest. Inquires after cradles and rakes.\u003c/p\u003e","\u003cp\u003eRichard and Bushrod Washington came down with him. \"I fear I shall be disappointed in selling Marshall Hall to the person who I expected to buy it.\"\u003c/p\u003e","\u003cp\u003eConstant rains on Tuesday, Wednesday and Thursday. Will go to Washington to meet John F. Lee. Thinks they can move to Waveland by the first of December.\u003c/p\u003e","\u003cp\u003e\"This box contains the correspondence between my wife and myself from October 1842 to October 1860. From the time of our engagement to her Death - John A. and E. L. Washington.\"\u003c/p\u003e","\u003cp\u003eDr. Lloyd's funeral will take place tomorrow. Requests suit of black clothes.\u003c/p\u003e","\u003cp\u003eDescription of journey from St. Louis to Chicago. Fertility of the prairie and poverty of inhabitants. Business in Chicago remains uncertain.\u003c/p\u003e","\u003cp\u003eReceived Nelly's letter of April 1st. Has not made much progress in his business. \"I went out yesterday about 35 miles on the Milwaukee Railroad branch…\"\u003c/p\u003e","\u003cp\u003eHas rented a part of his property. Ogden suit will come up in a few days. Dined at Mr. Kerfoot's. Describes a \"feat of house lifting\" he witnessed.\u003c/p\u003e","\u003cp\u003eHis lawyers are confident in winning the Ogden Suit [Malebon D. Ogden vs. John A. Washington and William F. Turner]. Met with friends and relations; mentions Cassins, Grahams, and Mr. Morgan Johnson. Says he is \"wife sick or love sick.\"\u003c/p\u003e","\u003cp\u003eExpects to leave tomorrow night or Saturday for Indianapolis and Louisville. Encloses flowers. \"I regret to hear that Miss Cunningham's enterprise turned out indifferently. It was I thought rather inconsiderate in her to attempt anything of the sort while we are living there, but I suppose she did not think of this.\"\u003c/p\u003e","\u003cp\u003eForgot trunk key and requests to have Nelly mail it. Has sent up boxes of silver, white and brown sugar, and soap. Gives instructions regarding a box of stolen sugar.\u003c/p\u003e","\u003cp\u003eGoing to Leesburg this morning with friends. Postscript \"Thursday morning.\"\u003c/p\u003e","\u003cp\u003e\"Mr. Turner though still very unwell is going about a little, and we are engaged in sowing wheat…\" Bought a carpet for the library. Has sent up stair carpet rods.\u003c/p\u003e","\u003cp\u003eAugustine writes he had intended going up to Waveland yesterday but \"as I have some little unfinished business here and have not had an opportunity of seeing Cousin H[arriet] I shall wait until tomorrow and accompany them up.\"\u003c/p\u003e","\u003cp\u003eReports he will not return as soon as planned. Encloses ten dollars.\u003c/p\u003e","\u003cp\u003eAfter receiving her father's permission to respond to Augustine's letter, she writes that she has never before attempted such a letter. Expresses her feelings for him.\u003c/p\u003e","\u003cp\u003eDisappointed in trip to Walnut Farm. Supposes Augustine has arrived at Mount Vernon. Death of Mrs. Mason.\u003c/p\u003e","\u003cp\u003eIf Augustine is detained, their separation will be nearly three weeks. Delivered messages to Dick. Recent storm caused flooding and destroyed fencing.\u003c/p\u003e","\u003cp\u003eSpent yesterday at Mount Vernon. Whitewashing has improved the appearance of the yard. Longs for the twenty-sixth to come.  Miss Morey [Maury] leaves tomorrow.\u003c/p\u003e","\u003cp\u003eBridal party arrived [for wedding of Christian Maria and Richard Washington]. Asks Augustine to get a new pair of boots or have his mended.\u003c/p\u003e","\u003cp\u003eAugustine's last letter dated the 10th. Pleased he employed a white overseer.\u003c/p\u003e","\u003cp\u003eNo time fixed for Dick's [Richard Washington] marriage. Will Augustine get the baby a pair of shoes? Penciled note by Augustine possibly noting property lines.\u003c/p\u003e","\u003cp\u003eWhen did Augustine leave Loudon? Louisa has learned several words. Nelly has visited several friends.\u003c/p\u003e","\u003cp\u003eIntends to have her tooth drawn. Weather very cold. Louisa learned waltzing.\u003c/p\u003e","\u003cp\u003eDiscusses weather. Mr. Stuart arrived. \"Louisa has completely retrieved her character since you left.\" Letter continues September 2nd. Nelly \"left Blakeley yesterday morning to spend this week with Aunt Maria and Anne.\u003c/p\u003e","\u003cp\u003eLouisa's health. \"I was really gratified to hear you did not find it necessary to sell Gabriel.\" Louisa has \"several times mistaken persons down the street for you…\"\u003c/p\u003e","\u003cp\u003eDelivery and payment of wheat. Louisa is well. Christian Washington already named her daughter Elizabeth. Old Mr. [John] Sinclair died and his slaves are to be sold.\u003c/p\u003e","\u003cp\u003eDined with Ellen Powell. Louisa \"fell against the table and nearly broke her nose…\"\u003c/p\u003e","\u003cp\u003eNelly writes she had a bad cold on Monday. Louisa's arm is almost entirely well. West [Ford] was in town yesterday. Charles Lee and Anne Gardener are engaged.\u003c/p\u003e","\u003cp\u003eDaughter Jenny [Jane Charlotte Washington] sick with fever and welts.\u003c/p\u003e","\u003cp\u003eDaughter Jenny and other family members illl. Cousin Thomas and Noblet returned last week. Postscript asking for money for children's dresses.\u003c/p\u003e","\u003cp\u003eAunt Eliza doing well. Nelly went to hear Hertz play: He is \"one of the most celebrated performers on the piano.\" Does not understand Anne's letter.\u003c/p\u003e","\u003cp\u003eShort letter. Chastises Augustine for not writing. Asks \"is it because your wife is not of sufficient importance to you to write to her.\"\u003c/p\u003e","\u003cp\u003e\"I shall be ready to go any day that you can come for me.\" Asks for mutton suet and cat mint.\u003c/p\u003e","\u003cp\u003e\"Mr. George Turner, starts for Boston tomorrow, and I have determined to go under his escort.\" Discusses meetings with friends and relatives. Cousin Rebecca had a son.\u003c/p\u003e","\u003cp\u003eDiscusses harvest and rain. Jack and Anne drove up this morning. \"If there are any damsons, I wish you would have some preserved.\"\u003c/p\u003e","\u003cp\u003eHopes Augustine had a pleasant trip and \"felt no evil effects from crabs and oysters.\" Nelly treated Louisa's illness with calomel and oil. Sorry to hear that Mr. Moore the overseer took a wife. Enclosed note and postscript regarding letter from Sister Mary.\u003c/p\u003e","\u003cp\u003eInquires if the slave Mary has washed the bedstead. Will try to get a larger sheet of paper. Postscript regarding daughter Louisa's tin cow.\u003c/p\u003e","\u003cp\u003e\"It has been nearly three weeks since my confinement…\" Uncle Bushrod [Washington] leaves for the Salt Sulphur on Monday.\u003c/p\u003e","\u003cp\u003eNelly and Augustine have been apart nine weeks. Describes her recovery and the new baby [Eliza]. General Rust [new owner of Exeter] traveled up on Sunday.\u003c/p\u003e","\u003cp\u003eRequests Augustine have a log cabin built. \"Our children are well, having two babies keeps me pretty constantly employed.\" Postscript regarding poor pen and Aunt Eliza's confinement.\u003c/p\u003e","\u003cp\u003e\"Our dear child is quite well again [Louisa].\" Hopes to hear from Augustine soon.  Postscript, \"Dear little Molly [Mary Selden Page] continues I think to improve.\"\u003c/p\u003e","\u003cp\u003eShort letter. Aunt Eliza gave birth to a girl yesterday, about three o'clock.\u003c/p\u003e","\u003cp\u003eFamily news. Asks Augustine set a date for her to return to Mount Vernon.\u003c/p\u003e","\u003cp\u003eCary was thrown over his horse's head. Mrs. Carter died last night. Daughter Eliza goes looking for Augustine. Nelly makes requests and gives instructions for making preserves, \"and please don't forget my hen house.\"\u003c/p\u003e","\u003cp\u003eArrived Thursday evening. Requests more money to buy things for the winter. Mentions Aunt Maria, Rebecca and Dr. Tabb, and Aunt Eliza.\u003c/p\u003e","\u003cp\u003eDaughter Eliza sick past ten days. \"Louisa and Jenny talk incessantly about you.\" Nelly has been walking a good deal.\u003c/p\u003e","\u003cp\u003eUncle Cary's death. Discusses children and weather. Passes on Mr. Lloyd's questions regarding hiring an overseer such as salary and privileges.\u003c/p\u003e","\u003cp\u003e\"Old Dolly gave me the letter I enclose about ten days ago…\" Sister Mary wrote after her confinement. Today is Harriet's wedding day.\u003c/p\u003e","\u003cp\u003eBoat landed with 50 or 60 visitors. Susan, a slave, prefers being sold.\u003c/p\u003e","\u003cp\u003eShe shall \"be down in the boat tomorrow to see you.\" Shall not bring the children.\u003c/p\u003e","\u003cp\u003eVisitors. No one is sick. \"The boat had just come in sight and it is beginning to rain right fast…\"\u003c/p\u003e","\u003cp\u003eAnxious to hear about Mother [Jane C. B. Washington]. A man came \"to apply for situation as overseer, at Marshall Hall…\" Note at end of letter written by Louisa Washington. Misses her father. Writes about dogs, birds, and sheep.\u003c/p\u003e","\u003cp\u003eHas heard rumors and is unsure if Mrs. [Eleanor Parke Custis] Lewis is dead or alive. Went to Charlestown on Sunday. Visited with relations. Describes wellbeing of her daughters: \"Maria has five teeth.\"\u003c/p\u003e","\u003cp\u003eExpresses her happiness at receiving Augustine's last letter. Sorry to hear of Eliza's injury. Describes children's party. Would be glad if he could finish the threshing.\u003c/p\u003e","\u003cp\u003e\"Mrs. Byrd and Mrs. Alsbone… appear very nervous about the state of our slaves. They think the negroes hate the whites so much, that we are in constant danger.\"\u003c/p\u003e","\u003cp\u003eLouisa has measles. Dr. Lloyd shipwrecked twice and lost everything. Scarlet fever and whooping cough going around.\u003c/p\u003e","\u003cp\u003eDaughters Jenny, Lily [Eliza] and Maria all have measles. Distressed to hear about Augustine's wheat and corn. Begs for a letter from him; \"I am miserable.\"\u003c/p\u003e","\u003cp\u003eSteamboat quite full today with sixty or seventy persons. Tomorrow is Louisa's birthday. Spoke to Susan [a slave] and \"she prefers being sold.\"\u003c/p\u003e","\u003cp\u003e\"Aunt Eliza had a little girl last night, she and the child are both doing well.\"\u003c/p\u003e","\u003cp\u003eArrived at Cave Farm on Monday. Heard that \"Mr. Alexander was so extravagant that if you were not careful, Cousin Hannah's property would all in short time go.\" Louisa looks forward to a child's party. Nelly requests vanilla.\u003c/p\u003e","\u003cp\u003eInstructions to have her black bonnet sent up as well as a night gown, linens, and visit cards. Went to hear Dr. Butler's sermon. \"Don't forget the butter from Maryland…\"\u003c/p\u003e","\u003cp\u003eEncloses letter from Mr. Davis. She is visiting Richard and Christian. Asks Augustine to bring the \"baby's sucking bottle.\" Gives instructions for the slave Sarah to make a brine to drop the butter in.\u003c/p\u003e","\u003cp\u003eRichard returned from town and says that court will begin on the second Monday of October, and the sale at Claymont will take place on the following Wednesday.\u003c/p\u003e","\u003cp\u003eDaughter [Anna] Maria broke her left arm.\u003c/p\u003e","\u003cp\u003eInfant [Lawrence] very ill. Family news.\u003c/p\u003e","\u003cp\u003eNursery chimney caught on fire yesterday. Son Lawrence has been ill. Mr. Turner salted hams. Wants to see Christian and the children this winter.\u003c/p\u003e","\u003cp\u003eIs very concerned about Lawrence's fever. Asks that Augustine send for a doctor.\u003c/p\u003e","\u003cp\u003eHas heard that his Uncle Augustine was unwell. Requests word on how he is. Sends a bottle of castor oil.\u003c/p\u003e","\u003cp\u003eRegrets to hear that his health has not improved. Lawrence is better.\u003c/p\u003e","\u003cp\u003eNelly reports that she is ready to go home and regrets that she be sent for.\u003c/p\u003e","\u003cp\u003eHer health continues to improve, hopes to be able to return soon. Letter sent with West [Ford].\u003c/p\u003e","\u003cp\u003eClara [Heilman] has arrived. Nelly is disappointed that the weather keeps her away. \"I am as well as ever, look very fat…and right strong.\"\u003c/p\u003e","\u003cp\u003eLawrence's health improves. Postscript regarding Edith and Mrs. Powell.\u003c/p\u003e","\u003cp\u003eTheir niece Anne, daughter of Augustine's brother Richard Blackburn and Christian Washington has died.\u003c/p\u003e","\u003cp\u003eGives preserving instructions for slaves Sarah and Matilda. Secret engagement of Andrew Kennedy. Asks about having the dining room fixed. Anne is sick with dysentery.\u003c/p\u003e","\u003cp\u003e\"The baby [George Washington] improves every day.\" Watermelons in the ice house.\u003c/p\u003e","\u003cp\u003eDined with Harriett Cazenove. \"Everything is going on at home here as usual.\"\u003c/p\u003e","\u003cp\u003e\"Everybody is leaving so fast that by Thursday everyone will be gone…\" She can be at Walnut Farm on Saturday.\u003c/p\u003e","\u003cp\u003eDaughter Nelly had fever and boils. Nelly writes she is delighted she left [Capon Springs] as the \"house keeper, servants and all were dismissed and the stages taken off the line on Friday.\" Instructs Augustine to bring clothes for the children.\u003c/p\u003e","\u003cp\u003eLouisa and Jenny went to a concert. Yesterday a crowd with Masons came by boat and made a speech. Received a letter from Miss [Ann Pamela] Cunningham requesting permission for an address.\u003c/p\u003e","\u003cp\u003eMuch rain. Wheat looks well. Family news.\u003c/p\u003e","\u003cp\u003eSummer weather. Had first dish of asparagus yesterday. Miss [Ann Pamela] Cunningham's address is Saturday with Dr. Hawks of New York as orator.\u003c/p\u003e","\u003cp\u003e\"Yesterday was the day fixed on by Miss Cunningham for her grand doings here…. There were benches enough to accommodate six hundred but I don't think there could have been more than one hundred and fifty or two hundred at most on the grounds.\"\u003c/p\u003e","\u003cp\u003eReceived his sixth letter this morning. Mrs. Robert [Mary Anna Custis] Lee staying with them. Son George has not learned to say a word since Augustine left. \"Wishing you happy dreams and hoping I may be the burden of them as you are of mine.\"\u003c/p\u003e","\u003cp\u003eNelly writes she cannot find the trunk key Augustine requested. She delivered his message to Mr. Lunsford [overseer at Waveland].\u003c/p\u003e","\u003cp\u003eMr. Lunsford finished seeding and now setting strawberry plants. Cabbage plants have come up but they look like kale. Received letters from ladies applying for \"the situation\" [teaching position?]. Requests jonquil roots, hairpins, and tea toweling.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains correspondence between John Augustine Washington III and his wife Eleanor Love Selden. The letters begin during the Washingtons' engagement and continues through eighteen years of marriage, ending with a letter from John Augustine to Eleanor composed the day prior to her sudden death. The letters contain information on family matters, the management of the Mount Vernon estate, and plantation life prior to the Civil War.","Expresses his happiness at receiving Nelly's letters and love for her. \"I do not object to the whole world knowing that I love you.\"","Must defer visit to Exeter for four or five days due to appointments. His mother will visit Nelly on her way up to Leesburg.","Feels pain at parting from Nelly. Cousin William [Turner] distraught over his intention to marry Betty [Selden].","Arrived Christmas day. Distressed at being apart from Nelly. Saw the family at Mount Ida [Wilson Cary Selden, Sr.'s family] on Saturday.","Love letter. \"…as the dearest moments of my life have been with you, so the happiest hopes that my soul can form, have you for their reigning star.\"","Will probably not see or hear from Nelly until their wedding. Discredits stories that his relative Thomas Turner mistreated his family and servants.","Is unable to return to Jefferson until the middle or end of next week. Gives instructions for Dick [Richard Blackburn Washington] regarding delivery of wheat, receipts, and a shingles order. Mentions Bushrod Washington and West Ford.","Changed route after leaving Nelly. Hopes Nelly recovers from her headaches. Did she get the box from Stabler's safely?","\"Time hangs heavily on me when you are absent…\" Updates on relations. A new academy is to be built opposite Mr. Burr Harrison's. Leaves for Jefferson tomorrow.","\"…not having been aware of my right to vote out of the county in which I resided, at the Presidential election I made arrangements to return home…\" Hyacinths planted.","His case came up in Court and estate committed to Augustine's hands. Encloses ten dollars to entertain Dick and Christian Washington. Two or three snowstorms since his arrival at Blakeley. Scarlet fever prevailing.","Scarlet fever disappeared. Direct West [Ford] to tell William Hayes to procure eggs or chickens, \"but know the price beforehand, or he will charge you double.\"","Absence of Gabriel and desertion of some of the hired hands. Has decided not to sell Gabriel. \"If it were possible to without them [slaves], I do not think I could own one, but situated as we are, landed property would be almost valueless without them, and it is a matter of necessity to have their labor.\"","Sowing wheat. \"I have never had soft crabs in perfection before.\" Asks if mother [Jane C. B. Washington] has received money on his wheat. Offers two sets of names for Dick and Christian Washington's daughter.","Sale of Exeter will not take place until spring. Dr. Alexander struggling with debt.","\"I have not seen our friends here, but hear that Bentley bought Cousin Eliza's negroes at $1,200.00.\"","Mother [Jane Charlotte Blackburn Washington] ill. His letter will be taken to Nelly \"by two negro men who I have purchased, and by Julia whom I send down. I wish West to set them to getting rails…\"","\"I left the negroes I got in Alexandria, where I had an offer of $650.00 for them from a negro trader, but I prefer selling to a private person if I can do so. I found several of the servants sick, and Phil who was very low, died this evening.\"","Servants recovering. Nelly's cloak was dyed mazarine blue. Shall begin seeding wheat.","West [Ford] has taken sick this morning. \"The stockings and socks for the negroes are nearly done…The coat patterns are eaten up by the rats…\"","Got up to Blakeley night before last accompanied by Charles Washington. \"I have the prospect of employing an overseer for next year.\"","He has been trying to procure signatures for a \"petition for the division of our county.\" The sale of Woodlawn and the Quakers who are to settle on it.","Received Nelly's letter of September 18th. Has succeeded in obtaining an overseer \"at the rate of one hundred and fifty dollars a year.\"","Relates journey to Blakeley. Was delayed as Turbeville Stuart had typhus or nervous fever. Pneumonia and typhoid fever \"prevailing through this neighborhood.\"","Augustine is losing his overseer due to his marriage to a widow, Ms. Spence. Discusses case at the Alexandria Superior Court.","\"Between pleasant company and bad weather I was detained in the lower country some days longer than I expected.\" Pleased with Gloucester. Disappointed in Old Point. Gabriel's duties and tasks.","Has been twice at church. Hopes Nelly received a package with silk, a bottle with slips, and peach stones. Preserves and pickles are done.","Describes weather and damage caused by drought and storms. Mr. Turner informs him that he can probably obtain an overseer but \"the chance of getting a tenant is not so good.\"","Returned home yesterday from trip to Maryland. Visited Mr. Sewall at Poplar Hill. Went to visit Dr. Crawfort but he was absent, so went to Mr. Shipley's. Recommends Nelly go to Baltimore. Presumes Elizabeth Blackburn was married today.","Wheat machine broke. Sends thirty dollars. Colonel Bailey Peyton is to marry Julia Thompson. Employed three Irish workers to see if they could replace slaves but the \"experiment\" failed.","Sends a carriage up for Nelly. He shall leave tomorrow or the next day for Jefferson.","Relates arrival in Baltimore and journey to Mount Vernon. Steamboat brought five hundred visitors during the week. Misses Nelly: \"…I feel a constant yearning to have you at my side, to hear you, to see you…\"","Dreams of Nelly. Monuments were erected at the vault. Steamboat continues to come full. President Filmore and his cabinet postponed visit. Plasterer to come and fix dining room and cellars.","Will be down tomorrow accompanied by William Turner and two other gentlemen.","Is obliged to go to Fairfax Court House to \"sue out attachments against Mr. Whitehall's property.\"","Writes in haste. Ephraim died yesterday evening. Too hazardous for Nelly to come down until epidemic subsides. Sends a package containing a fan and dress.","Will be in Alexandria on Friday. Dick [Richard Washington] unwell with attack of erysipelas. Fears John Washington will be deformed. New steamboat for the Mount Vernon route will not begin trips until the week after next.","Short letter. Will not be in Alexandria before Saturday. Needs to attend to business with \"Brother\" Thomas [Blackburn Washington]. Families at Blakeley are well.","Short letter. Mother [Jane C. B. Washington] is \"dangerously ill.\" Requests a carpet bag with clean clothes. \"Send John [Michum] up tomorrow morning for my Buggy.\"","Mother is better but still weak. Gives instructions for Mr. Stowell regarding corn for mules at Marshall Hall.","Mother is better. \"I have been purchasing negroes—and am in negotiation for others…\" Gives instructions for \"grubbing and ploughing.\" Overseer position. Includes letter to daughter Louisa on same sheet regarding various cousins.","Sends Jim up with the carriage today for Nelly. Augustine writes he is \"completely tired of bacheloring.\"","Heard of Mrs. [Eleanor Parke Custis] Lewis' illness. Describes journey with stops in Berryville and Chantilly. Harriet subject to fainting attacks. Threshing machine is set. Negotiations with Mr. Stowell as overseer. Death of General Roger Jones","Health of Aunt Eliza and Mr. Lloyd. Railroad festival at Salem [now Marshall]. Cary, Fontaine and John hunting and fishing. Describes flowers in Louisa's garden. Wharf and buildings being put up at the White House for the steamboat and visitors.","Going to Alexandria to sell a load of wheat. The slave Eliza was injured when she \"ran a needle in her arm and broke it off…\" Ends with proclamation of undying love: \"Indeed as I grow older my heart seems to cling closer to you…and never do I feel this more deeply than when you are absent from me.\"","Finished ploughing in Maryland. Tried to sell the slave Matilda but she was unwilling. Has employed a German gardener. Gives updates on the steamboat, visitors, and construction of new wharf.","Attaches a check for fifty dollars for travel expenses by canal. Good weather to begin work again. Heard through West [Ford] of Cousin Esther's death. Health of servants","Mount Vernon and other farms have lost one third to one half of harvest due to rains. Has finally engaged a Maryland bricklayer and plasterer.","Was unable to write due to a cold. Noblet Herbert's death. Disappointed in sale of mountain land. Instructions for sowing and sale of clover seed.","He cannot get up to the house. Requests beef, ham, knives and forks, Worcestershire sauce, and cream or milk.","Sold Matilda and her family to Mr. Bevin. Augustine has had attacks of ague. Cases of scarlet fever and dysentery. Gives instructions for Mr. Stowell regarding sheep and wheat machine.","Brief letter. Getting on slowly with work. Will probably not come down tomorrow.","\"Brother T's [cousin Thomas Washington] corpse has not yet arrived.\" John Alexander has dysentery.","Thomas Washington's body arrived and was buried at Charlestown. John Alexander's death. Will conclude funeral arrangements tomorrow.","Servants sick. Bought and forwarded a dress for Louisa. Will take Louisa to Bath after sale of Richwoods [home of Thomas Blackburn Washington].","\"Richard [Washington] was rather better last night.\" Brief letter.","He is detained a few days longer due to Dr. Alexander's absence. Asks Nelly to send the wagon up for coal. Has sold corn at three dollars.","Arrived in Charlestown yesterday. Restaurants in Charlestown and Harper's Ferry filthy. Richard [Washington] sold about 300 acres of his land at $60.00 per acre.","\"Alexandria May 18\" crossed out at top. His health continues to improve, will join her in a few days. Requests pills and tea.","\"My cold is broken and a great deal better.\" Regrets that sickness prevents him from joining her as planned.","Augustine writes he will be down on Thursday or Friday. Direct Mr. Browner to get ready to kill the hogs next Saturday.","Has commenced hauling today. Encloses check for fifty dollars. Sends up a swan.","Augustine writes that though his health has improved, he's still unable to return.","Sends bacon, shad and fish by West [Ford]. Wrote a short note to Nelly this morning to be delivered by girl Maria. Son Lawrence and the baby [Eleanor] are well.","Encloses a letter from California. Has had stormy weather. Requests that Nelly tell Cousin Sally or the doctor to inform him how she is.","Stormy and rainy weather prevented his going to see Nelly. Weather unfavorable for fishing.","Forwards check for $100.","Instructions to send several servants [enslaved workers?] from Mount Vernon to Alexandria.","The slave Sarah \"had run off from Mr. Taylor and had gone home this morning.\" Has not heard from Richmond [regarding sale of Mount Vernon to the Mount Vernon Ladies Association]","Regarding negotiations with the Mount Vernon Ladies' Association.","Relates his visits with the children to the University, Monticello, Farmington, and the \"Asylums for the Insane and for the Blind and the Deaf and Dumb.\"","Relates visit to Wyers Cave. Saw John Selden and his children. Visited Cousin Ann and Miss Mary Peter. Saw Sister Hannah and Jenny. \"My farm as usual will yield but a small rent, and I have half made up my mind to sell it.\"","Brief letter. Is detained until Monday and \"then have to go to Balt[imore]. If I do not get home on Tuesday in the boat, send up for me Wednesday morning.\"","Must travel to Baltimore with Mr. Herbert. Instructs William Ford to meet him in Alexandria to show him lots [of timber?] to be labeled.","Encloses letter from Magruder Mason. Gives instructions for delivering slaves George, Charlotte and Milly who have been hired out.","Has requested Mr. Price send down game and fish. Expects to meet Willie Rogers and Mr. Robinson on Saturday.","Christian Washington's baby had an operation on her lip. Heavy fall of snow. Gives instructions regarding clover seed, ploughs, and windows of hot beds.","Shall leave tomorrow for Frederick and Fauquier and be home Friday or Saturday. Bad weather prevented his visiting friends in Audley and Berryville. Has arranged matters with Mr. Richardson about Joe [a slave boy].","Describes journey to Chicago: stops and sights. Unsure if he can make an investment in Chicago or not.","Relates investigation of investments with Mr. Wright and Mr. McFarland. Describes geography of Chicago, Lake Michigan, and river and its relation to property value. Visited a Mr. Kerfoot. Describes scenery.","Has bought two pieces of property. Gives instructions regarding harvest. Inquires after cradles and rakes.","Richard and Bushrod Washington came down with him. \"I fear I shall be disappointed in selling Marshall Hall to the person who I expected to buy it.\"","Constant rains on Tuesday, Wednesday and Thursday. Will go to Washington to meet John F. Lee. Thinks they can move to Waveland by the first of December.","\"This box contains the correspondence between my wife and myself from October 1842 to October 1860. From the time of our engagement to her Death - John A. and E. L. Washington.\"","Dr. Lloyd's funeral will take place tomorrow. Requests suit of black clothes.","Description of journey from St. Louis to Chicago. Fertility of the prairie and poverty of inhabitants. Business in Chicago remains uncertain.","Received Nelly's letter of April 1st. Has not made much progress in his business. \"I went out yesterday about 35 miles on the Milwaukee Railroad branch…\"","Has rented a part of his property. Ogden suit will come up in a few days. Dined at Mr. Kerfoot's. Describes a \"feat of house lifting\" he witnessed.","His lawyers are confident in winning the Ogden Suit [Malebon D. Ogden vs. John A. Washington and William F. Turner]. Met with friends and relations; mentions Cassins, Grahams, and Mr. Morgan Johnson. Says he is \"wife sick or love sick.\"","Expects to leave tomorrow night or Saturday for Indianapolis and Louisville. Encloses flowers. \"I regret to hear that Miss Cunningham's enterprise turned out indifferently. It was I thought rather inconsiderate in her to attempt anything of the sort while we are living there, but I suppose she did not think of this.\"","Forgot trunk key and requests to have Nelly mail it. Has sent up boxes of silver, white and brown sugar, and soap. Gives instructions regarding a box of stolen sugar.","Going to Leesburg this morning with friends. Postscript \"Thursday morning.\"","\"Mr. Turner though still very unwell is going about a little, and we are engaged in sowing wheat…\" Bought a carpet for the library. Has sent up stair carpet rods.","Augustine writes he had intended going up to Waveland yesterday but \"as I have some little unfinished business here and have not had an opportunity of seeing Cousin H[arriet] I shall wait until tomorrow and accompany them up.\"","Reports he will not return as soon as planned. Encloses ten dollars.","After receiving her father's permission to respond to Augustine's letter, she writes that she has never before attempted such a letter. Expresses her feelings for him.","Disappointed in trip to Walnut Farm. Supposes Augustine has arrived at Mount Vernon. Death of Mrs. Mason.","If Augustine is detained, their separation will be nearly three weeks. Delivered messages to Dick. Recent storm caused flooding and destroyed fencing.","Spent yesterday at Mount Vernon. Whitewashing has improved the appearance of the yard. Longs for the twenty-sixth to come.  Miss Morey [Maury] leaves tomorrow.","Bridal party arrived [for wedding of Christian Maria and Richard Washington]. Asks Augustine to get a new pair of boots or have his mended.","Augustine's last letter dated the 10th. Pleased he employed a white overseer.","No time fixed for Dick's [Richard Washington] marriage. Will Augustine get the baby a pair of shoes? Penciled note by Augustine possibly noting property lines.","When did Augustine leave Loudon? Louisa has learned several words. Nelly has visited several friends.","Intends to have her tooth drawn. Weather very cold. Louisa learned waltzing.","Discusses weather. Mr. Stuart arrived. \"Louisa has completely retrieved her character since you left.\" Letter continues September 2nd. Nelly \"left Blakeley yesterday morning to spend this week with Aunt Maria and Anne.","Louisa's health. \"I was really gratified to hear you did not find it necessary to sell Gabriel.\" Louisa has \"several times mistaken persons down the street for you…\"","Delivery and payment of wheat. Louisa is well. Christian Washington already named her daughter Elizabeth. Old Mr. [John] Sinclair died and his slaves are to be sold.","Dined with Ellen Powell. Louisa \"fell against the table and nearly broke her nose…\"","Nelly writes she had a bad cold on Monday. Louisa's arm is almost entirely well. West [Ford] was in town yesterday. Charles Lee and Anne Gardener are engaged.","Daughter Jenny [Jane Charlotte Washington] sick with fever and welts.","Daughter Jenny and other family members illl. Cousin Thomas and Noblet returned last week. Postscript asking for money for children's dresses.","Aunt Eliza doing well. Nelly went to hear Hertz play: He is \"one of the most celebrated performers on the piano.\" Does not understand Anne's letter.","Short letter. Chastises Augustine for not writing. Asks \"is it because your wife is not of sufficient importance to you to write to her.\"","\"I shall be ready to go any day that you can come for me.\" Asks for mutton suet and cat mint.","\"Mr. George Turner, starts for Boston tomorrow, and I have determined to go under his escort.\" Discusses meetings with friends and relatives. Cousin Rebecca had a son.","Discusses harvest and rain. Jack and Anne drove up this morning. \"If there are any damsons, I wish you would have some preserved.\"","Hopes Augustine had a pleasant trip and \"felt no evil effects from crabs and oysters.\" Nelly treated Louisa's illness with calomel and oil. Sorry to hear that Mr. Moore the overseer took a wife. Enclosed note and postscript regarding letter from Sister Mary.","Inquires if the slave Mary has washed the bedstead. Will try to get a larger sheet of paper. Postscript regarding daughter Louisa's tin cow.","\"It has been nearly three weeks since my confinement…\" Uncle Bushrod [Washington] leaves for the Salt Sulphur on Monday.","Nelly and Augustine have been apart nine weeks. Describes her recovery and the new baby [Eliza]. General Rust [new owner of Exeter] traveled up on Sunday.","Requests Augustine have a log cabin built. \"Our children are well, having two babies keeps me pretty constantly employed.\" Postscript regarding poor pen and Aunt Eliza's confinement.","\"Our dear child is quite well again [Louisa].\" Hopes to hear from Augustine soon.  Postscript, \"Dear little Molly [Mary Selden Page] continues I think to improve.\"","Short letter. Aunt Eliza gave birth to a girl yesterday, about three o'clock.","Family news. Asks Augustine set a date for her to return to Mount Vernon.","Cary was thrown over his horse's head. Mrs. Carter died last night. Daughter Eliza goes looking for Augustine. Nelly makes requests and gives instructions for making preserves, \"and please don't forget my hen house.\"","Arrived Thursday evening. Requests more money to buy things for the winter. Mentions Aunt Maria, Rebecca and Dr. Tabb, and Aunt Eliza.","Daughter Eliza sick past ten days. \"Louisa and Jenny talk incessantly about you.\" Nelly has been walking a good deal.","Uncle Cary's death. Discusses children and weather. Passes on Mr. Lloyd's questions regarding hiring an overseer such as salary and privileges.","\"Old Dolly gave me the letter I enclose about ten days ago…\" Sister Mary wrote after her confinement. Today is Harriet's wedding day.","Boat landed with 50 or 60 visitors. Susan, a slave, prefers being sold.","She shall \"be down in the boat tomorrow to see you.\" Shall not bring the children.","Visitors. No one is sick. \"The boat had just come in sight and it is beginning to rain right fast…\"","Anxious to hear about Mother [Jane C. B. Washington]. A man came \"to apply for situation as overseer, at Marshall Hall…\" Note at end of letter written by Louisa Washington. Misses her father. Writes about dogs, birds, and sheep.","Has heard rumors and is unsure if Mrs. [Eleanor Parke Custis] Lewis is dead or alive. Went to Charlestown on Sunday. Visited with relations. Describes wellbeing of her daughters: \"Maria has five teeth.\"","Expresses her happiness at receiving Augustine's last letter. Sorry to hear of Eliza's injury. Describes children's party. Would be glad if he could finish the threshing.","\"Mrs. Byrd and Mrs. Alsbone… appear very nervous about the state of our slaves. They think the negroes hate the whites so much, that we are in constant danger.\"","Louisa has measles. Dr. Lloyd shipwrecked twice and lost everything. Scarlet fever and whooping cough going around.","Daughters Jenny, Lily [Eliza] and Maria all have measles. Distressed to hear about Augustine's wheat and corn. Begs for a letter from him; \"I am miserable.\"","Steamboat quite full today with sixty or seventy persons. Tomorrow is Louisa's birthday. Spoke to Susan [a slave] and \"she prefers being sold.\"","\"Aunt Eliza had a little girl last night, she and the child are both doing well.\"","Arrived at Cave Farm on Monday. Heard that \"Mr. Alexander was so extravagant that if you were not careful, Cousin Hannah's property would all in short time go.\" Louisa looks forward to a child's party. Nelly requests vanilla.","Instructions to have her black bonnet sent up as well as a night gown, linens, and visit cards. Went to hear Dr. Butler's sermon. \"Don't forget the butter from Maryland…\"","Encloses letter from Mr. Davis. She is visiting Richard and Christian. Asks Augustine to bring the \"baby's sucking bottle.\" Gives instructions for the slave Sarah to make a brine to drop the butter in.","Richard returned from town and says that court will begin on the second Monday of October, and the sale at Claymont will take place on the following Wednesday.","Daughter [Anna] Maria broke her left arm.","Infant [Lawrence] very ill. Family news.","Nursery chimney caught on fire yesterday. Son Lawrence has been ill. Mr. Turner salted hams. Wants to see Christian and the children this winter.","Is very concerned about Lawrence's fever. Asks that Augustine send for a doctor.","Has heard that his Uncle Augustine was unwell. Requests word on how he is. Sends a bottle of castor oil.","Regrets to hear that his health has not improved. Lawrence is better.","Nelly reports that she is ready to go home and regrets that she be sent for.","Her health continues to improve, hopes to be able to return soon. Letter sent with West [Ford].","Clara [Heilman] has arrived. Nelly is disappointed that the weather keeps her away. \"I am as well as ever, look very fat…and right strong.\"","Lawrence's health improves. Postscript regarding Edith and Mrs. Powell.","Their niece Anne, daughter of Augustine's brother Richard Blackburn and Christian Washington has died.","Gives preserving instructions for slaves Sarah and Matilda. Secret engagement of Andrew Kennedy. Asks about having the dining room fixed. Anne is sick with dysentery.","\"The baby [George Washington] improves every day.\" Watermelons in the ice house.","Dined with Harriett Cazenove. \"Everything is going on at home here as usual.\"","\"Everybody is leaving so fast that by Thursday everyone will be gone…\" She can be at Walnut Farm on Saturday.","Daughter Nelly had fever and boils. Nelly writes she is delighted she left [Capon Springs] as the \"house keeper, servants and all were dismissed and the stages taken off the line on Friday.\" Instructs Augustine to bring clothes for the children.","Louisa and Jenny went to a concert. Yesterday a crowd with Masons came by boat and made a speech. Received a letter from Miss [Ann Pamela] Cunningham requesting permission for an address.","Much rain. Wheat looks well. Family news.","Summer weather. Had first dish of asparagus yesterday. Miss [Ann Pamela] Cunningham's address is Saturday with Dr. Hawks of New York as orator.","\"Yesterday was the day fixed on by Miss Cunningham for her grand doings here…. There were benches enough to accommodate six hundred but I don't think there could have been more than one hundred and fifty or two hundred at most on the grounds.\"","Received his sixth letter this morning. Mrs. Robert [Mary Anna Custis] Lee staying with them. Son George has not learned to say a word since Augustine left. \"Wishing you happy dreams and hoping I may be the burden of them as you are of mine.\"","Nelly writes she cannot find the trunk key Augustine requested. She delivered his message to Mr. Lunsford [overseer at Waveland].","Mr. Lunsford finished seeding and now setting strawberry plants. Cabbage plants have come up but they look like kale. Received letters from ladies applying for \"the situation\" [teaching position?]. Requests jonquil roots, hairpins, and tea toweling."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Ford, West, approximately 1784-1863","Chew, Louisa Fontaine Washington, 1844-1927"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Ford, West, approximately 1784-1863","Chew, Louisa Fontaine Washington, 1844-1927"],"language_ssim":["English \n.    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Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"date_range_isim":[1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860],"names_ssim":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Ford, West, approximately 1784-1863","Chew, Louisa Fontaine Washington, 1844-1927"],"persname_ssim":["Washington, John Augustine, III, 1821-1861","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 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1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860"],"language_ssim":["English ."],"_nest_path_":"/components#0","timestamp":"2026-05-21T05:50:40.181Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_3_resources_57","ead_ssi":"vimtvl_repositories_3_resources_57","_root_":"vimtvl_repositories_3_resources_57","_nest_parent_":"vimtvl_repositories_3_resources_57","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_57.xml","title_ssm":["John Augustine Washington III and Eleanor Love Selden correspondence"],"title_tesim":["John Augustine Washington III and Eleanor Love Selden correspondence"],"unitdate_ssm":["1842-1860"],"unitdate_inclusive_ssm":["1842-1860"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.528"],"text":["RM.528","John Augustine Washington III and Eleanor Love Selden correspondence","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","Saw Dr. Powell on Thursday. Cases of bilious fever. Arrangements for slave Eliza's return to Mount Vernon. Crabs are \"disappearing very rapidly.\"","The collection is arranged first by letters written by John Augustine Washington III, organized chronologically, and second by letters written by Eleanor Love Selden Washington, organized chronologically.","John Augustine Washington III (1821-1861): John Augustine Washington was the great-grandnephew of George Washington and the last Washington to own Mount Vernon before its sale to the Mount Vernon Ladies Association (MVLA).  He was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. He graduated from the University of Virginia in 1840, and returned to Mount Vernon to manage the declining estate with his widowed mother's permission. In 1843, he married Eleanor Love Selden with whom he had seven children. He sold 200 acres of Mount Vernon to the MVLA in 1858 for $200,000, and he and his family moved to Waveland plantation in Fauquier County, Virginia in 1860. He served as aide-de-camp to General Robert E. Lee, but was shot by a bushwhacker and died one week later on September 13, 1861.","Eleanor Love Selden Washington (1824-1860): Born April 12, 1824 to Wilson Cary Selden and Louisa Elizabeth Fontaine Alexander Selden, \"Nelly\" married John Augustine Washington III on February 16, 1843. Together, they had seven children: Louisa, Jane Charlotte (\"Jenny\"), Eliza (\"Lily\"), Anna Maria, Lawrence, Eleanor (\"Nelly\"), and George. She died from childbirth October 9, 1860.","Bushrod Washington Family Papers ;\nJohn Augustine Washington III and Descendants Papers ;\nElswyth Thane Beebe Collection of Washington Family Papers ;\nHistoric Manuscripts Collection","The collection contains correspondence between John Augustine Washington III and his wife Eleanor Love Selden. The letters begin during the Washingtons' engagement and continues through eighteen years of marriage, ending with a letter from John Augustine to Eleanor composed the day prior to her sudden death. The letters contain information on family matters, the management of the Mount Vernon estate, and plantation life prior to the Civil War.","Expresses his happiness at receiving Nelly's letters and love for her. \"I do not object to the whole world knowing that I love you.\"","Must defer visit to Exeter for four or five days due to appointments. His mother will visit Nelly on her way up to Leesburg.","Feels pain at parting from Nelly. Cousin William [Turner] distraught over his intention to marry Betty [Selden].","Arrived Christmas day. Distressed at being apart from Nelly. Saw the family at Mount Ida [Wilson Cary Selden, Sr.'s family] on Saturday.","Love letter. \"…as the dearest moments of my life have been with you, so the happiest hopes that my soul can form, have you for their reigning star.\"","Will probably not see or hear from Nelly until their wedding. Discredits stories that his relative Thomas Turner mistreated his family and servants.","Is unable to return to Jefferson until the middle or end of next week. Gives instructions for Dick [Richard Blackburn Washington] regarding delivery of wheat, receipts, and a shingles order. Mentions Bushrod Washington and West Ford.","Changed route after leaving Nelly. Hopes Nelly recovers from her headaches. Did she get the box from Stabler's safely?","\"Time hangs heavily on me when you are absent…\" Updates on relations. A new academy is to be built opposite Mr. Burr Harrison's. Leaves for Jefferson tomorrow.","\"…not having been aware of my right to vote out of the county in which I resided, at the Presidential election I made arrangements to return home…\" Hyacinths planted.","His case came up in Court and estate committed to Augustine's hands. Encloses ten dollars to entertain Dick and Christian Washington. Two or three snowstorms since his arrival at Blakeley. Scarlet fever prevailing.","Scarlet fever disappeared. Direct West [Ford] to tell William Hayes to procure eggs or chickens, \"but know the price beforehand, or he will charge you double.\"","Absence of Gabriel and desertion of some of the hired hands. Has decided not to sell Gabriel. \"If it were possible to without them [slaves], I do not think I could own one, but situated as we are, landed property would be almost valueless without them, and it is a matter of necessity to have their labor.\"","Sowing wheat. \"I have never had soft crabs in perfection before.\" Asks if mother [Jane C. B. Washington] has received money on his wheat. Offers two sets of names for Dick and Christian Washington's daughter.","Sale of Exeter will not take place until spring. Dr. Alexander struggling with debt.","\"I have not seen our friends here, but hear that Bentley bought Cousin Eliza's negroes at $1,200.00.\"","Mother [Jane Charlotte Blackburn Washington] ill. His letter will be taken to Nelly \"by two negro men who I have purchased, and by Julia whom I send down. I wish West to set them to getting rails…\"","\"I left the negroes I got in Alexandria, where I had an offer of $650.00 for them from a negro trader, but I prefer selling to a private person if I can do so. I found several of the servants sick, and Phil who was very low, died this evening.\"","Servants recovering. Nelly's cloak was dyed mazarine blue. Shall begin seeding wheat.","West [Ford] has taken sick this morning. \"The stockings and socks for the negroes are nearly done…The coat patterns are eaten up by the rats…\"","Got up to Blakeley night before last accompanied by Charles Washington. \"I have the prospect of employing an overseer for next year.\"","He has been trying to procure signatures for a \"petition for the division of our county.\" The sale of Woodlawn and the Quakers who are to settle on it.","Received Nelly's letter of September 18th. Has succeeded in obtaining an overseer \"at the rate of one hundred and fifty dollars a year.\"","Relates journey to Blakeley. Was delayed as Turbeville Stuart had typhus or nervous fever. Pneumonia and typhoid fever \"prevailing through this neighborhood.\"","Augustine is losing his overseer due to his marriage to a widow, Ms. Spence. Discusses case at the Alexandria Superior Court.","\"Between pleasant company and bad weather I was detained in the lower country some days longer than I expected.\" Pleased with Gloucester. Disappointed in Old Point. Gabriel's duties and tasks.","Has been twice at church. Hopes Nelly received a package with silk, a bottle with slips, and peach stones. Preserves and pickles are done.","Describes weather and damage caused by drought and storms. Mr. Turner informs him that he can probably obtain an overseer but \"the chance of getting a tenant is not so good.\"","Returned home yesterday from trip to Maryland. Visited Mr. Sewall at Poplar Hill. Went to visit Dr. Crawfort but he was absent, so went to Mr. Shipley's. Recommends Nelly go to Baltimore. Presumes Elizabeth Blackburn was married today.","Wheat machine broke. Sends thirty dollars. Colonel Bailey Peyton is to marry Julia Thompson. Employed three Irish workers to see if they could replace slaves but the \"experiment\" failed.","Sends a carriage up for Nelly. He shall leave tomorrow or the next day for Jefferson.","Relates arrival in Baltimore and journey to Mount Vernon. Steamboat brought five hundred visitors during the week. Misses Nelly: \"…I feel a constant yearning to have you at my side, to hear you, to see you…\"","Dreams of Nelly. Monuments were erected at the vault. Steamboat continues to come full. President Filmore and his cabinet postponed visit. Plasterer to come and fix dining room and cellars.","Will be down tomorrow accompanied by William Turner and two other gentlemen.","Is obliged to go to Fairfax Court House to \"sue out attachments against Mr. Whitehall's property.\"","Writes in haste. Ephraim died yesterday evening. Too hazardous for Nelly to come down until epidemic subsides. Sends a package containing a fan and dress.","Will be in Alexandria on Friday. Dick [Richard Washington] unwell with attack of erysipelas. Fears John Washington will be deformed. New steamboat for the Mount Vernon route will not begin trips until the week after next.","Short letter. Will not be in Alexandria before Saturday. Needs to attend to business with \"Brother\" Thomas [Blackburn Washington]. Families at Blakeley are well.","Short letter. Mother [Jane C. B. Washington] is \"dangerously ill.\" Requests a carpet bag with clean clothes. \"Send John [Michum] up tomorrow morning for my Buggy.\"","Mother is better but still weak. Gives instructions for Mr. Stowell regarding corn for mules at Marshall Hall.","Mother is better. \"I have been purchasing negroes—and am in negotiation for others…\" Gives instructions for \"grubbing and ploughing.\" Overseer position. Includes letter to daughter Louisa on same sheet regarding various cousins.","Sends Jim up with the carriage today for Nelly. Augustine writes he is \"completely tired of bacheloring.\"","Heard of Mrs. [Eleanor Parke Custis] Lewis' illness. Describes journey with stops in Berryville and Chantilly. Harriet subject to fainting attacks. Threshing machine is set. Negotiations with Mr. Stowell as overseer. Death of General Roger Jones","Health of Aunt Eliza and Mr. Lloyd. Railroad festival at Salem [now Marshall]. Cary, Fontaine and John hunting and fishing. Describes flowers in Louisa's garden. Wharf and buildings being put up at the White House for the steamboat and visitors.","Going to Alexandria to sell a load of wheat. The slave Eliza was injured when she \"ran a needle in her arm and broke it off…\" Ends with proclamation of undying love: \"Indeed as I grow older my heart seems to cling closer to you…and never do I feel this more deeply than when you are absent from me.\"","Finished ploughing in Maryland. Tried to sell the slave Matilda but she was unwilling. Has employed a German gardener. Gives updates on the steamboat, visitors, and construction of new wharf.","Attaches a check for fifty dollars for travel expenses by canal. Good weather to begin work again. Heard through West [Ford] of Cousin Esther's death. Health of servants","Mount Vernon and other farms have lost one third to one half of harvest due to rains. Has finally engaged a Maryland bricklayer and plasterer.","Was unable to write due to a cold. Noblet Herbert's death. Disappointed in sale of mountain land. Instructions for sowing and sale of clover seed.","He cannot get up to the house. Requests beef, ham, knives and forks, Worcestershire sauce, and cream or milk.","Sold Matilda and her family to Mr. Bevin. Augustine has had attacks of ague. Cases of scarlet fever and dysentery. Gives instructions for Mr. Stowell regarding sheep and wheat machine.","Brief letter. Getting on slowly with work. Will probably not come down tomorrow.","\"Brother T's [cousin Thomas Washington] corpse has not yet arrived.\" John Alexander has dysentery.","Thomas Washington's body arrived and was buried at Charlestown. John Alexander's death. Will conclude funeral arrangements tomorrow.","Servants sick. Bought and forwarded a dress for Louisa. Will take Louisa to Bath after sale of Richwoods [home of Thomas Blackburn Washington].","\"Richard [Washington] was rather better last night.\" Brief letter.","He is detained a few days longer due to Dr. Alexander's absence. Asks Nelly to send the wagon up for coal. Has sold corn at three dollars.","Arrived in Charlestown yesterday. Restaurants in Charlestown and Harper's Ferry filthy. Richard [Washington] sold about 300 acres of his land at $60.00 per acre.","\"Alexandria May 18\" crossed out at top. His health continues to improve, will join her in a few days. Requests pills and tea.","\"My cold is broken and a great deal better.\" Regrets that sickness prevents him from joining her as planned.","Augustine writes he will be down on Thursday or Friday. Direct Mr. Browner to get ready to kill the hogs next Saturday.","Has commenced hauling today. Encloses check for fifty dollars. Sends up a swan.","Augustine writes that though his health has improved, he's still unable to return.","Sends bacon, shad and fish by West [Ford]. Wrote a short note to Nelly this morning to be delivered by girl Maria. Son Lawrence and the baby [Eleanor] are well.","Encloses a letter from California. Has had stormy weather. Requests that Nelly tell Cousin Sally or the doctor to inform him how she is.","Stormy and rainy weather prevented his going to see Nelly. Weather unfavorable for fishing.","Forwards check for $100.","Instructions to send several servants [enslaved workers?] from Mount Vernon to Alexandria.","The slave Sarah \"had run off from Mr. Taylor and had gone home this morning.\" Has not heard from Richmond [regarding sale of Mount Vernon to the Mount Vernon Ladies Association]","Regarding negotiations with the Mount Vernon Ladies' Association.","Relates his visits with the children to the University, Monticello, Farmington, and the \"Asylums for the Insane and for the Blind and the Deaf and Dumb.\"","Relates visit to Wyers Cave. Saw John Selden and his children. Visited Cousin Ann and Miss Mary Peter. Saw Sister Hannah and Jenny. \"My farm as usual will yield but a small rent, and I have half made up my mind to sell it.\"","Brief letter. Is detained until Monday and \"then have to go to Balt[imore]. If I do not get home on Tuesday in the boat, send up for me Wednesday morning.\"","Must travel to Baltimore with Mr. Herbert. Instructs William Ford to meet him in Alexandria to show him lots [of timber?] to be labeled.","Encloses letter from Magruder Mason. Gives instructions for delivering slaves George, Charlotte and Milly who have been hired out.","Has requested Mr. Price send down game and fish. Expects to meet Willie Rogers and Mr. Robinson on Saturday.","Christian Washington's baby had an operation on her lip. Heavy fall of snow. Gives instructions regarding clover seed, ploughs, and windows of hot beds.","Shall leave tomorrow for Frederick and Fauquier and be home Friday or Saturday. Bad weather prevented his visiting friends in Audley and Berryville. Has arranged matters with Mr. Richardson about Joe [a slave boy].","Describes journey to Chicago: stops and sights. Unsure if he can make an investment in Chicago or not.","Relates investigation of investments with Mr. Wright and Mr. McFarland. Describes geography of Chicago, Lake Michigan, and river and its relation to property value. Visited a Mr. Kerfoot. Describes scenery.","Has bought two pieces of property. Gives instructions regarding harvest. Inquires after cradles and rakes.","Richard and Bushrod Washington came down with him. \"I fear I shall be disappointed in selling Marshall Hall to the person who I expected to buy it.\"","Constant rains on Tuesday, Wednesday and Thursday. Will go to Washington to meet John F. Lee. Thinks they can move to Waveland by the first of December.","\"This box contains the correspondence between my wife and myself from October 1842 to October 1860. From the time of our engagement to her Death - John A. and E. L. Washington.\"","Dr. Lloyd's funeral will take place tomorrow. Requests suit of black clothes.","Description of journey from St. Louis to Chicago. Fertility of the prairie and poverty of inhabitants. Business in Chicago remains uncertain.","Received Nelly's letter of April 1st. Has not made much progress in his business. \"I went out yesterday about 35 miles on the Milwaukee Railroad branch…\"","Has rented a part of his property. Ogden suit will come up in a few days. Dined at Mr. Kerfoot's. Describes a \"feat of house lifting\" he witnessed.","His lawyers are confident in winning the Ogden Suit [Malebon D. Ogden vs. John A. Washington and William F. Turner]. Met with friends and relations; mentions Cassins, Grahams, and Mr. Morgan Johnson. Says he is \"wife sick or love sick.\"","Expects to leave tomorrow night or Saturday for Indianapolis and Louisville. Encloses flowers. \"I regret to hear that Miss Cunningham's enterprise turned out indifferently. It was I thought rather inconsiderate in her to attempt anything of the sort while we are living there, but I suppose she did not think of this.\"","Forgot trunk key and requests to have Nelly mail it. Has sent up boxes of silver, white and brown sugar, and soap. Gives instructions regarding a box of stolen sugar.","Going to Leesburg this morning with friends. Postscript \"Thursday morning.\"","\"Mr. Turner though still very unwell is going about a little, and we are engaged in sowing wheat…\" Bought a carpet for the library. Has sent up stair carpet rods.","Augustine writes he had intended going up to Waveland yesterday but \"as I have some little unfinished business here and have not had an opportunity of seeing Cousin H[arriet] I shall wait until tomorrow and accompany them up.\"","Reports he will not return as soon as planned. Encloses ten dollars.","After receiving her father's permission to respond to Augustine's letter, she writes that she has never before attempted such a letter. Expresses her feelings for him.","Disappointed in trip to Walnut Farm. Supposes Augustine has arrived at Mount Vernon. Death of Mrs. Mason.","If Augustine is detained, their separation will be nearly three weeks. Delivered messages to Dick. Recent storm caused flooding and destroyed fencing.","Spent yesterday at Mount Vernon. Whitewashing has improved the appearance of the yard. Longs for the twenty-sixth to come.  Miss Morey [Maury] leaves tomorrow.","Bridal party arrived [for wedding of Christian Maria and Richard Washington]. Asks Augustine to get a new pair of boots or have his mended.","Augustine's last letter dated the 10th. Pleased he employed a white overseer.","No time fixed for Dick's [Richard Washington] marriage. Will Augustine get the baby a pair of shoes? Penciled note by Augustine possibly noting property lines.","When did Augustine leave Loudon? Louisa has learned several words. Nelly has visited several friends.","Intends to have her tooth drawn. Weather very cold. Louisa learned waltzing.","Discusses weather. Mr. Stuart arrived. \"Louisa has completely retrieved her character since you left.\" Letter continues September 2nd. Nelly \"left Blakeley yesterday morning to spend this week with Aunt Maria and Anne.","Louisa's health. \"I was really gratified to hear you did not find it necessary to sell Gabriel.\" Louisa has \"several times mistaken persons down the street for you…\"","Delivery and payment of wheat. Louisa is well. Christian Washington already named her daughter Elizabeth. Old Mr. [John] Sinclair died and his slaves are to be sold.","Dined with Ellen Powell. Louisa \"fell against the table and nearly broke her nose…\"","Nelly writes she had a bad cold on Monday. Louisa's arm is almost entirely well. West [Ford] was in town yesterday. Charles Lee and Anne Gardener are engaged.","Daughter Jenny [Jane Charlotte Washington] sick with fever and welts.","Daughter Jenny and other family members illl. Cousin Thomas and Noblet returned last week. Postscript asking for money for children's dresses.","Aunt Eliza doing well. Nelly went to hear Hertz play: He is \"one of the most celebrated performers on the piano.\" Does not understand Anne's letter.","Short letter. Chastises Augustine for not writing. Asks \"is it because your wife is not of sufficient importance to you to write to her.\"","\"I shall be ready to go any day that you can come for me.\" Asks for mutton suet and cat mint.","\"Mr. George Turner, starts for Boston tomorrow, and I have determined to go under his escort.\" Discusses meetings with friends and relatives. Cousin Rebecca had a son.","Discusses harvest and rain. Jack and Anne drove up this morning. \"If there are any damsons, I wish you would have some preserved.\"","Hopes Augustine had a pleasant trip and \"felt no evil effects from crabs and oysters.\" Nelly treated Louisa's illness with calomel and oil. Sorry to hear that Mr. Moore the overseer took a wife. Enclosed note and postscript regarding letter from Sister Mary.","Inquires if the slave Mary has washed the bedstead. Will try to get a larger sheet of paper. Postscript regarding daughter Louisa's tin cow.","\"It has been nearly three weeks since my confinement…\" Uncle Bushrod [Washington] leaves for the Salt Sulphur on Monday.","Nelly and Augustine have been apart nine weeks. Describes her recovery and the new baby [Eliza]. General Rust [new owner of Exeter] traveled up on Sunday.","Requests Augustine have a log cabin built. \"Our children are well, having two babies keeps me pretty constantly employed.\" Postscript regarding poor pen and Aunt Eliza's confinement.","\"Our dear child is quite well again [Louisa].\" Hopes to hear from Augustine soon.  Postscript, \"Dear little Molly [Mary Selden Page] continues I think to improve.\"","Short letter. Aunt Eliza gave birth to a girl yesterday, about three o'clock.","Family news. Asks Augustine set a date for her to return to Mount Vernon.","Cary was thrown over his horse's head. Mrs. Carter died last night. Daughter Eliza goes looking for Augustine. Nelly makes requests and gives instructions for making preserves, \"and please don't forget my hen house.\"","Arrived Thursday evening. Requests more money to buy things for the winter. Mentions Aunt Maria, Rebecca and Dr. Tabb, and Aunt Eliza.","Daughter Eliza sick past ten days. \"Louisa and Jenny talk incessantly about you.\" Nelly has been walking a good deal.","Uncle Cary's death. Discusses children and weather. Passes on Mr. Lloyd's questions regarding hiring an overseer such as salary and privileges.","\"Old Dolly gave me the letter I enclose about ten days ago…\" Sister Mary wrote after her confinement. Today is Harriet's wedding day.","Boat landed with 50 or 60 visitors. Susan, a slave, prefers being sold.","She shall \"be down in the boat tomorrow to see you.\" Shall not bring the children.","Visitors. No one is sick. \"The boat had just come in sight and it is beginning to rain right fast…\"","Anxious to hear about Mother [Jane C. B. Washington]. A man came \"to apply for situation as overseer, at Marshall Hall…\" Note at end of letter written by Louisa Washington. Misses her father. Writes about dogs, birds, and sheep.","Has heard rumors and is unsure if Mrs. [Eleanor Parke Custis] Lewis is dead or alive. Went to Charlestown on Sunday. Visited with relations. Describes wellbeing of her daughters: \"Maria has five teeth.\"","Expresses her happiness at receiving Augustine's last letter. Sorry to hear of Eliza's injury. Describes children's party. Would be glad if he could finish the threshing.","\"Mrs. Byrd and Mrs. Alsbone… appear very nervous about the state of our slaves. They think the negroes hate the whites so much, that we are in constant danger.\"","Louisa has measles. Dr. Lloyd shipwrecked twice and lost everything. Scarlet fever and whooping cough going around.","Daughters Jenny, Lily [Eliza] and Maria all have measles. Distressed to hear about Augustine's wheat and corn. Begs for a letter from him; \"I am miserable.\"","Steamboat quite full today with sixty or seventy persons. Tomorrow is Louisa's birthday. Spoke to Susan [a slave] and \"she prefers being sold.\"","\"Aunt Eliza had a little girl last night, she and the child are both doing well.\"","Arrived at Cave Farm on Monday. Heard that \"Mr. Alexander was so extravagant that if you were not careful, Cousin Hannah's property would all in short time go.\" Louisa looks forward to a child's party. Nelly requests vanilla.","Instructions to have her black bonnet sent up as well as a night gown, linens, and visit cards. Went to hear Dr. Butler's sermon. \"Don't forget the butter from Maryland…\"","Encloses letter from Mr. Davis. She is visiting Richard and Christian. Asks Augustine to bring the \"baby's sucking bottle.\" Gives instructions for the slave Sarah to make a brine to drop the butter in.","Richard returned from town and says that court will begin on the second Monday of October, and the sale at Claymont will take place on the following Wednesday.","Daughter [Anna] Maria broke her left arm.","Infant [Lawrence] very ill. Family news.","Nursery chimney caught on fire yesterday. Son Lawrence has been ill. Mr. Turner salted hams. Wants to see Christian and the children this winter.","Is very concerned about Lawrence's fever. Asks that Augustine send for a doctor.","Has heard that his Uncle Augustine was unwell. Requests word on how he is. Sends a bottle of castor oil.","Regrets to hear that his health has not improved. Lawrence is better.","Nelly reports that she is ready to go home and regrets that she be sent for.","Her health continues to improve, hopes to be able to return soon. Letter sent with West [Ford].","Clara [Heilman] has arrived. Nelly is disappointed that the weather keeps her away. \"I am as well as ever, look very fat…and right strong.\"","Lawrence's health improves. Postscript regarding Edith and Mrs. Powell.","Their niece Anne, daughter of Augustine's brother Richard Blackburn and Christian Washington has died.","Gives preserving instructions for slaves Sarah and Matilda. Secret engagement of Andrew Kennedy. Asks about having the dining room fixed. Anne is sick with dysentery.","\"The baby [George Washington] improves every day.\" Watermelons in the ice house.","Dined with Harriett Cazenove. \"Everything is going on at home here as usual.\"","\"Everybody is leaving so fast that by Thursday everyone will be gone…\" She can be at Walnut Farm on Saturday.","Daughter Nelly had fever and boils. Nelly writes she is delighted she left [Capon Springs] as the \"house keeper, servants and all were dismissed and the stages taken off the line on Friday.\" Instructs Augustine to bring clothes for the children.","Louisa and Jenny went to a concert. Yesterday a crowd with Masons came by boat and made a speech. Received a letter from Miss [Ann Pamela] Cunningham requesting permission for an address.","Much rain. Wheat looks well. Family news.","Summer weather. Had first dish of asparagus yesterday. Miss [Ann Pamela] Cunningham's address is Saturday with Dr. Hawks of New York as orator.","\"Yesterday was the day fixed on by Miss Cunningham for her grand doings here…. There were benches enough to accommodate six hundred but I don't think there could have been more than one hundred and fifty or two hundred at most on the grounds.\"","Received his sixth letter this morning. Mrs. Robert [Mary Anna Custis] Lee staying with them. Son George has not learned to say a word since Augustine left. \"Wishing you happy dreams and hoping I may be the burden of them as you are of mine.\"","Nelly writes she cannot find the trunk key Augustine requested. She delivered his message to Mr. Lunsford [overseer at Waveland].","Mr. Lunsford finished seeding and now setting strawberry plants. Cabbage plants have come up but they look like kale. Received letters from ladies applying for \"the situation\" [teaching position?]. Requests jonquil roots, hairpins, and tea toweling.","Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Ford, West, approximately 1784-1863","Chew, Louisa Fontaine Washington, 1844-1927","English \n.    "],"unitid_tesim":["RM.528"],"normalized_title_ssm":["John Augustine Washington III and Eleanor Love Selden correspondence"],"collection_title_tesim":["John Augustine Washington III and Eleanor Love Selden correspondence"],"collection_ssim":["John Augustine Washington III and Eleanor Love Selden correspondence"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860"],"creator_ssim":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860"],"creator_persname_ssim":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860"],"creators_ssim":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860"],"has_online_content_ssim":["true"],"extent_ssm":["0.5 Linear Feet"],"extent_tesim":["0.5 Linear Feet"],"physfacet_tesim":["2 boxes"],"date_range_isim":[1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"altformavail_html_tesm":["\u003cp\u003eSaw Dr. Powell on Thursday. Cases of bilious fever. Arrangements for slave Eliza's return to Mount Vernon. Crabs are \"disappearing very rapidly.\"\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Saw Dr. Powell on Thursday. Cases of bilious fever. Arrangements for slave Eliza's return to Mount Vernon. Crabs are \"disappearing very rapidly.\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged first by letters written by John Augustine Washington III, organized chronologically, and second by letters written by Eleanor Love Selden Washington, organized chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged first by letters written by John Augustine Washington III, organized chronologically, and second by letters written by Eleanor Love Selden Washington, organized chronologically."],"bioghist_html_tesm":["\u003cp\u003eJohn Augustine Washington III (1821-1861): John Augustine Washington was the great-grandnephew of George Washington and the last Washington to own Mount Vernon before its sale to the Mount Vernon Ladies Association (MVLA).  He was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. He graduated from the University of Virginia in 1840, and returned to Mount Vernon to manage the declining estate with his widowed mother's permission. In 1843, he married Eleanor Love Selden with whom he had seven children. He sold 200 acres of Mount Vernon to the MVLA in 1858 for $200,000, and he and his family moved to Waveland plantation in Fauquier County, Virginia in 1860. He served as aide-de-camp to General Robert E. Lee, but was shot by a bushwhacker and died one week later on September 13, 1861.\u003c/p\u003e\n","\u003cp\u003eEleanor Love Selden Washington (1824-1860): Born April 12, 1824 to Wilson Cary Selden and Louisa Elizabeth Fontaine Alexander Selden, \"Nelly\" married John Augustine Washington III on February 16, 1843. Together, they had seven children: Louisa, Jane Charlotte (\"Jenny\"), Eliza (\"Lily\"), Anna Maria, Lawrence, Eleanor (\"Nelly\"), and George. She died from childbirth October 9, 1860.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Augustine Washington III (1821-1861): John Augustine Washington was the great-grandnephew of George Washington and the last Washington to own Mount Vernon before its sale to the Mount Vernon Ladies Association (MVLA).  He was born on May 3, 1821 to John Augustine Washington II and Jane Charlotte Blackburn Washington. He graduated from the University of Virginia in 1840, and returned to Mount Vernon to manage the declining estate with his widowed mother's permission. In 1843, he married Eleanor Love Selden with whom he had seven children. He sold 200 acres of Mount Vernon to the MVLA in 1858 for $200,000, and he and his family moved to Waveland plantation in Fauquier County, Virginia in 1860. He served as aide-de-camp to General Robert E. Lee, but was shot by a bushwhacker and died one week later on September 13, 1861.","Eleanor Love Selden Washington (1824-1860): Born April 12, 1824 to Wilson Cary Selden and Louisa Elizabeth Fontaine Alexander Selden, \"Nelly\" married John Augustine Washington III on February 16, 1843. Together, they had seven children: Louisa, Jane Charlotte (\"Jenny\"), Eliza (\"Lily\"), Anna Maria, Lawrence, Eleanor (\"Nelly\"), and George. She died from childbirth October 9, 1860."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], John Augustine Washington III and Eleanor Love Selden correspondence, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernonn [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], John Augustine Washington III and Eleanor Love Selden correspondence, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernonn [hereafter Washington Library], Mount Vernon, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eBushrod Washington Family Papers ;\nJohn Augustine Washington III and Descendants Papers ;\nElswyth Thane Beebe Collection of Washington Family Papers ;\nHistoric Manuscripts Collection\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bushrod Washington Family Papers ;\nJohn Augustine Washington III and Descendants Papers ;\nElswyth Thane Beebe Collection of Washington Family Papers ;\nHistoric Manuscripts Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains correspondence between John Augustine Washington III and his wife Eleanor Love Selden. The letters begin during the Washingtons' engagement and continues through eighteen years of marriage, ending with a letter from John Augustine to Eleanor composed the day prior to her sudden death. The letters contain information on family matters, the management of the Mount Vernon estate, and plantation life prior to the Civil War.\u003c/p\u003e","\u003cp\u003eExpresses his happiness at receiving Nelly's letters and love for her. \"I do not object to the whole world knowing that I love you.\"\u003c/p\u003e","\u003cp\u003eMust defer visit to Exeter for four or five days due to appointments. His mother will visit Nelly on her way up to Leesburg.\u003c/p\u003e","\u003cp\u003eFeels pain at parting from Nelly. Cousin William [Turner] distraught over his intention to marry Betty [Selden].\u003c/p\u003e","\u003cp\u003eArrived Christmas day. Distressed at being apart from Nelly. Saw the family at Mount Ida [Wilson Cary Selden, Sr.'s family] on Saturday.\u003c/p\u003e","\u003cp\u003eLove letter. \"…as the dearest moments of my life have been with you, so the happiest hopes that my soul can form, have you for their reigning star.\"\u003c/p\u003e","\u003cp\u003eWill probably not see or hear from Nelly until their wedding. Discredits stories that his relative Thomas Turner mistreated his family and servants.\u003c/p\u003e","\u003cp\u003eIs unable to return to Jefferson until the middle or end of next week. Gives instructions for Dick [Richard Blackburn Washington] regarding delivery of wheat, receipts, and a shingles order. Mentions Bushrod Washington and West Ford.\u003c/p\u003e","\u003cp\u003eChanged route after leaving Nelly. Hopes Nelly recovers from her headaches. Did she get the box from Stabler's safely?\u003c/p\u003e","\u003cp\u003e\"Time hangs heavily on me when you are absent…\" Updates on relations. A new academy is to be built opposite Mr. Burr Harrison's. Leaves for Jefferson tomorrow.\u003c/p\u003e","\u003cp\u003e\"…not having been aware of my right to vote out of the county in which I resided, at the Presidential election I made arrangements to return home…\" Hyacinths planted.\u003c/p\u003e","\u003cp\u003eHis case came up in Court and estate committed to Augustine's hands. Encloses ten dollars to entertain Dick and Christian Washington. Two or three snowstorms since his arrival at Blakeley. Scarlet fever prevailing.\u003c/p\u003e","\u003cp\u003eScarlet fever disappeared. Direct West [Ford] to tell William Hayes to procure eggs or chickens, \"but know the price beforehand, or he will charge you double.\"\u003c/p\u003e","\u003cp\u003eAbsence of Gabriel and desertion of some of the hired hands. Has decided not to sell Gabriel. \"If it were possible to without them [slaves], I do not think I could own one, but situated as we are, landed property would be almost valueless without them, and it is a matter of necessity to have their labor.\"\u003c/p\u003e","\u003cp\u003eSowing wheat. \"I have never had soft crabs in perfection before.\" Asks if mother [Jane C. B. Washington] has received money on his wheat. Offers two sets of names for Dick and Christian Washington's daughter.\u003c/p\u003e","\u003cp\u003eSale of Exeter will not take place until spring. Dr. Alexander struggling with debt.\u003c/p\u003e","\u003cp\u003e\"I have not seen our friends here, but hear that Bentley bought Cousin Eliza's negroes at $1,200.00.\"\u003c/p\u003e","\u003cp\u003eMother [Jane Charlotte Blackburn Washington] ill. His letter will be taken to Nelly \"by two negro men who I have purchased, and by Julia whom I send down. I wish West to set them to getting rails…\"\u003c/p\u003e","\u003cp\u003e\"I left the negroes I got in Alexandria, where I had an offer of $650.00 for them from a negro trader, but I prefer selling to a private person if I can do so. I found several of the servants sick, and Phil who was very low, died this evening.\"\u003c/p\u003e","\u003cp\u003eServants recovering. Nelly's cloak was dyed mazarine blue. Shall begin seeding wheat.\u003c/p\u003e","\u003cp\u003eWest [Ford] has taken sick this morning. \"The stockings and socks for the negroes are nearly done…The coat patterns are eaten up by the rats…\"\u003c/p\u003e","\u003cp\u003eGot up to Blakeley night before last accompanied by Charles Washington. \"I have the prospect of employing an overseer for next year.\"\u003c/p\u003e","\u003cp\u003eHe has been trying to procure signatures for a \"petition for the division of our county.\" The sale of Woodlawn and the Quakers who are to settle on it.\u003c/p\u003e","\u003cp\u003eReceived Nelly's letter of September 18th. Has succeeded in obtaining an overseer \"at the rate of one hundred and fifty dollars a year.\"\u003c/p\u003e","\u003cp\u003eRelates journey to Blakeley. Was delayed as Turbeville Stuart had typhus or nervous fever. Pneumonia and typhoid fever \"prevailing through this neighborhood.\"\u003c/p\u003e","\u003cp\u003eAugustine is losing his overseer due to his marriage to a widow, Ms. Spence. Discusses case at the Alexandria Superior Court.\u003c/p\u003e","\u003cp\u003e\"Between pleasant company and bad weather I was detained in the lower country some days longer than I expected.\" Pleased with Gloucester. Disappointed in Old Point. Gabriel's duties and tasks.\u003c/p\u003e","\u003cp\u003eHas been twice at church. Hopes Nelly received a package with silk, a bottle with slips, and peach stones. Preserves and pickles are done.\u003c/p\u003e","\u003cp\u003eDescribes weather and damage caused by drought and storms. Mr. Turner informs him that he can probably obtain an overseer but \"the chance of getting a tenant is not so good.\"\u003c/p\u003e","\u003cp\u003eReturned home yesterday from trip to Maryland. Visited Mr. Sewall at Poplar Hill. Went to visit Dr. Crawfort but he was absent, so went to Mr. Shipley's. Recommends Nelly go to Baltimore. Presumes Elizabeth Blackburn was married today.\u003c/p\u003e","\u003cp\u003eWheat machine broke. Sends thirty dollars. Colonel Bailey Peyton is to marry Julia Thompson. Employed three Irish workers to see if they could replace slaves but the \"experiment\" failed.\u003c/p\u003e","\u003cp\u003eSends a carriage up for Nelly. He shall leave tomorrow or the next day for Jefferson.\u003c/p\u003e","\u003cp\u003eRelates arrival in Baltimore and journey to Mount Vernon. Steamboat brought five hundred visitors during the week. Misses Nelly: \"…I feel a constant yearning to have you at my side, to hear you, to see you…\"\u003c/p\u003e","\u003cp\u003eDreams of Nelly. Monuments were erected at the vault. Steamboat continues to come full. President Filmore and his cabinet postponed visit. Plasterer to come and fix dining room and cellars.\u003c/p\u003e","\u003cp\u003eWill be down tomorrow accompanied by William Turner and two other gentlemen.\u003c/p\u003e","\u003cp\u003eIs obliged to go to Fairfax Court House to \"sue out attachments against Mr. Whitehall's property.\"\u003c/p\u003e","\u003cp\u003eWrites in haste. Ephraim died yesterday evening. Too hazardous for Nelly to come down until epidemic subsides. Sends a package containing a fan and dress.\u003c/p\u003e","\u003cp\u003eWill be in Alexandria on Friday. Dick [Richard Washington] unwell with attack of erysipelas. Fears John Washington will be deformed. New steamboat for the Mount Vernon route will not begin trips until the week after next.\u003c/p\u003e","\u003cp\u003eShort letter. Will not be in Alexandria before Saturday. Needs to attend to business with \"Brother\" Thomas [Blackburn Washington]. Families at Blakeley are well.\u003c/p\u003e","\u003cp\u003eShort letter. Mother [Jane C. B. Washington] is \"dangerously ill.\" Requests a carpet bag with clean clothes. \"Send John [Michum] up tomorrow morning for my Buggy.\"\u003c/p\u003e","\u003cp\u003eMother is better but still weak. Gives instructions for Mr. Stowell regarding corn for mules at Marshall Hall.\u003c/p\u003e","\u003cp\u003eMother is better. \"I have been purchasing negroes—and am in negotiation for others…\" Gives instructions for \"grubbing and ploughing.\" Overseer position. Includes letter to daughter Louisa on same sheet regarding various cousins.\u003c/p\u003e","\u003cp\u003eSends Jim up with the carriage today for Nelly. Augustine writes he is \"completely tired of bacheloring.\"\u003c/p\u003e","\u003cp\u003eHeard of Mrs. [Eleanor Parke Custis] Lewis' illness. Describes journey with stops in Berryville and Chantilly. Harriet subject to fainting attacks. Threshing machine is set. Negotiations with Mr. Stowell as overseer. Death of General Roger Jones\u003c/p\u003e","\u003cp\u003eHealth of Aunt Eliza and Mr. Lloyd. Railroad festival at Salem [now Marshall]. Cary, Fontaine and John hunting and fishing. Describes flowers in Louisa's garden. Wharf and buildings being put up at the White House for the steamboat and visitors.\u003c/p\u003e","\u003cp\u003eGoing to Alexandria to sell a load of wheat. The slave Eliza was injured when she \"ran a needle in her arm and broke it off…\" Ends with proclamation of undying love: \"Indeed as I grow older my heart seems to cling closer to you…and never do I feel this more deeply than when you are absent from me.\"\u003c/p\u003e","\u003cp\u003eFinished ploughing in Maryland. Tried to sell the slave Matilda but she was unwilling. Has employed a German gardener. Gives updates on the steamboat, visitors, and construction of new wharf.\u003c/p\u003e","\u003cp\u003eAttaches a check for fifty dollars for travel expenses by canal. Good weather to begin work again. Heard through West [Ford] of Cousin Esther's death. Health of servants\u003c/p\u003e","\u003cp\u003eMount Vernon and other farms have lost one third to one half of harvest due to rains. Has finally engaged a Maryland bricklayer and plasterer.\u003c/p\u003e","\u003cp\u003eWas unable to write due to a cold. Noblet Herbert's death. Disappointed in sale of mountain land. Instructions for sowing and sale of clover seed.\u003c/p\u003e","\u003cp\u003eHe cannot get up to the house. Requests beef, ham, knives and forks, Worcestershire sauce, and cream or milk.\u003c/p\u003e","\u003cp\u003eSold Matilda and her family to Mr. Bevin. Augustine has had attacks of ague. Cases of scarlet fever and dysentery. Gives instructions for Mr. Stowell regarding sheep and wheat machine.\u003c/p\u003e","\u003cp\u003eBrief letter. Getting on slowly with work. Will probably not come down tomorrow.\u003c/p\u003e","\u003cp\u003e\"Brother T's [cousin Thomas Washington] corpse has not yet arrived.\" John Alexander has dysentery.\u003c/p\u003e","\u003cp\u003eThomas Washington's body arrived and was buried at Charlestown. John Alexander's death. Will conclude funeral arrangements tomorrow.\u003c/p\u003e","\u003cp\u003eServants sick. Bought and forwarded a dress for Louisa. Will take Louisa to Bath after sale of Richwoods [home of Thomas Blackburn Washington].\u003c/p\u003e","\u003cp\u003e\"Richard [Washington] was rather better last night.\" Brief letter.\u003c/p\u003e","\u003cp\u003eHe is detained a few days longer due to Dr. Alexander's absence. Asks Nelly to send the wagon up for coal. Has sold corn at three dollars.\u003c/p\u003e","\u003cp\u003eArrived in Charlestown yesterday. Restaurants in Charlestown and Harper's Ferry filthy. Richard [Washington] sold about 300 acres of his land at $60.00 per acre.\u003c/p\u003e","\u003cp\u003e\"Alexandria May 18\" crossed out at top. His health continues to improve, will join her in a few days. Requests pills and tea.\u003c/p\u003e","\u003cp\u003e\"My cold is broken and a great deal better.\" Regrets that sickness prevents him from joining her as planned.\u003c/p\u003e","\u003cp\u003eAugustine writes he will be down on Thursday or Friday. Direct Mr. Browner to get ready to kill the hogs next Saturday.\u003c/p\u003e","\u003cp\u003eHas commenced hauling today. Encloses check for fifty dollars. Sends up a swan.\u003c/p\u003e","\u003cp\u003eAugustine writes that though his health has improved, he's still unable to return.\u003c/p\u003e","\u003cp\u003eSends bacon, shad and fish by West [Ford]. Wrote a short note to Nelly this morning to be delivered by girl Maria. Son Lawrence and the baby [Eleanor] are well.\u003c/p\u003e","\u003cp\u003eEncloses a letter from California. Has had stormy weather. Requests that Nelly tell Cousin Sally or the doctor to inform him how she is.\u003c/p\u003e","\u003cp\u003eStormy and rainy weather prevented his going to see Nelly. Weather unfavorable for fishing.\u003c/p\u003e","\u003cp\u003eForwards check for $100.\u003c/p\u003e","\u003cp\u003eInstructions to send several servants [enslaved workers?] from Mount Vernon to Alexandria.\u003c/p\u003e","\u003cp\u003eThe slave Sarah \"had run off from Mr. Taylor and had gone home this morning.\" Has not heard from Richmond [regarding sale of Mount Vernon to the Mount Vernon Ladies Association]\u003c/p\u003e","\u003cp\u003eRegarding negotiations with the Mount Vernon Ladies' Association.\u003c/p\u003e","\u003cp\u003eRelates his visits with the children to the University, Monticello, Farmington, and the \"Asylums for the Insane and for the Blind and the Deaf and Dumb.\"\u003c/p\u003e","\u003cp\u003eRelates visit to Wyers Cave. Saw John Selden and his children. Visited Cousin Ann and Miss Mary Peter. Saw Sister Hannah and Jenny. \"My farm as usual will yield but a small rent, and I have half made up my mind to sell it.\"\u003c/p\u003e","\u003cp\u003eBrief letter. Is detained until Monday and \"then have to go to Balt[imore]. If I do not get home on Tuesday in the boat, send up for me Wednesday morning.\"\u003c/p\u003e","\u003cp\u003eMust travel to Baltimore with Mr. Herbert. Instructs William Ford to meet him in Alexandria to show him lots [of timber?] to be labeled.\u003c/p\u003e","\u003cp\u003eEncloses letter from Magruder Mason. Gives instructions for delivering slaves George, Charlotte and Milly who have been hired out.\u003c/p\u003e","\u003cp\u003eHas requested Mr. Price send down game and fish. Expects to meet Willie Rogers and Mr. Robinson on Saturday.\u003c/p\u003e","\u003cp\u003eChristian Washington's baby had an operation on her lip. Heavy fall of snow. Gives instructions regarding clover seed, ploughs, and windows of hot beds.\u003c/p\u003e","\u003cp\u003eShall leave tomorrow for Frederick and Fauquier and be home Friday or Saturday. Bad weather prevented his visiting friends in Audley and Berryville. Has arranged matters with Mr. Richardson about Joe [a slave boy].\u003c/p\u003e","\u003cp\u003eDescribes journey to Chicago: stops and sights. Unsure if he can make an investment in Chicago or not.\u003c/p\u003e","\u003cp\u003eRelates investigation of investments with Mr. Wright and Mr. McFarland. Describes geography of Chicago, Lake Michigan, and river and its relation to property value. Visited a Mr. Kerfoot. Describes scenery.\u003c/p\u003e","\u003cp\u003eHas bought two pieces of property. Gives instructions regarding harvest. Inquires after cradles and rakes.\u003c/p\u003e","\u003cp\u003eRichard and Bushrod Washington came down with him. \"I fear I shall be disappointed in selling Marshall Hall to the person who I expected to buy it.\"\u003c/p\u003e","\u003cp\u003eConstant rains on Tuesday, Wednesday and Thursday. Will go to Washington to meet John F. Lee. Thinks they can move to Waveland by the first of December.\u003c/p\u003e","\u003cp\u003e\"This box contains the correspondence between my wife and myself from October 1842 to October 1860. From the time of our engagement to her Death - John A. and E. L. Washington.\"\u003c/p\u003e","\u003cp\u003eDr. Lloyd's funeral will take place tomorrow. Requests suit of black clothes.\u003c/p\u003e","\u003cp\u003eDescription of journey from St. Louis to Chicago. Fertility of the prairie and poverty of inhabitants. Business in Chicago remains uncertain.\u003c/p\u003e","\u003cp\u003eReceived Nelly's letter of April 1st. Has not made much progress in his business. \"I went out yesterday about 35 miles on the Milwaukee Railroad branch…\"\u003c/p\u003e","\u003cp\u003eHas rented a part of his property. Ogden suit will come up in a few days. Dined at Mr. Kerfoot's. Describes a \"feat of house lifting\" he witnessed.\u003c/p\u003e","\u003cp\u003eHis lawyers are confident in winning the Ogden Suit [Malebon D. Ogden vs. John A. Washington and William F. Turner]. Met with friends and relations; mentions Cassins, Grahams, and Mr. Morgan Johnson. Says he is \"wife sick or love sick.\"\u003c/p\u003e","\u003cp\u003eExpects to leave tomorrow night or Saturday for Indianapolis and Louisville. Encloses flowers. \"I regret to hear that Miss Cunningham's enterprise turned out indifferently. It was I thought rather inconsiderate in her to attempt anything of the sort while we are living there, but I suppose she did not think of this.\"\u003c/p\u003e","\u003cp\u003eForgot trunk key and requests to have Nelly mail it. Has sent up boxes of silver, white and brown sugar, and soap. Gives instructions regarding a box of stolen sugar.\u003c/p\u003e","\u003cp\u003eGoing to Leesburg this morning with friends. Postscript \"Thursday morning.\"\u003c/p\u003e","\u003cp\u003e\"Mr. Turner though still very unwell is going about a little, and we are engaged in sowing wheat…\" Bought a carpet for the library. Has sent up stair carpet rods.\u003c/p\u003e","\u003cp\u003eAugustine writes he had intended going up to Waveland yesterday but \"as I have some little unfinished business here and have not had an opportunity of seeing Cousin H[arriet] I shall wait until tomorrow and accompany them up.\"\u003c/p\u003e","\u003cp\u003eReports he will not return as soon as planned. Encloses ten dollars.\u003c/p\u003e","\u003cp\u003eAfter receiving her father's permission to respond to Augustine's letter, she writes that she has never before attempted such a letter. Expresses her feelings for him.\u003c/p\u003e","\u003cp\u003eDisappointed in trip to Walnut Farm. Supposes Augustine has arrived at Mount Vernon. Death of Mrs. Mason.\u003c/p\u003e","\u003cp\u003eIf Augustine is detained, their separation will be nearly three weeks. Delivered messages to Dick. Recent storm caused flooding and destroyed fencing.\u003c/p\u003e","\u003cp\u003eSpent yesterday at Mount Vernon. Whitewashing has improved the appearance of the yard. Longs for the twenty-sixth to come.  Miss Morey [Maury] leaves tomorrow.\u003c/p\u003e","\u003cp\u003eBridal party arrived [for wedding of Christian Maria and Richard Washington]. Asks Augustine to get a new pair of boots or have his mended.\u003c/p\u003e","\u003cp\u003eAugustine's last letter dated the 10th. Pleased he employed a white overseer.\u003c/p\u003e","\u003cp\u003eNo time fixed for Dick's [Richard Washington] marriage. Will Augustine get the baby a pair of shoes? Penciled note by Augustine possibly noting property lines.\u003c/p\u003e","\u003cp\u003eWhen did Augustine leave Loudon? Louisa has learned several words. Nelly has visited several friends.\u003c/p\u003e","\u003cp\u003eIntends to have her tooth drawn. Weather very cold. Louisa learned waltzing.\u003c/p\u003e","\u003cp\u003eDiscusses weather. Mr. Stuart arrived. \"Louisa has completely retrieved her character since you left.\" Letter continues September 2nd. Nelly \"left Blakeley yesterday morning to spend this week with Aunt Maria and Anne.\u003c/p\u003e","\u003cp\u003eLouisa's health. \"I was really gratified to hear you did not find it necessary to sell Gabriel.\" Louisa has \"several times mistaken persons down the street for you…\"\u003c/p\u003e","\u003cp\u003eDelivery and payment of wheat. Louisa is well. Christian Washington already named her daughter Elizabeth. Old Mr. [John] Sinclair died and his slaves are to be sold.\u003c/p\u003e","\u003cp\u003eDined with Ellen Powell. Louisa \"fell against the table and nearly broke her nose…\"\u003c/p\u003e","\u003cp\u003eNelly writes she had a bad cold on Monday. Louisa's arm is almost entirely well. West [Ford] was in town yesterday. Charles Lee and Anne Gardener are engaged.\u003c/p\u003e","\u003cp\u003eDaughter Jenny [Jane Charlotte Washington] sick with fever and welts.\u003c/p\u003e","\u003cp\u003eDaughter Jenny and other family members illl. Cousin Thomas and Noblet returned last week. Postscript asking for money for children's dresses.\u003c/p\u003e","\u003cp\u003eAunt Eliza doing well. Nelly went to hear Hertz play: He is \"one of the most celebrated performers on the piano.\" Does not understand Anne's letter.\u003c/p\u003e","\u003cp\u003eShort letter. Chastises Augustine for not writing. Asks \"is it because your wife is not of sufficient importance to you to write to her.\"\u003c/p\u003e","\u003cp\u003e\"I shall be ready to go any day that you can come for me.\" Asks for mutton suet and cat mint.\u003c/p\u003e","\u003cp\u003e\"Mr. George Turner, starts for Boston tomorrow, and I have determined to go under his escort.\" Discusses meetings with friends and relatives. Cousin Rebecca had a son.\u003c/p\u003e","\u003cp\u003eDiscusses harvest and rain. Jack and Anne drove up this morning. \"If there are any damsons, I wish you would have some preserved.\"\u003c/p\u003e","\u003cp\u003eHopes Augustine had a pleasant trip and \"felt no evil effects from crabs and oysters.\" Nelly treated Louisa's illness with calomel and oil. Sorry to hear that Mr. Moore the overseer took a wife. Enclosed note and postscript regarding letter from Sister Mary.\u003c/p\u003e","\u003cp\u003eInquires if the slave Mary has washed the bedstead. Will try to get a larger sheet of paper. Postscript regarding daughter Louisa's tin cow.\u003c/p\u003e","\u003cp\u003e\"It has been nearly three weeks since my confinement…\" Uncle Bushrod [Washington] leaves for the Salt Sulphur on Monday.\u003c/p\u003e","\u003cp\u003eNelly and Augustine have been apart nine weeks. Describes her recovery and the new baby [Eliza]. General Rust [new owner of Exeter] traveled up on Sunday.\u003c/p\u003e","\u003cp\u003eRequests Augustine have a log cabin built. \"Our children are well, having two babies keeps me pretty constantly employed.\" Postscript regarding poor pen and Aunt Eliza's confinement.\u003c/p\u003e","\u003cp\u003e\"Our dear child is quite well again [Louisa].\" Hopes to hear from Augustine soon.  Postscript, \"Dear little Molly [Mary Selden Page] continues I think to improve.\"\u003c/p\u003e","\u003cp\u003eShort letter. Aunt Eliza gave birth to a girl yesterday, about three o'clock.\u003c/p\u003e","\u003cp\u003eFamily news. Asks Augustine set a date for her to return to Mount Vernon.\u003c/p\u003e","\u003cp\u003eCary was thrown over his horse's head. Mrs. Carter died last night. Daughter Eliza goes looking for Augustine. Nelly makes requests and gives instructions for making preserves, \"and please don't forget my hen house.\"\u003c/p\u003e","\u003cp\u003eArrived Thursday evening. Requests more money to buy things for the winter. Mentions Aunt Maria, Rebecca and Dr. Tabb, and Aunt Eliza.\u003c/p\u003e","\u003cp\u003eDaughter Eliza sick past ten days. \"Louisa and Jenny talk incessantly about you.\" Nelly has been walking a good deal.\u003c/p\u003e","\u003cp\u003eUncle Cary's death. Discusses children and weather. Passes on Mr. Lloyd's questions regarding hiring an overseer such as salary and privileges.\u003c/p\u003e","\u003cp\u003e\"Old Dolly gave me the letter I enclose about ten days ago…\" Sister Mary wrote after her confinement. Today is Harriet's wedding day.\u003c/p\u003e","\u003cp\u003eBoat landed with 50 or 60 visitors. Susan, a slave, prefers being sold.\u003c/p\u003e","\u003cp\u003eShe shall \"be down in the boat tomorrow to see you.\" Shall not bring the children.\u003c/p\u003e","\u003cp\u003eVisitors. No one is sick. \"The boat had just come in sight and it is beginning to rain right fast…\"\u003c/p\u003e","\u003cp\u003eAnxious to hear about Mother [Jane C. B. Washington]. A man came \"to apply for situation as overseer, at Marshall Hall…\" Note at end of letter written by Louisa Washington. Misses her father. Writes about dogs, birds, and sheep.\u003c/p\u003e","\u003cp\u003eHas heard rumors and is unsure if Mrs. [Eleanor Parke Custis] Lewis is dead or alive. Went to Charlestown on Sunday. Visited with relations. Describes wellbeing of her daughters: \"Maria has five teeth.\"\u003c/p\u003e","\u003cp\u003eExpresses her happiness at receiving Augustine's last letter. Sorry to hear of Eliza's injury. Describes children's party. Would be glad if he could finish the threshing.\u003c/p\u003e","\u003cp\u003e\"Mrs. Byrd and Mrs. Alsbone… appear very nervous about the state of our slaves. They think the negroes hate the whites so much, that we are in constant danger.\"\u003c/p\u003e","\u003cp\u003eLouisa has measles. Dr. Lloyd shipwrecked twice and lost everything. Scarlet fever and whooping cough going around.\u003c/p\u003e","\u003cp\u003eDaughters Jenny, Lily [Eliza] and Maria all have measles. Distressed to hear about Augustine's wheat and corn. Begs for a letter from him; \"I am miserable.\"\u003c/p\u003e","\u003cp\u003eSteamboat quite full today with sixty or seventy persons. Tomorrow is Louisa's birthday. Spoke to Susan [a slave] and \"she prefers being sold.\"\u003c/p\u003e","\u003cp\u003e\"Aunt Eliza had a little girl last night, she and the child are both doing well.\"\u003c/p\u003e","\u003cp\u003eArrived at Cave Farm on Monday. Heard that \"Mr. Alexander was so extravagant that if you were not careful, Cousin Hannah's property would all in short time go.\" Louisa looks forward to a child's party. Nelly requests vanilla.\u003c/p\u003e","\u003cp\u003eInstructions to have her black bonnet sent up as well as a night gown, linens, and visit cards. Went to hear Dr. Butler's sermon. \"Don't forget the butter from Maryland…\"\u003c/p\u003e","\u003cp\u003eEncloses letter from Mr. Davis. She is visiting Richard and Christian. Asks Augustine to bring the \"baby's sucking bottle.\" Gives instructions for the slave Sarah to make a brine to drop the butter in.\u003c/p\u003e","\u003cp\u003eRichard returned from town and says that court will begin on the second Monday of October, and the sale at Claymont will take place on the following Wednesday.\u003c/p\u003e","\u003cp\u003eDaughter [Anna] Maria broke her left arm.\u003c/p\u003e","\u003cp\u003eInfant [Lawrence] very ill. Family news.\u003c/p\u003e","\u003cp\u003eNursery chimney caught on fire yesterday. Son Lawrence has been ill. Mr. Turner salted hams. Wants to see Christian and the children this winter.\u003c/p\u003e","\u003cp\u003eIs very concerned about Lawrence's fever. Asks that Augustine send for a doctor.\u003c/p\u003e","\u003cp\u003eHas heard that his Uncle Augustine was unwell. Requests word on how he is. Sends a bottle of castor oil.\u003c/p\u003e","\u003cp\u003eRegrets to hear that his health has not improved. Lawrence is better.\u003c/p\u003e","\u003cp\u003eNelly reports that she is ready to go home and regrets that she be sent for.\u003c/p\u003e","\u003cp\u003eHer health continues to improve, hopes to be able to return soon. Letter sent with West [Ford].\u003c/p\u003e","\u003cp\u003eClara [Heilman] has arrived. Nelly is disappointed that the weather keeps her away. \"I am as well as ever, look very fat…and right strong.\"\u003c/p\u003e","\u003cp\u003eLawrence's health improves. Postscript regarding Edith and Mrs. Powell.\u003c/p\u003e","\u003cp\u003eTheir niece Anne, daughter of Augustine's brother Richard Blackburn and Christian Washington has died.\u003c/p\u003e","\u003cp\u003eGives preserving instructions for slaves Sarah and Matilda. Secret engagement of Andrew Kennedy. Asks about having the dining room fixed. Anne is sick with dysentery.\u003c/p\u003e","\u003cp\u003e\"The baby [George Washington] improves every day.\" Watermelons in the ice house.\u003c/p\u003e","\u003cp\u003eDined with Harriett Cazenove. \"Everything is going on at home here as usual.\"\u003c/p\u003e","\u003cp\u003e\"Everybody is leaving so fast that by Thursday everyone will be gone…\" She can be at Walnut Farm on Saturday.\u003c/p\u003e","\u003cp\u003eDaughter Nelly had fever and boils. Nelly writes she is delighted she left [Capon Springs] as the \"house keeper, servants and all were dismissed and the stages taken off the line on Friday.\" Instructs Augustine to bring clothes for the children.\u003c/p\u003e","\u003cp\u003eLouisa and Jenny went to a concert. Yesterday a crowd with Masons came by boat and made a speech. Received a letter from Miss [Ann Pamela] Cunningham requesting permission for an address.\u003c/p\u003e","\u003cp\u003eMuch rain. Wheat looks well. Family news.\u003c/p\u003e","\u003cp\u003eSummer weather. Had first dish of asparagus yesterday. Miss [Ann Pamela] Cunningham's address is Saturday with Dr. Hawks of New York as orator.\u003c/p\u003e","\u003cp\u003e\"Yesterday was the day fixed on by Miss Cunningham for her grand doings here…. There were benches enough to accommodate six hundred but I don't think there could have been more than one hundred and fifty or two hundred at most on the grounds.\"\u003c/p\u003e","\u003cp\u003eReceived his sixth letter this morning. Mrs. Robert [Mary Anna Custis] Lee staying with them. Son George has not learned to say a word since Augustine left. \"Wishing you happy dreams and hoping I may be the burden of them as you are of mine.\"\u003c/p\u003e","\u003cp\u003eNelly writes she cannot find the trunk key Augustine requested. She delivered his message to Mr. Lunsford [overseer at Waveland].\u003c/p\u003e","\u003cp\u003eMr. Lunsford finished seeding and now setting strawberry plants. Cabbage plants have come up but they look like kale. Received letters from ladies applying for \"the situation\" [teaching position?]. Requests jonquil roots, hairpins, and tea toweling.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains correspondence between John Augustine Washington III and his wife Eleanor Love Selden. The letters begin during the Washingtons' engagement and continues through eighteen years of marriage, ending with a letter from John Augustine to Eleanor composed the day prior to her sudden death. The letters contain information on family matters, the management of the Mount Vernon estate, and plantation life prior to the Civil War.","Expresses his happiness at receiving Nelly's letters and love for her. \"I do not object to the whole world knowing that I love you.\"","Must defer visit to Exeter for four or five days due to appointments. His mother will visit Nelly on her way up to Leesburg.","Feels pain at parting from Nelly. Cousin William [Turner] distraught over his intention to marry Betty [Selden].","Arrived Christmas day. Distressed at being apart from Nelly. Saw the family at Mount Ida [Wilson Cary Selden, Sr.'s family] on Saturday.","Love letter. \"…as the dearest moments of my life have been with you, so the happiest hopes that my soul can form, have you for their reigning star.\"","Will probably not see or hear from Nelly until their wedding. Discredits stories that his relative Thomas Turner mistreated his family and servants.","Is unable to return to Jefferson until the middle or end of next week. Gives instructions for Dick [Richard Blackburn Washington] regarding delivery of wheat, receipts, and a shingles order. Mentions Bushrod Washington and West Ford.","Changed route after leaving Nelly. Hopes Nelly recovers from her headaches. Did she get the box from Stabler's safely?","\"Time hangs heavily on me when you are absent…\" Updates on relations. A new academy is to be built opposite Mr. Burr Harrison's. Leaves for Jefferson tomorrow.","\"…not having been aware of my right to vote out of the county in which I resided, at the Presidential election I made arrangements to return home…\" Hyacinths planted.","His case came up in Court and estate committed to Augustine's hands. Encloses ten dollars to entertain Dick and Christian Washington. Two or three snowstorms since his arrival at Blakeley. Scarlet fever prevailing.","Scarlet fever disappeared. Direct West [Ford] to tell William Hayes to procure eggs or chickens, \"but know the price beforehand, or he will charge you double.\"","Absence of Gabriel and desertion of some of the hired hands. Has decided not to sell Gabriel. \"If it were possible to without them [slaves], I do not think I could own one, but situated as we are, landed property would be almost valueless without them, and it is a matter of necessity to have their labor.\"","Sowing wheat. \"I have never had soft crabs in perfection before.\" Asks if mother [Jane C. B. Washington] has received money on his wheat. Offers two sets of names for Dick and Christian Washington's daughter.","Sale of Exeter will not take place until spring. Dr. Alexander struggling with debt.","\"I have not seen our friends here, but hear that Bentley bought Cousin Eliza's negroes at $1,200.00.\"","Mother [Jane Charlotte Blackburn Washington] ill. His letter will be taken to Nelly \"by two negro men who I have purchased, and by Julia whom I send down. I wish West to set them to getting rails…\"","\"I left the negroes I got in Alexandria, where I had an offer of $650.00 for them from a negro trader, but I prefer selling to a private person if I can do so. I found several of the servants sick, and Phil who was very low, died this evening.\"","Servants recovering. Nelly's cloak was dyed mazarine blue. Shall begin seeding wheat.","West [Ford] has taken sick this morning. \"The stockings and socks for the negroes are nearly done…The coat patterns are eaten up by the rats…\"","Got up to Blakeley night before last accompanied by Charles Washington. \"I have the prospect of employing an overseer for next year.\"","He has been trying to procure signatures for a \"petition for the division of our county.\" The sale of Woodlawn and the Quakers who are to settle on it.","Received Nelly's letter of September 18th. Has succeeded in obtaining an overseer \"at the rate of one hundred and fifty dollars a year.\"","Relates journey to Blakeley. Was delayed as Turbeville Stuart had typhus or nervous fever. Pneumonia and typhoid fever \"prevailing through this neighborhood.\"","Augustine is losing his overseer due to his marriage to a widow, Ms. Spence. Discusses case at the Alexandria Superior Court.","\"Between pleasant company and bad weather I was detained in the lower country some days longer than I expected.\" Pleased with Gloucester. Disappointed in Old Point. Gabriel's duties and tasks.","Has been twice at church. Hopes Nelly received a package with silk, a bottle with slips, and peach stones. Preserves and pickles are done.","Describes weather and damage caused by drought and storms. Mr. Turner informs him that he can probably obtain an overseer but \"the chance of getting a tenant is not so good.\"","Returned home yesterday from trip to Maryland. Visited Mr. Sewall at Poplar Hill. Went to visit Dr. Crawfort but he was absent, so went to Mr. Shipley's. Recommends Nelly go to Baltimore. Presumes Elizabeth Blackburn was married today.","Wheat machine broke. Sends thirty dollars. Colonel Bailey Peyton is to marry Julia Thompson. Employed three Irish workers to see if they could replace slaves but the \"experiment\" failed.","Sends a carriage up for Nelly. He shall leave tomorrow or the next day for Jefferson.","Relates arrival in Baltimore and journey to Mount Vernon. Steamboat brought five hundred visitors during the week. Misses Nelly: \"…I feel a constant yearning to have you at my side, to hear you, to see you…\"","Dreams of Nelly. Monuments were erected at the vault. Steamboat continues to come full. President Filmore and his cabinet postponed visit. Plasterer to come and fix dining room and cellars.","Will be down tomorrow accompanied by William Turner and two other gentlemen.","Is obliged to go to Fairfax Court House to \"sue out attachments against Mr. Whitehall's property.\"","Writes in haste. Ephraim died yesterday evening. Too hazardous for Nelly to come down until epidemic subsides. Sends a package containing a fan and dress.","Will be in Alexandria on Friday. Dick [Richard Washington] unwell with attack of erysipelas. Fears John Washington will be deformed. New steamboat for the Mount Vernon route will not begin trips until the week after next.","Short letter. Will not be in Alexandria before Saturday. Needs to attend to business with \"Brother\" Thomas [Blackburn Washington]. Families at Blakeley are well.","Short letter. Mother [Jane C. B. Washington] is \"dangerously ill.\" Requests a carpet bag with clean clothes. \"Send John [Michum] up tomorrow morning for my Buggy.\"","Mother is better but still weak. Gives instructions for Mr. Stowell regarding corn for mules at Marshall Hall.","Mother is better. \"I have been purchasing negroes—and am in negotiation for others…\" Gives instructions for \"grubbing and ploughing.\" Overseer position. Includes letter to daughter Louisa on same sheet regarding various cousins.","Sends Jim up with the carriage today for Nelly. Augustine writes he is \"completely tired of bacheloring.\"","Heard of Mrs. [Eleanor Parke Custis] Lewis' illness. Describes journey with stops in Berryville and Chantilly. Harriet subject to fainting attacks. Threshing machine is set. Negotiations with Mr. Stowell as overseer. Death of General Roger Jones","Health of Aunt Eliza and Mr. Lloyd. Railroad festival at Salem [now Marshall]. Cary, Fontaine and John hunting and fishing. Describes flowers in Louisa's garden. Wharf and buildings being put up at the White House for the steamboat and visitors.","Going to Alexandria to sell a load of wheat. The slave Eliza was injured when she \"ran a needle in her arm and broke it off…\" Ends with proclamation of undying love: \"Indeed as I grow older my heart seems to cling closer to you…and never do I feel this more deeply than when you are absent from me.\"","Finished ploughing in Maryland. Tried to sell the slave Matilda but she was unwilling. Has employed a German gardener. Gives updates on the steamboat, visitors, and construction of new wharf.","Attaches a check for fifty dollars for travel expenses by canal. Good weather to begin work again. Heard through West [Ford] of Cousin Esther's death. Health of servants","Mount Vernon and other farms have lost one third to one half of harvest due to rains. Has finally engaged a Maryland bricklayer and plasterer.","Was unable to write due to a cold. Noblet Herbert's death. Disappointed in sale of mountain land. Instructions for sowing and sale of clover seed.","He cannot get up to the house. Requests beef, ham, knives and forks, Worcestershire sauce, and cream or milk.","Sold Matilda and her family to Mr. Bevin. Augustine has had attacks of ague. Cases of scarlet fever and dysentery. Gives instructions for Mr. Stowell regarding sheep and wheat machine.","Brief letter. Getting on slowly with work. Will probably not come down tomorrow.","\"Brother T's [cousin Thomas Washington] corpse has not yet arrived.\" John Alexander has dysentery.","Thomas Washington's body arrived and was buried at Charlestown. John Alexander's death. Will conclude funeral arrangements tomorrow.","Servants sick. Bought and forwarded a dress for Louisa. Will take Louisa to Bath after sale of Richwoods [home of Thomas Blackburn Washington].","\"Richard [Washington] was rather better last night.\" Brief letter.","He is detained a few days longer due to Dr. Alexander's absence. Asks Nelly to send the wagon up for coal. Has sold corn at three dollars.","Arrived in Charlestown yesterday. Restaurants in Charlestown and Harper's Ferry filthy. Richard [Washington] sold about 300 acres of his land at $60.00 per acre.","\"Alexandria May 18\" crossed out at top. His health continues to improve, will join her in a few days. Requests pills and tea.","\"My cold is broken and a great deal better.\" Regrets that sickness prevents him from joining her as planned.","Augustine writes he will be down on Thursday or Friday. Direct Mr. Browner to get ready to kill the hogs next Saturday.","Has commenced hauling today. Encloses check for fifty dollars. Sends up a swan.","Augustine writes that though his health has improved, he's still unable to return.","Sends bacon, shad and fish by West [Ford]. Wrote a short note to Nelly this morning to be delivered by girl Maria. Son Lawrence and the baby [Eleanor] are well.","Encloses a letter from California. Has had stormy weather. Requests that Nelly tell Cousin Sally or the doctor to inform him how she is.","Stormy and rainy weather prevented his going to see Nelly. Weather unfavorable for fishing.","Forwards check for $100.","Instructions to send several servants [enslaved workers?] from Mount Vernon to Alexandria.","The slave Sarah \"had run off from Mr. Taylor and had gone home this morning.\" Has not heard from Richmond [regarding sale of Mount Vernon to the Mount Vernon Ladies Association]","Regarding negotiations with the Mount Vernon Ladies' Association.","Relates his visits with the children to the University, Monticello, Farmington, and the \"Asylums for the Insane and for the Blind and the Deaf and Dumb.\"","Relates visit to Wyers Cave. Saw John Selden and his children. Visited Cousin Ann and Miss Mary Peter. Saw Sister Hannah and Jenny. \"My farm as usual will yield but a small rent, and I have half made up my mind to sell it.\"","Brief letter. Is detained until Monday and \"then have to go to Balt[imore]. If I do not get home on Tuesday in the boat, send up for me Wednesday morning.\"","Must travel to Baltimore with Mr. Herbert. Instructs William Ford to meet him in Alexandria to show him lots [of timber?] to be labeled.","Encloses letter from Magruder Mason. Gives instructions for delivering slaves George, Charlotte and Milly who have been hired out.","Has requested Mr. Price send down game and fish. Expects to meet Willie Rogers and Mr. Robinson on Saturday.","Christian Washington's baby had an operation on her lip. Heavy fall of snow. Gives instructions regarding clover seed, ploughs, and windows of hot beds.","Shall leave tomorrow for Frederick and Fauquier and be home Friday or Saturday. Bad weather prevented his visiting friends in Audley and Berryville. Has arranged matters with Mr. Richardson about Joe [a slave boy].","Describes journey to Chicago: stops and sights. Unsure if he can make an investment in Chicago or not.","Relates investigation of investments with Mr. Wright and Mr. McFarland. Describes geography of Chicago, Lake Michigan, and river and its relation to property value. Visited a Mr. Kerfoot. Describes scenery.","Has bought two pieces of property. Gives instructions regarding harvest. Inquires after cradles and rakes.","Richard and Bushrod Washington came down with him. \"I fear I shall be disappointed in selling Marshall Hall to the person who I expected to buy it.\"","Constant rains on Tuesday, Wednesday and Thursday. Will go to Washington to meet John F. Lee. Thinks they can move to Waveland by the first of December.","\"This box contains the correspondence between my wife and myself from October 1842 to October 1860. From the time of our engagement to her Death - John A. and E. L. Washington.\"","Dr. Lloyd's funeral will take place tomorrow. Requests suit of black clothes.","Description of journey from St. Louis to Chicago. Fertility of the prairie and poverty of inhabitants. Business in Chicago remains uncertain.","Received Nelly's letter of April 1st. Has not made much progress in his business. \"I went out yesterday about 35 miles on the Milwaukee Railroad branch…\"","Has rented a part of his property. Ogden suit will come up in a few days. Dined at Mr. Kerfoot's. Describes a \"feat of house lifting\" he witnessed.","His lawyers are confident in winning the Ogden Suit [Malebon D. Ogden vs. John A. Washington and William F. Turner]. Met with friends and relations; mentions Cassins, Grahams, and Mr. Morgan Johnson. Says he is \"wife sick or love sick.\"","Expects to leave tomorrow night or Saturday for Indianapolis and Louisville. Encloses flowers. \"I regret to hear that Miss Cunningham's enterprise turned out indifferently. It was I thought rather inconsiderate in her to attempt anything of the sort while we are living there, but I suppose she did not think of this.\"","Forgot trunk key and requests to have Nelly mail it. Has sent up boxes of silver, white and brown sugar, and soap. Gives instructions regarding a box of stolen sugar.","Going to Leesburg this morning with friends. Postscript \"Thursday morning.\"","\"Mr. Turner though still very unwell is going about a little, and we are engaged in sowing wheat…\" Bought a carpet for the library. Has sent up stair carpet rods.","Augustine writes he had intended going up to Waveland yesterday but \"as I have some little unfinished business here and have not had an opportunity of seeing Cousin H[arriet] I shall wait until tomorrow and accompany them up.\"","Reports he will not return as soon as planned. Encloses ten dollars.","After receiving her father's permission to respond to Augustine's letter, she writes that she has never before attempted such a letter. Expresses her feelings for him.","Disappointed in trip to Walnut Farm. Supposes Augustine has arrived at Mount Vernon. Death of Mrs. Mason.","If Augustine is detained, their separation will be nearly three weeks. Delivered messages to Dick. Recent storm caused flooding and destroyed fencing.","Spent yesterday at Mount Vernon. Whitewashing has improved the appearance of the yard. Longs for the twenty-sixth to come.  Miss Morey [Maury] leaves tomorrow.","Bridal party arrived [for wedding of Christian Maria and Richard Washington]. Asks Augustine to get a new pair of boots or have his mended.","Augustine's last letter dated the 10th. Pleased he employed a white overseer.","No time fixed for Dick's [Richard Washington] marriage. Will Augustine get the baby a pair of shoes? Penciled note by Augustine possibly noting property lines.","When did Augustine leave Loudon? Louisa has learned several words. Nelly has visited several friends.","Intends to have her tooth drawn. Weather very cold. Louisa learned waltzing.","Discusses weather. Mr. Stuart arrived. \"Louisa has completely retrieved her character since you left.\" Letter continues September 2nd. Nelly \"left Blakeley yesterday morning to spend this week with Aunt Maria and Anne.","Louisa's health. \"I was really gratified to hear you did not find it necessary to sell Gabriel.\" Louisa has \"several times mistaken persons down the street for you…\"","Delivery and payment of wheat. Louisa is well. Christian Washington already named her daughter Elizabeth. Old Mr. [John] Sinclair died and his slaves are to be sold.","Dined with Ellen Powell. Louisa \"fell against the table and nearly broke her nose…\"","Nelly writes she had a bad cold on Monday. Louisa's arm is almost entirely well. West [Ford] was in town yesterday. Charles Lee and Anne Gardener are engaged.","Daughter Jenny [Jane Charlotte Washington] sick with fever and welts.","Daughter Jenny and other family members illl. Cousin Thomas and Noblet returned last week. Postscript asking for money for children's dresses.","Aunt Eliza doing well. Nelly went to hear Hertz play: He is \"one of the most celebrated performers on the piano.\" Does not understand Anne's letter.","Short letter. Chastises Augustine for not writing. Asks \"is it because your wife is not of sufficient importance to you to write to her.\"","\"I shall be ready to go any day that you can come for me.\" Asks for mutton suet and cat mint.","\"Mr. George Turner, starts for Boston tomorrow, and I have determined to go under his escort.\" Discusses meetings with friends and relatives. Cousin Rebecca had a son.","Discusses harvest and rain. Jack and Anne drove up this morning. \"If there are any damsons, I wish you would have some preserved.\"","Hopes Augustine had a pleasant trip and \"felt no evil effects from crabs and oysters.\" Nelly treated Louisa's illness with calomel and oil. Sorry to hear that Mr. Moore the overseer took a wife. Enclosed note and postscript regarding letter from Sister Mary.","Inquires if the slave Mary has washed the bedstead. Will try to get a larger sheet of paper. Postscript regarding daughter Louisa's tin cow.","\"It has been nearly three weeks since my confinement…\" Uncle Bushrod [Washington] leaves for the Salt Sulphur on Monday.","Nelly and Augustine have been apart nine weeks. Describes her recovery and the new baby [Eliza]. General Rust [new owner of Exeter] traveled up on Sunday.","Requests Augustine have a log cabin built. \"Our children are well, having two babies keeps me pretty constantly employed.\" Postscript regarding poor pen and Aunt Eliza's confinement.","\"Our dear child is quite well again [Louisa].\" Hopes to hear from Augustine soon.  Postscript, \"Dear little Molly [Mary Selden Page] continues I think to improve.\"","Short letter. Aunt Eliza gave birth to a girl yesterday, about three o'clock.","Family news. Asks Augustine set a date for her to return to Mount Vernon.","Cary was thrown over his horse's head. Mrs. Carter died last night. Daughter Eliza goes looking for Augustine. Nelly makes requests and gives instructions for making preserves, \"and please don't forget my hen house.\"","Arrived Thursday evening. Requests more money to buy things for the winter. Mentions Aunt Maria, Rebecca and Dr. Tabb, and Aunt Eliza.","Daughter Eliza sick past ten days. \"Louisa and Jenny talk incessantly about you.\" Nelly has been walking a good deal.","Uncle Cary's death. Discusses children and weather. Passes on Mr. Lloyd's questions regarding hiring an overseer such as salary and privileges.","\"Old Dolly gave me the letter I enclose about ten days ago…\" Sister Mary wrote after her confinement. Today is Harriet's wedding day.","Boat landed with 50 or 60 visitors. Susan, a slave, prefers being sold.","She shall \"be down in the boat tomorrow to see you.\" Shall not bring the children.","Visitors. No one is sick. \"The boat had just come in sight and it is beginning to rain right fast…\"","Anxious to hear about Mother [Jane C. B. Washington]. A man came \"to apply for situation as overseer, at Marshall Hall…\" Note at end of letter written by Louisa Washington. Misses her father. Writes about dogs, birds, and sheep.","Has heard rumors and is unsure if Mrs. [Eleanor Parke Custis] Lewis is dead or alive. Went to Charlestown on Sunday. Visited with relations. Describes wellbeing of her daughters: \"Maria has five teeth.\"","Expresses her happiness at receiving Augustine's last letter. Sorry to hear of Eliza's injury. Describes children's party. Would be glad if he could finish the threshing.","\"Mrs. Byrd and Mrs. Alsbone… appear very nervous about the state of our slaves. They think the negroes hate the whites so much, that we are in constant danger.\"","Louisa has measles. Dr. Lloyd shipwrecked twice and lost everything. Scarlet fever and whooping cough going around.","Daughters Jenny, Lily [Eliza] and Maria all have measles. Distressed to hear about Augustine's wheat and corn. Begs for a letter from him; \"I am miserable.\"","Steamboat quite full today with sixty or seventy persons. Tomorrow is Louisa's birthday. Spoke to Susan [a slave] and \"she prefers being sold.\"","\"Aunt Eliza had a little girl last night, she and the child are both doing well.\"","Arrived at Cave Farm on Monday. Heard that \"Mr. Alexander was so extravagant that if you were not careful, Cousin Hannah's property would all in short time go.\" Louisa looks forward to a child's party. Nelly requests vanilla.","Instructions to have her black bonnet sent up as well as a night gown, linens, and visit cards. Went to hear Dr. Butler's sermon. \"Don't forget the butter from Maryland…\"","Encloses letter from Mr. Davis. She is visiting Richard and Christian. Asks Augustine to bring the \"baby's sucking bottle.\" Gives instructions for the slave Sarah to make a brine to drop the butter in.","Richard returned from town and says that court will begin on the second Monday of October, and the sale at Claymont will take place on the following Wednesday.","Daughter [Anna] Maria broke her left arm.","Infant [Lawrence] very ill. Family news.","Nursery chimney caught on fire yesterday. Son Lawrence has been ill. Mr. Turner salted hams. Wants to see Christian and the children this winter.","Is very concerned about Lawrence's fever. Asks that Augustine send for a doctor.","Has heard that his Uncle Augustine was unwell. Requests word on how he is. Sends a bottle of castor oil.","Regrets to hear that his health has not improved. Lawrence is better.","Nelly reports that she is ready to go home and regrets that she be sent for.","Her health continues to improve, hopes to be able to return soon. Letter sent with West [Ford].","Clara [Heilman] has arrived. Nelly is disappointed that the weather keeps her away. \"I am as well as ever, look very fat…and right strong.\"","Lawrence's health improves. Postscript regarding Edith and Mrs. Powell.","Their niece Anne, daughter of Augustine's brother Richard Blackburn and Christian Washington has died.","Gives preserving instructions for slaves Sarah and Matilda. Secret engagement of Andrew Kennedy. Asks about having the dining room fixed. Anne is sick with dysentery.","\"The baby [George Washington] improves every day.\" Watermelons in the ice house.","Dined with Harriett Cazenove. \"Everything is going on at home here as usual.\"","\"Everybody is leaving so fast that by Thursday everyone will be gone…\" She can be at Walnut Farm on Saturday.","Daughter Nelly had fever and boils. Nelly writes she is delighted she left [Capon Springs] as the \"house keeper, servants and all were dismissed and the stages taken off the line on Friday.\" Instructs Augustine to bring clothes for the children.","Louisa and Jenny went to a concert. Yesterday a crowd with Masons came by boat and made a speech. Received a letter from Miss [Ann Pamela] Cunningham requesting permission for an address.","Much rain. Wheat looks well. Family news.","Summer weather. Had first dish of asparagus yesterday. Miss [Ann Pamela] Cunningham's address is Saturday with Dr. Hawks of New York as orator.","\"Yesterday was the day fixed on by Miss Cunningham for her grand doings here…. There were benches enough to accommodate six hundred but I don't think there could have been more than one hundred and fifty or two hundred at most on the grounds.\"","Received his sixth letter this morning. Mrs. Robert [Mary Anna Custis] Lee staying with them. Son George has not learned to say a word since Augustine left. \"Wishing you happy dreams and hoping I may be the burden of them as you are of mine.\"","Nelly writes she cannot find the trunk key Augustine requested. She delivered his message to Mr. Lunsford [overseer at Waveland].","Mr. Lunsford finished seeding and now setting strawberry plants. Cabbage plants have come up but they look like kale. Received letters from ladies applying for \"the situation\" [teaching position?]. Requests jonquil roots, hairpins, and tea toweling."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Ford, West, approximately 1784-1863","Chew, Louisa Fontaine Washington, 1844-1927"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Washington, John Augustine, III, 1821-1861","Washington, Eleanor Love Selden, 1824-1860","Ford, West, approximately 1784-1863","Chew, Louisa Fontaine Washington, 1844-1927"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":172,"online_item_count_is":3,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:50:40.181Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_57_c01"}},{"id":"viu_repositories_3_resources_1438_c03","type":"Series","attributes":{"title":"Miscellaneous and Other Oversized Materials","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1438_c03","ref_ssm":["viu_repositories_3_resources_1438_c03"],"id":"viu_repositories_3_resources_1438_c03","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","parent_ssi":"viu_repositories_3_resources_1438","parent_ssim":["viu_repositories_3_resources_1438"],"parent_ids_ssim":["viu_repositories_3_resources_1438"],"parent_unittitles_ssm":["The University of Virginia Jefferson Papers"],"parent_unittitles_tesim":["The University of Virginia Jefferson Papers"],"text":["The University of Virginia Jefferson Papers","Miscellaneous and Other Oversized Materials"],"title_filing_ssi":"Miscellaneous and Other Oversized Materials","title_ssm":["Miscellaneous and Other Oversized Materials"],"title_tesim":["Miscellaneous and Other Oversized Materials"],"unitdate_inclusive_ssm":["1751-1897"],"normalized_date_ssm":["1751/1897"],"normalized_title_ssm":["Miscellaneous and Other Oversized Materials"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Jefferson Papers"],"extent_ssm":["0.91 Cubic Feet 1 half width legal document box, 2 medium short oversize flat boxes, 1 large short oversize flat box"],"extent_tesim":["0.91 Cubic Feet 1 half width legal document box, 2 medium short oversize flat boxes, 1 large short oversize flat box"],"has_online_content_ssim":["true"],"child_component_count_isi":70,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":105,"parent_access_restrict_tesm":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff."],"parent_access_terms_tesm":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html "],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897],"_nest_path_":"/components#2","timestamp":"2026-05-20T23:33:01.301Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1438","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1438.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/146623","title_filing_ssi":"Jefferson, Thomas Papers, University of Virginia","title_ssm":["The University of Virginia Jefferson Papers"],"title_tesim":["The University of Virginia Jefferson Papers"],"unitdate_ssm":["1751-1898"],"unitdate_inclusive_ssm":["1751-1898"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"text":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438","The University of Virginia Jefferson Papers","University of Virginia","Real property -- Virginia","Architecture--Virginia","Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner.","Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.","Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).","Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756","Provenance unknown","Provenance unknown","This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation.","This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand","Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia.","Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839","English"],"unitid_tesim":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"normalized_title_ssm":["The University of Virginia Jefferson Papers"],"collection_title_tesim":["The University of Virginia Jefferson Papers"],"collection_ssim":["The University of Virginia Jefferson Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_persname_ssim":["Jefferson, Thomas, 1743-1826"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"access_terms_ssm":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html "],"acqinfo_ssim":["Acquired by gift and purchase, 1825-present."],"access_subjects_ssim":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"access_subjects_ssm":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"extent_tesim":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.\u003c/p\u003e","\u003cp\u003eN 545, MSS 9090-a is restricted. No access without written permission of the owner.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner."],"altformavail_html_tesm":["\u003cp\u003ePhotocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573."],"arrangement_html_tesm":["\u003cp\u003eLetters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.\u003c/p\u003e","\u003cp\u003eArranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.)."],"bioghist_html_tesm":["\u003cp\u003eThomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. \u003c/p\u003e\n","\u003cp\u003eJefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. \u003c/p\u003e\n","\u003cp\u003eAfter retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.\u003c/p\u003e\n","\u003cp\u003eEpithet: actor, son of Joseph Jefferson\u003c/p\u003e\n","\u003cp\u003eSNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756"],"custodhist_html_tesm":["\u003cp\u003eProvenance unknown\u003c/p\u003e","\u003cp\u003eProvenance unknown\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Provenance unknown","Provenance unknown"],"odd_html_tesm":["\u003cp\u003eThis is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.\u003c/p\u003e","\u003cp\u003eTo locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number."],"otherfindaid_html_tesm":["\u003cp\u003eMain finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:\u003c/p\u003e\n","\u003cp\u003ehttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e\n","\u003cp\u003e\nDigital images of the architectural drawings, Nichols Tiffs:\u003c/p\u003e\n","\u003cp\u003ehttps://static.lib.virginia.edu/rmds/nichols/index.html\u003c/p\u003e\n","\u003cp\u003e\nOther online catalog, UVA Catalog of Jefferson's Drawings: \u003c/p\u003e\n","\u003cp\u003ehttp://www2.iath.virginia.edu/wilson/drawings/uvacat.html\u003c/p\u003e","\u003cp\u003eSeparate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["Main finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:","https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","\nDigital images of the architectural drawings, Nichols Tiffs:","https://static.lib.virginia.edu/rmds/nichols/index.html","\nOther online catalog, UVA Catalog of Jefferson's Drawings: ","http://www2.iath.virginia.edu/wilson/drawings/uvacat.html","Separate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249"],"prefercite_html_tesm":["\u003cp\u003eJefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["Jefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e","\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items."],"relatedmaterial_html_tesm":["\u003cp\u003eOther institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:\u003c/p\u003e\n","\u003cp\u003eLIBRARY OF CONGRESS (DLC):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1606 to 1827\u003c/p\u003e\n","\u003cp\u003eMASSACHUSETTS HISTORICAL SOCIETY (MHI):\u003c/p\u003e\n","\u003cp\u003eCoolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.\u003c/p\u003e\n","\u003cp\u003eMISSOURI HISTORY MUSEUM (MOSHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Collection, 1773-1826\u003c/p\u003e\n","\u003cp\u003eHUNTINGTON LIBRARY (CSMH):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson collection, The Huntington Library, San Marino, California.\u003c/p\u003e\n","\u003cp\u003eHISTORICAL SOCIETY OF PENNSYLVANIA (PHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1766-1825\u003c/p\u003e\n","\u003cp\u003eAMERICAN PHILOSOPHICAL SOCIETY (PPAMP):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1775-1825, Mss.B.J35\u003c/p\u003e\n","\u003cp\u003eCOLLEGE OF WILLIAM AND MARY (VIW):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1761-1931\u003c/p\u003e\n","\u003cp\u003eNEW YORK PUBLIC LIBRARY (NN):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1766-1826, MssCol 1557\u003c/p\u003e\n","\u003cp\u003eVIRGINIA HISTORICAL SOCIETY (VIHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1780-1826, Mss2 J3595\u003c/p\u003e","\u003cp\u003eOriginal owned by Thomas Jefferson Memorial Foundation.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.\u003c/p\u003e\n","\u003cp\u003eAll of the Architectural Drawings and Other Oversized \u0026amp; Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e","\u003cp\u003eLists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.\u003c/p\u003e","\u003cp\u003eLetter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eThomas Jefferson\u003c/persname\u003e submitting his first donation for founding the \"Central College,\" which would become the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. Docketed in Jefferson's hand on verso, \"Madison Ja., \u003cgeogname\u003eMontpellier\u003c/geogname\u003e [missing text on margin] recd M [missing text on margin]\"\u003c/p\u003e","\u003cp\u003eThis is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026amp; Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026amp; earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026amp; brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.\u003c/p\u003e","\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e","\u003cp\u003eDeposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eT.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.\u003c/p\u003e","\u003cp\u003eStudy for final elevation of the first version. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eUndated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 350\u003c/p\u003e","\u003cp\u003eSame as N 351\u003c/p\u003e","\u003cp\u003eThomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.\u003c/p\u003e","\u003cp\u003eLetter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.\u003c/p\u003e","\u003cp\u003eSame as N 352\u003c/p\u003e","\u003cp\u003eSecond study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThis original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThese two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEarlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eThis is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eElevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePlan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouthern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eLateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eFlat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.\u003c/p\u003e","\u003cp\u003eIncomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eBird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eWest elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eSecond floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eEast facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eWest front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eFirst floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePlan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eElevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eDoric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.\u003c/p\u003e","\u003cp\u003eSouth elevation of Rotunda with South elevations of pavilions IX \u0026amp; X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eUnfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eJefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eStudy of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.\u003c/p\u003e","\u003cp\u003eStudy for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThird study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSection of rails. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of a clock for the rotunda. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eDormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.\u003c/p\u003e","\u003cp\u003eElevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.\u003c/p\u003e","\u003cp\u003eStudy for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.\u003c/p\u003e","\u003cp\u003eTwo unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.\u003c/p\u003e","\u003cp\u003eFloor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.\u003c/p\u003e","\u003cp\u003eFloor plan with specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eTwo photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.\u003c/p\u003e","\u003cp\u003eFour copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.\u003c/p\u003e","\u003cp\u003eDrawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.\u003c/p\u003e","\u003cp\u003ePlan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003eRough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.\u003c/p\u003e","\u003cp\u003eRough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.\u003c/p\u003e","\u003cp\u003ePlan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSection of a rotunda house. Probably the President's house in Washington, D.C. 1 item.\u003c/p\u003e","\u003cp\u003eFront and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003ePlan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.\u003c/p\u003e","\u003cp\u003ePlan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.\u003c/p\u003e","\u003cp\u003ePlan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePossibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.\u003c/p\u003e","\u003cp\u003eRough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.\u003c/p\u003e","\u003cp\u003eAuthenticated in unidentified hand. 1 item.\u003c/p\u003e","\u003cp\u003eBy Cornelia J. Randolph. 2 items.\u003c/p\u003e","\u003cp\u003eNotes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.\u003c/p\u003e","\u003cp\u003eDeeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.\u003c/p\u003e","\u003cp\u003eTwo plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.\u003c/p\u003e","\u003cp\u003eSurvey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.\u003c/p\u003e","\u003cp\u003eSurvey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.\u003c/p\u003e","\u003cp\u003ePlat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJames Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003e\"Description of a joint or splice\", with cutout model. 3 items.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's recipe for plaster. 1 item.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's design and sketch for a desk. 1 item.\u003c/p\u003e","\u003cp\u003eMap of a canal and saw mill by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eDescription of the hewing of stone. Calculations of verso. 1 item.\u003c/p\u003e","\u003cp\u003eHomemade. 1 item.\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003ePlat of Monticello by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eFor phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.\u003c/p\u003e","\u003cp\u003eGeorge Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eRoad to the Thoroughfare. 1 item.\u003c/p\u003e","\u003cp\u003eCf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.\u003c/p\u003e","\u003cp\u003eAlbemarle county: plat of lands of Charles Lewis Bankhead\u003c/p\u003e","\u003cp\u003eInstructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.\u003c/p\u003e","\u003cp\u003eMr. Harrison's mill and Woodson's Ferry. 1 item.\u003c/p\u003e","\u003cp\u003eTwo plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).\u003c/p\u003e","\u003cp\u003eIn Thomas Jefferson's hand\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand"],"userestrict_html_tesm":["\u003cp\u003eCopyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en\u003c/p\u003e\n","\u003cp\u003eMore about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials\u003c/p\u003e\n","\u003cp\u003eDigital reproductions are available:\u003c/p\u003e\n","\u003cp\u003elinks to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;\u003c/p\u003e\n","\u003cp\u003eArchitectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html \u003c/p\u003e","\u003cp\u003eReproduction of N-362 restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e","\u003cp\u003eReproduction restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia."],"names_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":98,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:01.301Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c03"}},{"id":"viu_repositories_3_resources_1426","type":"collection","attributes":{"title":"Papers of the Randolph Family of Edgehill","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1426#creator","type":"document_value","attributes":{"value":"Randolph family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1426#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1426#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1426","ead_ssi":"viu_repositories_3_resources_1426","_root_":"viu_repositories_3_resources_1426","_nest_parent_":"viu_repositories_3_resources_1426","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1426.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147344","title_ssm":["Papers of the Randolph Family of Edgehill"],"title_tesim":["Papers of the Randolph Family of Edgehill"],"unitdate_ssm":["1732-1860"],"unitdate_inclusive_ssm":["1732-1860"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1397","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1426"],"text":["MSS 1397","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1426","Papers of the Randolph Family of Edgehill","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The materials are arranged chronologically. Oversized items are listed at the end of the inventory.","The Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson. ","Martha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.","Edgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.","Source: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023.","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","The Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533).","The collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present.","Materials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","English"],"unitid_tesim":["MSS 1397","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1426"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill"],"collection_ssim":["Papers of the Randolph Family of Edgehill"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["5.4 Cubic Feet 11 Hollinger document boxes and one oversize box"],"extent_tesim":["5.4 Cubic Feet 11 Hollinger document boxes and one oversize box"],"date_range_isim":[1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged chronologically. Oversized items are listed at the end of the inventory.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged chronologically. Oversized items are listed at the end of the inventory."],"bioghist_html_tesm":["\u003cp\u003eThe Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson. \u003c/p\u003e\n","\u003cp\u003eMartha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.\u003c/p\u003e\n","\u003cp\u003eEdgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.\u003c/p\u003e\n","\u003cp\u003eSource: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson. ","Martha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.","Edgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.","Source: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023."],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill, MSS 1397, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill, MSS 1397, Special Collections, University of Virginia Library, Charlottesville, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1011,"online_item_count_is":1004,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1426","ead_ssi":"viu_repositories_3_resources_1426","_root_":"viu_repositories_3_resources_1426","_nest_parent_":"viu_repositories_3_resources_1426","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1426.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147344","title_ssm":["Papers of the Randolph Family of Edgehill"],"title_tesim":["Papers of the Randolph Family of Edgehill"],"unitdate_ssm":["1732-1860"],"unitdate_inclusive_ssm":["1732-1860"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 1397","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1426"],"text":["MSS 1397","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1426","Papers of the Randolph Family of Edgehill","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The materials are arranged chronologically. Oversized items are listed at the end of the inventory.","The Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson. ","Martha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.","Edgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.","Source: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023.","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","The Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533).","The collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present.","Materials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","English"],"unitid_tesim":["MSS 1397","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1426"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill"],"collection_ssim":["Papers of the Randolph Family of Edgehill"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["5.4 Cubic Feet 11 Hollinger document boxes and one oversize box"],"extent_tesim":["5.4 Cubic Feet 11 Hollinger document boxes and one oversize box"],"date_range_isim":[1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged chronologically. Oversized items are listed at the end of the inventory.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged chronologically. Oversized items are listed at the end of the inventory."],"bioghist_html_tesm":["\u003cp\u003eThe Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson. \u003c/p\u003e\n","\u003cp\u003eMartha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.\u003c/p\u003e\n","\u003cp\u003eEdgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.\u003c/p\u003e\n","\u003cp\u003eSource: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Randolph familiy of Virginia began with William Randolph, who emigrated from Warwickshire, England between 1669 and 1673. He was the great-grandfather of Thomas Jefferson. ","Martha Jefferson Randolph (eldest daughter of Thomas Jefferson) married her third cousin, Thomas Mann Randolph in 1790. Together they had eleven children, whom Martha educated at home. Martha was known for her keen intellect and would often assist her father with his affairs. Thomas became a botanist and served as a Virginia delegate, senator, governor, and congressman.","Edgehill was Martha and Thomas' Virginia plantation, and later the chief residence of their eldest son, Thomas Jefferson Randolph. Martha and Thomas inherited the land from Thomas' father and built their first home there in 1799. A second, larger house was built in 1828. The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.","Source: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023."],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill, MSS 1397, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill, MSS 1397, Special Collections, University of Virginia Library, Charlottesville, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1732-1860, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1011,"online_item_count_is":1004,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1426"}},{"id":"viu_repositories_3_resources_1395","type":"collection","attributes":{"title":"Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395#creator","type":"document_value","attributes":{"value":"Randolph family","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1395","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1395.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147346","title_filing_ssi":"Randolph Family of Edgehill and Wilson Cary Nicholas papers","title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"unitdate_ssm":["1765-1869"],"unitdate_inclusive_ssm":["1765-1869"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"text":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395","Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).","Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document.","This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.","All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.","Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826","English"],"unitid_tesim":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"acqinfo_ssim":["This collection was originally loaned to the University of Virginia Library Special Collections Department by Mrs. Page Kirk, Miss Olivia Taylor, and Miss Margaret Taylor, \"Lochlyn,\" Charlottesville, Virginia, on January 29, 1957. Shares held by the Misses Margaret and Olivia Taylor were bequeathed to Special Collections on March 25, 1986. The share held by Mrs. Kirk's daughter, Mrs. Mary Mann Moyer, was given to Special Collections on January 5, 1987."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"extent_tesim":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"physfacet_tesim":["about 787 items"],"date_range_isim":[1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in three series:\u003c/p\u003e\n","\u003cp\u003eSeries: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)\u003c/p\u003e\n","\u003cp\u003eSeries: II) Randolph Family Papers (Boxes 5-6)\u003c/p\u003e\n","\u003cp\u003eSeries: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box)."],"bioghist_html_tesm":["\u003cp\u003eWilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.\u003c/p\u003e\n","\u003cp\u003eRobert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.\u003c/p\u003e\n","\u003cp\u003eGeorge Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.\u003c/p\u003e\n","\u003cp\u003eSources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026amp;oldid=312497296\u003c/p\u003e\n","\u003cp\u003eLibrary of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas"],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e","\u003cp\u003eThis record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.\u003c/p\u003e","\u003cp\u003eThe word \"slaves\" has been retained in this case because it is in the title of the document.\u003c/p\u003e","\u003cp\u003eThe word \"slave\" has been retained in this case because it is in the title of the document.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding","Metadata Rights Declaration","Note:","Note:"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated."],"separatedmaterial_html_tesm":["\u003cp\u003eAll items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)","Jefferson, Thomas, 1743-1826"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":653,"online_item_count_is":646,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1395","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1395.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147346","title_filing_ssi":"Randolph Family of Edgehill and Wilson Cary Nicholas papers","title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"unitdate_ssm":["1765-1869"],"unitdate_inclusive_ssm":["1765-1869"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"text":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395","Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).","Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document.","This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.","All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.","Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826","English"],"unitid_tesim":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"acqinfo_ssim":["This collection was originally loaned to the University of Virginia Library Special Collections Department by Mrs. Page Kirk, Miss Olivia Taylor, and Miss Margaret Taylor, \"Lochlyn,\" Charlottesville, Virginia, on January 29, 1957. Shares held by the Misses Margaret and Olivia Taylor were bequeathed to Special Collections on March 25, 1986. The share held by Mrs. Kirk's daughter, Mrs. Mary Mann Moyer, was given to Special Collections on January 5, 1987."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"extent_tesim":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"physfacet_tesim":["about 787 items"],"date_range_isim":[1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in three series:\u003c/p\u003e\n","\u003cp\u003eSeries: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)\u003c/p\u003e\n","\u003cp\u003eSeries: II) Randolph Family Papers (Boxes 5-6)\u003c/p\u003e\n","\u003cp\u003eSeries: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box)."],"bioghist_html_tesm":["\u003cp\u003eWilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.\u003c/p\u003e\n","\u003cp\u003eRobert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.\u003c/p\u003e\n","\u003cp\u003eGeorge Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.\u003c/p\u003e\n","\u003cp\u003eSources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026amp;oldid=312497296\u003c/p\u003e\n","\u003cp\u003eLibrary of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas"],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e","\u003cp\u003eThis record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.\u003c/p\u003e","\u003cp\u003eThe word \"slaves\" has been retained in this case because it is in the title of the document.\u003c/p\u003e","\u003cp\u003eThe word \"slave\" has been retained in this case because it is in the title of the document.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding","Metadata Rights Declaration","Note:","Note:"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated."],"separatedmaterial_html_tesm":["\u003cp\u003eAll items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)","Jefferson, Thomas, 1743-1826"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":653,"online_item_count_is":646,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395"}},{"id":"viu_repositories_3_resources_1655","type":"collection","attributes":{"title":"Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1655#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1655#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1655","ead_ssi":"viu_repositories_3_resources_1655","_root_":"viu_repositories_3_resources_1655","_nest_parent_":"viu_repositories_3_resources_1655","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1655.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196559","title_filing_ssi":"Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers","title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"unitdate_ssm":["1713-1977"],"unitdate_inclusive_ssm":["1713-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"text":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655","Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers","United States -- History -- War of 1812","University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs","Good","This collection is open for research.","This collection is open for research.","The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.","The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/","Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis","The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817","English"],"unitid_tesim":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"normalized_title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_ssim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- History -- War of 1812"],"geogname_ssim":["United States -- History -- War of 1812"],"places_ssim":["United States -- History -- War of 1812"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Gift, 2017 August 19"],"access_subjects_ssim":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"access_subjects_ssm":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"extent_tesim":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"genreform_ssim":["Legal correspondence","letters (correspondence)","family papers","photographs"],"date_range_isim":[1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.\u003c/p\u003e\n","\u003cp\u003eThe most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.\u003c/p\u003e\n","\u003cp\u003eBoth families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. \u003c/p\u003e\n","\u003cp\u003eThe collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. \u003c/p\u003e\n","\u003cp\u003eThe Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" \u003c/p\u003e\n","\u003cp\u003eChildren of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)\u003c/p\u003e\n","\u003cp\u003eAnn Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.\u003c/p\u003e\n","\u003cp\u003eSources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2\u003c/p\u003e\n","\u003cp\u003eDigitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/"],"otherfindaid_html_tesm":["\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["https://search.lib.virginia.edu/sources/uva_library/items/u3928667 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3928668 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u4367998 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3927001 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u2674611"],"prefercite_html_tesm":["\u003cp\u003eMSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eItem level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed."],"relatedmaterial_html_tesm":["\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871\u003c/p\u003e\n","\u003cp\u003eThese letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eThis letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026amp;t=fulltext\u0026amp;sort=\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis"],"scopecontent_html_tesm":["\u003cp\u003eThe larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. \u003c/p\u003e\n","\u003cp\u003eIn this addition, ViU-2017-0179, are six \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from \u003cpersname\u003eWilliam Wirt\u003c/persname\u003e, esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eAddition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.\u003c/p\u003e\n","\u003cp\u003eThe records for the rest of the collection can be found here:\u003c/p\u003e\n","\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 - \u003cfamname\u003eQuinby\u003c/famname\u003e, \u003cfamname\u003eTeackle\u003c/famname\u003e, and \u003cfamname\u003eUpshur\u003c/famname\u003e families of \u003cgeogname\u003eSomerset County\u003c/geogname\u003e, \u003cgeogname\u003eMaryland\u003c/geogname\u003e, and \u003cgeogname\u003eAccomack\u003c/geogname\u003e and \u003cgeogname\u003eNorthampton\u003c/geogname\u003e Counties, \u003cgeogname\u003eVirginia\u003c/geogname\u003e papers: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-c - Papers of the \u003cfamname\u003eQuinby Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-d - \u003cgeogname\u003eAccomack County\u003c/geogname\u003e, Land Patent: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-e - Genealogy of the \u003cfamname\u003eEvans Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-f - Letter to \u003cpersname\u003eMary Emma Justis Sturgis\u003c/persname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\n\u003cextref\u003ehttp://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cdate\u003e1825\u003c/date\u003e and \u003cdate\u003e1842\u003c/date\u003e letters from \u003cpersname\u003eHenry Clay\u003c/persname\u003e to \u003cpersname\u003eLittleton Teackle\u003c/persname\u003e and \u003cpersname\u003eAaron Quinby\u003c/persname\u003e (2 folders) interfiled in the Henry Clay Papers\u003c/p\u003e\n","\u003cp\u003eAn \u003cdate\u003e1826 Mar 29\u003c/date\u003e letter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eLittleton Teakle\u003c/persname\u003e (1 folder) interfiled in the James Madison Papers.\u003c/p\u003e","\u003cp\u003eSix \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eIn this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.\u003c/p\u003e","\u003cp\u003eThis addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. \u003c/p\u003e\n","\u003cp\u003eThe legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. \u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/"],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e","\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Quinby","Teackle","Upshur","Quinby Family","Evans Family"],"persname_ssim":["Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":6,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:00.935Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1655","ead_ssi":"viu_repositories_3_resources_1655","_root_":"viu_repositories_3_resources_1655","_nest_parent_":"viu_repositories_3_resources_1655","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1655.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/196559","title_filing_ssi":"Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers","title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"unitdate_ssm":["1713-1977"],"unitdate_inclusive_ssm":["1713-1977"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"text":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655","Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers","United States -- History -- War of 1812","University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs","Good","This collection is open for research.","This collection is open for research.","The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.","The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/","Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis","The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817","English"],"unitid_tesim":["MSS 2338","Archival Resource Key","/repositories/3/resources/1655"],"normalized_title_ssm":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_title_tesim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"collection_ssim":["Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States -- History -- War of 1812"],"geogname_ssim":["United States -- History -- War of 1812"],"places_ssim":["United States -- History -- War of 1812"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Gift, 2017 August 19"],"access_subjects_ssim":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"access_subjects_ssm":["University of Virginia","Legal correspondence","letters (correspondence)","family papers","photographs"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"extent_tesim":["4.44 Cubic Feet 7 legal-size document boxes, 17 legal-size folders, 1  legal size folder for addition ViU-2024-0134, 2 large oversize folders. Includes 2 legal-sized folders in the Henry Clay Papers (1825 \u0026 1842 letters from Clay to Littleton Teackle and Aaron Quinby); and 1 legal-sized folder in the James Madison Papers (1826 Mar 29 letter from Madison to Littleton Teackle)."],"genreform_ssim":["Legal correspondence","letters (correspondence)","family papers","photographs"],"date_range_isim":[1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research.","This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.\u003c/p\u003e\n","\u003cp\u003eThe most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The overall collection is arranged sequentially in order by its different accretions, except the MSS 2871 material, which is interfiled among the first three. Accretions: MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f.","The most recent addition (ViU-2017-0179) that is represented in this finding aid is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eThe collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.\u003c/p\u003e\n","\u003cp\u003eBoth families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. \u003c/p\u003e\n","\u003cp\u003eThe collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. \u003c/p\u003e\n","\u003cp\u003eThe Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" \u003c/p\u003e\n","\u003cp\u003eChildren of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)\u003c/p\u003e\n","\u003cp\u003eAnn Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.\u003c/p\u003e\n","\u003cp\u003eSources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2\u003c/p\u003e\n","\u003cp\u003eDigitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The collection centers around the family of John Teackle of Kegotank (1753-1817) and his wife Elizabeth Dennis Teackle (1760-1811) and their children  from the Eastern Shore (Somerset County and Accomack County of Maryland). Their granddaughter, Elizabeth Ann Teackle (daughter of their son Littleton Dennis Teackle (1777-1848) and his wife Elizabeth \"Eliza\" Upshur (1783-1835), married Aaron Balderston Quinby in 1839.","Both families came to Virginia and Maryland from Great Britain around the same time, were owners of enslaved people and were probably related through cousins.  Genealogy: Arthur Upshur (1624-1709) was born in Essex County, England. He immigrated to the Eastern Shore of Virginia about 1637. His descendants for the next five generations remained on the Eastern Shore.  The Teackle family goes back to Thomas Teackle (1624-1695) who came to the Eastern Shore from Gloucester, England. They are related to the Admiral Lord Nelson (1758-1805) who fought in the Battle of Trafalgar. ","The collection is reparative in that Elizabeth Upshur Teackle was an exemplary independent woman and poet. It is also reparative because the Teackle family enslaved many people, who are mentioned in the letters. ","The Voices of the Eastern Shore project headed by Dreanna Belden sums it up well, \"Topics such as: slavery, women's history, home life, the economy, the War of 1812, social life, religion, health, and death – the letters encompass virtually every aspect of society that informs our understanding of the era.\" ","Children of John Teackle of Kegotank,Maryland and Elizabeth Dennis: \nLittleton Dennis Teackle (1777-1848) m. Eliza Upshur (1783-1835)\nSarah Upshur Teackle Bancker (1783-183)\nHenrietta (Hetty) Teackle Chauncey (1780-1832)\nElizabeth Dennis Teackle Montgomery (1786-1823)\nHenry Dennis Teackle (1786-1807)\nJohn Justice Teackle (1790-1824)\nEsther (Hetty)  Maria Fisher Teackle (1795-1840)\nJames Henry Dennis Teackle (1796-1840)","Ann Upsher Eyre,sister of Elizabeth Upshur Teackle (1780-1829) lived at Eyre Hall with her husband John Eyre.","Sources:\nUpshur, John, A. \"Upshur Family in Virginia\" Omohundro Institute of Early American History and Culture is collaborating with JSTOR to digitize,preserve and extend access to The William and Mary College Quarterly Historical Magazine\nhttps://www.jstor.org/stable/1923340?seq=2","Digitized letters by the Voices of the Eastern Shore and was provided by the Albert and Shirley Small Special Collections Library to The Portal to Texas History, a digital repository hosted by the UNT Libraries. \nhttps://voicesoftheeasternshore.org/"],"otherfindaid_html_tesm":["\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e; \u003c/p\u003e\n","\u003cp\u003e\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["https://search.lib.virginia.edu/sources/uva_library/items/u3928667 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3928668 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u4367998 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u3927001 ; ","https://search.lib.virginia.edu/sources/uva_library/items/u2674611"],"prefercite_html_tesm":["\u003cp\u003eMSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e","\u003cp\u003eMSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 2338, Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia papers, Albert and Shirley Small Special Collections Library, University of Virginia.","MSS 2338, Teackle and Bancker family papers, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_html_tesm":["\u003cp\u003eItem level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Item level description for this addition ViU-2017-0179 was created so that digitized copies of the documents can be accessed."],"relatedmaterial_html_tesm":["\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871\u003c/p\u003e\n","\u003cp\u003eThese letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eThis letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker\u003c/p\u003e","\u003cp\u003eThis letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026amp;t=fulltext\u0026amp;sort=\u003c/p\u003e","\u003cp\u003eThis letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries\u003c/p\u003e\n","\u003cp\u003ehttps://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2338-c, MSS 2338-d, MSS 2338-e, MSS 2338-f MSS 2871","These letters have been digitized and are online at Voices for the Eastern Shore. https://texashistory.unt.edu/explore/collections/VOESH/","This letter has been digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1618897/?q=elizabeth%20upshur%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618900/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/ark:/67531/metapth1618898/?q=elizabeth%20dennis%20teackle%20montgomery%20to%20sarah%20teackle%20bancker","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.\nhttps://texashistory.unt.edu/ark:/67531/metapth1618901/?q=john%20teackle%20to%20sarah%20teackle%20bancker","This letter was digitized by: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries.","https://texashistory.unt.edu/explore/collections/VOESH/browse/?q=william+white+bancker+to+aunt+hetty\u0026t=fulltext\u0026sort=","This letter is part of the collection entitled: Voices of the Eastern Shore and was provided by the Somerset County Historical Society to The Portal to Texas History, a digital repository hosted by the UNT Libraries","https://texashistory.unt.edu/ark:/67531/metapth1711690/?q=littleton%20dennis"],"scopecontent_html_tesm":["\u003cp\u003eThe larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. \u003c/p\u003e\n","\u003cp\u003eIn this addition, ViU-2017-0179, are six \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from \u003cpersname\u003eWilliam Wirt\u003c/persname\u003e, esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eAddition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.\u003c/p\u003e\n","\u003cp\u003eThe records for the rest of the collection can be found here:\u003c/p\u003e\n","\u003cp\u003eMSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 - \u003cfamname\u003eQuinby\u003c/famname\u003e, \u003cfamname\u003eTeackle\u003c/famname\u003e, and \u003cfamname\u003eUpshur\u003c/famname\u003e families of \u003cgeogname\u003eSomerset County\u003c/geogname\u003e, \u003cgeogname\u003eMaryland\u003c/geogname\u003e, and \u003cgeogname\u003eAccomack\u003c/geogname\u003e and \u003cgeogname\u003eNorthampton\u003c/geogname\u003e Counties, \u003cgeogname\u003eVirginia\u003c/geogname\u003e papers: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928667\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-c - Papers of the \u003cfamname\u003eQuinby Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3928668\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-d - \u003cgeogname\u003eAccomack County\u003c/geogname\u003e, Land Patent: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u4367998\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-e - Genealogy of the \u003cfamname\u003eEvans Family\u003c/famname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u3927001\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eMSS 2338-f - Letter to \u003cpersname\u003eMary Emma Justis Sturgis\u003c/persname\u003e: \n\u003cextref\u003ehttps://search.lib.virginia.edu/sources/uva_library/items/u2674611\u003c/extref\u003e\n\u003cextref\u003ehttp://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cdate\u003e1825\u003c/date\u003e and \u003cdate\u003e1842\u003c/date\u003e letters from \u003cpersname\u003eHenry Clay\u003c/persname\u003e to \u003cpersname\u003eLittleton Teackle\u003c/persname\u003e and \u003cpersname\u003eAaron Quinby\u003c/persname\u003e (2 folders) interfiled in the Henry Clay Papers\u003c/p\u003e\n","\u003cp\u003eAn \u003cdate\u003e1826 Mar 29\u003c/date\u003e letter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eLittleton Teakle\u003c/persname\u003e (1 folder) interfiled in the James Madison Papers.\u003c/p\u003e","\u003cp\u003eSix \u003cpersname\u003eElizabeth Upshur Teackle\u003c/persname\u003e letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.\u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e","\u003cp\u003eIn this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.\u003c/p\u003e","\u003cp\u003eThis addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. \u003c/p\u003e\n","\u003cp\u003eThe legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. \u003c/p\u003e\n","\u003cp\u003eThese letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The larger collection consists of the original materials and 7 additions including the most recent one represented in this finding aid. ","In this addition, ViU-2017-0179, are six  Elizabeth Upshur Teackle  letters with transcriptions. Five letters are written by Mrs. Teackle, and one is addressed to Mrs. Teackle from  William Wirt , esquire. In the letters Mrs. Teackle mainly discusses the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return home of her husband from prison and some of their experiences after his return, as well as her desire to see her family.","Addition ViU-2024-0134 has its own scope and content note and bio note. It contains a handwritten document listing enslaved people and 8 letters among family members particular the Teackle and Bancker family members.","The records for the rest of the collection can be found here:","MSS 2338, MSS 2338-a, MSS 2338-b, MSS 2871 -  Quinby ,  Teackle , and  Upshur  families of  Somerset County ,  Maryland , and  Accomack  and  Northampton  Counties,  Virginia  papers: \n https://search.lib.virginia.edu/sources/uva_library/items/u3928667","MSS 2338-c - Papers of the  Quinby Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3928668","MSS 2338-d -  Accomack County , Land Patent: \n https://search.lib.virginia.edu/sources/uva_library/items/u4367998","MSS 2338-e - Genealogy of the  Evans Family : \n https://search.lib.virginia.edu/sources/uva_library/items/u3927001","MSS 2338-f - Letter to  Mary Emma Justis Sturgis : \n https://search.lib.virginia.edu/sources/uva_library/items/u2674611 http://ead.lib.virginia.edu/vivaead/published/uva-sc/vivadoc.pl?file=viu00995.xml","1825  and  1842  letters from  Henry Clay  to  Littleton Teackle  and  Aaron Quinby  (2 folders) interfiled in the Henry Clay Papers","An  1826 Mar 29  letter from  James Madison  to  Littleton Teakle  (1 folder) interfiled in the James Madison Papers.","Six  Elizabeth Upshur Teackle  letters with transcriptions, one of which is addressed to Mrs. Teackle from William Wirt, esquire. Mrs. Teackle in the letters mainly discuss the hardships of her family after her husband, Mr. Teackle, was sent to prison in Baltimore, the circumstances surrounding his imprisonment and those responsible for it, and the actions and support of their family friends. She writes to two government officials making appeals on behalf of her husband for his release from prison. Mrs.Teackle also writes about the return of her husband from prison and some of their experiences after, as well as her desire to see her family.","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/","In this letter Mrs. Teackle includes a copy of a June 1822 letter in her own hand.","This addition (ViU-2024-0134) to MSS 2338, Quinby, Teackle, and Upshur Families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers includes one legal document and eight handwritten letters from the Teackle and Bancker family. Correspondents are Elizabeth Dennis Teackle Montgomery, Littleton Dennis Teackle, John Teackle, and William White Bancker. Letter recipients are Elizabeth's sister, Sarah Upshur Teackle Bancker, Henrietta Bancker, Aunt Hetty (Esther Maria Fisher Teackle), and Messrs. Blair from the Maryland House of Delegates. ","The legal document, dated 1801, is from Littleton Dennis Teackle, recording his moving two enslaved women, Sarah alias Sally and Nanny alias Nancy, from Virginia to Maryland. The rest are letters dated between 1807 and 1835, primarily to family members. One included letter is from John Teackle to his granddaughter Henrietta Bancker, dated 1815 and postmarked to Chestnut Street, Philidelphia, is a photocopy of an original not present in this collection. The eight remaining letters are originals, postmarked on their exterior. ","These letters are also available online at the Voices of the Eastern Shore website: https://texashistory.unt.edu/explore/collections/VOESH/"],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e","\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Quinby","Teackle","Upshur","Quinby Family","Evans Family","Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Quinby","Teackle","Upshur","Quinby Family","Evans Family"],"persname_ssim":["Elizabeth Upshur Teackle","William Wirt","Mary Emma Justis Sturgis","Henry Clay","Littleton Teackle","Aaron Quinby","James Madison","Littleton Teakle","Teackle, John, 1756-1817"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":6,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:00.935Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1655"}},{"id":"viu_repositories_3_resources_1883","type":"collection","attributes":{"title":"Record Book Listing of Enslaved People of the Massie Family","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1883#creator","type":"document_value","attributes":{"value":"Massie, William, 1795-1862","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1883#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains two bound volumes of record books from the Massie family of Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1883#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1883","ead_ssi":"viu_repositories_3_resources_1883","_root_":"viu_repositories_3_resources_1883","_nest_parent_":"viu_repositories_3_resources_1883","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1883.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/241082","title_filing_ssi":"Massie Family, Enslaved Persons Books","title_ssm":["Record Book Listing of Enslaved People of the Massie Family"],"title_tesim":["Record Book Listing of Enslaved People of the Massie Family"],"unitdate_ssm":["1823-1863"],"unitdate_inclusive_ssm":["1823-1863"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 12705","Archival Resource Key","/repositories/3/resources/1883"],"text":["MSS 12705","Archival Resource Key","/repositories/3/resources/1883","Record Book Listing of Enslaved People of the Massie Family","Enslaved persons--Social conditions","Nelson County (Va.) -- History","Slaves -- Virginia","Slavery--United States -- Virginia","Plantation life -- Virginia","registers (lists)","The collection is open for research use.","Thomas Massie (1747-1834) was a Revolutionary War officer, plantation owner, and enslaver, who established his family in Nelson County, Virginia. ","William Massie (1795-1862), the son of Thomas Massie, was a plantation owner, miller, and enslaver in Nelson County, Virginia. He also served a term in the Virginia legislature.","This collection contains two bound volumes of record books from the Massie family of Virginia.","The cover of the first volume bears the handwritten label \"Stock Book, Va. Negroes Ages [?] from 1739.\" This volume contains information on enslaved people claimed in ownership by the family, giving name, parentage, date of birth and occasionally status (deceased, sold). The oldest enslaved person recorded was born in 1739. In a few instances, fathers are listed as well as mothers. The volume also lists stock, and farm tools, owned in the years 1783, 1785, 1786, 1789, 1790, and 1793. Most of the information in the volume appears to be compiled from sources not now present.","The cover of the second volume bears the handwritten label \"Negro Book,\" a list of years from 1851 to 1858, and includes an outline drawing of two individuals with short, curly hair. The illustration was likely created to represent the people documented within, though the drawing may reflect the racial attitudes of that time. The second volume dates 1850-1863, contains accounts of individual enslaved persons, and identifies the person who claimed ownership of them. Enslaved people received credit for extra work or work done for people outside the Massie family. Purchases made by enslaved people against their earnings include food, clothing and whiskey. Of interest are accounts for skilled workers including William, a cooper, Brock, Edmund and Julius, blacksmiths, and Squire and Dan, carpenters.","The Massie family plantations were named Level Green, Pharsalia, Tyro and Montebello.","This material contains offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Materials in this collection, which were created in 1823-1863, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Massie, William, 1795-1862","Massie, Thomas, Major, 1747-1834","English"],"unitid_tesim":["MSS 12705","Archival Resource Key","/repositories/3/resources/1883"],"normalized_title_ssm":["Record Book Listing of Enslaved People of the Massie Family"],"collection_title_tesim":["Record Book Listing of Enslaved People of the Massie Family"],"collection_ssim":["Record Book Listing of Enslaved People of the Massie Family"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Enslaved persons--Social conditions"],"geogname_ssim":["Enslaved persons--Social conditions"],"creator_ssm":["Massie, William, 1795-1862","Massie, Thomas, Major, 1747-1834"],"creator_ssim":["Massie, William, 1795-1862","Massie, Thomas, Major, 1747-1834"],"creator_persname_ssim":["Massie, William, 1795-1862","Massie, Thomas, Major, 1747-1834"],"creators_ssim":["Massie, William, 1795-1862","Massie, Thomas, Major, 1747-1834"],"places_ssim":["Enslaved persons--Social conditions"],"access_terms_ssm":["Materials in this collection, which were created in 1823-1863, are in the public domain. Permission to publish or reproduce is not required."],"access_subjects_ssim":["Nelson County (Va.) -- History","Slaves -- Virginia","Slavery--United States -- Virginia","Plantation life -- Virginia","registers (lists)"],"access_subjects_ssm":["Nelson County (Va.) -- History","Slaves -- Virginia","Slavery--United States -- Virginia","Plantation life -- Virginia","registers (lists)"],"has_online_content_ssim":["true"],"extent_ssm":["2 Volumes"],"extent_tesim":["2 Volumes"],"genreform_ssim":["registers (lists)"],"date_range_isim":[1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThomas Massie (1747-1834) was a Revolutionary War officer, plantation owner, and enslaver, who established his family in Nelson County, Virginia. \u003c/p\u003e\n","\u003cp\u003eWilliam Massie (1795-1862), the son of Thomas Massie, was a plantation owner, miller, and enslaver in Nelson County, Virginia. He also served a term in the Virginia legislature.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Massie (1747-1834) was a Revolutionary War officer, plantation owner, and enslaver, who established his family in Nelson County, Virginia. ","William Massie (1795-1862), the son of Thomas Massie, was a plantation owner, miller, and enslaver in Nelson County, Virginia. He also served a term in the Virginia legislature."],"prefercite_html_tesm":["\u003cp\u003eMSS 12705, Record Book Listing of Enslaved People of the Massie Family, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 12705, Record Book Listing of Enslaved People of the Massie Family, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"processinfo_heading_ssm":["Processing Information"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains two bound volumes of record books from the Massie family of Virginia.\u003c/p\u003e\n","\u003cp\u003eThe cover of the first volume bears the handwritten label \"Stock Book, Va. Negroes Ages [?] from 1739.\" This volume contains information on enslaved people claimed in ownership by the family, giving name, parentage, date of birth and occasionally status (deceased, sold). The oldest enslaved person recorded was born in 1739. In a few instances, fathers are listed as well as mothers. The volume also lists stock, and farm tools, owned in the years 1783, 1785, 1786, 1789, 1790, and 1793. Most of the information in the volume appears to be compiled from sources not now present.\u003c/p\u003e\n","\u003cp\u003eThe cover of the second volume bears the handwritten label \"Negro Book,\" a list of years from 1851 to 1858, and includes an outline drawing of two individuals with short, curly hair. The illustration was likely created to represent the people documented within, though the drawing may reflect the racial attitudes of that time. The second volume dates 1850-1863, contains accounts of individual enslaved persons, and identifies the person who claimed ownership of them. Enslaved people received credit for extra work or work done for people outside the Massie family. Purchases made by enslaved people against their earnings include food, clothing and whiskey. Of interest are accounts for skilled workers including William, a cooper, Brock, Edmund and Julius, blacksmiths, and Squire and Dan, carpenters.\u003c/p\u003e\n","\u003cp\u003eThe Massie family plantations were named Level Green, Pharsalia, Tyro and Montebello.\u003c/p\u003e","\u003cp\u003eThis material contains offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","CONTENT WARNING"],"scopecontent_tesim":["This collection contains two bound volumes of record books from the Massie family of Virginia.","The cover of the first volume bears the handwritten label \"Stock Book, Va. Negroes Ages [?] from 1739.\" This volume contains information on enslaved people claimed in ownership by the family, giving name, parentage, date of birth and occasionally status (deceased, sold). The oldest enslaved person recorded was born in 1739. In a few instances, fathers are listed as well as mothers. The volume also lists stock, and farm tools, owned in the years 1783, 1785, 1786, 1789, 1790, and 1793. Most of the information in the volume appears to be compiled from sources not now present.","The cover of the second volume bears the handwritten label \"Negro Book,\" a list of years from 1851 to 1858, and includes an outline drawing of two individuals with short, curly hair. The illustration was likely created to represent the people documented within, though the drawing may reflect the racial attitudes of that time. The second volume dates 1850-1863, contains accounts of individual enslaved persons, and identifies the person who claimed ownership of them. Enslaved people received credit for extra work or work done for people outside the Massie family. Purchases made by enslaved people against their earnings include food, clothing and whiskey. Of interest are accounts for skilled workers including William, a cooper, Brock, Edmund and Julius, blacksmiths, and Squire and Dan, carpenters.","The Massie family plantations were named Level Green, Pharsalia, Tyro and Montebello.","This material contains offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1823-1863, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in this collection, which were created in 1823-1863, are in the public domain. 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