{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1823\u0026f%5Blevel%5D%5B%5D=Series","last":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1823\u0026f%5Blevel%5D%5B%5D=Series\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":7,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_repositories_7_resources_57_c03","type":"Series","attributes":{"title":"English and French Medical Caricatures","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_57_c03","ref_ssm":["viu_repositories_7_resources_57_c03"],"id":"viu_repositories_7_resources_57_c03","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","parent_ssi":"viu_repositories_7_resources_57","parent_ssim":["viu_repositories_7_resources_57"],"parent_ids_ssim":["viu_repositories_7_resources_57"],"parent_unittitles_ssm":["University of Virginia Medical Illustrations collection"],"parent_unittitles_tesim":["University of Virginia Medical Illustrations collection"],"text":["University of Virginia Medical Illustrations collection","English and French Medical Caricatures","Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847","Humphrey, Hannah, 1750-1818","Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)","box 7, MS-67","item 9, 21-49","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links"],"title_filing_ssi":"English and French Medical Caricatures","title_ssm":["English and French Medical Caricatures"],"title_tesim":["English and French Medical Caricatures"],"unitdate_inclusive_ssm":["circa 1760-1835"],"normalized_date_ssm":["1760/1835"],"normalized_title_ssm":["English and French Medical Caricatures"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["University of Virginia Medical Illustrations collection"],"creator_ssim":["Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847"],"has_online_content_ssim":["true"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":37,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Some materials may be subject to copyright restrictions."],"digital_objects_ssm":["{\"label\":\"“Very Ill!”: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\",\"href\":\"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"date_range_isim":[1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835],"names_ssim":["Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847","Humphrey, Hannah, 1750-1818"],"persname_ssim":["Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847","Humphrey, Hannah, 1750-1818"],"access_subjects_ssim":["Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)"],"access_subjects_ssm":["Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)"],"containers_ssim":["box 7, MS-67","item 9, 21-49"],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here:  https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"scopecontent_html_tesm":["\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links"],"_nest_path_":"/components#2","timestamp":"2026-05-20T23:33:21.103Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1720-1969","undated"],"unitdate_bulk_ssim":["undated"],"unitdate_inclusive_ssm":["1720-1969"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"text":["MS.67","Archival Resource Key","/repositories/7/resources/57","University of Virginia Medical Illustrations collection","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. ","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection"],"collection_title_tesim":["University of Virginia Medical Illustrations collection"],"collection_ssim":["University of Virginia Medical Illustrations collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\":\"“Very Ill!”: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\",\"href\":\"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches "],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e","\u003clegalstatus id=\"aspace_761807940929756b048fd8cece628502\"\u003eAuthenticated by Medicine Rara 185 Madison Ave, NY, NY 10016.\u003c/legalstatus\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","Authenticated by Medicine Rara 185 Madison Ave, NY, NY 10016."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e\n","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e\n","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e\n","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e\n","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. ","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book  Travaux pratiques d'anatomie. Cahier d'ostéologie,  by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection. "],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e\n","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here:  https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026 Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e","\u003cp\u003eFrom The Graphic: an illustrated weekly newspaper, page 109\u003c/p\u003e\n","\u003cp\u003e5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.\u003c/p\u003e","\u003cp\u003eExtra supplement to the Illustrated London News May 19 1877.\u003c/p\u003e","\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e\n","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e\n","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e\n","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eThe caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.\u003c/p\u003e","\u003cp\u003eColored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. \u003c/p\u003e\n","\u003cp\u003eThe satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).\u003c/p\u003e","\u003cp\u003eInscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026amp; Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"\u003c/p\u003e","\u003cp\u003eThis satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.\u003c/p\u003e","\u003cp\u003eThis cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.\u003c/p\u003e","\u003cp\u003eEtching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'\u003c/p\u003e","\u003cp\u003eWithin a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e","\u003cp\u003eA sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","From The Graphic: an illustrated weekly newspaper, page 109","5 figures: 1. extempore dressing on the Battlefield. 2. ward tent and apparatus for steaming throat and bronchial cases, Guy's Hospital. 3. (ditto), St. Mary's Hospital. 4. a bad accident case: London Hospital. 5. bath lift: Middlesex Hospital.","Extra supplement to the Illustrated London News May 19 1877.","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links","The caption of this image describes the 'Extraordinary Effects of Morison's Vegetable Pills', re-growing a man's legs overnight. Morison's Vegetable Pills were the brainchild of James Morison (1770-1840) and sold from 1825 onwards. Morison believed that all disease was caused by an impurity of the blood that could only be purged by his vegetable pills. The pills, a laxative based on a variety of herbs, including rhubarb and myrrh, were sold in chemists, grocers and even libraries. Morison believed that his pills could be taken in large doses but a number of deaths proved him wrong. Many labelled him a quack and his pills a poison. The print is by Charles Grant Jameson (active 1832-1850); artist: Grant, Charles Jameson; maker: J Kendrick; place made: London, England, United Kingdom.","Colored etching by G[eorge] Cruikshank: Source of the Southwark Water Works, or [headed] Salus Populi Suprema Lex. Published by S. Knight, [1832]. 51x32.5cm. Printed on broadsheet with text poem beneath: Royal Address of Cadwallader... water-king of Southwark [John Edwards]. Concern at pollution and threat to public health. ","The satirical poem 'Royal Address of Cadwallader ap-Tudor ap-Edwards ap-Vaughan, Water-King of Southwark', published in 1832, is a comment on the pollution of the River Thames, the main water supply for London. The crowd chants \"Give us clean water\" and \"We shall get the cholera\" – 1832 being the year that a major cholera epidemic hit London. The writer of the poem and the people in the illustration appear to believe that cholera is spread by vapours from rotting waste – the miasma theory of disease. However, John Snow (1813-1858) discovered that cholera is a water-borne disease. Despite this, many physicians still accepted the miasma theory. The illustration was drawn by the artist and caricaturist George Cruikshank (1792-1878).","Inscription: Lettered with title, \"Ex Marmore Antiquo,\" three lines of description of subject beginning \"He grounded his Precepts upon Aesculapius. ...,\" and production details: \"P. P. Rubens Del.,\" \"I. Faber Fecit,\" and \"Printed for \u0026 Sold by Tho: Bowles next the Chapter House in St. Pauls Ch. Yard and John Bowles at the Black Horse in Cornhill.\"","This satirical response to \"fast living\" centers on a figure whose left side is a skeleton holding a spade before a tombstone lettered with a quote from Romans 6.23, \"The wages of sin is death,\" with other biblical admonishments below. The figure's right side is fashionably dressed living aristocrat standing in a parkland with a temple similar to one at Stowe in Buckinghamshire. Emblems of the Order of the Garter are part of the man's dress and items that refer to gambling and partying are strewn around his buckled shoe. These include part of a \"EO\" wheel (an 18th century game similar to roulette), dice and a shaker, cards, and a masquerade ticket to the Pantheon in London. A scroll that confirms the man's \"Pedigree\" suggests that rank offers no protection from mortality.","This cartoon by J. A. Wales.found in Puck on April 14, 1880 satirizes the Eclectic Medical College of Pennsylvania, a diploma mill selling fake medical degrees in the later decades of the 19th century. \"Professor Grind-Em-Out\" is, no doubt, the school's \"Dean,\" John Buchanan, who was finally arrested in 1880, due in part to his exposure in the popular media.","Etching depicting a group of male academics and students, many wearing mortar boards, gathered around a professor who reads form a book inscribed 'Datur Vacuum.'","Within a lugubrious coat-of-arms, Hogarth depicts three well-known quacks with a group of twelve portly physicians. The three quacks at the top of the print are Joshua Ward, perhaps the most famous charlatan of his time; Sarah Mapp, a well-known bonesetter; and John Taylor, an oculist. The bewigged physicians dispel the stench of death by sniffing the pomander attached to the top of their canes. According to Hogarth, proper physicians and disreputable quacks are all members of the same Company of Undertakers. The Latin caption, Et plurima mortis imago, translates as \"And many are the faces of death.\"","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration.","A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's \"Characters and Caricaturas\" illustration."],"userestrict_html_tesm":["\u003cp\u003eSome materials may be subject to copyright restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials may be subject to copyright restrictions."],"names_ssim":["Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_coll_ssim":["Gans, Sigismund, 1829-1831 ","Humphrey, Hannah, 1750-1818"],"persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831 ","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"language_ssim":["English, French, Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":248,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:21.103Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_57_c03"}},{"id":"viu_repositories_3_resources_1438_c03","type":"Series","attributes":{"title":"Miscellaneous and Other Oversized Materials","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1438_c03","ref_ssm":["viu_repositories_3_resources_1438_c03"],"id":"viu_repositories_3_resources_1438_c03","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","parent_ssi":"viu_repositories_3_resources_1438","parent_ssim":["viu_repositories_3_resources_1438"],"parent_ids_ssim":["viu_repositories_3_resources_1438"],"parent_unittitles_ssm":["The University of Virginia Jefferson Papers"],"parent_unittitles_tesim":["The University of Virginia Jefferson Papers"],"text":["The University of Virginia Jefferson Papers","Miscellaneous and Other Oversized Materials"],"title_filing_ssi":"Miscellaneous and Other Oversized Materials","title_ssm":["Miscellaneous and Other Oversized Materials"],"title_tesim":["Miscellaneous and Other Oversized Materials"],"unitdate_inclusive_ssm":["1751-1897"],"normalized_date_ssm":["1751/1897"],"normalized_title_ssm":["Miscellaneous and Other Oversized Materials"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Jefferson Papers"],"extent_ssm":["0.91 Cubic Feet 1 half width legal document box, 2 medium short oversize flat boxes, 1 large short oversize flat box"],"extent_tesim":["0.91 Cubic Feet 1 half width legal document box, 2 medium short oversize flat boxes, 1 large short oversize flat box"],"has_online_content_ssim":["true"],"child_component_count_isi":70,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":105,"parent_access_restrict_tesm":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff."],"parent_access_terms_tesm":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html "],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897],"_nest_path_":"/components#2","timestamp":"2026-05-20T23:33:01.301Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1438","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1438.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/146623","title_filing_ssi":"Jefferson, Thomas Papers, University of Virginia","title_ssm":["The University of Virginia Jefferson Papers"],"title_tesim":["The University of Virginia Jefferson Papers"],"unitdate_ssm":["1751-1898"],"unitdate_inclusive_ssm":["1751-1898"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"text":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438","The University of Virginia Jefferson Papers","University of Virginia","Real property -- Virginia","Architecture--Virginia","Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner.","Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.","Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).","Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756","Provenance unknown","Provenance unknown","This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation.","This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand","Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia.","Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839","English"],"unitid_tesim":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"normalized_title_ssm":["The University of Virginia Jefferson Papers"],"collection_title_tesim":["The University of Virginia Jefferson Papers"],"collection_ssim":["The University of Virginia Jefferson Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_persname_ssim":["Jefferson, Thomas, 1743-1826"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"access_terms_ssm":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html "],"acqinfo_ssim":["Acquired by gift and purchase, 1825-present."],"access_subjects_ssim":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"access_subjects_ssm":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"extent_tesim":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.\u003c/p\u003e","\u003cp\u003eN 545, MSS 9090-a is restricted. No access without written permission of the owner.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner."],"altformavail_html_tesm":["\u003cp\u003ePhotocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573."],"arrangement_html_tesm":["\u003cp\u003eLetters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.\u003c/p\u003e","\u003cp\u003eArranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.)."],"bioghist_html_tesm":["\u003cp\u003eThomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. \u003c/p\u003e\n","\u003cp\u003eJefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. \u003c/p\u003e\n","\u003cp\u003eAfter retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.\u003c/p\u003e\n","\u003cp\u003eEpithet: actor, son of Joseph Jefferson\u003c/p\u003e\n","\u003cp\u003eSNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756"],"custodhist_html_tesm":["\u003cp\u003eProvenance unknown\u003c/p\u003e","\u003cp\u003eProvenance unknown\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Provenance unknown","Provenance unknown"],"odd_html_tesm":["\u003cp\u003eThis is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.\u003c/p\u003e","\u003cp\u003eTo locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number."],"otherfindaid_html_tesm":["\u003cp\u003eMain finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:\u003c/p\u003e\n","\u003cp\u003ehttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e\n","\u003cp\u003e\nDigital images of the architectural drawings, Nichols Tiffs:\u003c/p\u003e\n","\u003cp\u003ehttps://static.lib.virginia.edu/rmds/nichols/index.html\u003c/p\u003e\n","\u003cp\u003e\nOther online catalog, UVA Catalog of Jefferson's Drawings: \u003c/p\u003e\n","\u003cp\u003ehttp://www2.iath.virginia.edu/wilson/drawings/uvacat.html\u003c/p\u003e","\u003cp\u003eSeparate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["Main finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:","https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","\nDigital images of the architectural drawings, Nichols Tiffs:","https://static.lib.virginia.edu/rmds/nichols/index.html","\nOther online catalog, UVA Catalog of Jefferson's Drawings: ","http://www2.iath.virginia.edu/wilson/drawings/uvacat.html","Separate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249"],"prefercite_html_tesm":["\u003cp\u003eJefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["Jefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e","\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items."],"relatedmaterial_html_tesm":["\u003cp\u003eOther institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:\u003c/p\u003e\n","\u003cp\u003eLIBRARY OF CONGRESS (DLC):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1606 to 1827\u003c/p\u003e\n","\u003cp\u003eMASSACHUSETTS HISTORICAL SOCIETY (MHI):\u003c/p\u003e\n","\u003cp\u003eCoolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.\u003c/p\u003e\n","\u003cp\u003eMISSOURI HISTORY MUSEUM (MOSHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Collection, 1773-1826\u003c/p\u003e\n","\u003cp\u003eHUNTINGTON LIBRARY (CSMH):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson collection, The Huntington Library, San Marino, California.\u003c/p\u003e\n","\u003cp\u003eHISTORICAL SOCIETY OF PENNSYLVANIA (PHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1766-1825\u003c/p\u003e\n","\u003cp\u003eAMERICAN PHILOSOPHICAL SOCIETY (PPAMP):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1775-1825, Mss.B.J35\u003c/p\u003e\n","\u003cp\u003eCOLLEGE OF WILLIAM AND MARY (VIW):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1761-1931\u003c/p\u003e\n","\u003cp\u003eNEW YORK PUBLIC LIBRARY (NN):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1766-1826, MssCol 1557\u003c/p\u003e\n","\u003cp\u003eVIRGINIA HISTORICAL SOCIETY (VIHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1780-1826, Mss2 J3595\u003c/p\u003e","\u003cp\u003eOriginal owned by Thomas Jefferson Memorial Foundation.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.\u003c/p\u003e\n","\u003cp\u003eAll of the Architectural Drawings and Other Oversized \u0026amp; Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e","\u003cp\u003eLists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.\u003c/p\u003e","\u003cp\u003eLetter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eThomas Jefferson\u003c/persname\u003e submitting his first donation for founding the \"Central College,\" which would become the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. Docketed in Jefferson's hand on verso, \"Madison Ja., \u003cgeogname\u003eMontpellier\u003c/geogname\u003e [missing text on margin] recd M [missing text on margin]\"\u003c/p\u003e","\u003cp\u003eThis is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026amp; Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026amp; earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026amp; brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.\u003c/p\u003e","\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e","\u003cp\u003eDeposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eT.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.\u003c/p\u003e","\u003cp\u003eStudy for final elevation of the first version. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eUndated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 350\u003c/p\u003e","\u003cp\u003eSame as N 351\u003c/p\u003e","\u003cp\u003eThomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.\u003c/p\u003e","\u003cp\u003eLetter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.\u003c/p\u003e","\u003cp\u003eSame as N 352\u003c/p\u003e","\u003cp\u003eSecond study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThis original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThese two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEarlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eThis is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eElevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePlan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouthern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eLateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eFlat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.\u003c/p\u003e","\u003cp\u003eIncomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eBird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eWest elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eSecond floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eEast facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eWest front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eFirst floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePlan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eElevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eDoric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.\u003c/p\u003e","\u003cp\u003eSouth elevation of Rotunda with South elevations of pavilions IX \u0026amp; X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eUnfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eJefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eStudy of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.\u003c/p\u003e","\u003cp\u003eStudy for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThird study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSection of rails. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of a clock for the rotunda. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eDormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.\u003c/p\u003e","\u003cp\u003eElevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.\u003c/p\u003e","\u003cp\u003eStudy for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.\u003c/p\u003e","\u003cp\u003eTwo unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.\u003c/p\u003e","\u003cp\u003eFloor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.\u003c/p\u003e","\u003cp\u003eFloor plan with specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eTwo photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.\u003c/p\u003e","\u003cp\u003eFour copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.\u003c/p\u003e","\u003cp\u003eDrawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.\u003c/p\u003e","\u003cp\u003ePlan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003eRough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.\u003c/p\u003e","\u003cp\u003eRough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.\u003c/p\u003e","\u003cp\u003ePlan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSection of a rotunda house. Probably the President's house in Washington, D.C. 1 item.\u003c/p\u003e","\u003cp\u003eFront and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003ePlan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.\u003c/p\u003e","\u003cp\u003ePlan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.\u003c/p\u003e","\u003cp\u003ePlan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePossibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.\u003c/p\u003e","\u003cp\u003eRough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.\u003c/p\u003e","\u003cp\u003eAuthenticated in unidentified hand. 1 item.\u003c/p\u003e","\u003cp\u003eBy Cornelia J. Randolph. 2 items.\u003c/p\u003e","\u003cp\u003eNotes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.\u003c/p\u003e","\u003cp\u003eDeeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.\u003c/p\u003e","\u003cp\u003eTwo plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.\u003c/p\u003e","\u003cp\u003eSurvey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.\u003c/p\u003e","\u003cp\u003eSurvey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.\u003c/p\u003e","\u003cp\u003ePlat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJames Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003e\"Description of a joint or splice\", with cutout model. 3 items.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's recipe for plaster. 1 item.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's design and sketch for a desk. 1 item.\u003c/p\u003e","\u003cp\u003eMap of a canal and saw mill by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eDescription of the hewing of stone. Calculations of verso. 1 item.\u003c/p\u003e","\u003cp\u003eHomemade. 1 item.\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003ePlat of Monticello by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eFor phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.\u003c/p\u003e","\u003cp\u003eGeorge Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eRoad to the Thoroughfare. 1 item.\u003c/p\u003e","\u003cp\u003eCf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.\u003c/p\u003e","\u003cp\u003eAlbemarle county: plat of lands of Charles Lewis Bankhead\u003c/p\u003e","\u003cp\u003eInstructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.\u003c/p\u003e","\u003cp\u003eMr. Harrison's mill and Woodson's Ferry. 1 item.\u003c/p\u003e","\u003cp\u003eTwo plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).\u003c/p\u003e","\u003cp\u003eIn Thomas Jefferson's hand\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand"],"userestrict_html_tesm":["\u003cp\u003eCopyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en\u003c/p\u003e\n","\u003cp\u003eMore about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials\u003c/p\u003e\n","\u003cp\u003eDigital reproductions are available:\u003c/p\u003e\n","\u003cp\u003elinks to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;\u003c/p\u003e\n","\u003cp\u003eArchitectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html \u003c/p\u003e","\u003cp\u003eReproduction of N-362 restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e","\u003cp\u003eReproduction restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia."],"names_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":98,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:01.301Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c03"}},{"id":"vimtvl_repositories_3_resources_44_c01","type":"Series","attributes":{"title":"Series 1. Correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_44_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_3_resources_44_c01","ref_ssm":["vimtvl_repositories_3_resources_44_c01"],"id":"vimtvl_repositories_3_resources_44_c01","ead_ssi":"vimtvl_repositories_3_resources_44","_root_":"vimtvl_repositories_3_resources_44","_nest_parent_":"vimtvl_repositories_3_resources_44","parent_ssi":"vimtvl_repositories_3_resources_44","parent_ssim":["vimtvl_repositories_3_resources_44"],"parent_ids_ssim":["vimtvl_repositories_3_resources_44"],"parent_unittitles_ssm":["Bushrod Washington family papers"],"parent_unittitles_tesim":["Bushrod Washington family papers"],"text":["Bushrod Washington family papers","Series 1. Correspondence","Washington, Bushrod, 1762-1829","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Elizabeth Schuyler, 1757-1854","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Peters, Richard, 1744-1828","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Washington, Bushrod Corbin, 1790-1851","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, Bushrod, 1785-1830","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Corbin, 1764-1799","Washington, George Augustine, approximately 1759-1793","Washington, Hannah Bushrod, approximately 1738-1804","Washington, John Augustine, 1736-1787","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Lund, 1737-1796","Wythe, George, 1726-1806","English ."],"title_filing_ssi":"Series 1. Correspondence","title_ssm":["Series 1. Correspondence"],"title_tesim":["Series 1. Correspondence"],"unitdate_inclusive_ssm":["1780-1835; undated"],"normalized_date_ssm":["1780/1835"],"normalized_title_ssm":["Series 1. Correspondence"],"component_level_isim":[1],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Bushrod Washington family papers"],"has_online_content_ssim":["true"],"child_component_count_isi":159,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"date_range_isim":[1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835],"names_ssim":["Washington, Bushrod, 1762-1829","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Elizabeth Schuyler, 1757-1854","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Peters, Richard, 1744-1828","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Washington, Bushrod Corbin, 1790-1851","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, Bushrod, 1785-1830","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Corbin, 1764-1799","Washington, George Augustine, approximately 1759-1793","Washington, Hannah Bushrod, approximately 1738-1804","Washington, John Augustine, 1736-1787","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Lund, 1737-1796","Wythe, George, 1726-1806"],"persname_ssim":["Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Marshall, John, 1755-1835","Washington, Bushrod, 1762-1829","Caldwell, Charles, 1772-1853","Washington, Bushrod, 1762-1829","Duvall, Gabriel, 1752-1844","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Hamilton, Alexander, 1757-1804","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Hamilton, Elizabeth Schuyler, 1757-1854","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Washington, Bushrod, 1762-1829","Mason, John, 1766-1849","Washington, Bushrod, 1762-1829","Moore, Richard Channing, 1762-1841","Washington, Bushrod, 1762-1829","Peters, Richard, 1744-1828","Washington, Bushrod, 1762-1829","Peters, Richard, 1744-1828","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Sparks, Jared, 1789-1866","Washington, Bushrod, 1762-1829","Washington, George, 1732-1799","Sparks, Jared, 1789-1866","Washington, Bushrod Corbin, 1790-1851","Washington, George, 1732-1799","Washington, Bushrod, 1762-1829","Stockton, Richard, 1764-1828","Washington, Bushrod, 1762-1829","Story, Joseph, 1779-1845","Washington, Bushrod, 1762-1829","Story, Joseph, 1779-1845","Washington, Bushrod, 1762-1829","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Delaplaine, Joseph, 1777-1824","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Marshall, John, 1755-1835","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Hamilton, James A. (James Alexander), 1788-1878","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1785-1830","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1785-1830","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1785-1830","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1785-1830","Washington, Bushrod, 1762-1829","Washington, Bushrod Corbin, 1790-1851","Washington, Bushrod, 1762-1829","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, George Augustine, approximately 1759-1793","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Thomas Blackburn, 1812-1854","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Bushrod, 1762-1829","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, Lund, 1737-1796","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Wythe, George, 1726-1806","Washington, Bushrod, 1762-1829","Wythe, George, 1726-1806","Washington, Bushrod, 1762-1829","Wythe, George, 1726-1806","Washington, Bushrod, 1762-1829"],"language_ssim":["English ."],"_nest_path_":"/components#0","timestamp":"2026-05-21T05:50:40.181Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_3_resources_44","ead_ssi":"vimtvl_repositories_3_resources_44","_root_":"vimtvl_repositories_3_resources_44","_nest_parent_":"vimtvl_repositories_3_resources_44","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_44.xml","title_ssm":["Bushrod Washington family papers"],"title_tesim":["Bushrod Washington family papers"],"unitdate_ssm":["1662-1835"],"unitdate_inclusive_ssm":["1662-1835"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.1174"],"text":["RM.1174","Bushrod Washington family papers","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","The collection is organized in the following series and subseries:","Series 1. Correspondence (Arranged alphabetically by creator's last name then chronologically, with undated materials listed last.) ","Series 2. Legal Documents (Six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other)\n","Series 3. Social","Series 4. Miscellaneous","Series 5. Indenture Notices (Land Deeds)","Bushrod Washington (1762-1829): Bushrod was the son of Hannah Bushrod and John Augustine Washington, the younger brother of George Washington. Upon the death of Martha Washington, Bushrod inherited the Mount Vernon estate. A graduate of the College of William and Mary, Bushrod served as an associate justice of the U.S. Supreme Court. He was joined on the Supreme Court by his long-time friend, John Marshall. Justices Washington and Marshall  met while attending law lectures given by George Wythe at the College of William and Mary. Bushrod and his wife, Julia Ann Blackburn, had no children, but raised three of their nephews. One nephew, John Augustine Washington II (1789-1832), inherited Mount Vernon from Bushrod.","Purchased by the A. Alfred Taubman Acquisition Endowment Fund, 2011.","Additional manuscripts related to Bushrod Washington and his family can be found in the George Washington Collection, Martha Washington Collection, Historic Manuscript Collection, Elswyth Thane Beebe Collection of Washington Family Papers, and Potomac Navigation Company Records.","The Bushrod Washington Family Papers consist of documents gathered by the descendants of the first President of the United States, George Washington. The collection comprises an assortment of correspondence and legal documents documenting the lives and property ownership of several branches of the Washington family. The collection is organized into five series: Correspondence, Legal Documents, Social, Miscellaneous, and Indenture Notices (Land Deeds).","The Correspondence series, circa 1780-1835, contains letters mostly written to Bushrod Washington, executor of George Washington's estate and inheritor of Mount Vernon. While some were written by friends of Bushrod Washington, most are from his brother and his many nieces and nephews.","Of the letters not written to Bushrod Washington, the largest portion were written by Bushrod Corbin Washington, his wife Anna Maria, and their daughter Hannah to their son, Cadet Thomas Washington, who was stationed in Middletown, Connecticut. Most often, when one of the three would pen a letter, the other two would add a quick greeting in whatever space remained. Among the famous Virginians with whom Bushrod Washington corresponded are Richard Channing Moore, George Spotswood, and George Wythe.\nAll of the letters are in alphabetical order by the last name of the correspondent, with undated materials at the end.","Legal Documents, 1719-1835, contains six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other. Issues arising after the death of a family member can be found in the Estate Matters subseries. The estate of George Washington was perhaps the most disputed, with legal proceedings occurring thirty years following his death. Loans and sales of property are the focus of the Financial Agreements subseries. At least two family members were involved with land disputes over the years. The Land Disputes subseries records the disputes of Richard Bushrod and John Augustine Washington. Surveys, or Plats, were the primary tool for settling such disputes and can be found in the next subseries. The Wills of several family members provide data regarding the families' possessions. This subseries contains wills written by ten family members. In addition to household items and distribution of land, these wills also dictate the owners' desires regarding who would inherit slaves. Four other documents, not closely resembling any of the other legal pieces comprise their own subseries. When possible, all of the Legal Documents are listed in alphabetical order by the last name of the creator.","Bushrod Washington, a well-respected Judge, was active in affairs aside from running his family estate. Evidence of these can be found in the Social series, 1816-1829. The American Bible Society and the Bunker Hill Monument Association were among the organizations in which Judge Washington was involved.","A formula for cement, mailed to the President of the United States, Mount Vernon, and recipes highlight the Miscellaneous series, 1795 and undated.","Some of the oldest material in the collection is found in the Indenture Notices (Land Deeds) series, 1662-1814. These documents relate the history of land ownership among the Bushrod and Washington families, as well as several of their neighbors and associates. While technically legal documents, the size of several of the deeds precludes their being stored alongside the papers of the Legal Documents series. Arranged chronologically, the Indenture Notices specify all the details of the transaction, including the amount of land, location, and purchase price.","Autograph letter signed \"Urbain Babier\" with integral address panel. Babier writes in a mixture of French and English to Bushrod admonishing him for being a slave holder. Docketed by Bushrod on verso \"anonymous and... impertinent.\"","A letter from the brother of Bushrod's wife, Julia Ann Blackburn Washington.","Autograph letter signed with integral address panel. Caldwell asks Bushrod for help gathering information for biographies he is writing of John Randolph and Captain Lewis Warrington.","Elizabeth Hamilton writes about her husband Alexander Hamilton's legacy and invites Bushrod and his wife to stay with her next time they are in New York.","Autograph letter signed with integral address panel. Letter delivered by William Hodgson, an English gentleman touring America. Elizabeth Hamilton writes to Bushrod about news from New York.","Herbert writes that Elizabeth Hamilton is hoping to acquire some of the correspondence between George Washington and Alexander Hamilton.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed. Episcopal clergyman Richard Channing Moore writes to Bushrod that he might become the rector of a church in Richmond. In 1814, Moore was elected bishop of the Diocese of Richmond.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Mrs. Preto asks Bushrod if he has any influence with Martin Van Buren in the State Department to get a job for her husband.","A distant relative of Bushrod's wife writes to ask for assistance.","A distant relative of Bushrod's wife writes a second time to ask for assistance.","Autograph letter signed with integral address panel.","Manuscript list in the hand of Jared Sparks of all the papers of George Washington taken by Sparks from Mount Vernon. A note on the verso signed by Bushrod states that the papers were shipped on 13 June 1827 aboard the schooner Alexandria.","Autograph letter signed with integral address panel. Sparks writes to Bushrod Corbin Washington, executor of the estate of Bushrod Washington, in response to his inquiries about Sparks's progress on his publication of the writings of George Washington.","Autograph letter signed with integral address panel. Spotswood writes Bushrod asking his help help getting a job with the Jackson administration.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter with integral address panel. Story shares his opinion on various court cases with Bushrod.","Autograph letter signed with integral address panel. Letter addressed to \"My Dear Uncle\" from the wife of Bushrod Corbin Washington.","Draft copy. Bushrod writes about the sale of land.","Draft copy.","Draft copy. Bushrod writes to General Jan Pieter van Suchtelen, the Russian Minister at Stockholm, in response to his request for \"manuscript specimens of the handwriting of some of our most illustrious citizens.\" Bushrod says he is sending manuscripts written by John Marshall, Alexander Hamilton, Thomas Jefferson, John Adams, John Jay, and George Washington.","Autograph letter signed. Bushrod asks Marshall to look through the Washington letters in his possession and send any related to Alexander Hamilton  to Mrs. Elizabeth Hamilton.","Autograph letter signed. Draft copy. Bushrod tells Elizabeth Hamilton that he has written to Chief Justice John Marshall about the Alexander Hamilton and George Washington correspondence that she has requested.","Autograph letter signed. Draft copy. Bushrod writes to James Hamilton about correspondence between George Washington and Alexander Hamilton that was requested by Mrs. Elizabeth Hamilton.","Draft copy.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Bushrod Corbin Washington writes his uncle that he is on the trail of Charles and Nathan, two of Bushrod's enslaved workers.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Three letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, sister, and mother.","Autograph letters signed with integral address panel. 5 letters on one sheet of paper addressed to Thomas Blackburn Washington from his sister, mother, and cousins.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper written to Thomas Blackburn Washington by his mother and sister.","Autograph letter signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addresed to Thomas Blackburn Washington from his sister and mother.","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.","3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, father, and sister.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister. Bushrod Corbin writes that he has returned from Richmond to find all his family and friends well, \"both white and black.\"","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington by his mother and father.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother. Also contains doodled signatures of Archibald Fairfax and Bushrod W. Herbert, and Noblet Herbert.","Autograph letters signed with integral address panel. 3 letters on a single leaf of papers addressed to Thomas Blackburn Washington from his father, sister, and mother.","Autograph letter signed with integral address panel.","Autograph letter signed. Hannah mentions Thomas visiting Mount Vernon.","Autograph letter signed with integral address panel. 3 letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, mother, and sister.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letters signed with integral address panel. Two letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and cousin.","Autograph letters signed with integral address panels. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and mother.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister, mother, and father.","Autograph letter signed with integral address panel.","Autograph letter signed. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and mother.","Autograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and mother.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letters signed with integral address panel. 3 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Corbin writes that he had planned to visit Bushrod in Philadelphia but lacks the funds and clothing. He asks on behalf of their father if Bushrod can send books: Horace, Euclid, Cicero's Orations, and a Westminster Greek grammar published in 1754.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed. Corbin writes that his wife has almost died from \"very severe epileptic fits.\"","Autograph letter signed.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. With additional sheet signed by Corbin describing Walnut Farm in Westmoreland County.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Address panel addressed to Bushrod by Corbin Washington. The letter is not extant.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel. 2 letters on 1 leaf of paper written to Bushrod by his mother and father.","Autograph letter signed.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. With additional leaf of paper in another hand addressed to \"my dear son.\"","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel, with note that the letter was sent \"By Jeremiah.\"","Autograph letter signed, undated, with integral address panel.","Address panel with note on verso about the prices of tea and sugar in Philadelphia.","Autograph letter signed. Lund writes about crops and horses.","Autograph letter signed. From \"Samuel George Washington\" to his father, Bushrod Washington. Bushrod had no children and dockets the letter on verso, \"From some fool or knave calling himself Samuel F. Washington \u0026 my son.\"","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","An inventory of the furniture from John Augustine Washington's estate at Bushfield, which was divided between his wife Hannah and their two sons, Corbin and Bushrod. This document is located within Box 4 (oversized).","List of land, including new patents in Frederick City, left to Samuel Washington and John Augustine Washington by their older half-brother Lawrence Washington. The list also notes that 3,569 acres were given to Charles Washington.","Autograph letter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of General George Washington.","Autograph leter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of George Washington.","Autograph letter signed with integral address panel. Ludwell Lee writes on behalf of his brother about a debt due to the estate of George Washington. Lee writes that is brother is unable to pay the debt at the moment because he has recently purchased \"some Negroes.\"","Autograph letter signed. Copy. Bushrod writes to a son of Alexander Spotswood regarding payment owed to the estate of George Washington.","Autograph letter with free franked address panel. Rives writes regarding debts owed by his neighbor to Bushrod, as well as the sale of land from the estate of George Washington near the Dismal Swamp.","Autograph letter signed with integral address panel. Letter regarding the payment of debts owed to the estate of George Washington.","Autograph leter signed with integral address panel. Letter regarding the payment of debt owed to the estate of George Washington.","Autograph letter signed with integral address panel. Lee writes about debts owed to the estate of General Washington and mentions visiting Bushrod at Mount Vernon.","A list of taxes on 8,857 acres of land owned by the estate of George Washington in 1802.","Autograph letter signed. Lewis writes that Samuel Washington has requested the patent for the tract of land on the Kanahwa.","Manuscript copy of \"George Washington's Executors against L. W. McCarty Spotswood \u0026 others and Mary D. Washington against George Washington's Executors.\"","Autograph document signed \"Bush. Washington.\"","Docketed on verso by Bushrod Washington.","Taken by William Grayson.","Note regarding money owed by Fitzhugh's father for land in Charles County.","Wrapper docketed \"Title papers on the Ohio \u0026 Kanhawa Lands which the Legatees have divided...\"","Note on the sale of Lot 5 to A. Parke, Lots 12 and 13 to Thomas Peter, and Lot 14 to George S. Washington.","List of accounts title \"Condensed Statement A\" showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.","List of accounts showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.","Survey and plat of George Washington's Bullskin farm and land in Jefferson County.","Autograph document in unidentified hand, recording \"confidential communication\" received from Bushrod Washington with instructions for his burial.","Autograph document signed R. J. Taylor. In his will, Bushrod Washington instructed that his law books be retained at Mount Vernon by John Augustine Washington II until his nephew Bushrod Washington Herbert turns twenty-one. Then, Herbert will inherit the books if at that time he is \"destined to the bar\" and determined to practice law.","A copy from the County Court of Fairfax of the division of the slaves and stocks from the estate of Bushrod Washington amongst his nephews. Includes a list of the names of the enslaved persons that went to each nephew, with their values.","Autograph document in the hand of John Augustine Washington II, 20 pages. Includes a list of enslaved workers and household goods listed by room, with some notes on to whom they were bequeathed.","Bond of indenture witnessed and signed by Charles Washington.","Autograph document signed by Bushrod Washington and Henry \"Light-Horse Harry\" Lee, conveying the estate of Belvidere to Washington.","Autograph document signed by Henry \"Light-Horse Harry\" Lee. An agreement about a road connecting the Belvedire estate to a canal.","Autograph letter signed with integral address panel.","Agreement about renting a house.","Agreement for the conveyance of lands in Westmoreland County.","Undated bond between Robert Throckmorton and John Augustine Washington regarding the sale of land. Witnessed and signed by James Rumsey.","Survey created by James Thomas for the action of trespass in the legal case Richard Bushrod vs. Lawrence McNemarra.","Survey by James Thomas, surveyor of Westmoreland County.","Addressed to N. Herbert of Alexandria.","Two print forms from the Commonwealth of Virginia from the case Washington vs. Hite.","Legal advise from Edmund Pendelton to John Augustine Washington regarding a land dispute with Fauntleroy. Lists items to prove to solidify case including deaths of previous owners. Notes survey details of land in question. Feels confident the case will be successful. Autograph letter signed, 1 page, with integral address panel.","Docketed \"Rough Draft of my lands in Berkley with observations of no consequence to any body but myself. C Washington.\"","A plat showing 131 lots and street names in Bath at Berkeley Springs, West Virginia. The lots are listed with their owners' names and prices. The plat includes lots owned by Gen. Washington and W. Fairfax.","Surveyed by Chris Collins.","Docketed \"Frederick Land Papers\" with plat on verso.","Surveyed by Robert Brook.","Three copies of the will of John Bushrod of Westmoreland County with notes by Bushrod Washington for the case Washington vs. Fauntleroy.","An inventory listing household items, furniture, 4 enslaved persons, and animals. With a note by Mildred Bushrod that she received the listed articles from John Augustine Washington on July 27, 1761.","A copy of Bushrod Washington's will in the Fairfax County Court. Includes instructions for the division of the Mount Vernon property, library, and enslaved population, with instructions that land should be given to West Ford.","A manuscript copy of the last will and testament of Hannah Bushrod Washington, in which she specifies that her body be left out until it putrefies so that she is not buried alive. In her will, Hannah specifies that West Ford, the son of an enslaved woman named Venus, should be inoculated from smallpox, apprenticed to a tradesman, and freed at the age of twenty-one.","A \"true\" manuscript copy made from the original, which is dated July 8, 1830. In his will, John Augustine gives his wife Jane the power to dispose of any of his enslaved workers who are disobedient to her after his death. He also stipulates that his children may sell the Mount Vernon estate to the government if Congress wants it.","Printed form with manuscript inputs. Signed on verso B. Washington. Insurance application for Bushrod's residence Belvedary in Richmond City in the county of Henrico. Includes a plan of three buildings – a kitchen, dwelling, and office.","Autograph document in the hand of James Mercer, with an autograph signed note. With integral address panel addressed to George Washington Esq, \"present.\" This memorial or petition was sent by Washington to Dunmore to request additional surveys of the Kanawha lands granted to Virginia veterans of the French and Indian War.","Autograph document. A list of household goods and animals sold at Selby, with an additional list of the sale of the enslaved workers Abraham, Caeser, Siphah, Robin, Daniel, Toby, Harry, and Moses.","Four letters related to Bushrod Washington's involvement in the American Bible Society.","Letter informing Bushrod Washington he has been named Vice President of the American Sunday School Union, 1829 June 2","Letter from Edward Everett informing Bushrod Washington that he has been named an honorary member of the Bunker Hill Monument Association.","Contains 2 items:\n \nConstitution of the Philadelphia Southern Society, 1818 May 13 - a rinted pamphlet, 4 pages, with manuscript additions to the list of members.\n \nLetter informing Bushrod Washington that he has been named an honorary member of the Philadelphia Southern Society.","Letter to Bushrod Washington asking for financial support.","Contains 3 letters:\n \nLetter informing Bushrod Washington that he has been named an honorary member of the Peithesophian Society of Rutgers College, 1829 October 3\n \nLetter informing Bushrod Washington that Harvard University has conferred on him the honorary Degree of Doctor of Laws, 1828 March 3\n \nLetter inviting Bushrod Washington to become an honorary member of the Franklin Society of Penn University, 1824 June 31","Addressed to the President of the United States, Mount Vernon, and docketed \"cement\" in George Washington's hand.","Autograph document, docketed by Bushrod Washington.","Autograph document in the hand of Elizabeth Powel, docketed by Bushrod Washington. Addressed to Judge Washington \"with Mrs. Powels best wishes.\"","For land in the Northern Neck of Virginia.","Autograph document signed. With note on verso by the wife of Robert Worthington that she received four pounds seven shillings from Major Lawrence Washington for lease of the land. Dated 1741 October 14.","Autograph document. Fragile with tape repairs and loss of text.","Autograph document signed John Waller. For the sale of one acre of land and a house in Fredericksburgh in the County of Spotsylvania. With partial manuscript transcription written on Washington State Senate stationary, dated 1950.","Autograph document signed. For land in Fredrick County.","Autograph document signed by John Augustine Washington, Charles Washington, and George A. Washington. For land in Fredericksburg leased by John Augustine to his mother, Mary Ball Washington.","Autograph document. Copy of indenture for land in Fairfax County.","Autograph document signed. For land in Fairfax County.","Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, George Augustine, approximately 1759-1793","Washington, Lund, 1737-1796","Wythe, George, 1726-1806","Washington, Lawrence, 1718-1752","Washington, Charles, 1738-1799","Washington, John Augustine, 1789-1832","Lee, Ludwell, 1760-1836","Lewis, Robert, 1769-1829","Lee, Richard Henry, 1794-1865","Lewis, Lawrence, 1767-1839","Lee, Henry, 1756-1818","McPherson, William, 1751?-1813","Herbert, Bushrod Washington, -1888","Washington, George Corbin, 1789-1854","Herbert, Noblet","Rumsey, James, 1743?-1792","Pendleton, Edmund, 1721-1803","Bushrod, John, 1662-1719","Ford, West, approximately 1784-1863","Washington, George Steptoe, 1771-1809","Mercer, James, 1736-1793","Everett, Edward, 1794-1865","Powel, Elizabeth Willing, 1743-1830","Washington, Mary Ball, 1708-1789","English \n.    "],"unitid_tesim":["RM.1174"],"normalized_title_ssm":["Bushrod Washington family papers"],"collection_title_tesim":["Bushrod Washington family papers"],"collection_ssim":["Bushrod Washington family papers"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854"],"creator_ssim":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854"],"creator_persname_ssim":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854"],"creators_ssim":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854"],"has_online_content_ssim":["true"],"extent_ssm":["1.5 Linear Feet (4 boxes)"],"extent_tesim":["1.5 Linear Feet (4 boxes)"],"date_range_isim":[1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in the following series and subseries:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Correspondence (Arranged alphabetically by creator's last name then chronologically, with undated materials listed last.) \u003c/p\u003e\n","\u003cp\u003eSeries 2. Legal Documents (Six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other)\n\u003cbl\u003e\u003c/bl\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 3. Social\u003c/p\u003e\n","\u003cp\u003eSeries 4. Miscellaneous\u003c/p\u003e\n","\u003cp\u003eSeries 5. Indenture Notices (Land Deeds)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in the following series and subseries:","Series 1. Correspondence (Arranged alphabetically by creator's last name then chronologically, with undated materials listed last.) ","Series 2. Legal Documents (Six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other)\n","Series 3. Social","Series 4. Miscellaneous","Series 5. Indenture Notices (Land Deeds)"],"bioghist_html_tesm":["\u003cp\u003eBushrod Washington (1762-1829): Bushrod was the son of Hannah Bushrod and John Augustine Washington, the younger brother of George Washington. Upon the death of Martha Washington, Bushrod inherited the Mount Vernon estate. A graduate of the College of William and Mary, Bushrod served as an associate justice of the U.S. Supreme Court. He was joined on the Supreme Court by his long-time friend, John Marshall. Justices Washington and Marshall  met while attending law lectures given by George Wythe at the College of William and Mary. Bushrod and his wife, Julia Ann Blackburn, had no children, but raised three of their nephews. One nephew, John Augustine Washington II (1789-1832), inherited Mount Vernon from Bushrod.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Bushrod Washington (1762-1829): Bushrod was the son of Hannah Bushrod and John Augustine Washington, the younger brother of George Washington. Upon the death of Martha Washington, Bushrod inherited the Mount Vernon estate. A graduate of the College of William and Mary, Bushrod served as an associate justice of the U.S. Supreme Court. He was joined on the Supreme Court by his long-time friend, John Marshall. Justices Washington and Marshall  met while attending law lectures given by George Wythe at the College of William and Mary. Bushrod and his wife, Julia Ann Blackburn, had no children, but raised three of their nephews. One nephew, John Augustine Washington II (1789-1832), inherited Mount Vernon from Bushrod."],"custodhist_html_tesm":["\u003cp\u003ePurchased by the A. Alfred Taubman Acquisition Endowment Fund, 2011.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Purchased by the A. Alfred Taubman Acquisition Endowment Fund, 2011."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Bushrod Washington family papers, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Bushrod Washington family papers, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional manuscripts related to Bushrod Washington and his family can be found in the George Washington Collection, Martha Washington Collection, Historic Manuscript Collection, Elswyth Thane Beebe Collection of Washington Family Papers, and Potomac Navigation Company Records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Additional manuscripts related to Bushrod Washington and his family can be found in the George Washington Collection, Martha Washington Collection, Historic Manuscript Collection, Elswyth Thane Beebe Collection of Washington Family Papers, and Potomac Navigation Company Records."],"scopecontent_html_tesm":["\u003cp\u003eThe Bushrod Washington Family Papers consist of documents gathered by the descendants of the first President of the United States, George Washington. The collection comprises an assortment of correspondence and legal documents documenting the lives and property ownership of several branches of the Washington family. The collection is organized into five series: Correspondence, Legal Documents, Social, Miscellaneous, and Indenture Notices (Land Deeds).\u003c/p\u003e\n","\u003cp\u003eThe Correspondence series, circa 1780-1835, contains letters mostly written to Bushrod Washington, executor of George Washington's estate and inheritor of Mount Vernon. While some were written by friends of Bushrod Washington, most are from his brother and his many nieces and nephews.\u003c/p\u003e\n","\u003cp\u003eOf the letters not written to Bushrod Washington, the largest portion were written by Bushrod Corbin Washington, his wife Anna Maria, and their daughter Hannah to their son, Cadet Thomas Washington, who was stationed in Middletown, Connecticut. Most often, when one of the three would pen a letter, the other two would add a quick greeting in whatever space remained. Among the famous Virginians with whom Bushrod Washington corresponded are Richard Channing Moore, George Spotswood, and George Wythe.\nAll of the letters are in alphabetical order by the last name of the correspondent, with undated materials at the end.\u003c/p\u003e\n","\u003cp\u003eLegal Documents, 1719-1835, contains six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other. Issues arising after the death of a family member can be found in the Estate Matters subseries. The estate of George Washington was perhaps the most disputed, with legal proceedings occurring thirty years following his death. Loans and sales of property are the focus of the Financial Agreements subseries. At least two family members were involved with land disputes over the years. The Land Disputes subseries records the disputes of Richard Bushrod and John Augustine Washington. Surveys, or Plats, were the primary tool for settling such disputes and can be found in the next subseries. The Wills of several family members provide data regarding the families' possessions. This subseries contains wills written by ten family members. In addition to household items and distribution of land, these wills also dictate the owners' desires regarding who would inherit slaves. Four other documents, not closely resembling any of the other legal pieces comprise their own subseries. When possible, all of the Legal Documents are listed in alphabetical order by the last name of the creator.\u003c/p\u003e\n","\u003cp\u003eBushrod Washington, a well-respected Judge, was active in affairs aside from running his family estate. Evidence of these can be found in the Social series, 1816-1829. The American Bible Society and the Bunker Hill Monument Association were among the organizations in which Judge Washington was involved.\u003c/p\u003e\n","\u003cp\u003eA formula for cement, mailed to the President of the United States, Mount Vernon, and recipes highlight the Miscellaneous series, 1795 and undated.\u003c/p\u003e\n","\u003cp\u003eSome of the oldest material in the collection is found in the Indenture Notices (Land Deeds) series, 1662-1814. These documents relate the history of land ownership among the Bushrod and Washington families, as well as several of their neighbors and associates. While technically legal documents, the size of several of the deeds precludes their being stored alongside the papers of the Legal Documents series. Arranged chronologically, the Indenture Notices specify all the details of the transaction, including the amount of land, location, and purchase price.\u003c/p\u003e","\u003cp\u003eAutograph letter signed \"Urbain Babier\" with integral address panel. Babier writes in a mixture of French and English to Bushrod admonishing him for being a slave holder. Docketed by Bushrod on verso \"anonymous and... impertinent.\"\u003c/p\u003e","\u003cp\u003eA letter from the brother of Bushrod's wife, Julia Ann Blackburn Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Caldwell asks Bushrod for help gathering information for biographies he is writing of John Randolph and Captain Lewis Warrington.\u003c/p\u003e","\u003cp\u003eElizabeth Hamilton writes about her husband Alexander Hamilton's legacy and invites Bushrod and his wife to stay with her next time they are in New York.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Letter delivered by William Hodgson, an English gentleman touring America. Elizabeth Hamilton writes to Bushrod about news from New York.\u003c/p\u003e","\u003cp\u003eHerbert writes that Elizabeth Hamilton is hoping to acquire some of the correspondence between George Washington and Alexander Hamilton.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Episcopal clergyman Richard Channing Moore writes to Bushrod that he might become the rector of a church in Richmond. In 1814, Moore was elected bishop of the Diocese of Richmond.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Mrs. Preto asks Bushrod if he has any influence with Martin Van Buren in the State Department to get a job for her husband.\u003c/p\u003e","\u003cp\u003eA distant relative of Bushrod's wife writes to ask for assistance.\u003c/p\u003e","\u003cp\u003eA distant relative of Bushrod's wife writes a second time to ask for assistance.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eManuscript list in the hand of Jared Sparks of all the papers of George Washington taken by Sparks from Mount Vernon. A note on the verso signed by Bushrod states that the papers were shipped on 13 June 1827 aboard the schooner Alexandria.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Sparks writes to Bushrod Corbin Washington, executor of the estate of Bushrod Washington, in response to his inquiries about Sparks's progress on his publication of the writings of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Spotswood writes Bushrod asking his help help getting a job with the Jackson administration.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter with integral address panel. Story shares his opinion on various court cases with Bushrod.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Letter addressed to \"My Dear Uncle\" from the wife of Bushrod Corbin Washington.\u003c/p\u003e","\u003cp\u003eDraft copy. Bushrod writes about the sale of land.\u003c/p\u003e","\u003cp\u003eDraft copy.\u003c/p\u003e","\u003cp\u003eDraft copy. Bushrod writes to General Jan Pieter van Suchtelen, the Russian Minister at Stockholm, in response to his request for \"manuscript specimens of the handwriting of some of our most illustrious citizens.\" Bushrod says he is sending manuscripts written by John Marshall, Alexander Hamilton, Thomas Jefferson, John Adams, John Jay, and George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Bushrod asks Marshall to look through the Washington letters in his possession and send any related to Alexander Hamilton  to Mrs. Elizabeth Hamilton.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Draft copy. Bushrod tells Elizabeth Hamilton that he has written to Chief Justice John Marshall about the Alexander Hamilton and George Washington correspondence that she has requested.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Draft copy. Bushrod writes to James Hamilton about correspondence between George Washington and Alexander Hamilton that was requested by Mrs. Elizabeth Hamilton.\u003c/p\u003e","\u003cp\u003eDraft copy.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Bushrod Corbin Washington writes his uncle that he is on the trail of Charles and Nathan, two of Bushrod's enslaved workers.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Three letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, sister, and mother.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 5 letters on one sheet of paper addressed to Thomas Blackburn Washington from his sister, mother, and cousins.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on one leaf of paper written to Thomas Blackburn Washington by his mother and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addresed to Thomas Blackburn Washington from his sister and mother.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.\u003c/p\u003e","\u003cp\u003e3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, father, and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister. Bushrod Corbin writes that he has returned from Richmond to find all his family and friends well, \"both white and black.\"\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington by his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother. Also contains doodled signatures of Archibald Fairfax and Bushrod W. Herbert, and Noblet Herbert.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on a single leaf of papers addressed to Thomas Blackburn Washington from his father, sister, and mother.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Hannah mentions Thomas visiting Mount Vernon.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 3 letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, mother, and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and cousin.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panels. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and mother.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister, mother, and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and mother.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and mother.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Corbin writes that he had planned to visit Bushrod in Philadelphia but lacks the funds and clothing. He asks on behalf of their father if Bushrod can send books: Horace, Euclid, Cicero's Orations, and a Westminster Greek grammar published in 1754.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Corbin writes that his wife has almost died from \"very severe epileptic fits.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. With additional sheet signed by Corbin describing Walnut Farm in Westmoreland County.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAddress panel addressed to Bushrod by Corbin Washington. The letter is not extant.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 2 letters on 1 leaf of paper written to Bushrod by his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. With additional leaf of paper in another hand addressed to \"my dear son.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel, with note that the letter was sent \"By Jeremiah.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed, undated, with integral address panel.\u003c/p\u003e","\u003cp\u003eAddress panel with note on verso about the prices of tea and sugar in Philadelphia.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Lund writes about crops and horses.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. From \"Samuel George Washington\" to his father, Bushrod Washington. Bushrod had no children and dockets the letter on verso, \"From some fool or knave calling himself Samuel F. Washington \u0026amp; my son.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAn inventory of the furniture from John Augustine Washington's estate at Bushfield, which was divided between his wife Hannah and their two sons, Corbin and Bushrod. This document is located within Box 4 (oversized).\u003c/p\u003e","\u003cp\u003eList of land, including new patents in Frederick City, left to Samuel Washington and John Augustine Washington by their older half-brother Lawrence Washington. The list also notes that 3,569 acres were given to Charles Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of General George Washington.\u003c/p\u003e","\u003cp\u003eAutograph leter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Ludwell Lee writes on behalf of his brother about a debt due to the estate of George Washington. Lee writes that is brother is unable to pay the debt at the moment because he has recently purchased \"some Negroes.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Copy. Bushrod writes to a son of Alexander Spotswood regarding payment owed to the estate of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter with free franked address panel. Rives writes regarding debts owed by his neighbor to Bushrod, as well as the sale of land from the estate of George Washington near the Dismal Swamp.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Letter regarding the payment of debts owed to the estate of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph leter signed with integral address panel. Letter regarding the payment of debt owed to the estate of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Lee writes about debts owed to the estate of General Washington and mentions visiting Bushrod at Mount Vernon.\u003c/p\u003e","\u003cp\u003eA list of taxes on 8,857 acres of land owned by the estate of George Washington in 1802.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Lewis writes that Samuel Washington has requested the patent for the tract of land on the Kanahwa.\u003c/p\u003e","\u003cp\u003eManuscript copy of \"George Washington's Executors against L. W. McCarty Spotswood \u0026amp; others and Mary D. Washington against George Washington's Executors.\"\u003c/p\u003e","\u003cp\u003eAutograph document signed \"Bush. Washington.\"\u003c/p\u003e","\u003cp\u003eDocketed on verso by Bushrod Washington.\u003c/p\u003e","\u003cp\u003eTaken by William Grayson.\u003c/p\u003e","\u003cp\u003eNote regarding money owed by Fitzhugh's father for land in Charles County.\u003c/p\u003e","\u003cp\u003eWrapper docketed \"Title papers on the Ohio \u0026amp; Kanhawa Lands which the Legatees have divided...\"\u003c/p\u003e","\u003cp\u003eNote on the sale of Lot 5 to A. Parke, Lots 12 and 13 to Thomas Peter, and Lot 14 to George S. Washington.\u003c/p\u003e","\u003cp\u003eList of accounts title \"Condensed Statement A\" showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.\u003c/p\u003e","\u003cp\u003eList of accounts showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.\u003c/p\u003e","\u003cp\u003eSurvey and plat of George Washington's Bullskin farm and land in Jefferson County.\u003c/p\u003e","\u003cp\u003eAutograph document in unidentified hand, recording \"confidential communication\" received from Bushrod Washington with instructions for his burial.\u003c/p\u003e","\u003cp\u003eAutograph document signed R. J. Taylor. In his will, Bushrod Washington instructed that his law books be retained at Mount Vernon by John Augustine Washington II until his nephew Bushrod Washington Herbert turns twenty-one. Then, Herbert will inherit the books if at that time he is \"destined to the bar\" and determined to practice law.\u003c/p\u003e","\u003cp\u003eA copy from the County Court of Fairfax of the division of the slaves and stocks from the estate of Bushrod Washington amongst his nephews. Includes a list of the names of the enslaved persons that went to each nephew, with their values.\u003c/p\u003e","\u003cp\u003eAutograph document in the hand of John Augustine Washington II, 20 pages. Includes a list of enslaved workers and household goods listed by room, with some notes on to whom they were bequeathed.\u003c/p\u003e","\u003cp\u003eBond of indenture witnessed and signed by Charles Washington.\u003c/p\u003e","\u003cp\u003eAutograph document signed by Bushrod Washington and Henry \"Light-Horse Harry\" Lee, conveying the estate of Belvidere to Washington.\u003c/p\u003e","\u003cp\u003eAutograph document signed by Henry \"Light-Horse Harry\" Lee. An agreement about a road connecting the Belvedire estate to a canal.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAgreement about renting a house.\u003c/p\u003e","\u003cp\u003eAgreement for the conveyance of lands in Westmoreland County.\u003c/p\u003e","\u003cp\u003eUndated bond between Robert Throckmorton and John Augustine Washington regarding the sale of land. Witnessed and signed by James Rumsey.\u003c/p\u003e","\u003cp\u003eSurvey created by James Thomas for the action of trespass in the legal case Richard Bushrod vs. Lawrence McNemarra.\u003c/p\u003e","\u003cp\u003eSurvey by James Thomas, surveyor of Westmoreland County.\u003c/p\u003e","\u003cp\u003eAddressed to N. Herbert of Alexandria.\u003c/p\u003e","\u003cp\u003eTwo print forms from the Commonwealth of Virginia from the case Washington vs. Hite.\u003c/p\u003e","\u003cp\u003eLegal advise from Edmund Pendelton to John Augustine Washington regarding a land dispute with Fauntleroy. Lists items to prove to solidify case including deaths of previous owners. Notes survey details of land in question. Feels confident the case will be successful. Autograph letter signed, 1 page, with integral address panel.\u003c/p\u003e","\u003cp\u003eDocketed \"Rough Draft of my lands in Berkley with observations of no consequence to any body but myself. C Washington.\"\u003c/p\u003e","\u003cp\u003eA plat showing 131 lots and street names in Bath at Berkeley Springs, West Virginia. The lots are listed with their owners' names and prices. The plat includes lots owned by Gen. Washington and W. Fairfax.\u003c/p\u003e","\u003cp\u003eSurveyed by Chris Collins.\u003c/p\u003e","\u003cp\u003eDocketed \"Frederick Land Papers\" with plat on verso.\u003c/p\u003e","\u003cp\u003eSurveyed by Robert Brook.\u003c/p\u003e","\u003cp\u003eThree copies of the will of John Bushrod of Westmoreland County with notes by Bushrod Washington for the case Washington vs. Fauntleroy.\u003c/p\u003e","\u003cp\u003eAn inventory listing household items, furniture, 4 enslaved persons, and animals. With a note by Mildred Bushrod that she received the listed articles from John Augustine Washington on July 27, 1761.\u003c/p\u003e","\u003cp\u003eA copy of Bushrod Washington's will in the Fairfax County Court. Includes instructions for the division of the Mount Vernon property, library, and enslaved population, with instructions that land should be given to West Ford.\u003c/p\u003e","\u003cp\u003eA manuscript copy of the last will and testament of Hannah Bushrod Washington, in which she specifies that her body be left out until it putrefies so that she is not buried alive. In her will, Hannah specifies that West Ford, the son of an enslaved woman named Venus, should be inoculated from smallpox, apprenticed to a tradesman, and freed at the age of twenty-one.\u003c/p\u003e","\u003cp\u003eA \"true\" manuscript copy made from the original, which is dated July 8, 1830. In his will, John Augustine gives his wife Jane the power to dispose of any of his enslaved workers who are disobedient to her after his death. He also stipulates that his children may sell the Mount Vernon estate to the government if Congress wants it.\u003c/p\u003e","\u003cp\u003ePrinted form with manuscript inputs. Signed on verso B. Washington. Insurance application for Bushrod's residence Belvedary in Richmond City in the county of Henrico. Includes a plan of three buildings – a kitchen, dwelling, and office.\u003c/p\u003e","\u003cp\u003eAutograph document in the hand of James Mercer, with an autograph signed note. With integral address panel addressed to George Washington Esq, \"present.\" This memorial or petition was sent by Washington to Dunmore to request additional surveys of the Kanawha lands granted to Virginia veterans of the French and Indian War.\u003c/p\u003e","\u003cp\u003eAutograph document. A list of household goods and animals sold at Selby, with an additional list of the sale of the enslaved workers Abraham, Caeser, Siphah, Robin, Daniel, Toby, Harry, and Moses.\u003c/p\u003e","\u003cp\u003eFour letters related to Bushrod Washington's involvement in the American Bible Society.\u003c/p\u003e","\u003cp\u003eLetter informing Bushrod Washington he has been named Vice President of the American Sunday School Union, 1829 June 2\u003c/p\u003e","\u003cp\u003eLetter from Edward Everett informing Bushrod Washington that he has been named an honorary member of the Bunker Hill Monument Association.\u003c/p\u003e","\u003cp\u003eContains 2 items:\n\u003clb\u003e\u003c/lb\u003e\n\u003clb\u003e\u003c/lb\u003e\nConstitution of the Philadelphia Southern Society, 1818 May 13 - a rinted pamphlet, 4 pages, with manuscript additions to the list of members.\n\u003clb\u003e\u003c/lb\u003e\nLetter informing Bushrod Washington that he has been named an honorary member of the Philadelphia Southern Society.\u003c/p\u003e","\u003cp\u003eLetter to Bushrod Washington asking for financial support.\u003c/p\u003e","\u003cp\u003eContains 3 letters:\n\u003clb\u003e\u003c/lb\u003e\n\u003clb\u003e\u003c/lb\u003e\nLetter informing Bushrod Washington that he has been named an honorary member of the Peithesophian Society of Rutgers College, 1829 October 3\n\u003clb\u003e\u003c/lb\u003e\nLetter informing Bushrod Washington that Harvard University has conferred on him the honorary Degree of Doctor of Laws, 1828 March 3\n\u003clb\u003e\u003c/lb\u003e\nLetter inviting Bushrod Washington to become an honorary member of the Franklin Society of Penn University, 1824 June 31\u003c/p\u003e","\u003cp\u003eAddressed to the President of the United States, Mount Vernon, and docketed \"cement\" in George Washington's hand.\u003c/p\u003e","\u003cp\u003eAutograph document, docketed by Bushrod Washington.\u003c/p\u003e","\u003cp\u003eAutograph document in the hand of Elizabeth Powel, docketed by Bushrod Washington. Addressed to Judge Washington \"with Mrs. Powels best wishes.\"\u003c/p\u003e","\u003cp\u003eFor land in the Northern Neck of Virginia.\u003c/p\u003e","\u003cp\u003eAutograph document signed. With note on verso by the wife of Robert Worthington that she received four pounds seven shillings from Major Lawrence Washington for lease of the land. Dated 1741 October 14.\u003c/p\u003e","\u003cp\u003eAutograph document. Fragile with tape repairs and loss of text.\u003c/p\u003e","\u003cp\u003eAutograph document signed John Waller. For the sale of one acre of land and a house in Fredericksburgh in the County of Spotsylvania. With partial manuscript transcription written on Washington State Senate stationary, dated 1950.\u003c/p\u003e","\u003cp\u003eAutograph document signed. For land in Fredrick County.\u003c/p\u003e","\u003cp\u003eAutograph document signed by John Augustine Washington, Charles Washington, and George A. Washington. For land in Fredericksburg leased by John Augustine to his mother, Mary Ball Washington.\u003c/p\u003e","\u003cp\u003eAutograph document. Copy of indenture for land in Fairfax County.\u003c/p\u003e","\u003cp\u003eAutograph document signed. For land in Fairfax County.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Bushrod Washington Family Papers consist of documents gathered by the descendants of the first President of the United States, George Washington. The collection comprises an assortment of correspondence and legal documents documenting the lives and property ownership of several branches of the Washington family. The collection is organized into five series: Correspondence, Legal Documents, Social, Miscellaneous, and Indenture Notices (Land Deeds).","The Correspondence series, circa 1780-1835, contains letters mostly written to Bushrod Washington, executor of George Washington's estate and inheritor of Mount Vernon. While some were written by friends of Bushrod Washington, most are from his brother and his many nieces and nephews.","Of the letters not written to Bushrod Washington, the largest portion were written by Bushrod Corbin Washington, his wife Anna Maria, and their daughter Hannah to their son, Cadet Thomas Washington, who was stationed in Middletown, Connecticut. Most often, when one of the three would pen a letter, the other two would add a quick greeting in whatever space remained. Among the famous Virginians with whom Bushrod Washington corresponded are Richard Channing Moore, George Spotswood, and George Wythe.\nAll of the letters are in alphabetical order by the last name of the correspondent, with undated materials at the end.","Legal Documents, 1719-1835, contains six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other. Issues arising after the death of a family member can be found in the Estate Matters subseries. The estate of George Washington was perhaps the most disputed, with legal proceedings occurring thirty years following his death. Loans and sales of property are the focus of the Financial Agreements subseries. At least two family members were involved with land disputes over the years. The Land Disputes subseries records the disputes of Richard Bushrod and John Augustine Washington. Surveys, or Plats, were the primary tool for settling such disputes and can be found in the next subseries. The Wills of several family members provide data regarding the families' possessions. This subseries contains wills written by ten family members. In addition to household items and distribution of land, these wills also dictate the owners' desires regarding who would inherit slaves. Four other documents, not closely resembling any of the other legal pieces comprise their own subseries. When possible, all of the Legal Documents are listed in alphabetical order by the last name of the creator.","Bushrod Washington, a well-respected Judge, was active in affairs aside from running his family estate. Evidence of these can be found in the Social series, 1816-1829. The American Bible Society and the Bunker Hill Monument Association were among the organizations in which Judge Washington was involved.","A formula for cement, mailed to the President of the United States, Mount Vernon, and recipes highlight the Miscellaneous series, 1795 and undated.","Some of the oldest material in the collection is found in the Indenture Notices (Land Deeds) series, 1662-1814. These documents relate the history of land ownership among the Bushrod and Washington families, as well as several of their neighbors and associates. While technically legal documents, the size of several of the deeds precludes their being stored alongside the papers of the Legal Documents series. Arranged chronologically, the Indenture Notices specify all the details of the transaction, including the amount of land, location, and purchase price.","Autograph letter signed \"Urbain Babier\" with integral address panel. Babier writes in a mixture of French and English to Bushrod admonishing him for being a slave holder. Docketed by Bushrod on verso \"anonymous and... impertinent.\"","A letter from the brother of Bushrod's wife, Julia Ann Blackburn Washington.","Autograph letter signed with integral address panel. Caldwell asks Bushrod for help gathering information for biographies he is writing of John Randolph and Captain Lewis Warrington.","Elizabeth Hamilton writes about her husband Alexander Hamilton's legacy and invites Bushrod and his wife to stay with her next time they are in New York.","Autograph letter signed with integral address panel. Letter delivered by William Hodgson, an English gentleman touring America. Elizabeth Hamilton writes to Bushrod about news from New York.","Herbert writes that Elizabeth Hamilton is hoping to acquire some of the correspondence between George Washington and Alexander Hamilton.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed. Episcopal clergyman Richard Channing Moore writes to Bushrod that he might become the rector of a church in Richmond. In 1814, Moore was elected bishop of the Diocese of Richmond.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Mrs. Preto asks Bushrod if he has any influence with Martin Van Buren in the State Department to get a job for her husband.","A distant relative of Bushrod's wife writes to ask for assistance.","A distant relative of Bushrod's wife writes a second time to ask for assistance.","Autograph letter signed with integral address panel.","Manuscript list in the hand of Jared Sparks of all the papers of George Washington taken by Sparks from Mount Vernon. A note on the verso signed by Bushrod states that the papers were shipped on 13 June 1827 aboard the schooner Alexandria.","Autograph letter signed with integral address panel. Sparks writes to Bushrod Corbin Washington, executor of the estate of Bushrod Washington, in response to his inquiries about Sparks's progress on his publication of the writings of George Washington.","Autograph letter signed with integral address panel. Spotswood writes Bushrod asking his help help getting a job with the Jackson administration.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter with integral address panel. Story shares his opinion on various court cases with Bushrod.","Autograph letter signed with integral address panel. Letter addressed to \"My Dear Uncle\" from the wife of Bushrod Corbin Washington.","Draft copy. Bushrod writes about the sale of land.","Draft copy.","Draft copy. Bushrod writes to General Jan Pieter van Suchtelen, the Russian Minister at Stockholm, in response to his request for \"manuscript specimens of the handwriting of some of our most illustrious citizens.\" Bushrod says he is sending manuscripts written by John Marshall, Alexander Hamilton, Thomas Jefferson, John Adams, John Jay, and George Washington.","Autograph letter signed. Bushrod asks Marshall to look through the Washington letters in his possession and send any related to Alexander Hamilton  to Mrs. Elizabeth Hamilton.","Autograph letter signed. Draft copy. Bushrod tells Elizabeth Hamilton that he has written to Chief Justice John Marshall about the Alexander Hamilton and George Washington correspondence that she has requested.","Autograph letter signed. Draft copy. Bushrod writes to James Hamilton about correspondence between George Washington and Alexander Hamilton that was requested by Mrs. Elizabeth Hamilton.","Draft copy.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Bushrod Corbin Washington writes his uncle that he is on the trail of Charles and Nathan, two of Bushrod's enslaved workers.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Three letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, sister, and mother.","Autograph letters signed with integral address panel. 5 letters on one sheet of paper addressed to Thomas Blackburn Washington from his sister, mother, and cousins.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper written to Thomas Blackburn Washington by his mother and sister.","Autograph letter signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addresed to Thomas Blackburn Washington from his sister and mother.","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.","3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, father, and sister.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister. Bushrod Corbin writes that he has returned from Richmond to find all his family and friends well, \"both white and black.\"","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington by his mother and father.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother. Also contains doodled signatures of Archibald Fairfax and Bushrod W. Herbert, and Noblet Herbert.","Autograph letters signed with integral address panel. 3 letters on a single leaf of papers addressed to Thomas Blackburn Washington from his father, sister, and mother.","Autograph letter signed with integral address panel.","Autograph letter signed. Hannah mentions Thomas visiting Mount Vernon.","Autograph letter signed with integral address panel. 3 letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, mother, and sister.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letters signed with integral address panel. Two letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and cousin.","Autograph letters signed with integral address panels. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and mother.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister, mother, and father.","Autograph letter signed with integral address panel.","Autograph letter signed. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and mother.","Autograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and mother.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letters signed with integral address panel. 3 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Corbin writes that he had planned to visit Bushrod in Philadelphia but lacks the funds and clothing. He asks on behalf of their father if Bushrod can send books: Horace, Euclid, Cicero's Orations, and a Westminster Greek grammar published in 1754.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed. Corbin writes that his wife has almost died from \"very severe epileptic fits.\"","Autograph letter signed.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. With additional sheet signed by Corbin describing Walnut Farm in Westmoreland County.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Address panel addressed to Bushrod by Corbin Washington. The letter is not extant.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel. 2 letters on 1 leaf of paper written to Bushrod by his mother and father.","Autograph letter signed.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. With additional leaf of paper in another hand addressed to \"my dear son.\"","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel, with note that the letter was sent \"By Jeremiah.\"","Autograph letter signed, undated, with integral address panel.","Address panel with note on verso about the prices of tea and sugar in Philadelphia.","Autograph letter signed. Lund writes about crops and horses.","Autograph letter signed. From \"Samuel George Washington\" to his father, Bushrod Washington. Bushrod had no children and dockets the letter on verso, \"From some fool or knave calling himself Samuel F. Washington \u0026 my son.\"","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","An inventory of the furniture from John Augustine Washington's estate at Bushfield, which was divided between his wife Hannah and their two sons, Corbin and Bushrod. This document is located within Box 4 (oversized).","List of land, including new patents in Frederick City, left to Samuel Washington and John Augustine Washington by their older half-brother Lawrence Washington. The list also notes that 3,569 acres were given to Charles Washington.","Autograph letter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of General George Washington.","Autograph leter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of George Washington.","Autograph letter signed with integral address panel. Ludwell Lee writes on behalf of his brother about a debt due to the estate of George Washington. Lee writes that is brother is unable to pay the debt at the moment because he has recently purchased \"some Negroes.\"","Autograph letter signed. Copy. Bushrod writes to a son of Alexander Spotswood regarding payment owed to the estate of George Washington.","Autograph letter with free franked address panel. Rives writes regarding debts owed by his neighbor to Bushrod, as well as the sale of land from the estate of George Washington near the Dismal Swamp.","Autograph letter signed with integral address panel. Letter regarding the payment of debts owed to the estate of George Washington.","Autograph leter signed with integral address panel. Letter regarding the payment of debt owed to the estate of George Washington.","Autograph letter signed with integral address panel. Lee writes about debts owed to the estate of General Washington and mentions visiting Bushrod at Mount Vernon.","A list of taxes on 8,857 acres of land owned by the estate of George Washington in 1802.","Autograph letter signed. Lewis writes that Samuel Washington has requested the patent for the tract of land on the Kanahwa.","Manuscript copy of \"George Washington's Executors against L. W. McCarty Spotswood \u0026 others and Mary D. Washington against George Washington's Executors.\"","Autograph document signed \"Bush. Washington.\"","Docketed on verso by Bushrod Washington.","Taken by William Grayson.","Note regarding money owed by Fitzhugh's father for land in Charles County.","Wrapper docketed \"Title papers on the Ohio \u0026 Kanhawa Lands which the Legatees have divided...\"","Note on the sale of Lot 5 to A. Parke, Lots 12 and 13 to Thomas Peter, and Lot 14 to George S. Washington.","List of accounts title \"Condensed Statement A\" showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.","List of accounts showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.","Survey and plat of George Washington's Bullskin farm and land in Jefferson County.","Autograph document in unidentified hand, recording \"confidential communication\" received from Bushrod Washington with instructions for his burial.","Autograph document signed R. J. Taylor. In his will, Bushrod Washington instructed that his law books be retained at Mount Vernon by John Augustine Washington II until his nephew Bushrod Washington Herbert turns twenty-one. Then, Herbert will inherit the books if at that time he is \"destined to the bar\" and determined to practice law.","A copy from the County Court of Fairfax of the division of the slaves and stocks from the estate of Bushrod Washington amongst his nephews. Includes a list of the names of the enslaved persons that went to each nephew, with their values.","Autograph document in the hand of John Augustine Washington II, 20 pages. Includes a list of enslaved workers and household goods listed by room, with some notes on to whom they were bequeathed.","Bond of indenture witnessed and signed by Charles Washington.","Autograph document signed by Bushrod Washington and Henry \"Light-Horse Harry\" Lee, conveying the estate of Belvidere to Washington.","Autograph document signed by Henry \"Light-Horse Harry\" Lee. An agreement about a road connecting the Belvedire estate to a canal.","Autograph letter signed with integral address panel.","Agreement about renting a house.","Agreement for the conveyance of lands in Westmoreland County.","Undated bond between Robert Throckmorton and John Augustine Washington regarding the sale of land. Witnessed and signed by James Rumsey.","Survey created by James Thomas for the action of trespass in the legal case Richard Bushrod vs. Lawrence McNemarra.","Survey by James Thomas, surveyor of Westmoreland County.","Addressed to N. Herbert of Alexandria.","Two print forms from the Commonwealth of Virginia from the case Washington vs. Hite.","Legal advise from Edmund Pendelton to John Augustine Washington regarding a land dispute with Fauntleroy. Lists items to prove to solidify case including deaths of previous owners. Notes survey details of land in question. Feels confident the case will be successful. Autograph letter signed, 1 page, with integral address panel.","Docketed \"Rough Draft of my lands in Berkley with observations of no consequence to any body but myself. C Washington.\"","A plat showing 131 lots and street names in Bath at Berkeley Springs, West Virginia. The lots are listed with their owners' names and prices. The plat includes lots owned by Gen. Washington and W. Fairfax.","Surveyed by Chris Collins.","Docketed \"Frederick Land Papers\" with plat on verso.","Surveyed by Robert Brook.","Three copies of the will of John Bushrod of Westmoreland County with notes by Bushrod Washington for the case Washington vs. Fauntleroy.","An inventory listing household items, furniture, 4 enslaved persons, and animals. With a note by Mildred Bushrod that she received the listed articles from John Augustine Washington on July 27, 1761.","A copy of Bushrod Washington's will in the Fairfax County Court. Includes instructions for the division of the Mount Vernon property, library, and enslaved population, with instructions that land should be given to West Ford.","A manuscript copy of the last will and testament of Hannah Bushrod Washington, in which she specifies that her body be left out until it putrefies so that she is not buried alive. In her will, Hannah specifies that West Ford, the son of an enslaved woman named Venus, should be inoculated from smallpox, apprenticed to a tradesman, and freed at the age of twenty-one.","A \"true\" manuscript copy made from the original, which is dated July 8, 1830. In his will, John Augustine gives his wife Jane the power to dispose of any of his enslaved workers who are disobedient to her after his death. He also stipulates that his children may sell the Mount Vernon estate to the government if Congress wants it.","Printed form with manuscript inputs. Signed on verso B. Washington. Insurance application for Bushrod's residence Belvedary in Richmond City in the county of Henrico. Includes a plan of three buildings – a kitchen, dwelling, and office.","Autograph document in the hand of James Mercer, with an autograph signed note. With integral address panel addressed to George Washington Esq, \"present.\" This memorial or petition was sent by Washington to Dunmore to request additional surveys of the Kanawha lands granted to Virginia veterans of the French and Indian War.","Autograph document. A list of household goods and animals sold at Selby, with an additional list of the sale of the enslaved workers Abraham, Caeser, Siphah, Robin, Daniel, Toby, Harry, and Moses.","Four letters related to Bushrod Washington's involvement in the American Bible Society.","Letter informing Bushrod Washington he has been named Vice President of the American Sunday School Union, 1829 June 2","Letter from Edward Everett informing Bushrod Washington that he has been named an honorary member of the Bunker Hill Monument Association.","Contains 2 items:\n \nConstitution of the Philadelphia Southern Society, 1818 May 13 - a rinted pamphlet, 4 pages, with manuscript additions to the list of members.\n \nLetter informing Bushrod Washington that he has been named an honorary member of the Philadelphia Southern Society.","Letter to Bushrod Washington asking for financial support.","Contains 3 letters:\n \nLetter informing Bushrod Washington that he has been named an honorary member of the Peithesophian Society of Rutgers College, 1829 October 3\n \nLetter informing Bushrod Washington that Harvard University has conferred on him the honorary Degree of Doctor of Laws, 1828 March 3\n \nLetter inviting Bushrod Washington to become an honorary member of the Franklin Society of Penn University, 1824 June 31","Addressed to the President of the United States, Mount Vernon, and docketed \"cement\" in George Washington's hand.","Autograph document, docketed by Bushrod Washington.","Autograph document in the hand of Elizabeth Powel, docketed by Bushrod Washington. Addressed to Judge Washington \"with Mrs. Powels best wishes.\"","For land in the Northern Neck of Virginia.","Autograph document signed. With note on verso by the wife of Robert Worthington that she received four pounds seven shillings from Major Lawrence Washington for lease of the land. Dated 1741 October 14.","Autograph document. Fragile with tape repairs and loss of text.","Autograph document signed John Waller. For the sale of one acre of land and a house in Fredericksburgh in the County of Spotsylvania. With partial manuscript transcription written on Washington State Senate stationary, dated 1950.","Autograph document signed. For land in Fredrick County.","Autograph document signed by John Augustine Washington, Charles Washington, and George A. Washington. For land in Fredericksburg leased by John Augustine to his mother, Mary Ball Washington.","Autograph document. Copy of indenture for land in Fairfax County.","Autograph document signed. For land in Fairfax County."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, George Augustine, approximately 1759-1793","Washington, Lund, 1737-1796","Wythe, George, 1726-1806","Washington, Lawrence, 1718-1752","Washington, Charles, 1738-1799","Washington, John Augustine, 1789-1832","Lee, Ludwell, 1760-1836","Lewis, Robert, 1769-1829","Lee, Richard Henry, 1794-1865","Lewis, Lawrence, 1767-1839","Lee, Henry, 1756-1818","McPherson, William, 1751?-1813","Herbert, Bushrod Washington, -1888","Washington, George Corbin, 1789-1854","Herbert, Noblet","Rumsey, James, 1743?-1792","Pendleton, Edmund, 1721-1803","Bushrod, John, 1662-1719","Ford, West, approximately 1784-1863","Washington, George Steptoe, 1771-1809","Mercer, James, 1736-1793","Everett, Edward, 1794-1865","Powel, Elizabeth Willing, 1743-1830","Washington, Mary Ball, 1708-1789"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, George Augustine, approximately 1759-1793","Washington, Lund, 1737-1796","Wythe, George, 1726-1806","Washington, Lawrence, 1718-1752","Washington, Charles, 1738-1799","Washington, John Augustine, 1789-1832","Lee, Ludwell, 1760-1836","Lewis, Robert, 1769-1829","Lee, Richard Henry, 1794-1865","Lewis, Lawrence, 1767-1839","Lee, Henry, 1756-1818","McPherson, William, 1751?-1813","Herbert, Bushrod Washington, -1888","Washington, George Corbin, 1789-1854","Herbert, Noblet","Rumsey, James, 1743?-1792","Pendleton, Edmund, 1721-1803","Bushrod, John, 1662-1719","Ford, West, approximately 1784-1863","Washington, George Steptoe, 1771-1809","Mercer, James, 1736-1793","Everett, Edward, 1794-1865","Powel, Elizabeth Willing, 1743-1830","Washington, Mary Ball, 1708-1789"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":266,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:50:40.181Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_44_c01"}},{"id":"viu_repositories_3_resources_941_c01","type":"Series","attributes":{"title":"Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01","ref_ssm":["viu_repositories_3_resources_941_c01"],"id":"viu_repositories_3_resources_941_c01","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","parent_ssi":"viu_repositories_3_resources_941","parent_ssim":["viu_repositories_3_resources_941"],"parent_ids_ssim":["viu_repositories_3_resources_941"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962)."],"title_filing_ssi":"Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","title_ssm":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"title_tesim":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"unitdate_inclusive_ssm":["1806-1988"],"normalized_date_ssm":["1806/1988"],"normalized_title_ssm":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["true"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"arrangement_html_tesm":["\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. "],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962)."],"_nest_path_":"/components#0","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. 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F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01"}},{"id":"vimtvl_repositories_3_resources_71_c02","type":"Series","attributes":{"title":"Series 2. Correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_71_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_3_resources_71_c02","ref_ssm":["vimtvl_repositories_3_resources_71_c02"],"id":"vimtvl_repositories_3_resources_71_c02","ead_ssi":"vimtvl_repositories_3_resources_71","_root_":"vimtvl_repositories_3_resources_71","_nest_parent_":"vimtvl_repositories_3_resources_71","parent_ssi":"vimtvl_repositories_3_resources_71","parent_ssim":["vimtvl_repositories_3_resources_71"],"parent_ids_ssim":["vimtvl_repositories_3_resources_71"],"parent_unittitles_ssm":["Chapin collection of Washington \u0026 Custis family documents"],"parent_unittitles_tesim":["Chapin collection of Washington \u0026 Custis family documents"],"text":["Chapin collection of Washington \u0026 Custis family documents","Series 2. Correspondence","Washington, George, 1732-1799","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Lewis, Eleanor Parke Custis, 1779-1852","Costin, William, 1780?-1842","English ."],"title_filing_ssi":"Series 2. Correspondence","title_ssm":["Series 2. Correspondence"],"title_tesim":["Series 2. Correspondence"],"unitdate_inclusive_ssm":["1768-1829; undated"],"normalized_date_ssm":["1768/1829"],"normalized_title_ssm":["Series 2. Correspondence"],"component_level_isim":[1],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Chapin collection of Washington \u0026 Custis family documents"],"has_online_content_ssim":["true"],"child_component_count_isi":14,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":7,"parent_access_restrict_tesm":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"date_range_isim":[1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829],"names_ssim":["Washington, George, 1732-1799","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Lewis, Eleanor Parke Custis, 1779-1852","Costin, William, 1780?-1842"],"persname_ssim":["Washington, George, 1732-1799","Washington, George, 1732-1799","Scott, John Morin, 1730-1784","Washington, George, 1732-1799","Custis, John Parke, 1754-1781","Washington, George, 1732-1799","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Lewis, Eleanor Parke Custis, 1779-1852","Lewis, Eleanor Parke Custis, 1779-1852","Lewis, Eleanor Parke Custis, 1779-1852","Costin, William, 1780?-1842"],"language_ssim":["English ."],"_nest_path_":"/components#1","timestamp":"2026-05-21T05:46:39.072Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_3_resources_71","ead_ssi":"vimtvl_repositories_3_resources_71","_root_":"vimtvl_repositories_3_resources_71","_nest_parent_":"vimtvl_repositories_3_resources_71","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_71.xml","title_ssm":["Chapin collection of Washington \u0026 Custis family documents"],"title_tesim":["Chapin collection of Washington \u0026 Custis family documents"],"unitdate_ssm":["1758-1829"],"unitdate_inclusive_ssm":["1758-1829"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.1201.RM.1202","/repositories/3/resources/71"],"text":["RM.1201.RM.1202","/repositories/3/resources/71","Chapin collection of Washington \u0026 Custis family documents","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","The collection is divided into two series: Legal and Financial, and Correspondence. The folders are arranged in chronological order within each series. The undated material is listed at the end of the series, in alphabetical order by folder title.","Eleanor Parke Custis Lewis (1779-1852): Eleanor was born on March 31, 1779. She was the youngest granddaughter of Martha Washington and the step-granddaughter of George Washington. After her father John Parke Custis' death in 1781 and her mother, Eleanor Calvert Custis' marriage to Dr. David Stuart, Eleanor and her brother George Washington Parke Custis began living with the Washingtons. In 1799, Eleanor married Washington's nephew, Lawrence Lewis. Of their eight children, only one son and three daughters lived to maturity. Eleanor and Lawrence remained at Mount Vernon until Martha Washington's death in 1802 and subsequently moved to Woodlawn Plantation upon its completion in 1805. Throughout her life, Nelly regarded herself as the preserver of George Washington's legacy. She died at Audley Plantation on July 15, 1852 and is buried at Mount Vernon in the family tomb.","Martha Washington (1731-1802): Martha Dandridge Custis Washington was born on June 2, 1731 to parents John and Frances Jones Dandridge. She married her first husband, Daniel Parke Custis, on May 15, 1750. Together they had four children, two of whom died in childhood. On July 8, 1757, her husband unexpectedly died, leaving her a widow with their two remaining children, John Parke Custis and Martha Parke Custis. On January 6, 1759, Martha Dandridge Custis married George Washington. Martha Parke Custis or Patsy, died at the age of 17. On February 3, 1774, John Parke Custis married Eleanor Calvert, and together they had four children who survived to adulthood. However, on November 5, 1781, John Parke Custis passed away, and the younger two of his children went to live at Mount Vernon with their grandmother. Martha Dandridge Custis Washington died on May 22, 1802.","George Washington (1732-1799): George Washington was born on February 22, 1732 at a modest farm in Westmoreland County, Virginia to parents Augustine and Mary Ball Washington. In 1749, George Washington was appointed surveyor for Culpepper County. In 1752, he started his military career in the Virginia militia. During the Revolutionary War he was the Commander-in-Chief of the Continental Army and later was elected as the first President of the United States of America. He lived with his wife, Martha Washington, at Mount Vernon, where he passed away December 14, 1799.","Esther Maria Lewis Chapin Collection of Washington Family Documents ;\nGeorge Washington Collection ;\nHistoric Manuscripts Collection ;\nLawrence Lewis Papers ;\nPeter Family Papers","This collection consists of papers inherited and collected by Washington family descendants. Many were purchased in 1927 at auction to reunite Washington family correspondence. The collection includes correspondence, financial documents and legal documents that relate primarily to the Custis and Lewis families, but include other items related to Virginia history. Charles and Peter Chapin, the previous owners of this collection, descended from Eleanor Parke Custis and Lawrence Lewis through Esther Maria Lewis and Charles Chapin. This collection was originally assembled by Esther Maria Lewis Chapin who inherited some of the Washington/Custis papers, but was also an avid collector and brought back together family items that were being dispersed nationwide. This collection is an example of that effort; much of which was at auction in 1927 (Anderson Galleries, sale 2201, 28-29 November 1927).","Partially printed bill of exchange charged to the estate of Daniel Parke Custis and signed by Martha Custis.","Autograph document in George Washington's hand. Receipt for the purchase of a horse. Signed and docketed on verso by George Washington Parke Custis. With facsimile of related receipt provenance notes from the Custis family.","Indenture for the sale of land in New Jersey.","Document signed by Lord Dunmore, 1 page, on vellum, 24 x 26 inches. Docketed on verso \"George Washingon Esq./ 10900 Acres/ Fincastle, Recorded and examined.\"","Autograph document signed in the hand of George Washington, for money received from Doctor Stuart for annuity and a balance due from the estate of John Parke Custis.","Autograph letter signed with integral address panel. Washington writes that Jacky Custis is returning to school after being delayed by illness. Washington writes that Jacky \"promises to stick close to his Book, and endeavour by diligent study to recover his lost time.\"","Autograph letter signed, about financial matters. With an engraving of Charles Carroll of Carrollton by A. P. Durand.","Autograph letter signed, 1 page. Mounted on cardstock. Washington gives orders for the removal of suspected loyalists to New Rochelle. He warns against any injury to persons or property but insists they be kept \"at a distance from the Enemy of whom it is suspected they are favourers and are carrying on correspondances dangerous to the United States of America.","Letter signed, about the case of Colonel John Duyckinck, who surrendered from the British army and was being held in Philadelphia.","Autograph letter signed with integral address panel. Custis writes about financial matters and Sunday dinner plans.","Autograph letter signed, 3 pages. Washington writes criticizing Congress's plan to raise a standing army for only one year, lamenting \"the pernicious State-system is still adhered to.\" Washington worries each victory will \"lull us into security.\" He writes, \"The history of the war is a history of false hopes and temporary expedient.\" With an engraving by W. Humphreys and photogravure of Washington.","Autograph letter signed, 3 pages, with integral address panel. Mounted in folder with an engraving of Charles Stewart.","Autograph letter signed, 1 page, with integral address panel. Letter written in Philadelphia by David Rittenhouse while he is serving as Treasurer for the State of Pennsylvania.","Dandridge writes on behalf of President George Washington to the printers Childs and Swaine that Washington no longer wishes to subscribe to the supplement to their Daily Advertiser because he longer has time to read \"the published prints that are brought to him.\"","Autograph letter signed, 1 page. Trumbull writes of business matters. He also writes of the French, \"from such friends, God Deliver us.\"","Autograph letter signed, 4 pages. Nelly thanks Mrs. Pinckney for the shawl she sent and hopes she can visit Mount Vernon next summer, when Nelly and husband hope to be settled in their own house. She writes about the health of herself, her daughter Frances, and Martha Washington, who had a \"bilious fever.\" She writes of the death of her sister Martha Peter's daughter Eleanor, who was buried in the family vault at Mount Vernon. With an envelope purported to contain Washington's hair.","Autograph letter signed, 3 pages.","Autograph letter signed, 1 page. Nelly writes about visiting Philadelphia, sending bacon, and wishing well to Costin's mother.","One title, The New Testament of our Lord and Saviour Jesus Christ, 1634. Transferred to Rare Books Collection.","Special Collections at The George Washington Presidential Library at Mount Vernon","Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Costin, William, 1780?-1842","English \n.    "],"unitid_tesim":["RM.1201.RM.1202","/repositories/3/resources/71"],"normalized_title_ssm":["Chapin collection of Washington \u0026 Custis family documents"],"collection_title_tesim":["Chapin collection of Washington \u0026 Custis family documents"],"collection_ssim":["Chapin collection of Washington \u0026 Custis family documents"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799"],"creator_ssim":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799"],"creator_persname_ssim":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799"],"creators_ssim":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799"],"has_online_content_ssim":["true"],"extent_ssm":[".5 Linear Feet (2 boxes)"],"extent_tesim":[".5 Linear Feet (2 boxes)"],"date_range_isim":[1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Legal and Financial, and Correspondence. The folders are arranged in chronological order within each series. The undated material is listed at the end of the series, in alphabetical order by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Legal and Financial, and Correspondence. The folders are arranged in chronological order within each series. The undated material is listed at the end of the series, in alphabetical order by folder title."],"bioghist_html_tesm":["\u003cp\u003eEleanor Parke Custis Lewis (1779-1852): Eleanor was born on March 31, 1779. She was the youngest granddaughter of Martha Washington and the step-granddaughter of George Washington. After her father John Parke Custis' death in 1781 and her mother, Eleanor Calvert Custis' marriage to Dr. David Stuart, Eleanor and her brother George Washington Parke Custis began living with the Washingtons. In 1799, Eleanor married Washington's nephew, Lawrence Lewis. Of their eight children, only one son and three daughters lived to maturity. Eleanor and Lawrence remained at Mount Vernon until Martha Washington's death in 1802 and subsequently moved to Woodlawn Plantation upon its completion in 1805. Throughout her life, Nelly regarded herself as the preserver of George Washington's legacy. She died at Audley Plantation on July 15, 1852 and is buried at Mount Vernon in the family tomb.\u003c/p\u003e\n","\u003cp\u003eMartha Washington (1731-1802): Martha Dandridge Custis Washington was born on June 2, 1731 to parents John and Frances Jones Dandridge. She married her first husband, Daniel Parke Custis, on May 15, 1750. Together they had four children, two of whom died in childhood. On July 8, 1757, her husband unexpectedly died, leaving her a widow with their two remaining children, John Parke Custis and Martha Parke Custis. On January 6, 1759, Martha Dandridge Custis married George Washington. Martha Parke Custis or Patsy, died at the age of 17. On February 3, 1774, John Parke Custis married Eleanor Calvert, and together they had four children who survived to adulthood. However, on November 5, 1781, John Parke Custis passed away, and the younger two of his children went to live at Mount Vernon with their grandmother. Martha Dandridge Custis Washington died on May 22, 1802.\u003c/p\u003e\n","\u003cp\u003eGeorge Washington (1732-1799): George Washington was born on February 22, 1732 at a modest farm in Westmoreland County, Virginia to parents Augustine and Mary Ball Washington. In 1749, George Washington was appointed surveyor for Culpepper County. In 1752, he started his military career in the Virginia militia. During the Revolutionary War he was the Commander-in-Chief of the Continental Army and later was elected as the first President of the United States of America. He lived with his wife, Martha Washington, at Mount Vernon, where he passed away December 14, 1799.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Eleanor Parke Custis Lewis (1779-1852): Eleanor was born on March 31, 1779. She was the youngest granddaughter of Martha Washington and the step-granddaughter of George Washington. After her father John Parke Custis' death in 1781 and her mother, Eleanor Calvert Custis' marriage to Dr. David Stuart, Eleanor and her brother George Washington Parke Custis began living with the Washingtons. In 1799, Eleanor married Washington's nephew, Lawrence Lewis. Of their eight children, only one son and three daughters lived to maturity. Eleanor and Lawrence remained at Mount Vernon until Martha Washington's death in 1802 and subsequently moved to Woodlawn Plantation upon its completion in 1805. Throughout her life, Nelly regarded herself as the preserver of George Washington's legacy. She died at Audley Plantation on July 15, 1852 and is buried at Mount Vernon in the family tomb.","Martha Washington (1731-1802): Martha Dandridge Custis Washington was born on June 2, 1731 to parents John and Frances Jones Dandridge. She married her first husband, Daniel Parke Custis, on May 15, 1750. Together they had four children, two of whom died in childhood. On July 8, 1757, her husband unexpectedly died, leaving her a widow with their two remaining children, John Parke Custis and Martha Parke Custis. On January 6, 1759, Martha Dandridge Custis married George Washington. Martha Parke Custis or Patsy, died at the age of 17. On February 3, 1774, John Parke Custis married Eleanor Calvert, and together they had four children who survived to adulthood. However, on November 5, 1781, John Parke Custis passed away, and the younger two of his children went to live at Mount Vernon with their grandmother. Martha Dandridge Custis Washington died on May 22, 1802.","George Washington (1732-1799): George Washington was born on February 22, 1732 at a modest farm in Westmoreland County, Virginia to parents Augustine and Mary Ball Washington. In 1749, George Washington was appointed surveyor for Culpepper County. In 1752, he started his military career in the Virginia militia. During the Revolutionary War he was the Commander-in-Chief of the Continental Army and later was elected as the first President of the United States of America. He lived with his wife, Martha Washington, at Mount Vernon, where he passed away December 14, 1799."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Chapin Collection of Washington \u0026amp; Custis family documents, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Chapin Collection of Washington \u0026 Custis family documents, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eEsther Maria Lewis Chapin Collection of Washington Family Documents ;\nGeorge Washington Collection ;\nHistoric Manuscripts Collection ;\nLawrence Lewis Papers ;\nPeter Family Papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Esther Maria Lewis Chapin Collection of Washington Family Documents ;\nGeorge Washington Collection ;\nHistoric Manuscripts Collection ;\nLawrence Lewis Papers ;\nPeter Family Papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of papers inherited and collected by Washington family descendants. Many were purchased in 1927 at auction to reunite Washington family correspondence. The collection includes correspondence, financial documents and legal documents that relate primarily to the Custis and Lewis families, but include other items related to Virginia history. Charles and Peter Chapin, the previous owners of this collection, descended from Eleanor Parke Custis and Lawrence Lewis through Esther Maria Lewis and Charles Chapin. This collection was originally assembled by Esther Maria Lewis Chapin who inherited some of the Washington/Custis papers, but was also an avid collector and brought back together family items that were being dispersed nationwide. This collection is an example of that effort; much of which was at auction in 1927 (Anderson Galleries, sale 2201, 28-29 November 1927).\u003c/p\u003e","\u003cp\u003ePartially printed bill of exchange charged to the estate of Daniel Parke Custis and signed by Martha Custis.\u003c/p\u003e","\u003cp\u003eAutograph document in George Washington's hand. Receipt for the purchase of a horse. Signed and docketed on verso by George Washington Parke Custis. With facsimile of related receipt provenance notes from the Custis family.\u003c/p\u003e","\u003cp\u003eIndenture for the sale of land in New Jersey.\u003c/p\u003e","\u003cp\u003eDocument signed by Lord Dunmore, 1 page, on vellum, 24 x 26 inches. Docketed on verso \"George Washingon Esq./ 10900 Acres/ Fincastle, Recorded and examined.\"\u003c/p\u003e","\u003cp\u003eAutograph document signed in the hand of George Washington, for money received from Doctor Stuart for annuity and a balance due from the estate of John Parke Custis.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Washington writes that Jacky Custis is returning to school after being delayed by illness. Washington writes that Jacky \"promises to stick close to his Book, and endeavour by diligent study to recover his lost time.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed, about financial matters. With an engraving of Charles Carroll of Carrollton by A. P. Durand.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 1 page. Mounted on cardstock. Washington gives orders for the removal of suspected loyalists to New Rochelle. He warns against any injury to persons or property but insists they be kept \"at a distance from the Enemy of whom it is suspected they are favourers and are carrying on correspondances dangerous to the United States of America.\u003c/p\u003e","\u003cp\u003eLetter signed, about the case of Colonel John Duyckinck, who surrendered from the British army and was being held in Philadelphia.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Custis writes about financial matters and Sunday dinner plans.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 3 pages. Washington writes criticizing Congress's plan to raise a standing army for only one year, lamenting \"the pernicious State-system is still adhered to.\" Washington worries each victory will \"lull us into security.\" He writes, \"The history of the war is a history of false hopes and temporary expedient.\" With an engraving by W. Humphreys and photogravure of Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 3 pages, with integral address panel. Mounted in folder with an engraving of Charles Stewart.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 1 page, with integral address panel. Letter written in Philadelphia by David Rittenhouse while he is serving as Treasurer for the State of Pennsylvania.\u003c/p\u003e","\u003cp\u003eDandridge writes on behalf of President George Washington to the printers Childs and Swaine that Washington no longer wishes to subscribe to the supplement to their Daily Advertiser because he longer has time to read \"the published prints that are brought to him.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 1 page. Trumbull writes of business matters. He also writes of the French, \"from such friends, God Deliver us.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 4 pages. Nelly thanks Mrs. Pinckney for the shawl she sent and hopes she can visit Mount Vernon next summer, when Nelly and husband hope to be settled in their own house. She writes about the health of herself, her daughter Frances, and Martha Washington, who had a \"bilious fever.\" She writes of the death of her sister Martha Peter's daughter Eleanor, who was buried in the family vault at Mount Vernon. With an envelope purported to contain Washington's hair.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 3 pages.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 1 page. Nelly writes about visiting Philadelphia, sending bacon, and wishing well to Costin's mother.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of papers inherited and collected by Washington family descendants. Many were purchased in 1927 at auction to reunite Washington family correspondence. The collection includes correspondence, financial documents and legal documents that relate primarily to the Custis and Lewis families, but include other items related to Virginia history. Charles and Peter Chapin, the previous owners of this collection, descended from Eleanor Parke Custis and Lawrence Lewis through Esther Maria Lewis and Charles Chapin. This collection was originally assembled by Esther Maria Lewis Chapin who inherited some of the Washington/Custis papers, but was also an avid collector and brought back together family items that were being dispersed nationwide. This collection is an example of that effort; much of which was at auction in 1927 (Anderson Galleries, sale 2201, 28-29 November 1927).","Partially printed bill of exchange charged to the estate of Daniel Parke Custis and signed by Martha Custis.","Autograph document in George Washington's hand. Receipt for the purchase of a horse. Signed and docketed on verso by George Washington Parke Custis. With facsimile of related receipt provenance notes from the Custis family.","Indenture for the sale of land in New Jersey.","Document signed by Lord Dunmore, 1 page, on vellum, 24 x 26 inches. Docketed on verso \"George Washingon Esq./ 10900 Acres/ Fincastle, Recorded and examined.\"","Autograph document signed in the hand of George Washington, for money received from Doctor Stuart for annuity and a balance due from the estate of John Parke Custis.","Autograph letter signed with integral address panel. Washington writes that Jacky Custis is returning to school after being delayed by illness. Washington writes that Jacky \"promises to stick close to his Book, and endeavour by diligent study to recover his lost time.\"","Autograph letter signed, about financial matters. With an engraving of Charles Carroll of Carrollton by A. P. Durand.","Autograph letter signed, 1 page. Mounted on cardstock. Washington gives orders for the removal of suspected loyalists to New Rochelle. He warns against any injury to persons or property but insists they be kept \"at a distance from the Enemy of whom it is suspected they are favourers and are carrying on correspondances dangerous to the United States of America.","Letter signed, about the case of Colonel John Duyckinck, who surrendered from the British army and was being held in Philadelphia.","Autograph letter signed with integral address panel. Custis writes about financial matters and Sunday dinner plans.","Autograph letter signed, 3 pages. Washington writes criticizing Congress's plan to raise a standing army for only one year, lamenting \"the pernicious State-system is still adhered to.\" Washington worries each victory will \"lull us into security.\" He writes, \"The history of the war is a history of false hopes and temporary expedient.\" With an engraving by W. Humphreys and photogravure of Washington.","Autograph letter signed, 3 pages, with integral address panel. Mounted in folder with an engraving of Charles Stewart.","Autograph letter signed, 1 page, with integral address panel. Letter written in Philadelphia by David Rittenhouse while he is serving as Treasurer for the State of Pennsylvania.","Dandridge writes on behalf of President George Washington to the printers Childs and Swaine that Washington no longer wishes to subscribe to the supplement to their Daily Advertiser because he longer has time to read \"the published prints that are brought to him.\"","Autograph letter signed, 1 page. Trumbull writes of business matters. He also writes of the French, \"from such friends, God Deliver us.\"","Autograph letter signed, 4 pages. Nelly thanks Mrs. Pinckney for the shawl she sent and hopes she can visit Mount Vernon next summer, when Nelly and husband hope to be settled in their own house. She writes about the health of herself, her daughter Frances, and Martha Washington, who had a \"bilious fever.\" She writes of the death of her sister Martha Peter's daughter Eleanor, who was buried in the family vault at Mount Vernon. With an envelope purported to contain Washington's hair.","Autograph letter signed, 3 pages.","Autograph letter signed, 1 page. Nelly writes about visiting Philadelphia, sending bacon, and wishing well to Costin's mother."],"separatedmaterial_html_tesm":["\u003cp\u003eOne title, The New Testament of our Lord and Saviour Jesus Christ, 1634. Transferred to Rare Books Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["One title, The New Testament of our Lord and Saviour Jesus Christ, 1634. Transferred to Rare Books Collection."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Costin, William, 1780?-1842"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Costin, William, 1780?-1842"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:46:39.072Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_71_c02"}},{"id":"viu_repositories_3_resources_1438_c02","type":"Series","attributes":{"title":"Thomas Jefferson Architectural Drawings","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1438_c02","ref_ssm":["viu_repositories_3_resources_1438_c02"],"id":"viu_repositories_3_resources_1438_c02","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","parent_ssi":"viu_repositories_3_resources_1438","parent_ssim":["viu_repositories_3_resources_1438"],"parent_ids_ssim":["viu_repositories_3_resources_1438"],"parent_unittitles_ssm":["The University of Virginia Jefferson Papers"],"parent_unittitles_tesim":["The University of Virginia Jefferson Papers"],"text":["The University of Virginia Jefferson Papers","Thomas Jefferson Architectural Drawings","English","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia."],"title_filing_ssi":"Thomas Jefferson Architectural Drawings","title_ssm":["Thomas Jefferson Architectural Drawings"],"title_tesim":["Thomas Jefferson Architectural Drawings"],"unitdate_inclusive_ssm":["1769-1898"],"normalized_date_ssm":["1769/1898"],"normalized_title_ssm":["Thomas Jefferson Architectural Drawings"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Jefferson Papers"],"extent_ssm":["2.2 Cubic Feet"],"extent_tesim":["2.2 Cubic Feet"],"has_online_content_ssim":["true"],"child_component_count_isi":98,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":6,"parent_access_restrict_tesm":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff."],"parent_access_terms_tesm":["Reproduction of N-362 restricted withouth the written permission of the Library of Virginia."],"date_range_isim":[1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898],"language_ssim":["English"],"arrangement_html_tesm":["\u003cp\u003eArranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.)."],"odd_html_tesm":["\u003cp\u003eTo locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number."],"otherfindaid_html_tesm":["\u003cp\u003eSeparate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["Separate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249"],"processinfo_html_tesm":["\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items."],"scopecontent_html_tesm":["\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph."],"userestrict_html_tesm":["\u003cp\u003eReproduction of N-362 restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Reproduction of N-362 restricted withouth the written permission of the Library of Virginia."],"_nest_path_":"/components#1","timestamp":"2026-05-20T23:33:01.301Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1438","ead_ssi":"viu_repositories_3_resources_1438","_root_":"viu_repositories_3_resources_1438","_nest_parent_":"viu_repositories_3_resources_1438","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1438.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/146623","title_filing_ssi":"Jefferson, Thomas Papers, University of Virginia","title_ssm":["The University of Virginia Jefferson Papers"],"title_tesim":["The University of Virginia Jefferson Papers"],"unitdate_ssm":["1751-1898"],"unitdate_inclusive_ssm":["1751-1898"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"text":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438","The University of Virginia Jefferson Papers","University of Virginia","Real property -- Virginia","Architecture--Virginia","Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner.","Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.","Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).","Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756","Provenance unknown","Provenance unknown","This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation.","This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand","Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia.","Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839","English"],"unitid_tesim":["Jefferson Papers","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1438"],"normalized_title_ssm":["The University of Virginia Jefferson Papers"],"collection_title_tesim":["The University of Virginia Jefferson Papers"],"collection_ssim":["The University of Virginia Jefferson Papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"creator_persname_ssim":["Jefferson, Thomas, 1743-1826"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Jefferson, Thomas, 1743-1826","Randolph family"],"access_terms_ssm":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html "],"acqinfo_ssim":["Acquired by gift and purchase, 1825-present."],"access_subjects_ssim":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"access_subjects_ssm":["University of Virginia","Real property -- Virginia","Architecture--Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"extent_tesim":["14.2 Cubic Feet 1 legal document box, 1 half-width legal document box, 6 oversize flat boxes, 2 filing cabinets (4 drawers each)."],"date_range_isim":[1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.\u003c/p\u003e","\u003cp\u003eN 545, MSS 9090-a is restricted. No access without written permission of the owner.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research. Users must use a copy or microfilm of materials unless prior permission to use originals has been obtained from senior Special Collections staff.","N 545, MSS 9090-a is restricted. No access without written permission of the owner."],"altformavail_html_tesm":["\u003cp\u003ePhotocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Photocopy of this letter is boxed with 6240-a.\nOriginal file draft of this letter filed as MSS 2573."],"arrangement_html_tesm":["\u003cp\u003eLetters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.\u003c/p\u003e","\u003cp\u003eArranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Letters are arranged chronologically. Archtectural drawings, other oversized, and miscellaneous materials are arranged by Nichols (N) number where applicable, and by MSS number otherwise.","Arranged according to Nichols (N) number system. Each of Jefferson's architectural drawings is listed individually with the corresponding \"Nichols number\" taken from Thomas Jefferson's architectural drawings / compiled and with commentary and a check list by Frederick Doveton Nichols. -- 4th ed. - (Charlottesville : Thomas Jefferson Memorial Foundation, 1988, c1995.)."],"bioghist_html_tesm":["\u003cp\u003eThomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. \u003c/p\u003e\n","\u003cp\u003eJefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. \u003c/p\u003e\n","\u003cp\u003eAfter retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.\u003c/p\u003e\n","\u003cp\u003eEpithet: actor, son of Joseph Jefferson\u003c/p\u003e\n","\u003cp\u003eSNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Jefferson (1743-1826) was the third president of the United States, born in Goochland (now Albemarle County), Virginia. He was a member of the Virginia House of Burgesses from 1769 to 1775, and with R. H. Lee and Patrick Henry initiated the inter-colonial committee of correspondence in 1773. He wrote the widely circulated Summary View of the Rights of British America in 1774. Jefferson was a member of the Continental Congress in 1775 and 1776, and was chairman of committee that prepared Declaration of Independence. Jefferson himself wrote and presented the first draft of Declaration to Congress on July 2, 1776. He then signed Declaration with other founding fathers. Jefferson was Governor of Virginia from 1779 to 1781, and again a member of the Continental Congress from 1783 to 1785. He proposed decimal coinage, a series of provisions later embodied in Ordinance of 1787. He served as U.S. minister to France from 1785 to 1789, and as U.S. Secretary of State from 1790 to 1793. He served as Vice president of the U.S. from 1797 to 1801, and drafted the Kentucky Resolves in 1798, against the Alien and Sedition Acts. ","Jefferson was President of the United States from 1801 to 1809, elected by the House of Representatives after a tie in electoral vote (with Aaron Burr, q.v.). His presidential administration is remembered for the purchase of Louisiana from France in 1803 and dispatch of Lewis and Clark to explore it; the war against Algerian pirates from 1801 to 1805; diplomatic trouble with Great Britain over \"impressments\" of American seamen (Embargo Act of 1807); and prohibition of the importation of slaves. ","After retirement from presidency, Jefferson lived on his plantation at Monticello near Charlottesville, Virginia. He was instrumental in founding the University of Virginia in 1819. He was a noted naturalist, scholar, and architect, and author of Notes on the State of Virginia in 1785. Jefferson died 4 July 1826 and is buried at Monticello.","Epithet: actor, son of Joseph Jefferson","SNAC Cooperative. British Library Archives and Manuscripts Catalogue : Person : Description : ark:/81055/vdc_100000000544.0x00007c. https://snaccooperative.org/view/83449756"],"custodhist_html_tesm":["\u003cp\u003eProvenance unknown\u003c/p\u003e","\u003cp\u003eProvenance unknown\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["Provenance unknown","Provenance unknown"],"odd_html_tesm":["\u003cp\u003eThis is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.\u003c/p\u003e","\u003cp\u003eTo locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number.\u003c/p\u003e"],"odd_heading_ssm":["General","General"],"odd_tesim":["This is an artificial collection with multiple accession/manuscript numbers, as well as a variety of implemented arrangement systems.","To locate specific Architectural drawings in the Calendar of the Jefferson Papers of the University of Virginia, search the page for the item or folder date, Nichols (N) number, or MSS/Acc. number."],"otherfindaid_html_tesm":["\u003cp\u003eMain finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:\u003c/p\u003e\n","\u003cp\u003ehttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e\n","\u003cp\u003e\nDigital images of the architectural drawings, Nichols Tiffs:\u003c/p\u003e\n","\u003cp\u003ehttps://static.lib.virginia.edu/rmds/nichols/index.html\u003c/p\u003e\n","\u003cp\u003e\nOther online catalog, UVA Catalog of Jefferson's Drawings: \u003c/p\u003e\n","\u003cp\u003ehttp://www2.iath.virginia.edu/wilson/drawings/uvacat.html\u003c/p\u003e","\u003cp\u003eSeparate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids","Other Finding Aids"],"otherfindaid_tesim":["Main finding aid for this collection, A Calendar of The Jefferson Papers of the University of Virginia:","https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","\nDigital images of the architectural drawings, Nichols Tiffs:","https://static.lib.virginia.edu/rmds/nichols/index.html","\nOther online catalog, UVA Catalog of Jefferson's Drawings: ","http://www2.iath.virginia.edu/wilson/drawings/uvacat.html","Separate record for most of the architectural drawings in this collection: https://search.lib.virginia.edu/sources/uva_library/items/u4401249"],"prefercite_html_tesm":["\u003cp\u003eJefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["Jefferson Papers, The University of Virginia Jefferson Papers, folder title and number [if applicable], manuscript or record group number of original collection [if known], Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e","\u003cp\u003eLike the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the  University of Virginia . However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items.","Like the rest of the material in this collection, the Architectural Drawings and other oversized materials are arranged intellectually by dates of creation in the larger Calendar of the Jefferson Papers of the University of Virginia. However, the Architectural Drawings and other oversized materials are physically arranged according to their Nichols (N) number. This resource record was created to reflect that arrangement in order to provide easier access to the Archictural Drawings and other oversized items."],"relatedmaterial_html_tesm":["\u003cp\u003eOther institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:\u003c/p\u003e\n","\u003cp\u003eLIBRARY OF CONGRESS (DLC):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1606 to 1827\u003c/p\u003e\n","\u003cp\u003eMASSACHUSETTS HISTORICAL SOCIETY (MHI):\u003c/p\u003e\n","\u003cp\u003eCoolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.\u003c/p\u003e\n","\u003cp\u003eMISSOURI HISTORY MUSEUM (MOSHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Collection, 1773-1826\u003c/p\u003e\n","\u003cp\u003eHUNTINGTON LIBRARY (CSMH):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson collection, The Huntington Library, San Marino, California.\u003c/p\u003e\n","\u003cp\u003eHISTORICAL SOCIETY OF PENNSYLVANIA (PHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1766-1825\u003c/p\u003e\n","\u003cp\u003eAMERICAN PHILOSOPHICAL SOCIETY (PPAMP):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1775-1825, Mss.B.J35\u003c/p\u003e\n","\u003cp\u003eCOLLEGE OF WILLIAM AND MARY (VIW):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1761-1931\u003c/p\u003e\n","\u003cp\u003eNEW YORK PUBLIC LIBRARY (NN):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson papers, 1766-1826, MssCol 1557\u003c/p\u003e\n","\u003cp\u003eVIRGINIA HISTORICAL SOCIETY (VIHI):\u003c/p\u003e\n","\u003cp\u003eThomas Jefferson Papers, 1780-1826, Mss2 J3595\u003c/p\u003e","\u003cp\u003eOriginal owned by Thomas Jefferson Memorial Foundation.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["Other institutions with significant collections of Thomas Jefferson and Jefferson family manuscripts:","LIBRARY OF CONGRESS (DLC):","Thomas Jefferson Papers, 1606 to 1827","MASSACHUSETTS HISTORICAL SOCIETY (MHI):","Coolidge Collection of Thomas Jefferson Manuscripts, Massachusetts Historical Society.","MISSOURI HISTORY MUSEUM (MOSHI):","Thomas Jefferson Collection, 1773-1826","HUNTINGTON LIBRARY (CSMH):","Thomas Jefferson collection, The Huntington Library, San Marino, California.","HISTORICAL SOCIETY OF PENNSYLVANIA (PHI):","Thomas Jefferson Papers, 1766-1825","AMERICAN PHILOSOPHICAL SOCIETY (PPAMP):","Thomas Jefferson papers, 1775-1825, Mss.B.J35","COLLEGE OF WILLIAM AND MARY (VIW):","Thomas Jefferson Papers, 1761-1931","NEW YORK PUBLIC LIBRARY (NN):","Thomas Jefferson papers, 1766-1826, MssCol 1557","VIRGINIA HISTORICAL SOCIETY (VIHI):","Thomas Jefferson Papers, 1780-1826, Mss2 J3595","Original owned by Thomas Jefferson Memorial Foundation."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.\u003c/p\u003e\n","\u003cp\u003eAll of the Architectural Drawings and Other Oversized \u0026amp; Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml\u003c/p\u003e","\u003cp\u003eLists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.\u003c/p\u003e","\u003cp\u003eLetter from \u003cpersname\u003eJames Madison\u003c/persname\u003e to \u003cpersname\u003eThomas Jefferson\u003c/persname\u003e submitting his first donation for founding the \"Central College,\" which would become the \u003ccorpname\u003eUniversity of Virginia\u003c/corpname\u003e. Docketed in Jefferson's hand on verso, \"Madison Ja., \u003cgeogname\u003eMontpellier\u003c/geogname\u003e [missing text on margin] recd M [missing text on margin]\"\u003c/p\u003e","\u003cp\u003eThis is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026amp; Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026amp; earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026amp; brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.\u003c/p\u003e","\u003cp\u003eThis series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.\u003c/p\u003e","\u003cp\u003eDeposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.\u003c/p\u003e","\u003cp\u003eThe remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eT.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.\u003c/p\u003e","\u003cp\u003eStudy for final elevation of the first version. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.\u003c/p\u003e","\u003cp\u003eUndated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 350\u003c/p\u003e","\u003cp\u003eSame as N 351\u003c/p\u003e","\u003cp\u003eThomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.\u003c/p\u003e","\u003cp\u003eLetter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.\u003c/p\u003e","\u003cp\u003eSame as N 352\u003c/p\u003e","\u003cp\u003eSecond study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThis original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThese two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEarlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eThis is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eElevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePlan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.\u003c/p\u003e","\u003cp\u003ePocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eDrawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSame as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouthern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eLateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eFlat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.\u003c/p\u003e","\u003cp\u003eIncomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eBird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eWest elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eSecond floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eEast facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eWest front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003eFirst floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.\u003c/p\u003e","\u003cp\u003ePlan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eElevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.\u003c/p\u003e","\u003cp\u003eDoric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.\u003c/p\u003e","\u003cp\u003eSouth elevation of Rotunda with South elevations of pavilions IX \u0026amp; X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eEast elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eUnfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.\u003c/p\u003e","\u003cp\u003eElevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eJefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eElevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.\u003c/p\u003e","\u003cp\u003eStudy of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.\u003c/p\u003e","\u003cp\u003eStudy for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.\u003c/p\u003e","\u003cp\u003eElevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSouth elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.\u003c/p\u003e","\u003cp\u003eThird study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eSection of rails. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePlan of a clock for the rotunda. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eStudy and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.\u003c/p\u003e","\u003cp\u003eDormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.\u003c/p\u003e","\u003cp\u003eElevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.\u003c/p\u003e","\u003cp\u003eElevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.\u003c/p\u003e","\u003cp\u003eStudy for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.\u003c/p\u003e","\u003cp\u003eTwo unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.\u003c/p\u003e","\u003cp\u003eFloor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.\u003c/p\u003e","\u003cp\u003eFloor plan with specifications on back. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eTwo photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.\u003c/p\u003e","\u003cp\u003eFour copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.\u003c/p\u003e","\u003cp\u003eDrawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.\u003c/p\u003e","\u003cp\u003ePlan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003eRough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.\u003c/p\u003e","\u003cp\u003eRough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.\u003c/p\u003e","\u003cp\u003ePlan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eSection of a rotunda house. Probably the President's house in Washington, D.C. 1 item.\u003c/p\u003e","\u003cp\u003eFront and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.\u003c/p\u003e","\u003cp\u003ePlan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.\u003c/p\u003e","\u003cp\u003ePlan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.\u003c/p\u003e","\u003cp\u003ePlan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003ePossibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.\u003c/p\u003e","\u003cp\u003eRough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.\u003c/p\u003e","\u003cp\u003eAuthenticated in unidentified hand. 1 item.\u003c/p\u003e","\u003cp\u003eBy Cornelia J. Randolph. 2 items.\u003c/p\u003e","\u003cp\u003eNotes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.\u003c/p\u003e","\u003cp\u003eDeeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.\u003c/p\u003e","\u003cp\u003eTwo plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.\u003c/p\u003e","\u003cp\u003eSurvey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.\u003c/p\u003e","\u003cp\u003eSurvey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.\u003c/p\u003e","\u003cp\u003ePlat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003eJames Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.\u003c/p\u003e","\u003cp\u003e\"Description of a joint or splice\", with cutout model. 3 items.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's recipe for plaster. 1 item.\u003c/p\u003e","\u003cp\u003eThomas Jefferson's design and sketch for a desk. 1 item.\u003c/p\u003e","\u003cp\u003eMap of a canal and saw mill by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eDescription of the hewing of stone. Calculations of verso. 1 item.\u003c/p\u003e","\u003cp\u003eHomemade. 1 item.\u003c/p\u003e","\u003cp\u003e1 item.\u003c/p\u003e","\u003cp\u003ePlat of Monticello by Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eFor phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.\u003c/p\u003e","\u003cp\u003eGeorge Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.\u003c/p\u003e","\u003cp\u003eRoad to the Thoroughfare. 1 item.\u003c/p\u003e","\u003cp\u003eCf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.\u003c/p\u003e","\u003cp\u003eAlbemarle county: plat of lands of Charles Lewis Bankhead\u003c/p\u003e","\u003cp\u003eInstructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.\u003c/p\u003e","\u003cp\u003eMr. Harrison's mill and Woodson's Ferry. 1 item.\u003c/p\u003e","\u003cp\u003eTwo plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).\u003c/p\u003e","\u003cp\u003eIn Thomas Jefferson's hand\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of letters written by and addressed to Thomas Jefferson, as well as architectural plans and studies that were created or endorsed by Jefferson, created by other individuals associated with him, deeds, plats, and maps, some of which pertain to the subjects of the architectural studies, and other miscellaneous materials.","All of the Architectural Drawings and Other Oversized \u0026 Miscellaneous Materials listed in the Jefferson Papers Calendar are fully represented in this finding aid, spanning the dates 1751-1898. However, the materials described here only represent a portion of the complete Jefferson Papers. Please see the Jefferson Papers Calendar, this collection's main finding aid, for a full chronological listing of all of the materials (1732-1898): https://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml","Lists enslaved persons at Poplar Forest by name, including ages of those under 8 years old. Also lists livestock.","Letter from  James Madison  to  Thomas Jefferson  submitting his first donation for founding the \"Central College,\" which would become the  University of Virginia . Docketed in Jefferson's hand on verso, \"Madison Ja.,  Montpellier  [missing text on margin] recd M [missing text on margin]\"","This is one eight-page manuscript is entitled \"Proposed list of instruments for the classes of [N]at[ural] philosophy \u0026 Mathematics,\" written by Thomas Jefferson around April 26, 1824. The instruments recommended by Jefferson were to outfit the departments of science in the Academical Village classrooms and laboratories at the University of Virginia, which held its first term in 1826. The listed is organized through headings by equipment requirements for each scientific department at the University: \"Genl purposes,\" \"Mechanics,\" \"Hydrostatics,\" \"Optics,\" \"Electricity Etc.,\" \"Astronomy,\" and \"Miscellaneous.\" Jefferson's list includes a \"very accurate set of weights\" outlined with a table, a \"model of Braham's fire engine,\" \"a good Kaleidoscope,\" a \"simple Planetarium, 3f diam. with Sun, moon \u0026 earth only,\" a \"Lithographic press,\" an \"Electric battery,\" a \"Turning lathe with Tools for working in wood \u0026 brass,\" a \"Magic lanthern,\" \"12 f of brass chain for electrical machine,\" a camera lucida, a variety of pumps, a charcoal furnace, and many other scientific dependencies. For his request of \"a very large supply\" of glass tubes, Jefferson included three simple drawings of his preferred tube types. This list of proposed instruments was penned by Jefferson shortly before Francis Walker Gilmer, an emissary of Jefferson, was dispatched to Europe to gather mechanical and scientific instruments, as well as recruit professors from London, Cambridge, and Edinburgh colleges for the forming University of Virginia. Gilmer returned to Virginia at the end of 1824 with five professorships filled. Three small paper fragments from the manuscript are also present.","This series primarily consists of architectural studies on structures found at the University of Virginia, at Thomas Jefferson's private properties like Monticello and Poplar Forest, and studies on structures in Richmond, VA. The studies in the collection contain elevations, plans, and sections, most of which include Jefferson's specifications. These architectural drawings were created mainly by Thomas Jefferson. Some were created or augmented by John Organ, Dr. William Thorton, James Dinsmore, John Neilson, John Hartwell Cocke (possibly), Robert Mills, and Cornelia J. Randolph.","Deposited by Wilson Cary Nicholas Randolph with the Proctor of the University of Virginia","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink and pencil on coordinate paper.","The remodeling of Monticello is mentioned in the notes. These drawings, however, are not for Monticello, but for a house in town, probably Philadelphia. These drawings were evidently modified and submitted to James Barbour for Barboursville in 1817. 1 item. ink on paper.","T.J. early free-hand sketch of elevation and plan for Monticello showing porches. 1 item. laid paper.","Study for final elevation of the first version. 1 item. ink on paper.","Drawing of archiatrave in the Monticello Dining Room. 1 item. ink and pencil on paper.","Undated plat by T. J. of Poplar Forest tract shows boundaries, roads, existing and proposed buildings; floor plan of house on verso, rooms designated in Anglo-Saxon. 2 pp. (note: see N 269 for missing section). 1 item. ink on paper.","Same as N 350","Same as N 351","Thomas Jefferson's first floor plans showing rotunda house with wings. Nichols mis-identified the second plan (N 282) as the second floor plan of the governor's house. It is the first floor. 2 items. ink on paper.","Letter from Thomas Jefferson to Dr. William Thornton describing ideas for the academical village. Contains rough sketch of Jefferson's early idea for the ground plans, showing seven pavilions around an open space with grass and trees. This sketch appears in Jefferson's first letter to Dr. William Thornton regarding the design of the Pavilions in his proposed academical village. 1 item. iron gall ink on plain wove stationary.","Same as N 352","Second study of Ground plan of West range with dormitories and hotels A and B. The suggestion for making this revised study of the West Range with the Hotels and Dormitories facing away from the Lawn instead of towards the backs of the Pavilions came from Joseph C. Cabell at the Board of Visitors meeting of 29 March 1819. One of three variants. 1 item. iron gall ink and pencil on graph paper.","This original study for the West Range shows Jefferson's initial intention to place the West Range directly behind the Pavilions and Dormitories of the Lawn. One of three variants. 1 item. iron gall ink and pencil on graph paper.","These two sheets were once joined. Together they are the studies for Pavilion VII's lower portico. South and west elevations. 2 items. pricking, scoring, and iron gall ink on graph paper.","Earlier study for plan of lawn with rotunda (N 366). 1 item. ink on paper.","This is an early study for Pavilion VII, the first building erected. It shows an elevation of the pavilion with adjacent dormitories and Chinese railings, and plans of the first and second floors. On back is an early study of the Lawn showing nine identical paviliions; the specifications begin: \"The walls of the Pavilion are 116 feet running measure.\" Includes construction notes on verso. 1 item. ink on paper.","Elevation (front facade) of pavillions with two-story dormitories. Watermarked J. Whatman. Drawn by Dr. William Thornton. In May 1817 Jefferson wrote to Dr. William Thornton describing his plan for the Central College with separate pavilions and a range of dormitories. Thornton responded on June 11 with a two story composition of student rooms and pavilions. 1 item. ink and watercolor on thin wove paper.","Elevation and three plans of Pavilion VII's front facade and floor plans and specifications for the building. The plan of the Pavilion measures 34 feet wide by 26 feet deep, precisely the dimensions that Jefferson used on his study for a typical Pavilion for Central Colllege. Cornerstone laid October 6, 1817. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Plan and comparative study for garden walls. While decorative, the walls are not particularly strong. 1 item. pricking and iron gall ink on graph paper.","Elevation of Pavilion III's front facade and floor plans and specifications for the building, one with alternate flap. Specifications on verso. On this revised study for Pavilion III, Jefferson has included a basement floor plan and has shifted the elevation to the side of the first floor plan instead of above it. 1 item. pricking, scoring, iron gall ink, and india ink on graph paper.","Pocket memorandum book containing initial specifications, ink drawings, and other data used and compiled by T. J. while directing the construction of the University of Virginia (Central College until 1819). Description of proposed buildings, style of architecture, measurements, materials to be used, and the amount of brick or stone required. Includes notes for the rotunda planetarium. 23 item. iron gall ink on wove paper.","Drawing of an elevation and three floor plans for Pavillion II with specifications on verso. On the first floor is the large schoolroom, and on the second floor are the professor's three rooms. On June 5, 1819, Jefferson wrote that he was about to begin the drawings for the pavilion on the east. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Drawing of an elevation and three plans for Pavillion IV with specifications on verso. 1 item. pricking, scoring, iron gall ink, and india ink on paper.","Elevation and three plans. Specifications on back. Porticos on the first and second floor plans are erased. 1 item. pricking, scoring, iron gall ink and india ink on paper.","Elevation and three plans. Specifications on back. Jefferson's notes continue to call this a \"lodge.\" 1 item. iron gall ink on graph paper.","Elevations and three plans. Shows location of Franklin stoves. Specifications on back. 1 item. ink on paper.","Same as N 326, but without the Franklin stoves or specifications. Formerly incorrectly attributed to Cornelia Jefferson Randolph. Thomas S. Ridgeway statement on verso identifies as T. J.'s work. This is the only carpenter's copy of a University of Virginia building known to have survived the building process. 1 item. pricking and iron gall ink on graph paper.","Southern elevation of Rotunda. The exterior is based upon the Pantheon in Rome at one-half scale. Construction began in 1823. 1 item. ink on paper.","Lateral section of Rotunda. On same sheet with N 328. 1 item. ink on paper.","Flat exterior buttress walls on the north and south ends of the building, and a hexastyle portico on the south end. Specifications on back. Construction began in 1823. 1 item. ink on paper.","Plan of dome room with specifications on back, beginning: \"Rotunda, reduced to the proportions of the Pantheon and accomodated to the purposes of a Library for the University with rooms for drawing, music, examinations and other accessory purposes.\" Construction began in 1823. 1 item. ink on paper.","Jefferson's notes and drawing for framing the dome. On verso: small framing diagram for library dome. 1 item. pricking, iron gall ink on plain wove paper.","Incomplete drawing showing window openings and a fireplace in a circular format. 1 item. ink on paper.","Bird's-eye view of lawn and ranges w/out Rotunda, in parallel perspective. This drawing has been attributed to Thomas Jefferson and his granddaughter, Cornelia Jefferson Randolph, but there is no conclusive proof that either one of them is its author. 1 item. pencil and watercolor on heavy cold-pressed paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and east elevation of Hotel B (labeled as Hotel A). 1 item. pricking, india ink, and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a first floor plan and north elevation of Hotel A (labeled as Hotel B). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of dining Hotel D (labeled as Hotel C). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel C (labeled as Hotel D). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel F (labeled as Hotel E). 1 item. india ink, watercolor, pencil on graph paper.","Elevation and plan. Inked, shaded, and tinted by John Neilson. According to Professor Richard Guy Wilson of the University of Virginia, this is a drawing of Hotel E (labeled as Hotel F). 1 item. india ink and watercolor on graph paper.","Elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and pencil on graph paper.","West elevation and first floor plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Pavilion IV East facade and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","Second floor plans. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","East facade elevation and plan. Inked, shaded and tinted by John Neilson. Neilson has represented the parapet as a series of dies and panels which Jefferson did not indicate on N-356. 1 item. india ink and watercolor on graph paper.","West front facade elevation and plan. Inked, shaded and tinted by John Neilson. 1 item. india ink and watercolor on graph paper.","First floor plan of Jefferson's octagonal retreat in Bedford County. Inked, shaded and tinted by John Neilson. The design was probably drawn by Cornelia J. Randolph or John Neilson, and based on William Kent's edition of Inigo Jones, Vol. II, Plate 17. This is one of Jefferson's most successful designs. 1 item. india ink on graph paper.","South façade garden elevation of Poplar Forest probably drawn by Cornelia J. Randolph or John Neilson. 1 item. india ink and watercolor on graph paper.","Plan of Bremo, Fluvanna county, Virginia by John Neilson. This is the principal story of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Elevation of Bremo, Fluvanna county, Virginia by John Neilson. This is the North front of General Cocke's house. 1 item. india ink and watercolor on graph paper. N 351a (plan) and N 351b (elevation), which were previously on item, have the same main title and the same digital image.","Doric and Corinthian Pavilion Facade Studies by William Thornton. 1 item. pencil and wash on paper.","Elevation. West facade of Pavilion X. Possibly by John Neilson. The drawing style is consistent with the confirmed Neilson drawings. 1 item. india ink, watercollor, and white ink on paper.","South elevation of Rotunda with South elevations of pavilions IX \u0026 X. Probably drawn by John Neilson. Previously attributed to Cornelia Jefferson Randolph. 1 item. ink with tinted washes on paper.","East elevation and three floor plans of \"No. 1 Pav. West\". Specifications on back. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. V. W. Palladio's Ionic Order, with Modilions.\" Specifications on back. Construction finished in 1821. 1 item. pricking, scoring, iron gall ink on graph paper.","East elevation and three plans of \"Pavilion No. IX We. Ionic of the temple of Fortuna Virilis\". This elevation contains the only example of a Jefferson drawing of a slate roof. It is also the only example of Jefferosn's use of a semicircular niche and pedimented windows on a Pavilion. \"Latrobe\" in Jefferson's writing, upper right. Specifications on back. The entrance motif is a favorite of Ledoux', whose work Jefferson had admired in Paris. Building completed 1821, as Jefferson wrote on September 30 of that year. 1 item. pricking, scoring, iron gall ink on graph paper.","Elevation and three plans of \"C. Hotel. Ionic Dentil.\" Construction completed in 1822. 1 item.","Unfinished studies for plan and elevation of \"Hotel B. West.\" Construction completed in 1822. 1 item.","Elevation and two plans, with detail of arched window set in cornice. Specifications on back headed: \"Hotel A. East. One story with a flat roof and Chinese parapet.\" Construction completed in 1822. 1 item.","Elevation and two plans of Jefferson's \"Hotel C. West. Proctor's\". The first floor plan on this sheet is copied from N-301. One story. Specifications on back. Construction completed in 1822. 1 item. iron gall ink and pencil on graph paper.","Jefferson's elevation and plan of \"Hotel D. East\". One story. Specifications on back. Construction completed in 1822. 1 item. pricking, iron gall ink, and pencil on graph paper.","Elevation and three plans of front facade and a dining hall. Two stories. Specifications on back. Construction completed in 1822. 1 item. ink on paper.","Study of first floor plans. 1 item. pricking, iron gall ink, and pencil on graph paper.","Study of first and second floor plans, east elevation and section. Jefferson designed this building at the request of Dr. Robley Dunglison, the Univesity's first medical professor, and Jefferson's personal physician. Completed in 1826. 1 item. pricking, scoring, iron-gall ink, and pencil on paper.","Study for Lawn with pavilions and rotunda. N-306 was cut from this piece to permit substitutions. 1 item. pricking, scoring, iron-gall ink on paper.","Elevation and section of dormitories. Section through lawn colonnade and a dormitory room. 1 item. pricking, scoring, iron-gall ink on graph paper.","South elevation by John Neilson. 1 item. india ink, watercolor, pencil on graph paper.","Third study or variant for West range. Gardens, hotels, dormitories, and serpentine walls. 1 item. iron gall ink on graph paper.","Section of rails. 1 item. ink on paper.","Plan of a clock for the rotunda. 1 item. ink on paper.","Study and elevation of a Tuscan column that includes the capital, shaft, and base of the order. 1 item. iron gall ink on graph paper.","Dormitory study with elevation and plans of three floors with eight rooms to each floor. Probably studies for University of Virginia, but not by Jefferson. Possibly by General John Hartwell Cocke; see his letter of May 3, 1819, to Jefferson. 1 item. pencil, india Ink and gray wash on paper.","Elevation of two-story dormitory with wings. Elevation of one-story dormitory. Two first-floor plans and one second-floor plan. Possibly another study for N 374. 1 item. ink and wash on paper.","Elevation and two floor plans for two-story dormitory. This sheet contains a study for a two story Dormitory block. The ground floor contains twelve rooms for the students, and the upper floor contains two large spaces separated by a central passage containing stairs. Possibly another study for N 374. 1 item. pencil, india ink, and wash on paper.","Study for dormitory. Ground plan and elevation. Elevation shows arches on first floor and wood columns above. This study depicts alternate plans for a two story single pile vs. a one story double pile range of Dormitories. There is also a large dining hall at the left end of the range, as evidenced by what appear to be two long tables in the upper plan. Above the plans is a larger scale elevation of one of the two story blocks of Dormitories showing an arcade on the ground floor and a series of posts above. Possibly another study for N 374. 1 item. pencil, india ink, and iron gaul ink on paper.","Two unrelated pages. One is a page from a book of map symbols and the other is an old drawing in poor shape, which may not be a drawing by Jefferson. Possibly Architrave. 2 items.","Floor plan. The Observatory plan study has alcove beds. The geometric plan consists of four octagonal rooms surround a cross-shaped central passage, with two recessed loggias, a trapezoidal vestibule, and a projecting loggia. 1 item. pencil on graph paper.","Floor plan with specifications on back. 1 item. ink on paper.","Two photostats of a manuscript ground plan of the University, possibly that from which Maverick made his 1822 engraving, olus three enlarged copies. The drawing shows the first floor of the Rotunda with three oval rooms, and wings containing eight rooms each. The overlay shows the plan of the Dome Room. 5 items. Facsimiles.","Four copies of 1923 facsimile of Peter Maverick's 1822 plan of the University of Virginia. Design sources for pavilions written in ink by Ellen Randolph Coolidge. 4 items.","Drawn by John Neilson. Peter Maverick's 1825 plan showing plan of rotunda dome room. This version of the Maverick engraving shows the first floor of the Rotunda with the plan of the Dome Room as an overlay. Each of the two Gymnasia wings contains eight rooms, each of which is shown to have its own fireplace and door. 5 items.","Plan of south wing of capitol. Not executed by Jefferson. 1 item. ink and watercolor on paper.","Rough draft and specifications for rotunda-style floor plan. Probably for the president's house in Washington, D.C. Notes on verso. 1 item. pencil and ink on paper.","Rough draft for rotunda-style floor plans. Probably for the president's house in Washington, D.C. 1 item. pencil on paper.","Plan of a rotunda style house by Robert Mills. Probably the President's house in Washington, D.C. 1 item. ink on paper.","Section of a rotunda house. Probably the President's house in Washington, D.C. 1 item.","Front and side elevation with floor plan and balcony plan of a church by John Neilson. Created for Thomas Jefferson to submit to Rev. Hatch for the design of Christ Episcopal Church, Charlottesville. 1 item. ink and watercolor on paper.","Plan (sketch) of a house with portico and dependencies. Addressed on verso to T. J., Albemarle. 1 item.","Plan of building with four porticos in the form of a Greek cross, with a framing plan (Probably a development of N-490). possibly a retreat. 1 item. photostatic copy of original.","Plan and section of a garden seat. Writing not by Jefferson, perhaps John Neilson. A study of rendering. 1 item. ink on paper.","Possibly a study by Robert Mills to teach Cornelia J. Randolph rendering. 1 item. rendered in wash.","Rough plan of porticoed building with four octagonal rooms arranged about a square. On verso of letter, 1777 August 15 from Charles S. Lewis, Jr. May be related to N-496. 1 item.","Authenticated in unidentified hand. 1 item.","By Cornelia J. Randolph. 2 items.","Notes on the land lines of Poplar Forest. Survey of roads from Campbell Court House to Poplar Forest. 3 items. ink on paper.","Deeds, surveys, plats, field notes, memoranda, some relating to a land dispute that involved one of the abutting property owners searching all early patents and surveys in the neighborhood, some dating from 1762. In 1811 also, Jefferson was engaged in road building and other extensive improvement on his Poplar Forest tract. Some of the documents are mathematical calculations and field notes, others are elaborately certified surveys. 66 items.","Two plats of same date for 11,777 and 1,790 acres of land on branches of Black Water, a tributary of the Fluvanna (James) River in Albemarle (later Bedford) County, VA, and on Tomahawk and Rock Castle creeks, respectively. The first plat, by Thomas Jefferson, was attested by Daniel Smith, Albemarle County Surveyor, and the second was amended by Jefferson with notes on sequence of titles. 3 items. The missing section from N 255 is located in this folder.","Survey of University of Virginia lawn by James Dinsmore. James Dinsmore made this drawing of the Lawn in order to show the position of Pavilion VII relative to the \"first rise\" on the north. 1 item.","Survey of University site showing Rotunda, East street, and West street. In folder with other fragments: financial figures; dimensions for \"Perry's Houses\"; cost per acres; forms; the Rotunda in relation to the road; and a plat of land with area. 7 items. ink on paper.","Plat showing acquisition of parcels. Purchases from John Perry, Daniel and Mary A. F. Piper, and Jesse W. Garth. Lands held by Alexander Garrett, Arthur Spicer Brockenbrough, and Nathan Barksdale as University Proctors. 1 item. ink on paper.","James Dinsmore's Measurements of Dormitories and Pavilions. Includes Jefferson's further notes. 1 item. ink on paper.","\"Description of a joint or splice\", with cutout model. 3 items.","Thomas Jefferson's recipe for plaster. 1 item.","Thomas Jefferson's design and sketch for a desk. 1 item.","Map of a canal and saw mill by Thomas Jefferson. 1 item.","Description of the hewing of stone. Calculations of verso. 1 item.","Homemade. 1 item.","1 item.","Plat of Monticello by Thomas Jefferson. 1 item.","For phaeton. Five \"figs\" and notes on three sheets. Notes on verso of p.1. 2 items. Ink on paper.","George Carrington map of the county of Cumberland in the hand of Thomas Jefferson. 1 item.","Road to the Thoroughfare. 1 item.","Cf. Betts, Garden Book, Plate XV. Shows boundary with river. 1 item.","Albemarle county: plat of lands of Charles Lewis Bankhead","Instructions regarding work on the University's Rotunda, clock and bell, macadamizing roads, water supply, botanical garden, purchasing of chemicals and gas lights for Dr. Emmet's use, and copy of enactments for each student. Penciled annotations by Brockenbrough of cost of various items. Includes a sketch for measuring \"the tympanum of the portico of the Rotunda\" for a clock and bell. 1 item.","Mr. Harrison's mill and Woodson's Ferry. 1 item.","Two plats of land containing 153 acres and 92 1/1 acres of land bounded by Three Chopped Road and Wheeler' Road were surveyed by William Woods as the site of Central College (University of Virginia).","In Thomas Jefferson's hand"],"userestrict_html_tesm":["\u003cp\u003eCopyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en\u003c/p\u003e\n","\u003cp\u003eMore about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials\u003c/p\u003e\n","\u003cp\u003eDigital reproductions are available:\u003c/p\u003e\n","\u003cp\u003elinks to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;\u003c/p\u003e\n","\u003cp\u003eArchitectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html \u003c/p\u003e","\u003cp\u003eReproduction of N-362 restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e","\u003cp\u003eReproduction restricted withouth the written permission of the Library of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Copyright not Evaluated: \nhttps://rightsstatements.org/page/CNE/1.0/?language=en","More about Rights and Permissions at UVA:\nhttps://www.library.virginia.edu/policies/use-of-materials","Digital reproductions are available:","links to individual pages found under each scanned item in the calendar here: \nhttps://ead.lib.virginia.edu/vivaxtf/view?docId=uva-sc/viu00007.xml;query=;","Architectural Drawings here: \nhttps://static.lib.virginia.edu/rmds/nichols/index.html ","Reproduction of N-362 restricted withouth the written permission of the Library of Virginia.","Reproduction restricted withouth the written permission of the Library of Virginia."],"names_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia","Randolph family","Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","University of Virginia"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826","Madison, James, 1751-1836","James Madison","Thomas Jefferson","Cooper, Thomas, 1759-1839"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":98,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:33:01.301Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1438_c02"}},{"id":"viu_repositories_3_resources_1426_c986","type":"Series","attributes":{"title":"Thurlow-Berkeley Calendar No.1: Land Title Papers","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1426_c986#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1426_c986","ref_ssm":["viu_repositories_3_resources_1426_c986"],"id":"viu_repositories_3_resources_1426_c986","ead_ssi":"viu_repositories_3_resources_1426","_root_":"viu_repositories_3_resources_1426","_nest_parent_":"viu_repositories_3_resources_1426","parent_ssi":"viu_repositories_3_resources_1426","parent_ssim":["viu_repositories_3_resources_1426"],"parent_ids_ssim":["viu_repositories_3_resources_1426"],"parent_unittitles_ssm":["Papers of the Randolph Family of Edgehill"],"parent_unittitles_tesim":["Papers of the Randolph Family of Edgehill"],"text":["Papers of the Randolph Family of Edgehill","Thurlow-Berkeley Calendar No.1: Land Title Papers"],"title_filing_ssi":"Thurlow-Berkeley Calendar No.1: Land Title Papers","title_ssm":["Thurlow-Berkeley Calendar No.1: Land Title Papers"],"title_tesim":["Thurlow-Berkeley Calendar No.1: Land Title Papers"],"unitdate_inclusive_ssm":["1732-1826"],"normalized_date_ssm":["1732/1826"],"normalized_title_ssm":["Thurlow-Berkeley Calendar No.1: Land Title Papers"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Randolph Family of Edgehill"],"has_online_content_ssim":["true"],"child_component_count_isi":25,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":986,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Materials in this collection, which were created in 1732-1860, are in the public domain. 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The family also operated a girls' school on the plantation, called \"Edgehill School\" from 1836 to 1896.","Source: Thomas Jefferson Encyclopedia. monticello.org. Accessed 13 January 2023.","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","The Albert and Shirley Small Special Collections Library also holds the Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas (MS 5533).","The collection primarily contains correspondence of the Randolph family and Nicholas family. Several land title records are also present.","Materials in this collection, which were created in 1732-1860, are in the public domain. 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