{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4","prev":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=3","next":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=5","last":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=6"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":6,"limit_value":10,"offset_value":30,"total_count":54,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1395_c01_c01_c139","type":"Item","attributes":{"title":"R[obert] Smith to [Wilson Cary Nicholas], indicates that the real conflict in the upcoming election will be between James Madison and George Clinton and that southern prejudices will definitely play a part in this election. Suggests that Congress has a majority of Republicans which are favorable to Madison. Closes by saying that the current international climate will impact the election as well with both England and Spain harassing the United States.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c139#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1395_c01_c01_c139","ref_ssm":["viu_repositories_3_resources_1395_c01_c01_c139"],"id":"viu_repositories_3_resources_1395_c01_c01_c139","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395_c01_c01","parent_ssi":"viu_repositories_3_resources_1395_c01_c01","parent_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_unittitles_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"parent_unittitles_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"text":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence","R[obert] Smith to [Wilson Cary Nicholas], indicates that the real conflict in the upcoming election will be between James Madison and George Clinton and that southern prejudices will definitely play a part in this election. Suggests that Congress has a majority of Republicans which are favorable to Madison. Closes by saying that the current international climate will impact the election as well with both England and Spain harassing the United States.","5 pp.","box 2","folder 25"],"title_filing_ssi":"R[obert] Smith to [Wilson Cary Nicholas], indicates that the real conflict in the upcoming election will be between James Madison and George Clinton and that southern prejudices will definitely play a part in this election. Suggests that Congress has a majority of Republicans which are favorable to Madison. Closes by saying that the current international climate will impact the election as well with both England and Spain harassing the United States.","title_ssm":["R[obert] Smith to [Wilson Cary Nicholas], indicates that the real conflict in the upcoming election will be between James Madison and George Clinton and that southern prejudices will definitely play a part in this election. Suggests that Congress has a majority of Republicans which are favorable to Madison. Closes by saying that the current international climate will impact the election as well with both England and Spain harassing the United States."],"title_tesim":["R[obert] Smith to [Wilson Cary Nicholas], indicates that the real conflict in the upcoming election will be between James Madison and George Clinton and that southern prejudices will definitely play a part in this election. Suggests that Congress has a majority of Republicans which are favorable to Madison. Closes by saying that the current international climate will impact the election as well with both England and Spain harassing the United States."],"unitdate_other_ssim":["1807 June 08"],"normalized_date_ssm":["1807"],"normalized_title_ssm":["R[obert] Smith to [Wilson Cary Nicholas], indicates that the real conflict in the upcoming election will be between James Madison and George Clinton and that southern prejudices will definitely play a part in this election. Suggests that Congress has a majority of Republicans which are favorable to Madison. Closes by saying that the current international climate will impact the election as well with both England and Spain harassing the United States."],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"physdesc_tesim":["5 pp."],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":141,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"digital_objects_ssm":["{\"label\":\"R[obert] Smith to [Wilson Cary Nicholas], indicates that the real conflict in the upcoming election will be between James Madison and George Clinton and that southern prejudices will definitely play a part in this election. Suggests that Congress has a majority of Republicans which are favorable to Madison. Closes by saying that the current international climate will impact the election as well with both England and Spain harassing the United States., 1807 June 08\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:106495\"}"],"date_range_isim":[1807],"containers_ssim":["box 2","folder 25"],"_nest_path_":"/components#0/components#0/components#138","timestamp":"2026-06-09T07:08:45.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1395","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1395.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147346","title_filing_ssi":"Randolph Family of Edgehill and Wilson Cary Nicholas papers","title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"unitdate_ssm":["1765-1869"],"unitdate_inclusive_ssm":["1765-1869"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"text":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395","Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).","Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document.","This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.","All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.","Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826","English"],"unitid_tesim":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"acqinfo_ssim":["This collection was originally loaned to the University of Virginia Library Special Collections Department by Mrs. Page Kirk, Miss Olivia Taylor, and Miss Margaret Taylor, \"Lochlyn,\" Charlottesville, Virginia, on January 29, 1957. Shares held by the Misses Margaret and Olivia Taylor were bequeathed to Special Collections on March 25, 1986. The share held by Mrs. Kirk's daughter, Mrs. Mary Mann Moyer, was given to Special Collections on January 5, 1987."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"extent_tesim":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"physfacet_tesim":["about 787 items"],"date_range_isim":[1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in three series:\u003c/p\u003e\n","\u003cp\u003eSeries: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)\u003c/p\u003e\n","\u003cp\u003eSeries: II) Randolph Family Papers (Boxes 5-6)\u003c/p\u003e\n","\u003cp\u003eSeries: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box)."],"bioghist_html_tesm":["\u003cp\u003eWilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.\u003c/p\u003e\n","\u003cp\u003eRobert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.\u003c/p\u003e\n","\u003cp\u003eGeorge Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.\u003c/p\u003e\n","\u003cp\u003eSources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026amp;oldid=312497296\u003c/p\u003e\n","\u003cp\u003eLibrary of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas"],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e","\u003cp\u003eThis record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.\u003c/p\u003e","\u003cp\u003eThe word \"slaves\" has been retained in this case because it is in the title of the document.\u003c/p\u003e","\u003cp\u003eThe word \"slave\" has been retained in this case because it is in the title of the document.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding","Metadata Rights Declaration","Note:","Note:"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated."],"separatedmaterial_html_tesm":["\u003cp\u003eAll items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)","Jefferson, Thomas, 1743-1826"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":653,"online_item_count_is":646,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c139"}},{"id":"viu_repositories_3_resources_1395_c01_c01_c143","type":"Item","attributes":{"title":"R[obert] Smith to [Wilson Cary Nicholas ?], writes that although the advice in his letter was sound and was read by several department heads and the President, it has not been adopted. He discusses a letter from Armstrong explaining the recent arming of Austria who plans engineering an armed mediation, \"its object is a separate peace between France, Russia, Prussia, and Sweden, leaving the field of battle to France and England. In such case the commerce and manufactures of G[reat] B[ritain] will be excluded from the North of Europe - from the Med[iterranean] - from Turkey - and if to this list American be added - the downfall of G[reat] B[ritain] may be pronounced as a certainty.\" Smith believes now is the time for the United States to insist on its rights and privileges as a neutral power and join the powers of Europe to resist the tyranny of the seas by the British. But he says \"To any such course however Mr. Jefferson and Mr. Madison are [greatly] averse. Skilled as they both are in the use of the pen, they presume altogether upon its powers.\" A British vessel has withdrawn from Hampton Roads, Virginia, to Lynn Haven Bay, Florida, but he expects more examples of arrogance from the British fleet. Smith approves the actions of the people of Norfolk who have erected guns on their fort.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c143#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1395_c01_c01_c143","ref_ssm":["viu_repositories_3_resources_1395_c01_c01_c143"],"id":"viu_repositories_3_resources_1395_c01_c01_c143","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395_c01_c01","parent_ssi":"viu_repositories_3_resources_1395_c01_c01","parent_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_unittitles_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"parent_unittitles_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"text":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence","R[obert] Smith to [Wilson Cary Nicholas ?], writes that although the advice in his letter was sound and was read by several department heads and the President, it has not been adopted. He discusses a letter from Armstrong explaining the recent arming of Austria who plans engineering an armed mediation, \"its object is a separate peace between France, Russia, Prussia, and Sweden, leaving the field of battle to France and England. In such case the commerce and manufactures of G[reat] B[ritain] will be excluded from the North of Europe - from the Med[iterranean] - from Turkey - and if to this list American be added - the downfall of G[reat] B[ritain] may be pronounced as a certainty.\" Smith believes now is the time for the United States to insist on its rights and privileges as a neutral power and join the powers of Europe to resist the tyranny of the seas by the British. But he says \"To any such course however Mr. Jefferson and Mr. Madison are [greatly] averse. Skilled as they both are in the use of the pen, they presume altogether upon its powers.\" A British vessel has withdrawn from Hampton Roads, Virginia, to Lynn Haven Bay, Florida, but he expects more examples of arrogance from the British fleet. Smith approves the actions of the people of Norfolk who have erected guns on their fort.","7 pp.","box 2","folder 29"],"title_filing_ssi":"R[obert] Smith to [Wilson Cary Nicholas ?], writes that although the advice in his letter was sound and was read by several department heads and the President, it has not been adopted. He discusses a letter from Armstrong explaining the recent arming of Austria who plans engineering an armed mediation, \"its object is a separate peace between France, Russia, Prussia, and Sweden, leaving the field of battle to France and England. In such case the commerce and manufactures of G[reat] B[ritain] will be excluded from the North of Europe - from the Med[iterranean] - from Turkey - and if to this list American be added - the downfall of G[reat] B[ritain] may be pronounced as a certainty.\" Smith believes now is the time for the United States to insist on its rights and privileges as a neutral power and join the powers of Europe to resist the tyranny of the seas by the British. But he says \"To any such course however Mr. Jefferson and Mr. Madison are [greatly] averse. Skilled as they both are in the use of the pen, they presume altogether upon its powers.\" A British vessel has withdrawn from Hampton Roads, Virginia, to Lynn Haven Bay, Florida, but he expects more examples of arrogance from the British fleet. Smith approves the actions of the people of Norfolk who have erected guns on their fort.","title_ssm":["R[obert] Smith to [Wilson Cary Nicholas ?], writes that although the advice in his letter was sound and was read by several department heads and the President, it has not been adopted. He discusses a letter from Armstrong explaining the recent arming of Austria who plans engineering an armed mediation, \"its object is a separate peace between France, Russia, Prussia, and Sweden, leaving the field of battle to France and England. In such case the commerce and manufactures of G[reat] B[ritain] will be excluded from the North of Europe - from the Med[iterranean] - from Turkey - and if to this list American be added - the downfall of G[reat] B[ritain] may be pronounced as a certainty.\" Smith believes now is the time for the United States to insist on its rights and privileges as a neutral power and join the powers of Europe to resist the tyranny of the seas by the British. But he says \"To any such course however Mr. Jefferson and Mr. Madison are [greatly] averse. Skilled as they both are in the use of the pen, they presume altogether upon its powers.\" A British vessel has withdrawn from Hampton Roads, Virginia, to Lynn Haven Bay, Florida, but he expects more examples of arrogance from the British fleet. Smith approves the actions of the people of Norfolk who have erected guns on their fort."],"title_tesim":["R[obert] Smith to [Wilson Cary Nicholas ?], writes that although the advice in his letter was sound and was read by several department heads and the President, it has not been adopted. He discusses a letter from Armstrong explaining the recent arming of Austria who plans engineering an armed mediation, \"its object is a separate peace between France, Russia, Prussia, and Sweden, leaving the field of battle to France and England. In such case the commerce and manufactures of G[reat] B[ritain] will be excluded from the North of Europe - from the Med[iterranean] - from Turkey - and if to this list American be added - the downfall of G[reat] B[ritain] may be pronounced as a certainty.\" Smith believes now is the time for the United States to insist on its rights and privileges as a neutral power and join the powers of Europe to resist the tyranny of the seas by the British. But he says \"To any such course however Mr. Jefferson and Mr. Madison are [greatly] averse. Skilled as they both are in the use of the pen, they presume altogether upon its powers.\" A British vessel has withdrawn from Hampton Roads, Virginia, to Lynn Haven Bay, Florida, but he expects more examples of arrogance from the British fleet. Smith approves the actions of the people of Norfolk who have erected guns on their fort."],"unitdate_other_ssim":["1807 July 20"],"normalized_date_ssm":["1807"],"normalized_title_ssm":["R[obert] Smith to [Wilson Cary Nicholas ?], writes that although the advice in his letter was sound and was read by several department heads and the President, it has not been adopted. He discusses a letter from Armstrong explaining the recent arming of Austria who plans engineering an armed mediation, \"its object is a separate peace between France, Russia, Prussia, and Sweden, leaving the field of battle to France and England. In such case the commerce and manufactures of G[reat] B[ritain] will be excluded from the North of Europe - from the Med[iterranean] - from Turkey - and if to this list American be added - the downfall of G[reat] B[ritain] may be pronounced as a certainty.\" Smith believes now is the time for the United States to insist on its rights and privileges as a neutral power and join the powers of Europe to resist the tyranny of the seas by the British. But he says \"To any such course however Mr. Jefferson and Mr. Madison are [greatly] averse. Skilled as they both are in the use of the pen, they presume altogether upon its powers.\" A British vessel has withdrawn from Hampton Roads, Virginia, to Lynn Haven Bay, Florida, but he expects more examples of arrogance from the British fleet. Smith approves the actions of the people of Norfolk who have erected guns on their fort."],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"physdesc_tesim":["7 pp."],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":145,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"digital_objects_ssm":["{\"label\":\"R[obert] Smith to [Wilson Cary Nicholas ?], writes that although the advice in his letter was sound and was read by several department heads and the President, it has not been adopted. He discusses a letter from Armstrong explaining the recent arming of Austria who plans engineering an armed mediation, \\\"its object is a separate peace between France, Russia, Prussia, and Sweden, leaving the field of battle to France and England. In such case the commerce and manufactures of G[reat] B[ritain] will be excluded from the North of Europe - from the Med[iterranean] - from Turkey - and if to this list American be added - the downfall of G[reat] B[ritain] may be pronounced as a certainty.\\\" Smith believes now is the time for the United States to insist on its rights and privileges as a neutral power and join the powers of Europe to resist the tyranny of the seas by the British. But he says \\\"To any such course however Mr. Jefferson and Mr. Madison are [greatly] averse. Skilled as they both are in the use of the pen, they presume altogether upon its powers.\\\" A British vessel has withdrawn from Hampton Roads, Virginia, to Lynn Haven Bay, Florida, but he expects more examples of arrogance from the British fleet. Smith approves the actions of the people of Norfolk who have erected guns on their fort., 1807 July 20\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:106499\"}"],"date_range_isim":[1807],"containers_ssim":["box 2","folder 29"],"_nest_path_":"/components#0/components#0/components#142","timestamp":"2026-06-09T07:08:45.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1395","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1395.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147346","title_filing_ssi":"Randolph Family of Edgehill and Wilson Cary Nicholas papers","title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"unitdate_ssm":["1765-1869"],"unitdate_inclusive_ssm":["1765-1869"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"text":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395","Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).","Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document.","This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.","All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.","Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826","English"],"unitid_tesim":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"acqinfo_ssim":["This collection was originally loaned to the University of Virginia Library Special Collections Department by Mrs. Page Kirk, Miss Olivia Taylor, and Miss Margaret Taylor, \"Lochlyn,\" Charlottesville, Virginia, on January 29, 1957. Shares held by the Misses Margaret and Olivia Taylor were bequeathed to Special Collections on March 25, 1986. The share held by Mrs. Kirk's daughter, Mrs. Mary Mann Moyer, was given to Special Collections on January 5, 1987."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"extent_tesim":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"physfacet_tesim":["about 787 items"],"date_range_isim":[1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in three series:\u003c/p\u003e\n","\u003cp\u003eSeries: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)\u003c/p\u003e\n","\u003cp\u003eSeries: II) Randolph Family Papers (Boxes 5-6)\u003c/p\u003e\n","\u003cp\u003eSeries: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box)."],"bioghist_html_tesm":["\u003cp\u003eWilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.\u003c/p\u003e\n","\u003cp\u003eRobert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.\u003c/p\u003e\n","\u003cp\u003eGeorge Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.\u003c/p\u003e\n","\u003cp\u003eSources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026amp;oldid=312497296\u003c/p\u003e\n","\u003cp\u003eLibrary of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas"],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e","\u003cp\u003eThis record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.\u003c/p\u003e","\u003cp\u003eThe word \"slaves\" has been retained in this case because it is in the title of the document.\u003c/p\u003e","\u003cp\u003eThe word \"slave\" has been retained in this case because it is in the title of the document.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding","Metadata Rights Declaration","Note:","Note:"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated."],"separatedmaterial_html_tesm":["\u003cp\u003eAll items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)","Jefferson, Thomas, 1743-1826"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":653,"online_item_count_is":646,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c143"}},{"id":"viu_repositories_3_resources_1395_c01_c01_c144","type":"Item","attributes":{"title":"S[amuel] S[mith] to Wilson Cary Nicholas, discusses his business troubles resulting from the actions of the British fleet against his commercial vessels, especially those trading in India; notes that General James Wilkinson is concerned that he might be implicated in the Burr Conspiracy but according to Smith \"I have little fear for the Integrity of his Character - that he may have been indiscreet I can easily believe - that in the Confidence of long friendship and a high very high opinion of Burr he may have said [or even?] written things that may require explanation. I can believe but that he has ever harbored a dishonorable Intention against the Interest or the fidelity he owed his country, I neither can nor will believe.\" Smith supposes the judge intends on stopping the trial of Burr for treason and permit the jury to find him guilty of a misdemeanor instead. Gives information concerning a French pirate who has been terrorizing the Chesapeake Bay near Baltimore.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c144#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1395_c01_c01_c144","ref_ssm":["viu_repositories_3_resources_1395_c01_c01_c144"],"id":"viu_repositories_3_resources_1395_c01_c01_c144","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395_c01_c01","parent_ssi":"viu_repositories_3_resources_1395_c01_c01","parent_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_unittitles_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"parent_unittitles_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"text":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence","S[amuel] S[mith] to Wilson Cary Nicholas, discusses his business troubles resulting from the actions of the British fleet against his commercial vessels, especially those trading in India; notes that General James Wilkinson is concerned that he might be implicated in the Burr Conspiracy but according to Smith \"I have little fear for the Integrity of his Character - that he may have been indiscreet I can easily believe - that in the Confidence of long friendship and a high very high opinion of Burr he may have said [or even?] written things that may require explanation. I can believe but that he has ever harbored a dishonorable Intention against the Interest or the fidelity he owed his country, I neither can nor will believe.\" Smith supposes the judge intends on stopping the trial of Burr for treason and permit the jury to find him guilty of a misdemeanor instead. Gives information concerning a French pirate who has been terrorizing the Chesapeake Bay near Baltimore.","3 pp.","box 2","folder 30"],"title_filing_ssi":"S[amuel] S[mith] to Wilson Cary Nicholas, discusses his business troubles resulting from the actions of the British fleet against his commercial vessels, especially those trading in India; notes that General James Wilkinson is concerned that he might be implicated in the Burr Conspiracy but according to Smith \"I have little fear for the Integrity of his Character - that he may have been indiscreet I can easily believe - that in the Confidence of long friendship and a high very high opinion of Burr he may have said [or even?] written things that may require explanation. I can believe but that he has ever harbored a dishonorable Intention against the Interest or the fidelity he owed his country, I neither can nor will believe.\" Smith supposes the judge intends on stopping the trial of Burr for treason and permit the jury to find him guilty of a misdemeanor instead. Gives information concerning a French pirate who has been terrorizing the Chesapeake Bay near Baltimore.","title_ssm":["S[amuel] S[mith] to Wilson Cary Nicholas, discusses his business troubles resulting from the actions of the British fleet against his commercial vessels, especially those trading in India; notes that General James Wilkinson is concerned that he might be implicated in the Burr Conspiracy but according to Smith \"I have little fear for the Integrity of his Character - that he may have been indiscreet I can easily believe - that in the Confidence of long friendship and a high very high opinion of Burr he may have said [or even?] written things that may require explanation. I can believe but that he has ever harbored a dishonorable Intention against the Interest or the fidelity he owed his country, I neither can nor will believe.\" Smith supposes the judge intends on stopping the trial of Burr for treason and permit the jury to find him guilty of a misdemeanor instead. Gives information concerning a French pirate who has been terrorizing the Chesapeake Bay near Baltimore."],"title_tesim":["S[amuel] S[mith] to Wilson Cary Nicholas, discusses his business troubles resulting from the actions of the British fleet against his commercial vessels, especially those trading in India; notes that General James Wilkinson is concerned that he might be implicated in the Burr Conspiracy but according to Smith \"I have little fear for the Integrity of his Character - that he may have been indiscreet I can easily believe - that in the Confidence of long friendship and a high very high opinion of Burr he may have said [or even?] written things that may require explanation. I can believe but that he has ever harbored a dishonorable Intention against the Interest or the fidelity he owed his country, I neither can nor will believe.\" Smith supposes the judge intends on stopping the trial of Burr for treason and permit the jury to find him guilty of a misdemeanor instead. Gives information concerning a French pirate who has been terrorizing the Chesapeake Bay near Baltimore."],"unitdate_other_ssim":["1807 August 24"],"normalized_date_ssm":["1807"],"normalized_title_ssm":["S[amuel] S[mith] to Wilson Cary Nicholas, discusses his business troubles resulting from the actions of the British fleet against his commercial vessels, especially those trading in India; notes that General James Wilkinson is concerned that he might be implicated in the Burr Conspiracy but according to Smith \"I have little fear for the Integrity of his Character - that he may have been indiscreet I can easily believe - that in the Confidence of long friendship and a high very high opinion of Burr he may have said [or even?] written things that may require explanation. I can believe but that he has ever harbored a dishonorable Intention against the Interest or the fidelity he owed his country, I neither can nor will believe.\" Smith supposes the judge intends on stopping the trial of Burr for treason and permit the jury to find him guilty of a misdemeanor instead. Gives information concerning a French pirate who has been terrorizing the Chesapeake Bay near Baltimore."],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"physdesc_tesim":["3 pp."],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":146,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"digital_objects_ssm":["{\"label\":\"S[amuel] S[mith] to Wilson Cary Nicholas, discusses his business troubles resulting from the actions of the British fleet against his commercial vessels, especially those trading in India; notes that General James Wilkinson is concerned that he might be implicated in the Burr Conspiracy but according to Smith \\\"I have little fear for the Integrity of his Character - that he may have been indiscreet I can easily believe - that in the Confidence of long friendship and a high very high opinion of Burr he may have said [or even?] written things that may require explanation. I can believe but that he has ever harbored a dishonorable Intention against the Interest or the fidelity he owed his country, I neither can nor will believe.\\\" Smith supposes the judge intends on stopping the trial of Burr for treason and permit the jury to find him guilty of a misdemeanor instead. Gives information concerning a French pirate who has been terrorizing the Chesapeake Bay near Baltimore., 1807 August 24\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:106500\"}"],"date_range_isim":[1807],"containers_ssim":["box 2","folder 30"],"_nest_path_":"/components#0/components#0/components#143","timestamp":"2026-06-09T07:08:45.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1395","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1395.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147346","title_filing_ssi":"Randolph Family of Edgehill and Wilson Cary Nicholas papers","title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"unitdate_ssm":["1765-1869"],"unitdate_inclusive_ssm":["1765-1869"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"text":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395","Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).","Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document.","This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.","All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.","Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826","English"],"unitid_tesim":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"acqinfo_ssim":["This collection was originally loaned to the University of Virginia Library Special Collections Department by Mrs. Page Kirk, Miss Olivia Taylor, and Miss Margaret Taylor, \"Lochlyn,\" Charlottesville, Virginia, on January 29, 1957. Shares held by the Misses Margaret and Olivia Taylor were bequeathed to Special Collections on March 25, 1986. The share held by Mrs. Kirk's daughter, Mrs. Mary Mann Moyer, was given to Special Collections on January 5, 1987."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"extent_tesim":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"physfacet_tesim":["about 787 items"],"date_range_isim":[1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in three series:\u003c/p\u003e\n","\u003cp\u003eSeries: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)\u003c/p\u003e\n","\u003cp\u003eSeries: II) Randolph Family Papers (Boxes 5-6)\u003c/p\u003e\n","\u003cp\u003eSeries: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box)."],"bioghist_html_tesm":["\u003cp\u003eWilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.\u003c/p\u003e\n","\u003cp\u003eRobert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.\u003c/p\u003e\n","\u003cp\u003eGeorge Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.\u003c/p\u003e\n","\u003cp\u003eSources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026amp;oldid=312497296\u003c/p\u003e\n","\u003cp\u003eLibrary of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas"],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e","\u003cp\u003eThis record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.\u003c/p\u003e","\u003cp\u003eThe word \"slaves\" has been retained in this case because it is in the title of the document.\u003c/p\u003e","\u003cp\u003eThe word \"slave\" has been retained in this case because it is in the title of the document.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding","Metadata Rights Declaration","Note:","Note:"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated."],"separatedmaterial_html_tesm":["\u003cp\u003eAll items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)","Jefferson, Thomas, 1743-1826"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":653,"online_item_count_is":646,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c144"}},{"id":"viu_repositories_3_resources_1395_c01_c01_c133","type":"Item","attributes":{"title":"S[amuel] Smith to [Wilson Cary Nicholas], discusses information from his brother, R[obert] S[mith], about the rumored treaty with Great Britain and mentions he has left for Bermuda to claim their ship Apostle and cargo which was captured within five miles of the Cape.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c133#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1395_c01_c01_c133","ref_ssm":["viu_repositories_3_resources_1395_c01_c01_c133"],"id":"viu_repositories_3_resources_1395_c01_c01_c133","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395_c01_c01","parent_ssi":"viu_repositories_3_resources_1395_c01_c01","parent_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_unittitles_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"parent_unittitles_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"text":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence","S[amuel] Smith to [Wilson Cary Nicholas], discusses information from his brother, R[obert] S[mith], about the rumored treaty with Great Britain and mentions he has left for Bermuda to claim their ship Apostle and cargo which was captured within five miles of the Cape.","2 pp.","box 2","folder 19"],"title_filing_ssi":"S[amuel] Smith to [Wilson Cary Nicholas], discusses information from his brother, R[obert] S[mith], about the rumored treaty with Great Britain and mentions he has left for Bermuda to claim their ship  Apostle  and cargo which was captured within five miles of the Cape.","title_ssm":["S[amuel] Smith to [Wilson Cary Nicholas], discusses information from his brother, R[obert] S[mith], about the rumored treaty with Great Britain and mentions he has left for Bermuda to claim their ship Apostle and cargo which was captured within five miles of the Cape."],"title_tesim":["S[amuel] Smith to [Wilson Cary Nicholas], discusses information from his brother, R[obert] S[mith], about the rumored treaty with Great Britain and mentions he has left for Bermuda to claim their ship Apostle and cargo which was captured within five miles of the Cape."],"unitdate_other_ssim":["1807 February 07"],"normalized_date_ssm":["1807"],"normalized_title_ssm":["S[amuel] Smith to [Wilson Cary Nicholas], discusses information from his brother, R[obert] S[mith], about the rumored treaty with Great Britain and mentions he has left for Bermuda to claim their ship Apostle and cargo which was captured within five miles of the Cape."],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"physdesc_tesim":["2 pp."],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":135,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"digital_objects_ssm":["{\"label\":\"S[amuel] Smith to [Wilson Cary Nicholas], discusses information from his brother, R[obert] S[mith], about the rumored treaty with Great Britain and mentions he has left for Bermuda to claim their ship \u003ctitle render=\\\"italic\\\"\u003eApostle\u003c/title\u003e and cargo which was captured within five miles of the Cape., 1807 February 07\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:106489\"}"],"date_range_isim":[1807],"containers_ssim":["box 2","folder 19"],"_nest_path_":"/components#0/components#0/components#132","timestamp":"2026-06-09T07:08:45.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1395","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1395.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147346","title_filing_ssi":"Randolph Family of Edgehill and Wilson Cary Nicholas papers","title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"unitdate_ssm":["1765-1869"],"unitdate_inclusive_ssm":["1765-1869"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"text":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395","Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).","Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document.","This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.","All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.","Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826","English"],"unitid_tesim":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"acqinfo_ssim":["This collection was originally loaned to the University of Virginia Library Special Collections Department by Mrs. Page Kirk, Miss Olivia Taylor, and Miss Margaret Taylor, \"Lochlyn,\" Charlottesville, Virginia, on January 29, 1957. Shares held by the Misses Margaret and Olivia Taylor were bequeathed to Special Collections on March 25, 1986. The share held by Mrs. Kirk's daughter, Mrs. Mary Mann Moyer, was given to Special Collections on January 5, 1987."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"extent_tesim":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"physfacet_tesim":["about 787 items"],"date_range_isim":[1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in three series:\u003c/p\u003e\n","\u003cp\u003eSeries: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)\u003c/p\u003e\n","\u003cp\u003eSeries: II) Randolph Family Papers (Boxes 5-6)\u003c/p\u003e\n","\u003cp\u003eSeries: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box)."],"bioghist_html_tesm":["\u003cp\u003eWilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.\u003c/p\u003e\n","\u003cp\u003eRobert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.\u003c/p\u003e\n","\u003cp\u003eGeorge Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.\u003c/p\u003e\n","\u003cp\u003eSources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026amp;oldid=312497296\u003c/p\u003e\n","\u003cp\u003eLibrary of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas"],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e","\u003cp\u003eThis record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.\u003c/p\u003e","\u003cp\u003eThe word \"slaves\" has been retained in this case because it is in the title of the document.\u003c/p\u003e","\u003cp\u003eThe word \"slave\" has been retained in this case because it is in the title of the document.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding","Metadata Rights Declaration","Note:","Note:"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated."],"separatedmaterial_html_tesm":["\u003cp\u003eAll items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)","Jefferson, Thomas, 1743-1826"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":653,"online_item_count_is":646,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c133"}},{"id":"viu_repositories_3_resources_1395_c01_c01_c137","type":"Item","attributes":{"title":"Samuel Smith to [Wilson Cary Nicholas], discusses the closure of the Owings bonds of $20,000 and the need to collect the vast amount of interest accumulated on that bond over the years. Suggests that both Samuel Smith and Wilson Nicholas would get at least $1120, exclusive of interest, from Owings.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c137#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1395_c01_c01_c137","ref_ssm":["viu_repositories_3_resources_1395_c01_c01_c137"],"id":"viu_repositories_3_resources_1395_c01_c01_c137","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395_c01_c01","parent_ssi":"viu_repositories_3_resources_1395_c01_c01","parent_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_ids_ssim":["viu_repositories_3_resources_1395","viu_repositories_3_resources_1395_c01","viu_repositories_3_resources_1395_c01_c01"],"parent_unittitles_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"parent_unittitles_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence"],"text":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Series I: Wilson Cary Nicholas Papers","Subseries A: Correspondence","Samuel Smith to [Wilson Cary Nicholas], discusses the closure of the Owings bonds of $20,000 and the need to collect the vast amount of interest accumulated on that bond over the years. Suggests that both Samuel Smith and Wilson Nicholas would get at least $1120, exclusive of interest, from Owings.","1 pp.","box 2","folder 23"],"title_filing_ssi":"Samuel Smith to [Wilson Cary Nicholas], discusses the closure of the Owings bonds of $20,000 and the need to collect the vast amount of interest accumulated on that bond over the years. Suggests that both Samuel Smith and Wilson Nicholas would get at least $1120, exclusive of interest, from Owings.","title_ssm":["Samuel Smith to [Wilson Cary Nicholas], discusses the closure of the Owings bonds of $20,000 and the need to collect the vast amount of interest accumulated on that bond over the years. Suggests that both Samuel Smith and Wilson Nicholas would get at least $1120, exclusive of interest, from Owings."],"title_tesim":["Samuel Smith to [Wilson Cary Nicholas], discusses the closure of the Owings bonds of $20,000 and the need to collect the vast amount of interest accumulated on that bond over the years. Suggests that both Samuel Smith and Wilson Nicholas would get at least $1120, exclusive of interest, from Owings."],"unitdate_other_ssim":["1807 March 09"],"normalized_date_ssm":["1807"],"normalized_title_ssm":["Samuel Smith to [Wilson Cary Nicholas], discusses the closure of the Owings bonds of $20,000 and the need to collect the vast amount of interest accumulated on that bond over the years. Suggests that both Samuel Smith and Wilson Nicholas would get at least $1120, exclusive of interest, from Owings."],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"physdesc_tesim":["1 pp."],"has_online_content_ssim":["true"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":139,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"digital_objects_ssm":["{\"label\":\"Samuel Smith to [Wilson Cary Nicholas], discusses the closure of the Owings bonds of $20,000 and the need to collect the vast amount of interest accumulated on that bond over the years. Suggests that both Samuel Smith and Wilson Nicholas would get at least $1120, exclusive of interest, from Owings., 1807 March 09\",\"href\":\"https://iiifman.lib.virginia.edu/pid/tsb:106493\"}"],"date_range_isim":[1807],"containers_ssim":["box 2","folder 23"],"_nest_path_":"/components#0/components#0/components#136","timestamp":"2026-06-09T07:08:45.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1395","ead_ssi":"viu_repositories_3_resources_1395","_root_":"viu_repositories_3_resources_1395","_nest_parent_":"viu_repositories_3_resources_1395","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1395.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/147346","title_filing_ssi":"Randolph Family of Edgehill and Wilson Cary Nicholas papers","title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"unitdate_ssm":["1765-1869"],"unitdate_inclusive_ssm":["1765-1869"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"text":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395","Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","Slavery--United States -- Virginia","African Americans -- Virginia","The collection is open for research use.","The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).","Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas","This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document.","This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.","All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.","Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.","Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826","English"],"unitid_tesim":["MSS 5533","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1395"],"normalized_title_ssm":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_title_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"collection_ssim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Randolph family"],"creator_ssim":["Randolph family"],"creator_famname_ssim":["Randolph family"],"creators_ssim":["Randolph family"],"access_terms_ssm":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"acqinfo_ssim":["This collection was originally loaned to the University of Virginia Library Special Collections Department by Mrs. Page Kirk, Miss Olivia Taylor, and Miss Margaret Taylor, \"Lochlyn,\" Charlottesville, Virginia, on January 29, 1957. Shares held by the Misses Margaret and Olivia Taylor were bequeathed to Special Collections on March 25, 1986. The share held by Mrs. Kirk's daughter, Mrs. Mary Mann Moyer, was given to Special Collections on January 5, 1987."],"access_subjects_ssim":["Slavery--United States -- Virginia","African Americans -- Virginia"],"access_subjects_ssm":["Slavery--United States -- Virginia","African Americans -- Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"extent_tesim":["2.5 Cubic Feet 6 Hollinger document boxes and one oversize box"],"physfacet_tesim":["about 787 items"],"date_range_isim":[1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in three series:\u003c/p\u003e\n","\u003cp\u003eSeries: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)\u003c/p\u003e\n","\u003cp\u003eSeries: II) Randolph Family Papers (Boxes 5-6)\u003c/p\u003e\n","\u003cp\u003eSeries: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are arranged in three series:","Series: I) Wilson Cary Nicholas Papers\nSubseries A: Correspondence (Boxes 1-3)\nSubseries B: Financial, Legal, and Miscellaneous Papers (Boxes 3-4)\nSubseries C: Militia Papers (Box 4)","Series: II) Randolph Family Papers (Boxes 5-6)","Series: III) Drawings, Surveys, etc. (OS Edgehill-Randolph Box)."],"bioghist_html_tesm":["\u003cp\u003eWilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.\u003c/p\u003e\n","\u003cp\u003eRobert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.\u003c/p\u003e\n","\u003cp\u003eGeorge Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.\u003c/p\u003e\n","\u003cp\u003eSources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026amp;oldid=312497296\u003c/p\u003e\n","\u003cp\u003eLibrary of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Wilson Cary Nicholas (January 31, 1761-October 10, 1820) was an American politician who served in the U.S. Senate from 1799 to 1804 and was the Governor of Virginia 1814 to 1816. Nicholas was born in Williamsburg, Virginia where he attended the College of William and Mary. According to Nicholas's entry in the Biographical Directory of the United States Congress , he served in the American Revolutionary War as commander of George Washington's Life Guard until the unit disbanded in 1783. This appears to be an error: his entry in American National Biography states that \"he commanded Virginia volunteer units from the fall of 1780 until the following fall, but there is no evidence that he was actually involved in battlefield action.\" He married Margaret Smith of Baltimore, Maryland, and settled at \"Warren\" in Albemarle County where he became a member of the Virginia House of Delegates 1784-1789 and a delegate to the ratifying convention of 1788 which approved the Federal Constitution.","Robert Carter Nicholas (1728-1780) was the nephew of Wilson Cary Nicholas and the son of Dr. George Nicholas and Elizabeth Carter Burwell Nicholas (widow of Nathaniel Burwell) of Williamsburg, Virginia. His father migrated to Virginia; his mother was the daughter of wealthy Virginia landowner, Robert \"King\" Carter of Corotoman . Born January 28, 1728/9, both parents were dead by 1734. He studied law at the College of William and Mary and practiced in the general court under the royal government. He served in the House of Burgesses, 1755-61 as the representative from York County, and from 1766-1775 as the representative of James City County, and was Treasurer for the colony of Virginia, 1766-1775. He was a member of the Virginia General Assembly from 1776 to 1778 and in 1779 was appointed to the high court of chancery. Nicholas married Anne Cary, daughter of Wilson Cary of Warwick County in 1751 and the couple had four daughters and six sons.","George Nicholas, born in Williamsburg about 1754, was the son of Robert Carter Nicholas, treasurer of Virginia from 1766 to 1776, and a great grandson of Robert \"King\" Carter. He attended the College of William and Mary and became a noted attorney. Nicholas was a lieutenant colonel in the Continental army but spent much of his time in Baltimore and did not participate in any significant engagements. During service in the House of Delegates in 1778-1779, 1781-1782, 1783, and from 1786 to 1788, the last three terms representing Albemarle County, Nicholas became friendly with James Madison. Elected to the Virginia Ratification Convention of 1788, Nicholas followed Madison's lead and spoke in favor of ratification of the proposed new Constitution. Soon after the convention, he moved west to Kentucky, where he had a distinguished career as an attorney, as a leading member of the Kentucky Constitutional Convention of 1792, and as the first attorney general of the state and professor of law at Transylvania University. Nicholas wrote important letters on western affairs to Madison and to Thomas Jefferson, which George Washington also read, and tried to convince the federal government to increase its military presence in the West to protect settlers from Indian incursions and to secure westerners' access to the Mississippi River. George Nicholas died in Lexington, Kentucky, on July 25, 1799.","Sources:\nRobert Carter Nicholas, Sr. (2009, September 8) In Wikipedia, The Free Encyclopedia . Retrieved 13:10, October 15, 2009, from http://en.wikipedia.org/w/index.php? title=Robert_Carter_Nicholas,_Sr.\u0026oldid=312497296","Library of Virginia website: http://www.virginiamemory.com/online_classroom/shaping_the_constitution/people/george_nicholas"],"odd_html_tesm":["\u003cp\u003eThis collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eFunding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.\u003c/p\u003e","\u003cp\u003eThis record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.\u003c/p\u003e","\u003cp\u003eThe word \"slaves\" has been retained in this case because it is in the title of the document.\u003c/p\u003e","\u003cp\u003eThe word \"slave\" has been retained in this case because it is in the title of the document.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Funding","Metadata Rights Declaration","Note:","Note:"],"odd_tesim":["This collection contains material which discusses enslavement and may contain racist language. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Funding for enhanced description and digitization of this collection was graciously provided by John C.R. Taylor, III.","This record is made available under a Universal 1.0 Public Domain Dedication Creative Commons license. The Albert and Shirley Small Special Collections Library of the University of Virginia makes its bibliographic records and the metadata contained therein available for public use under the CC0 1.0 Public Domain Designation.","The word \"slaves\" has been retained in this case because it is in the title of the document.","The word \"slave\" has been retained in this case because it is in the title of the document."],"prefercite_html_tesm":["\u003cp\u003ePapers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA.\u003c/p\u003e"],"prefercite_tesim":["Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas, MSS 5533, Special Collections, University of Virginia Library, Charlottesville, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of the papers of the Randolph Family of Edgehill, (commonly called the Edgehill-Randolph Papers) and the Wilson Cary Nicholas papers, ca. 787 items (6 Hollinger boxes, 2.5 linear shelf feet), ca. 1765-1869, and undated."],"separatedmaterial_html_tesm":["\u003cp\u003eAll items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["All items pertaining to Thomas Jefferson have been transferred to the Thomas Jefferson Papers and are described in the online Calendar of the Jefferson Papers of the University of Virginia: Multiple numbers. A search for \"5533\" should find all the Jefferson items formerly in this collection, almost 400 items."],"userestrict_html_tesm":["\u003cp\u003eMaterials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials in this collection, which were created in 1765-1869, are in the public domain. Permission to publish or reproduce is not required."],"names_coll_ssim":["Edgehill (Albemarle County, Va. : Estate)","Jefferson, Thomas, 1743-1826"],"names_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)","Randolph family","Jefferson, Thomas, 1743-1826"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Edgehill (Albemarle County, Va. : Estate)"],"famname_ssim":["Randolph family"],"persname_ssim":["Jefferson, Thomas, 1743-1826"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":653,"online_item_count_is":646,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-09T07:08:45.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1395_c01_c01_c137"}},{"id":"vimtvl_repositories_3_resources_44_c01","type":"Series","attributes":{"title":"Series 1. Correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_44_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_3_resources_44_c01","ref_ssm":["vimtvl_repositories_3_resources_44_c01"],"id":"vimtvl_repositories_3_resources_44_c01","ead_ssi":"vimtvl_repositories_3_resources_44","_root_":"vimtvl_repositories_3_resources_44","_nest_parent_":"vimtvl_repositories_3_resources_44","parent_ssi":"vimtvl_repositories_3_resources_44","parent_ssim":["vimtvl_repositories_3_resources_44"],"parent_ids_ssim":["vimtvl_repositories_3_resources_44"],"parent_unittitles_ssm":["Bushrod Washington family papers"],"parent_unittitles_tesim":["Bushrod Washington family papers"],"text":["Bushrod Washington family papers","Series 1. Correspondence","Washington, Bushrod, 1762-1829","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Elizabeth Schuyler, 1757-1854","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Peters, Richard, 1744-1828","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Washington, Bushrod Corbin, 1790-1851","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, Bushrod, 1785-1830","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Corbin, 1764-1799","Washington, George Augustine, approximately 1759-1793","Washington, Hannah Bushrod, approximately 1738-1804","Washington, John Augustine, 1736-1787","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Lund, 1737-1796","Wythe, George, 1726-1806","English ."],"title_filing_ssi":"Series 1. Correspondence","title_ssm":["Series 1. Correspondence"],"title_tesim":["Series 1. Correspondence"],"unitdate_inclusive_ssm":["1780-1835; undated"],"normalized_date_ssm":["1780/1835"],"normalized_title_ssm":["Series 1. Correspondence"],"component_level_isim":[1],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Bushrod Washington family papers"],"has_online_content_ssim":["true"],"child_component_count_isi":159,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"date_range_isim":[1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835],"names_ssim":["Washington, Bushrod, 1762-1829","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Elizabeth Schuyler, 1757-1854","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Peters, Richard, 1744-1828","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Washington, Bushrod Corbin, 1790-1851","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, Bushrod, 1785-1830","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Corbin, 1764-1799","Washington, George Augustine, approximately 1759-1793","Washington, Hannah Bushrod, approximately 1738-1804","Washington, John Augustine, 1736-1787","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Lund, 1737-1796","Wythe, George, 1726-1806"],"persname_ssim":["Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Marshall, John, 1755-1835","Washington, Bushrod, 1762-1829","Caldwell, Charles, 1772-1853","Washington, Bushrod, 1762-1829","Duvall, Gabriel, 1752-1844","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Hamilton, Alexander, 1757-1804","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Hamilton, Elizabeth Schuyler, 1757-1854","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Washington, Bushrod, 1762-1829","Mason, John, 1766-1849","Washington, Bushrod, 1762-1829","Moore, Richard Channing, 1762-1841","Washington, Bushrod, 1762-1829","Peters, Richard, 1744-1828","Washington, Bushrod, 1762-1829","Peters, Richard, 1744-1828","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Sparks, Jared, 1789-1866","Washington, Bushrod, 1762-1829","Washington, George, 1732-1799","Sparks, Jared, 1789-1866","Washington, Bushrod Corbin, 1790-1851","Washington, George, 1732-1799","Washington, Bushrod, 1762-1829","Stockton, Richard, 1764-1828","Washington, Bushrod, 1762-1829","Story, Joseph, 1779-1845","Washington, Bushrod, 1762-1829","Story, Joseph, 1779-1845","Washington, Bushrod, 1762-1829","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Delaplaine, Joseph, 1777-1824","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Marshall, John, 1755-1835","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Hamilton, James A. (James Alexander), 1788-1878","Hamilton, Elizabeth Schuyler, 1757-1854","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1785-1830","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1785-1830","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1785-1830","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1785-1830","Washington, Bushrod, 1762-1829","Washington, Bushrod Corbin, 1790-1851","Washington, Bushrod, 1762-1829","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Alexander, Hannah Lee Washington, 1811-1881","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Bushrod Corbin, 1790-1851","Alexander, Hannah Lee Washington, 1811-1881","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Alexander, Hannah Lee Washington, 1811-1881","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod Corbin, 1790-1851","Washington, Thomas Blackburn, 1812-1854","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, Corbin, 1764-1799","Washington, Bushrod, 1762-1829","Washington, George Augustine, approximately 1759-1793","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Bushrod, 1762-1829","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Thomas Blackburn, 1812-1854","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Bushrod, 1762-1829","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, John Augustine, 1736-1787","Washington, Bushrod, 1762-1829","Washington, Lund, 1737-1796","Washington, Bushrod, 1762-1829","Washington, Bushrod, 1762-1829","Wythe, George, 1726-1806","Washington, Bushrod, 1762-1829","Wythe, George, 1726-1806","Washington, Bushrod, 1762-1829","Wythe, George, 1726-1806","Washington, Bushrod, 1762-1829"],"language_ssim":["English ."],"_nest_path_":"/components#0","timestamp":"2026-05-21T05:50:40.181Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_3_resources_44","ead_ssi":"vimtvl_repositories_3_resources_44","_root_":"vimtvl_repositories_3_resources_44","_nest_parent_":"vimtvl_repositories_3_resources_44","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_44.xml","title_ssm":["Bushrod Washington family papers"],"title_tesim":["Bushrod Washington family papers"],"unitdate_ssm":["1662-1835"],"unitdate_inclusive_ssm":["1662-1835"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.1174"],"text":["RM.1174","Bushrod Washington family papers","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","The collection is organized in the following series and subseries:","Series 1. Correspondence (Arranged alphabetically by creator's last name then chronologically, with undated materials listed last.) ","Series 2. Legal Documents (Six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other)\n","Series 3. Social","Series 4. Miscellaneous","Series 5. Indenture Notices (Land Deeds)","Bushrod Washington (1762-1829): Bushrod was the son of Hannah Bushrod and John Augustine Washington, the younger brother of George Washington. Upon the death of Martha Washington, Bushrod inherited the Mount Vernon estate. A graduate of the College of William and Mary, Bushrod served as an associate justice of the U.S. Supreme Court. He was joined on the Supreme Court by his long-time friend, John Marshall. Justices Washington and Marshall  met while attending law lectures given by George Wythe at the College of William and Mary. Bushrod and his wife, Julia Ann Blackburn, had no children, but raised three of their nephews. One nephew, John Augustine Washington II (1789-1832), inherited Mount Vernon from Bushrod.","Purchased by the A. Alfred Taubman Acquisition Endowment Fund, 2011.","Additional manuscripts related to Bushrod Washington and his family can be found in the George Washington Collection, Martha Washington Collection, Historic Manuscript Collection, Elswyth Thane Beebe Collection of Washington Family Papers, and Potomac Navigation Company Records.","The Bushrod Washington Family Papers consist of documents gathered by the descendants of the first President of the United States, George Washington. The collection comprises an assortment of correspondence and legal documents documenting the lives and property ownership of several branches of the Washington family. The collection is organized into five series: Correspondence, Legal Documents, Social, Miscellaneous, and Indenture Notices (Land Deeds).","The Correspondence series, circa 1780-1835, contains letters mostly written to Bushrod Washington, executor of George Washington's estate and inheritor of Mount Vernon. While some were written by friends of Bushrod Washington, most are from his brother and his many nieces and nephews.","Of the letters not written to Bushrod Washington, the largest portion were written by Bushrod Corbin Washington, his wife Anna Maria, and their daughter Hannah to their son, Cadet Thomas Washington, who was stationed in Middletown, Connecticut. Most often, when one of the three would pen a letter, the other two would add a quick greeting in whatever space remained. Among the famous Virginians with whom Bushrod Washington corresponded are Richard Channing Moore, George Spotswood, and George Wythe.\nAll of the letters are in alphabetical order by the last name of the correspondent, with undated materials at the end.","Legal Documents, 1719-1835, contains six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other. Issues arising after the death of a family member can be found in the Estate Matters subseries. The estate of George Washington was perhaps the most disputed, with legal proceedings occurring thirty years following his death. Loans and sales of property are the focus of the Financial Agreements subseries. At least two family members were involved with land disputes over the years. The Land Disputes subseries records the disputes of Richard Bushrod and John Augustine Washington. Surveys, or Plats, were the primary tool for settling such disputes and can be found in the next subseries. The Wills of several family members provide data regarding the families' possessions. This subseries contains wills written by ten family members. In addition to household items and distribution of land, these wills also dictate the owners' desires regarding who would inherit slaves. Four other documents, not closely resembling any of the other legal pieces comprise their own subseries. When possible, all of the Legal Documents are listed in alphabetical order by the last name of the creator.","Bushrod Washington, a well-respected Judge, was active in affairs aside from running his family estate. Evidence of these can be found in the Social series, 1816-1829. The American Bible Society and the Bunker Hill Monument Association were among the organizations in which Judge Washington was involved.","A formula for cement, mailed to the President of the United States, Mount Vernon, and recipes highlight the Miscellaneous series, 1795 and undated.","Some of the oldest material in the collection is found in the Indenture Notices (Land Deeds) series, 1662-1814. These documents relate the history of land ownership among the Bushrod and Washington families, as well as several of their neighbors and associates. While technically legal documents, the size of several of the deeds precludes their being stored alongside the papers of the Legal Documents series. Arranged chronologically, the Indenture Notices specify all the details of the transaction, including the amount of land, location, and purchase price.","Autograph letter signed \"Urbain Babier\" with integral address panel. Babier writes in a mixture of French and English to Bushrod admonishing him for being a slave holder. Docketed by Bushrod on verso \"anonymous and... impertinent.\"","A letter from the brother of Bushrod's wife, Julia Ann Blackburn Washington.","Autograph letter signed with integral address panel. Caldwell asks Bushrod for help gathering information for biographies he is writing of John Randolph and Captain Lewis Warrington.","Elizabeth Hamilton writes about her husband Alexander Hamilton's legacy and invites Bushrod and his wife to stay with her next time they are in New York.","Autograph letter signed with integral address panel. Letter delivered by William Hodgson, an English gentleman touring America. Elizabeth Hamilton writes to Bushrod about news from New York.","Herbert writes that Elizabeth Hamilton is hoping to acquire some of the correspondence between George Washington and Alexander Hamilton.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed. Episcopal clergyman Richard Channing Moore writes to Bushrod that he might become the rector of a church in Richmond. In 1814, Moore was elected bishop of the Diocese of Richmond.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Mrs. Preto asks Bushrod if he has any influence with Martin Van Buren in the State Department to get a job for her husband.","A distant relative of Bushrod's wife writes to ask for assistance.","A distant relative of Bushrod's wife writes a second time to ask for assistance.","Autograph letter signed with integral address panel.","Manuscript list in the hand of Jared Sparks of all the papers of George Washington taken by Sparks from Mount Vernon. A note on the verso signed by Bushrod states that the papers were shipped on 13 June 1827 aboard the schooner Alexandria.","Autograph letter signed with integral address panel. Sparks writes to Bushrod Corbin Washington, executor of the estate of Bushrod Washington, in response to his inquiries about Sparks's progress on his publication of the writings of George Washington.","Autograph letter signed with integral address panel. Spotswood writes Bushrod asking his help help getting a job with the Jackson administration.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter with integral address panel. Story shares his opinion on various court cases with Bushrod.","Autograph letter signed with integral address panel. Letter addressed to \"My Dear Uncle\" from the wife of Bushrod Corbin Washington.","Draft copy. Bushrod writes about the sale of land.","Draft copy.","Draft copy. Bushrod writes to General Jan Pieter van Suchtelen, the Russian Minister at Stockholm, in response to his request for \"manuscript specimens of the handwriting of some of our most illustrious citizens.\" Bushrod says he is sending manuscripts written by John Marshall, Alexander Hamilton, Thomas Jefferson, John Adams, John Jay, and George Washington.","Autograph letter signed. Bushrod asks Marshall to look through the Washington letters in his possession and send any related to Alexander Hamilton  to Mrs. Elizabeth Hamilton.","Autograph letter signed. Draft copy. Bushrod tells Elizabeth Hamilton that he has written to Chief Justice John Marshall about the Alexander Hamilton and George Washington correspondence that she has requested.","Autograph letter signed. Draft copy. Bushrod writes to James Hamilton about correspondence between George Washington and Alexander Hamilton that was requested by Mrs. Elizabeth Hamilton.","Draft copy.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Bushrod Corbin Washington writes his uncle that he is on the trail of Charles and Nathan, two of Bushrod's enslaved workers.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Three letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, sister, and mother.","Autograph letters signed with integral address panel. 5 letters on one sheet of paper addressed to Thomas Blackburn Washington from his sister, mother, and cousins.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper written to Thomas Blackburn Washington by his mother and sister.","Autograph letter signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addresed to Thomas Blackburn Washington from his sister and mother.","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.","3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, father, and sister.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister. Bushrod Corbin writes that he has returned from Richmond to find all his family and friends well, \"both white and black.\"","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington by his mother and father.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother. Also contains doodled signatures of Archibald Fairfax and Bushrod W. Herbert, and Noblet Herbert.","Autograph letters signed with integral address panel. 3 letters on a single leaf of papers addressed to Thomas Blackburn Washington from his father, sister, and mother.","Autograph letter signed with integral address panel.","Autograph letter signed. Hannah mentions Thomas visiting Mount Vernon.","Autograph letter signed with integral address panel. 3 letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, mother, and sister.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letters signed with integral address panel. Two letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and cousin.","Autograph letters signed with integral address panels. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and mother.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister, mother, and father.","Autograph letter signed with integral address panel.","Autograph letter signed. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and mother.","Autograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and mother.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letters signed with integral address panel. 3 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Corbin writes that he had planned to visit Bushrod in Philadelphia but lacks the funds and clothing. He asks on behalf of their father if Bushrod can send books: Horace, Euclid, Cicero's Orations, and a Westminster Greek grammar published in 1754.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed. Corbin writes that his wife has almost died from \"very severe epileptic fits.\"","Autograph letter signed.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. With additional sheet signed by Corbin describing Walnut Farm in Westmoreland County.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Address panel addressed to Bushrod by Corbin Washington. The letter is not extant.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel. 2 letters on 1 leaf of paper written to Bushrod by his mother and father.","Autograph letter signed.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. With additional leaf of paper in another hand addressed to \"my dear son.\"","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel, with note that the letter was sent \"By Jeremiah.\"","Autograph letter signed, undated, with integral address panel.","Address panel with note on verso about the prices of tea and sugar in Philadelphia.","Autograph letter signed. Lund writes about crops and horses.","Autograph letter signed. From \"Samuel George Washington\" to his father, Bushrod Washington. Bushrod had no children and dockets the letter on verso, \"From some fool or knave calling himself Samuel F. Washington \u0026 my son.\"","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","An inventory of the furniture from John Augustine Washington's estate at Bushfield, which was divided between his wife Hannah and their two sons, Corbin and Bushrod. This document is located within Box 4 (oversized).","List of land, including new patents in Frederick City, left to Samuel Washington and John Augustine Washington by their older half-brother Lawrence Washington. The list also notes that 3,569 acres were given to Charles Washington.","Autograph letter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of General George Washington.","Autograph leter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of George Washington.","Autograph letter signed with integral address panel. Ludwell Lee writes on behalf of his brother about a debt due to the estate of George Washington. Lee writes that is brother is unable to pay the debt at the moment because he has recently purchased \"some Negroes.\"","Autograph letter signed. Copy. Bushrod writes to a son of Alexander Spotswood regarding payment owed to the estate of George Washington.","Autograph letter with free franked address panel. Rives writes regarding debts owed by his neighbor to Bushrod, as well as the sale of land from the estate of George Washington near the Dismal Swamp.","Autograph letter signed with integral address panel. Letter regarding the payment of debts owed to the estate of George Washington.","Autograph leter signed with integral address panel. Letter regarding the payment of debt owed to the estate of George Washington.","Autograph letter signed with integral address panel. Lee writes about debts owed to the estate of General Washington and mentions visiting Bushrod at Mount Vernon.","A list of taxes on 8,857 acres of land owned by the estate of George Washington in 1802.","Autograph letter signed. Lewis writes that Samuel Washington has requested the patent for the tract of land on the Kanahwa.","Manuscript copy of \"George Washington's Executors against L. W. McCarty Spotswood \u0026 others and Mary D. Washington against George Washington's Executors.\"","Autograph document signed \"Bush. Washington.\"","Docketed on verso by Bushrod Washington.","Taken by William Grayson.","Note regarding money owed by Fitzhugh's father for land in Charles County.","Wrapper docketed \"Title papers on the Ohio \u0026 Kanhawa Lands which the Legatees have divided...\"","Note on the sale of Lot 5 to A. Parke, Lots 12 and 13 to Thomas Peter, and Lot 14 to George S. Washington.","List of accounts title \"Condensed Statement A\" showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.","List of accounts showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.","Survey and plat of George Washington's Bullskin farm and land in Jefferson County.","Autograph document in unidentified hand, recording \"confidential communication\" received from Bushrod Washington with instructions for his burial.","Autograph document signed R. J. Taylor. In his will, Bushrod Washington instructed that his law books be retained at Mount Vernon by John Augustine Washington II until his nephew Bushrod Washington Herbert turns twenty-one. Then, Herbert will inherit the books if at that time he is \"destined to the bar\" and determined to practice law.","A copy from the County Court of Fairfax of the division of the slaves and stocks from the estate of Bushrod Washington amongst his nephews. Includes a list of the names of the enslaved persons that went to each nephew, with their values.","Autograph document in the hand of John Augustine Washington II, 20 pages. Includes a list of enslaved workers and household goods listed by room, with some notes on to whom they were bequeathed.","Bond of indenture witnessed and signed by Charles Washington.","Autograph document signed by Bushrod Washington and Henry \"Light-Horse Harry\" Lee, conveying the estate of Belvidere to Washington.","Autograph document signed by Henry \"Light-Horse Harry\" Lee. An agreement about a road connecting the Belvedire estate to a canal.","Autograph letter signed with integral address panel.","Agreement about renting a house.","Agreement for the conveyance of lands in Westmoreland County.","Undated bond between Robert Throckmorton and John Augustine Washington regarding the sale of land. Witnessed and signed by James Rumsey.","Survey created by James Thomas for the action of trespass in the legal case Richard Bushrod vs. Lawrence McNemarra.","Survey by James Thomas, surveyor of Westmoreland County.","Addressed to N. Herbert of Alexandria.","Two print forms from the Commonwealth of Virginia from the case Washington vs. Hite.","Legal advise from Edmund Pendelton to John Augustine Washington regarding a land dispute with Fauntleroy. Lists items to prove to solidify case including deaths of previous owners. Notes survey details of land in question. Feels confident the case will be successful. Autograph letter signed, 1 page, with integral address panel.","Docketed \"Rough Draft of my lands in Berkley with observations of no consequence to any body but myself. C Washington.\"","A plat showing 131 lots and street names in Bath at Berkeley Springs, West Virginia. The lots are listed with their owners' names and prices. The plat includes lots owned by Gen. Washington and W. Fairfax.","Surveyed by Chris Collins.","Docketed \"Frederick Land Papers\" with plat on verso.","Surveyed by Robert Brook.","Three copies of the will of John Bushrod of Westmoreland County with notes by Bushrod Washington for the case Washington vs. Fauntleroy.","An inventory listing household items, furniture, 4 enslaved persons, and animals. With a note by Mildred Bushrod that she received the listed articles from John Augustine Washington on July 27, 1761.","A copy of Bushrod Washington's will in the Fairfax County Court. Includes instructions for the division of the Mount Vernon property, library, and enslaved population, with instructions that land should be given to West Ford.","A manuscript copy of the last will and testament of Hannah Bushrod Washington, in which she specifies that her body be left out until it putrefies so that she is not buried alive. In her will, Hannah specifies that West Ford, the son of an enslaved woman named Venus, should be inoculated from smallpox, apprenticed to a tradesman, and freed at the age of twenty-one.","A \"true\" manuscript copy made from the original, which is dated July 8, 1830. In his will, John Augustine gives his wife Jane the power to dispose of any of his enslaved workers who are disobedient to her after his death. He also stipulates that his children may sell the Mount Vernon estate to the government if Congress wants it.","Printed form with manuscript inputs. Signed on verso B. Washington. Insurance application for Bushrod's residence Belvedary in Richmond City in the county of Henrico. Includes a plan of three buildings – a kitchen, dwelling, and office.","Autograph document in the hand of James Mercer, with an autograph signed note. With integral address panel addressed to George Washington Esq, \"present.\" This memorial or petition was sent by Washington to Dunmore to request additional surveys of the Kanawha lands granted to Virginia veterans of the French and Indian War.","Autograph document. A list of household goods and animals sold at Selby, with an additional list of the sale of the enslaved workers Abraham, Caeser, Siphah, Robin, Daniel, Toby, Harry, and Moses.","Four letters related to Bushrod Washington's involvement in the American Bible Society.","Letter informing Bushrod Washington he has been named Vice President of the American Sunday School Union, 1829 June 2","Letter from Edward Everett informing Bushrod Washington that he has been named an honorary member of the Bunker Hill Monument Association.","Contains 2 items:\n \nConstitution of the Philadelphia Southern Society, 1818 May 13 - a rinted pamphlet, 4 pages, with manuscript additions to the list of members.\n \nLetter informing Bushrod Washington that he has been named an honorary member of the Philadelphia Southern Society.","Letter to Bushrod Washington asking for financial support.","Contains 3 letters:\n \nLetter informing Bushrod Washington that he has been named an honorary member of the Peithesophian Society of Rutgers College, 1829 October 3\n \nLetter informing Bushrod Washington that Harvard University has conferred on him the honorary Degree of Doctor of Laws, 1828 March 3\n \nLetter inviting Bushrod Washington to become an honorary member of the Franklin Society of Penn University, 1824 June 31","Addressed to the President of the United States, Mount Vernon, and docketed \"cement\" in George Washington's hand.","Autograph document, docketed by Bushrod Washington.","Autograph document in the hand of Elizabeth Powel, docketed by Bushrod Washington. Addressed to Judge Washington \"with Mrs. Powels best wishes.\"","For land in the Northern Neck of Virginia.","Autograph document signed. With note on verso by the wife of Robert Worthington that she received four pounds seven shillings from Major Lawrence Washington for lease of the land. Dated 1741 October 14.","Autograph document. Fragile with tape repairs and loss of text.","Autograph document signed John Waller. For the sale of one acre of land and a house in Fredericksburgh in the County of Spotsylvania. With partial manuscript transcription written on Washington State Senate stationary, dated 1950.","Autograph document signed. For land in Fredrick County.","Autograph document signed by John Augustine Washington, Charles Washington, and George A. Washington. For land in Fredericksburg leased by John Augustine to his mother, Mary Ball Washington.","Autograph document. Copy of indenture for land in Fairfax County.","Autograph document signed. For land in Fairfax County.","Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, George Augustine, approximately 1759-1793","Washington, Lund, 1737-1796","Wythe, George, 1726-1806","Washington, Lawrence, 1718-1752","Washington, Charles, 1738-1799","Washington, John Augustine, 1789-1832","Lee, Ludwell, 1760-1836","Lewis, Robert, 1769-1829","Lee, Richard Henry, 1794-1865","Lewis, Lawrence, 1767-1839","Lee, Henry, 1756-1818","McPherson, William, 1751?-1813","Herbert, Bushrod Washington, -1888","Washington, George Corbin, 1789-1854","Herbert, Noblet","Rumsey, James, 1743?-1792","Pendleton, Edmund, 1721-1803","Bushrod, John, 1662-1719","Ford, West, approximately 1784-1863","Washington, George Steptoe, 1771-1809","Mercer, James, 1736-1793","Everett, Edward, 1794-1865","Powel, Elizabeth Willing, 1743-1830","Washington, Mary Ball, 1708-1789","English \n.    "],"unitid_tesim":["RM.1174"],"normalized_title_ssm":["Bushrod Washington family papers"],"collection_title_tesim":["Bushrod Washington family papers"],"collection_ssim":["Bushrod Washington family papers"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854"],"creator_ssim":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854"],"creator_persname_ssim":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854"],"creators_ssim":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854"],"has_online_content_ssim":["true"],"extent_ssm":["1.5 Linear Feet (4 boxes)"],"extent_tesim":["1.5 Linear Feet (4 boxes)"],"date_range_isim":[1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in the following series and subseries:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Correspondence (Arranged alphabetically by creator's last name then chronologically, with undated materials listed last.) \u003c/p\u003e\n","\u003cp\u003eSeries 2. Legal Documents (Six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other)\n\u003cbl\u003e\u003c/bl\u003e\u003c/p\u003e\n","\u003cp\u003eSeries 3. Social\u003c/p\u003e\n","\u003cp\u003eSeries 4. Miscellaneous\u003c/p\u003e\n","\u003cp\u003eSeries 5. Indenture Notices (Land Deeds)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in the following series and subseries:","Series 1. Correspondence (Arranged alphabetically by creator's last name then chronologically, with undated materials listed last.) ","Series 2. Legal Documents (Six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other)\n","Series 3. Social","Series 4. Miscellaneous","Series 5. Indenture Notices (Land Deeds)"],"bioghist_html_tesm":["\u003cp\u003eBushrod Washington (1762-1829): Bushrod was the son of Hannah Bushrod and John Augustine Washington, the younger brother of George Washington. Upon the death of Martha Washington, Bushrod inherited the Mount Vernon estate. A graduate of the College of William and Mary, Bushrod served as an associate justice of the U.S. Supreme Court. He was joined on the Supreme Court by his long-time friend, John Marshall. Justices Washington and Marshall  met while attending law lectures given by George Wythe at the College of William and Mary. Bushrod and his wife, Julia Ann Blackburn, had no children, but raised three of their nephews. One nephew, John Augustine Washington II (1789-1832), inherited Mount Vernon from Bushrod.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Bushrod Washington (1762-1829): Bushrod was the son of Hannah Bushrod and John Augustine Washington, the younger brother of George Washington. Upon the death of Martha Washington, Bushrod inherited the Mount Vernon estate. A graduate of the College of William and Mary, Bushrod served as an associate justice of the U.S. Supreme Court. He was joined on the Supreme Court by his long-time friend, John Marshall. Justices Washington and Marshall  met while attending law lectures given by George Wythe at the College of William and Mary. Bushrod and his wife, Julia Ann Blackburn, had no children, but raised three of their nephews. One nephew, John Augustine Washington II (1789-1832), inherited Mount Vernon from Bushrod."],"custodhist_html_tesm":["\u003cp\u003ePurchased by the A. Alfred Taubman Acquisition Endowment Fund, 2011.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Purchased by the A. Alfred Taubman Acquisition Endowment Fund, 2011."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Bushrod Washington family papers, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Bushrod Washington family papers, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional manuscripts related to Bushrod Washington and his family can be found in the George Washington Collection, Martha Washington Collection, Historic Manuscript Collection, Elswyth Thane Beebe Collection of Washington Family Papers, and Potomac Navigation Company Records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Additional manuscripts related to Bushrod Washington and his family can be found in the George Washington Collection, Martha Washington Collection, Historic Manuscript Collection, Elswyth Thane Beebe Collection of Washington Family Papers, and Potomac Navigation Company Records."],"scopecontent_html_tesm":["\u003cp\u003eThe Bushrod Washington Family Papers consist of documents gathered by the descendants of the first President of the United States, George Washington. The collection comprises an assortment of correspondence and legal documents documenting the lives and property ownership of several branches of the Washington family. The collection is organized into five series: Correspondence, Legal Documents, Social, Miscellaneous, and Indenture Notices (Land Deeds).\u003c/p\u003e\n","\u003cp\u003eThe Correspondence series, circa 1780-1835, contains letters mostly written to Bushrod Washington, executor of George Washington's estate and inheritor of Mount Vernon. While some were written by friends of Bushrod Washington, most are from his brother and his many nieces and nephews.\u003c/p\u003e\n","\u003cp\u003eOf the letters not written to Bushrod Washington, the largest portion were written by Bushrod Corbin Washington, his wife Anna Maria, and their daughter Hannah to their son, Cadet Thomas Washington, who was stationed in Middletown, Connecticut. Most often, when one of the three would pen a letter, the other two would add a quick greeting in whatever space remained. Among the famous Virginians with whom Bushrod Washington corresponded are Richard Channing Moore, George Spotswood, and George Wythe.\nAll of the letters are in alphabetical order by the last name of the correspondent, with undated materials at the end.\u003c/p\u003e\n","\u003cp\u003eLegal Documents, 1719-1835, contains six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other. Issues arising after the death of a family member can be found in the Estate Matters subseries. The estate of George Washington was perhaps the most disputed, with legal proceedings occurring thirty years following his death. Loans and sales of property are the focus of the Financial Agreements subseries. At least two family members were involved with land disputes over the years. The Land Disputes subseries records the disputes of Richard Bushrod and John Augustine Washington. Surveys, or Plats, were the primary tool for settling such disputes and can be found in the next subseries. The Wills of several family members provide data regarding the families' possessions. This subseries contains wills written by ten family members. In addition to household items and distribution of land, these wills also dictate the owners' desires regarding who would inherit slaves. Four other documents, not closely resembling any of the other legal pieces comprise their own subseries. When possible, all of the Legal Documents are listed in alphabetical order by the last name of the creator.\u003c/p\u003e\n","\u003cp\u003eBushrod Washington, a well-respected Judge, was active in affairs aside from running his family estate. Evidence of these can be found in the Social series, 1816-1829. The American Bible Society and the Bunker Hill Monument Association were among the organizations in which Judge Washington was involved.\u003c/p\u003e\n","\u003cp\u003eA formula for cement, mailed to the President of the United States, Mount Vernon, and recipes highlight the Miscellaneous series, 1795 and undated.\u003c/p\u003e\n","\u003cp\u003eSome of the oldest material in the collection is found in the Indenture Notices (Land Deeds) series, 1662-1814. These documents relate the history of land ownership among the Bushrod and Washington families, as well as several of their neighbors and associates. While technically legal documents, the size of several of the deeds precludes their being stored alongside the papers of the Legal Documents series. Arranged chronologically, the Indenture Notices specify all the details of the transaction, including the amount of land, location, and purchase price.\u003c/p\u003e","\u003cp\u003eAutograph letter signed \"Urbain Babier\" with integral address panel. Babier writes in a mixture of French and English to Bushrod admonishing him for being a slave holder. Docketed by Bushrod on verso \"anonymous and... impertinent.\"\u003c/p\u003e","\u003cp\u003eA letter from the brother of Bushrod's wife, Julia Ann Blackburn Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Caldwell asks Bushrod for help gathering information for biographies he is writing of John Randolph and Captain Lewis Warrington.\u003c/p\u003e","\u003cp\u003eElizabeth Hamilton writes about her husband Alexander Hamilton's legacy and invites Bushrod and his wife to stay with her next time they are in New York.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Letter delivered by William Hodgson, an English gentleman touring America. Elizabeth Hamilton writes to Bushrod about news from New York.\u003c/p\u003e","\u003cp\u003eHerbert writes that Elizabeth Hamilton is hoping to acquire some of the correspondence between George Washington and Alexander Hamilton.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Episcopal clergyman Richard Channing Moore writes to Bushrod that he might become the rector of a church in Richmond. In 1814, Moore was elected bishop of the Diocese of Richmond.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Mrs. Preto asks Bushrod if he has any influence with Martin Van Buren in the State Department to get a job for her husband.\u003c/p\u003e","\u003cp\u003eA distant relative of Bushrod's wife writes to ask for assistance.\u003c/p\u003e","\u003cp\u003eA distant relative of Bushrod's wife writes a second time to ask for assistance.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eManuscript list in the hand of Jared Sparks of all the papers of George Washington taken by Sparks from Mount Vernon. A note on the verso signed by Bushrod states that the papers were shipped on 13 June 1827 aboard the schooner Alexandria.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Sparks writes to Bushrod Corbin Washington, executor of the estate of Bushrod Washington, in response to his inquiries about Sparks's progress on his publication of the writings of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Spotswood writes Bushrod asking his help help getting a job with the Jackson administration.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter with integral address panel. Story shares his opinion on various court cases with Bushrod.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Letter addressed to \"My Dear Uncle\" from the wife of Bushrod Corbin Washington.\u003c/p\u003e","\u003cp\u003eDraft copy. Bushrod writes about the sale of land.\u003c/p\u003e","\u003cp\u003eDraft copy.\u003c/p\u003e","\u003cp\u003eDraft copy. Bushrod writes to General Jan Pieter van Suchtelen, the Russian Minister at Stockholm, in response to his request for \"manuscript specimens of the handwriting of some of our most illustrious citizens.\" Bushrod says he is sending manuscripts written by John Marshall, Alexander Hamilton, Thomas Jefferson, John Adams, John Jay, and George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Bushrod asks Marshall to look through the Washington letters in his possession and send any related to Alexander Hamilton  to Mrs. Elizabeth Hamilton.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Draft copy. Bushrod tells Elizabeth Hamilton that he has written to Chief Justice John Marshall about the Alexander Hamilton and George Washington correspondence that she has requested.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Draft copy. Bushrod writes to James Hamilton about correspondence between George Washington and Alexander Hamilton that was requested by Mrs. Elizabeth Hamilton.\u003c/p\u003e","\u003cp\u003eDraft copy.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Bushrod Corbin Washington writes his uncle that he is on the trail of Charles and Nathan, two of Bushrod's enslaved workers.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Three letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, sister, and mother.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 5 letters on one sheet of paper addressed to Thomas Blackburn Washington from his sister, mother, and cousins.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on one leaf of paper written to Thomas Blackburn Washington by his mother and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addresed to Thomas Blackburn Washington from his sister and mother.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.\u003c/p\u003e","\u003cp\u003e3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, father, and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister. Bushrod Corbin writes that he has returned from Richmond to find all his family and friends well, \"both white and black.\"\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington by his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother. Also contains doodled signatures of Archibald Fairfax and Bushrod W. Herbert, and Noblet Herbert.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on a single leaf of papers addressed to Thomas Blackburn Washington from his father, sister, and mother.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Hannah mentions Thomas visiting Mount Vernon.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 3 letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, mother, and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and cousin.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panels. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and mother.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister, mother, and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and mother.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and mother.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his father and sister.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 3 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.\u003c/p\u003e","\u003cp\u003eAutograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Corbin writes that he had planned to visit Bushrod in Philadelphia but lacks the funds and clothing. He asks on behalf of their father if Bushrod can send books: Horace, Euclid, Cicero's Orations, and a Westminster Greek grammar published in 1754.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Corbin writes that his wife has almost died from \"very severe epileptic fits.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. With additional sheet signed by Corbin describing Walnut Farm in Westmoreland County.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAddress panel addressed to Bushrod by Corbin Washington. The letter is not extant.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. 2 letters on 1 leaf of paper written to Bushrod by his mother and father.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. With additional leaf of paper in another hand addressed to \"my dear son.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel, with note that the letter was sent \"By Jeremiah.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed, undated, with integral address panel.\u003c/p\u003e","\u003cp\u003eAddress panel with note on verso about the prices of tea and sugar in Philadelphia.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Lund writes about crops and horses.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. From \"Samuel George Washington\" to his father, Bushrod Washington. Bushrod had no children and dockets the letter on verso, \"From some fool or knave calling himself Samuel F. Washington \u0026amp; my son.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAutograph letter signed.\u003c/p\u003e","\u003cp\u003eAn inventory of the furniture from John Augustine Washington's estate at Bushfield, which was divided between his wife Hannah and their two sons, Corbin and Bushrod. This document is located within Box 4 (oversized).\u003c/p\u003e","\u003cp\u003eList of land, including new patents in Frederick City, left to Samuel Washington and John Augustine Washington by their older half-brother Lawrence Washington. The list also notes that 3,569 acres were given to Charles Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of General George Washington.\u003c/p\u003e","\u003cp\u003eAutograph leter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Ludwell Lee writes on behalf of his brother about a debt due to the estate of George Washington. Lee writes that is brother is unable to pay the debt at the moment because he has recently purchased \"some Negroes.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Copy. Bushrod writes to a son of Alexander Spotswood regarding payment owed to the estate of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter with free franked address panel. Rives writes regarding debts owed by his neighbor to Bushrod, as well as the sale of land from the estate of George Washington near the Dismal Swamp.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Letter regarding the payment of debts owed to the estate of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph leter signed with integral address panel. Letter regarding the payment of debt owed to the estate of George Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Lee writes about debts owed to the estate of General Washington and mentions visiting Bushrod at Mount Vernon.\u003c/p\u003e","\u003cp\u003eA list of taxes on 8,857 acres of land owned by the estate of George Washington in 1802.\u003c/p\u003e","\u003cp\u003eAutograph letter signed. Lewis writes that Samuel Washington has requested the patent for the tract of land on the Kanahwa.\u003c/p\u003e","\u003cp\u003eManuscript copy of \"George Washington's Executors against L. W. McCarty Spotswood \u0026amp; others and Mary D. Washington against George Washington's Executors.\"\u003c/p\u003e","\u003cp\u003eAutograph document signed \"Bush. Washington.\"\u003c/p\u003e","\u003cp\u003eDocketed on verso by Bushrod Washington.\u003c/p\u003e","\u003cp\u003eTaken by William Grayson.\u003c/p\u003e","\u003cp\u003eNote regarding money owed by Fitzhugh's father for land in Charles County.\u003c/p\u003e","\u003cp\u003eWrapper docketed \"Title papers on the Ohio \u0026amp; Kanhawa Lands which the Legatees have divided...\"\u003c/p\u003e","\u003cp\u003eNote on the sale of Lot 5 to A. Parke, Lots 12 and 13 to Thomas Peter, and Lot 14 to George S. Washington.\u003c/p\u003e","\u003cp\u003eList of accounts title \"Condensed Statement A\" showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.\u003c/p\u003e","\u003cp\u003eList of accounts showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.\u003c/p\u003e","\u003cp\u003eSurvey and plat of George Washington's Bullskin farm and land in Jefferson County.\u003c/p\u003e","\u003cp\u003eAutograph document in unidentified hand, recording \"confidential communication\" received from Bushrod Washington with instructions for his burial.\u003c/p\u003e","\u003cp\u003eAutograph document signed R. J. Taylor. In his will, Bushrod Washington instructed that his law books be retained at Mount Vernon by John Augustine Washington II until his nephew Bushrod Washington Herbert turns twenty-one. Then, Herbert will inherit the books if at that time he is \"destined to the bar\" and determined to practice law.\u003c/p\u003e","\u003cp\u003eA copy from the County Court of Fairfax of the division of the slaves and stocks from the estate of Bushrod Washington amongst his nephews. Includes a list of the names of the enslaved persons that went to each nephew, with their values.\u003c/p\u003e","\u003cp\u003eAutograph document in the hand of John Augustine Washington II, 20 pages. Includes a list of enslaved workers and household goods listed by room, with some notes on to whom they were bequeathed.\u003c/p\u003e","\u003cp\u003eBond of indenture witnessed and signed by Charles Washington.\u003c/p\u003e","\u003cp\u003eAutograph document signed by Bushrod Washington and Henry \"Light-Horse Harry\" Lee, conveying the estate of Belvidere to Washington.\u003c/p\u003e","\u003cp\u003eAutograph document signed by Henry \"Light-Horse Harry\" Lee. An agreement about a road connecting the Belvedire estate to a canal.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel.\u003c/p\u003e","\u003cp\u003eAgreement about renting a house.\u003c/p\u003e","\u003cp\u003eAgreement for the conveyance of lands in Westmoreland County.\u003c/p\u003e","\u003cp\u003eUndated bond between Robert Throckmorton and John Augustine Washington regarding the sale of land. Witnessed and signed by James Rumsey.\u003c/p\u003e","\u003cp\u003eSurvey created by James Thomas for the action of trespass in the legal case Richard Bushrod vs. Lawrence McNemarra.\u003c/p\u003e","\u003cp\u003eSurvey by James Thomas, surveyor of Westmoreland County.\u003c/p\u003e","\u003cp\u003eAddressed to N. Herbert of Alexandria.\u003c/p\u003e","\u003cp\u003eTwo print forms from the Commonwealth of Virginia from the case Washington vs. Hite.\u003c/p\u003e","\u003cp\u003eLegal advise from Edmund Pendelton to John Augustine Washington regarding a land dispute with Fauntleroy. Lists items to prove to solidify case including deaths of previous owners. Notes survey details of land in question. Feels confident the case will be successful. Autograph letter signed, 1 page, with integral address panel.\u003c/p\u003e","\u003cp\u003eDocketed \"Rough Draft of my lands in Berkley with observations of no consequence to any body but myself. C Washington.\"\u003c/p\u003e","\u003cp\u003eA plat showing 131 lots and street names in Bath at Berkeley Springs, West Virginia. The lots are listed with their owners' names and prices. The plat includes lots owned by Gen. Washington and W. Fairfax.\u003c/p\u003e","\u003cp\u003eSurveyed by Chris Collins.\u003c/p\u003e","\u003cp\u003eDocketed \"Frederick Land Papers\" with plat on verso.\u003c/p\u003e","\u003cp\u003eSurveyed by Robert Brook.\u003c/p\u003e","\u003cp\u003eThree copies of the will of John Bushrod of Westmoreland County with notes by Bushrod Washington for the case Washington vs. Fauntleroy.\u003c/p\u003e","\u003cp\u003eAn inventory listing household items, furniture, 4 enslaved persons, and animals. With a note by Mildred Bushrod that she received the listed articles from John Augustine Washington on July 27, 1761.\u003c/p\u003e","\u003cp\u003eA copy of Bushrod Washington's will in the Fairfax County Court. Includes instructions for the division of the Mount Vernon property, library, and enslaved population, with instructions that land should be given to West Ford.\u003c/p\u003e","\u003cp\u003eA manuscript copy of the last will and testament of Hannah Bushrod Washington, in which she specifies that her body be left out until it putrefies so that she is not buried alive. In her will, Hannah specifies that West Ford, the son of an enslaved woman named Venus, should be inoculated from smallpox, apprenticed to a tradesman, and freed at the age of twenty-one.\u003c/p\u003e","\u003cp\u003eA \"true\" manuscript copy made from the original, which is dated July 8, 1830. In his will, John Augustine gives his wife Jane the power to dispose of any of his enslaved workers who are disobedient to her after his death. He also stipulates that his children may sell the Mount Vernon estate to the government if Congress wants it.\u003c/p\u003e","\u003cp\u003ePrinted form with manuscript inputs. Signed on verso B. Washington. Insurance application for Bushrod's residence Belvedary in Richmond City in the county of Henrico. Includes a plan of three buildings – a kitchen, dwelling, and office.\u003c/p\u003e","\u003cp\u003eAutograph document in the hand of James Mercer, with an autograph signed note. With integral address panel addressed to George Washington Esq, \"present.\" This memorial or petition was sent by Washington to Dunmore to request additional surveys of the Kanawha lands granted to Virginia veterans of the French and Indian War.\u003c/p\u003e","\u003cp\u003eAutograph document. A list of household goods and animals sold at Selby, with an additional list of the sale of the enslaved workers Abraham, Caeser, Siphah, Robin, Daniel, Toby, Harry, and Moses.\u003c/p\u003e","\u003cp\u003eFour letters related to Bushrod Washington's involvement in the American Bible Society.\u003c/p\u003e","\u003cp\u003eLetter informing Bushrod Washington he has been named Vice President of the American Sunday School Union, 1829 June 2\u003c/p\u003e","\u003cp\u003eLetter from Edward Everett informing Bushrod Washington that he has been named an honorary member of the Bunker Hill Monument Association.\u003c/p\u003e","\u003cp\u003eContains 2 items:\n\u003clb\u003e\u003c/lb\u003e\n\u003clb\u003e\u003c/lb\u003e\nConstitution of the Philadelphia Southern Society, 1818 May 13 - a rinted pamphlet, 4 pages, with manuscript additions to the list of members.\n\u003clb\u003e\u003c/lb\u003e\nLetter informing Bushrod Washington that he has been named an honorary member of the Philadelphia Southern Society.\u003c/p\u003e","\u003cp\u003eLetter to Bushrod Washington asking for financial support.\u003c/p\u003e","\u003cp\u003eContains 3 letters:\n\u003clb\u003e\u003c/lb\u003e\n\u003clb\u003e\u003c/lb\u003e\nLetter informing Bushrod Washington that he has been named an honorary member of the Peithesophian Society of Rutgers College, 1829 October 3\n\u003clb\u003e\u003c/lb\u003e\nLetter informing Bushrod Washington that Harvard University has conferred on him the honorary Degree of Doctor of Laws, 1828 March 3\n\u003clb\u003e\u003c/lb\u003e\nLetter inviting Bushrod Washington to become an honorary member of the Franklin Society of Penn University, 1824 June 31\u003c/p\u003e","\u003cp\u003eAddressed to the President of the United States, Mount Vernon, and docketed \"cement\" in George Washington's hand.\u003c/p\u003e","\u003cp\u003eAutograph document, docketed by Bushrod Washington.\u003c/p\u003e","\u003cp\u003eAutograph document in the hand of Elizabeth Powel, docketed by Bushrod Washington. Addressed to Judge Washington \"with Mrs. Powels best wishes.\"\u003c/p\u003e","\u003cp\u003eFor land in the Northern Neck of Virginia.\u003c/p\u003e","\u003cp\u003eAutograph document signed. With note on verso by the wife of Robert Worthington that she received four pounds seven shillings from Major Lawrence Washington for lease of the land. Dated 1741 October 14.\u003c/p\u003e","\u003cp\u003eAutograph document. Fragile with tape repairs and loss of text.\u003c/p\u003e","\u003cp\u003eAutograph document signed John Waller. For the sale of one acre of land and a house in Fredericksburgh in the County of Spotsylvania. With partial manuscript transcription written on Washington State Senate stationary, dated 1950.\u003c/p\u003e","\u003cp\u003eAutograph document signed. For land in Fredrick County.\u003c/p\u003e","\u003cp\u003eAutograph document signed by John Augustine Washington, Charles Washington, and George A. Washington. For land in Fredericksburg leased by John Augustine to his mother, Mary Ball Washington.\u003c/p\u003e","\u003cp\u003eAutograph document. Copy of indenture for land in Fairfax County.\u003c/p\u003e","\u003cp\u003eAutograph document signed. For land in Fairfax County.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Bushrod Washington Family Papers consist of documents gathered by the descendants of the first President of the United States, George Washington. The collection comprises an assortment of correspondence and legal documents documenting the lives and property ownership of several branches of the Washington family. The collection is organized into five series: Correspondence, Legal Documents, Social, Miscellaneous, and Indenture Notices (Land Deeds).","The Correspondence series, circa 1780-1835, contains letters mostly written to Bushrod Washington, executor of George Washington's estate and inheritor of Mount Vernon. While some were written by friends of Bushrod Washington, most are from his brother and his many nieces and nephews.","Of the letters not written to Bushrod Washington, the largest portion were written by Bushrod Corbin Washington, his wife Anna Maria, and their daughter Hannah to their son, Cadet Thomas Washington, who was stationed in Middletown, Connecticut. Most often, when one of the three would pen a letter, the other two would add a quick greeting in whatever space remained. Among the famous Virginians with whom Bushrod Washington corresponded are Richard Channing Moore, George Spotswood, and George Wythe.\nAll of the letters are in alphabetical order by the last name of the correspondent, with undated materials at the end.","Legal Documents, 1719-1835, contains six subseries: Estate Matters, Financial Agreements, Land Disputes, Plats, Wills, and Other. Issues arising after the death of a family member can be found in the Estate Matters subseries. The estate of George Washington was perhaps the most disputed, with legal proceedings occurring thirty years following his death. Loans and sales of property are the focus of the Financial Agreements subseries. At least two family members were involved with land disputes over the years. The Land Disputes subseries records the disputes of Richard Bushrod and John Augustine Washington. Surveys, or Plats, were the primary tool for settling such disputes and can be found in the next subseries. The Wills of several family members provide data regarding the families' possessions. This subseries contains wills written by ten family members. In addition to household items and distribution of land, these wills also dictate the owners' desires regarding who would inherit slaves. Four other documents, not closely resembling any of the other legal pieces comprise their own subseries. When possible, all of the Legal Documents are listed in alphabetical order by the last name of the creator.","Bushrod Washington, a well-respected Judge, was active in affairs aside from running his family estate. Evidence of these can be found in the Social series, 1816-1829. The American Bible Society and the Bunker Hill Monument Association were among the organizations in which Judge Washington was involved.","A formula for cement, mailed to the President of the United States, Mount Vernon, and recipes highlight the Miscellaneous series, 1795 and undated.","Some of the oldest material in the collection is found in the Indenture Notices (Land Deeds) series, 1662-1814. These documents relate the history of land ownership among the Bushrod and Washington families, as well as several of their neighbors and associates. While technically legal documents, the size of several of the deeds precludes their being stored alongside the papers of the Legal Documents series. Arranged chronologically, the Indenture Notices specify all the details of the transaction, including the amount of land, location, and purchase price.","Autograph letter signed \"Urbain Babier\" with integral address panel. Babier writes in a mixture of French and English to Bushrod admonishing him for being a slave holder. Docketed by Bushrod on verso \"anonymous and... impertinent.\"","A letter from the brother of Bushrod's wife, Julia Ann Blackburn Washington.","Autograph letter signed with integral address panel. Caldwell asks Bushrod for help gathering information for biographies he is writing of John Randolph and Captain Lewis Warrington.","Elizabeth Hamilton writes about her husband Alexander Hamilton's legacy and invites Bushrod and his wife to stay with her next time they are in New York.","Autograph letter signed with integral address panel. Letter delivered by William Hodgson, an English gentleman touring America. Elizabeth Hamilton writes to Bushrod about news from New York.","Herbert writes that Elizabeth Hamilton is hoping to acquire some of the correspondence between George Washington and Alexander Hamilton.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed. Episcopal clergyman Richard Channing Moore writes to Bushrod that he might become the rector of a church in Richmond. In 1814, Moore was elected bishop of the Diocese of Richmond.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Mrs. Preto asks Bushrod if he has any influence with Martin Van Buren in the State Department to get a job for her husband.","A distant relative of Bushrod's wife writes to ask for assistance.","A distant relative of Bushrod's wife writes a second time to ask for assistance.","Autograph letter signed with integral address panel.","Manuscript list in the hand of Jared Sparks of all the papers of George Washington taken by Sparks from Mount Vernon. A note on the verso signed by Bushrod states that the papers were shipped on 13 June 1827 aboard the schooner Alexandria.","Autograph letter signed with integral address panel. Sparks writes to Bushrod Corbin Washington, executor of the estate of Bushrod Washington, in response to his inquiries about Sparks's progress on his publication of the writings of George Washington.","Autograph letter signed with integral address panel. Spotswood writes Bushrod asking his help help getting a job with the Jackson administration.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter with integral address panel. Story shares his opinion on various court cases with Bushrod.","Autograph letter signed with integral address panel. Letter addressed to \"My Dear Uncle\" from the wife of Bushrod Corbin Washington.","Draft copy. Bushrod writes about the sale of land.","Draft copy.","Draft copy. Bushrod writes to General Jan Pieter van Suchtelen, the Russian Minister at Stockholm, in response to his request for \"manuscript specimens of the handwriting of some of our most illustrious citizens.\" Bushrod says he is sending manuscripts written by John Marshall, Alexander Hamilton, Thomas Jefferson, John Adams, John Jay, and George Washington.","Autograph letter signed. Bushrod asks Marshall to look through the Washington letters in his possession and send any related to Alexander Hamilton  to Mrs. Elizabeth Hamilton.","Autograph letter signed. Draft copy. Bushrod tells Elizabeth Hamilton that he has written to Chief Justice John Marshall about the Alexander Hamilton and George Washington correspondence that she has requested.","Autograph letter signed. Draft copy. Bushrod writes to James Hamilton about correspondence between George Washington and Alexander Hamilton that was requested by Mrs. Elizabeth Hamilton.","Draft copy.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Bushrod Corbin Washington writes his uncle that he is on the trail of Charles and Nathan, two of Bushrod's enslaved workers.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Three letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, sister, and mother.","Autograph letters signed with integral address panel. 5 letters on one sheet of paper addressed to Thomas Blackburn Washington from his sister, mother, and cousins.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper written to Thomas Blackburn Washington by his mother and sister.","Autograph letter signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addresed to Thomas Blackburn Washington from his sister and mother.","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.","3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother, father, and sister.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and sister. Bushrod Corbin writes that he has returned from Richmond to find all his family and friends well, \"both white and black.\"","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father, mother, and sister.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington by his mother and father.","Autograph letter signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother. Also contains doodled signatures of Archibald Fairfax and Bushrod W. Herbert, and Noblet Herbert.","Autograph letters signed with integral address panel. 3 letters on a single leaf of papers addressed to Thomas Blackburn Washington from his father, sister, and mother.","Autograph letter signed with integral address panel.","Autograph letter signed. Hannah mentions Thomas visiting Mount Vernon.","Autograph letter signed with integral address panel. 3 letters on one leaf of papers addressed to Thomas Blackburn Washington by his father, mother, and sister.","Autograph letters signed with integral address panel. Two letters on one leaf of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letters signed with integral address panel. Two letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother and sister.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and cousin.","Autograph letters signed with integral address panels. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his father and mother.","Autograph letters signed with integral address panel. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and father.","Autograph letters signed with integral address panel. 3 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister, mother, and father.","Autograph letter signed with integral address panel.","Autograph letter signed. 2 letters on one leaf of paper addressed to Thomas Blackburn Washington from his sister and mother.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and mother.","Autograph letters signed with integral address panel. Two letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and mother.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington by his father and sister.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letter signed with integral address panel.","Autograph letters signed with integral address panel. 2 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his father and sister.","Autograph letters signed with integral address panel. 3 letters on a single leaf of paper addressed to Thomas Blackburn Washington from his mother, sister, and father.","Autograph letters signed with integral address panel. 2 letters on a single sheet of paper addressed to Thomas Blackburn Washington from his mother and father.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. Corbin writes that he had planned to visit Bushrod in Philadelphia but lacks the funds and clothing. He asks on behalf of their father if Bushrod can send books: Horace, Euclid, Cicero's Orations, and a Westminster Greek grammar published in 1754.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed. Corbin writes that his wife has almost died from \"very severe epileptic fits.\"","Autograph letter signed.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. With additional sheet signed by Corbin describing Walnut Farm in Westmoreland County.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Address panel addressed to Bushrod by Corbin Washington. The letter is not extant.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel. 2 letters on 1 leaf of paper written to Bushrod by his mother and father.","Autograph letter signed.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel. With additional leaf of paper in another hand addressed to \"my dear son.\"","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel, with note that the letter was sent \"By Jeremiah.\"","Autograph letter signed, undated, with integral address panel.","Address panel with note on verso about the prices of tea and sugar in Philadelphia.","Autograph letter signed. Lund writes about crops and horses.","Autograph letter signed. From \"Samuel George Washington\" to his father, Bushrod Washington. Bushrod had no children and dockets the letter on verso, \"From some fool or knave calling himself Samuel F. Washington \u0026 my son.\"","Autograph letter signed with integral address panel.","Autograph letter signed with integral address panel.","Autograph letter signed.","An inventory of the furniture from John Augustine Washington's estate at Bushfield, which was divided between his wife Hannah and their two sons, Corbin and Bushrod. This document is located within Box 4 (oversized).","List of land, including new patents in Frederick City, left to Samuel Washington and John Augustine Washington by their older half-brother Lawrence Washington. The list also notes that 3,569 acres were given to Charles Washington.","Autograph letter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of General George Washington.","Autograph leter signed with integral address panel. John Augustine writes to his uncle about payments received from the Estate of George Washington.","Autograph letter signed with integral address panel. Ludwell Lee writes on behalf of his brother about a debt due to the estate of George Washington. Lee writes that is brother is unable to pay the debt at the moment because he has recently purchased \"some Negroes.\"","Autograph letter signed. Copy. Bushrod writes to a son of Alexander Spotswood regarding payment owed to the estate of George Washington.","Autograph letter with free franked address panel. Rives writes regarding debts owed by his neighbor to Bushrod, as well as the sale of land from the estate of George Washington near the Dismal Swamp.","Autograph letter signed with integral address panel. Letter regarding the payment of debts owed to the estate of George Washington.","Autograph leter signed with integral address panel. Letter regarding the payment of debt owed to the estate of George Washington.","Autograph letter signed with integral address panel. Lee writes about debts owed to the estate of General Washington and mentions visiting Bushrod at Mount Vernon.","A list of taxes on 8,857 acres of land owned by the estate of George Washington in 1802.","Autograph letter signed. Lewis writes that Samuel Washington has requested the patent for the tract of land on the Kanahwa.","Manuscript copy of \"George Washington's Executors against L. W. McCarty Spotswood \u0026 others and Mary D. Washington against George Washington's Executors.\"","Autograph document signed \"Bush. Washington.\"","Docketed on verso by Bushrod Washington.","Taken by William Grayson.","Note regarding money owed by Fitzhugh's father for land in Charles County.","Wrapper docketed \"Title papers on the Ohio \u0026 Kanhawa Lands which the Legatees have divided...\"","Note on the sale of Lot 5 to A. Parke, Lots 12 and 13 to Thomas Peter, and Lot 14 to George S. Washington.","List of accounts title \"Condensed Statement A\" showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.","List of accounts showing credit, cash, and balances with the W. L. McCarty Spotswood, Washington Thornton, H. Fitzhugh, J. N. Ashton, Mary D. Washington, Samuel Washington, Robert Lewis, George Washington Parke Custis, Bushrod Corbin Washington, Thomas Peter, Fayette Ball, Lawrence Lewis, Bushrod Washington, and others.","Survey and plat of George Washington's Bullskin farm and land in Jefferson County.","Autograph document in unidentified hand, recording \"confidential communication\" received from Bushrod Washington with instructions for his burial.","Autograph document signed R. J. Taylor. In his will, Bushrod Washington instructed that his law books be retained at Mount Vernon by John Augustine Washington II until his nephew Bushrod Washington Herbert turns twenty-one. Then, Herbert will inherit the books if at that time he is \"destined to the bar\" and determined to practice law.","A copy from the County Court of Fairfax of the division of the slaves and stocks from the estate of Bushrod Washington amongst his nephews. Includes a list of the names of the enslaved persons that went to each nephew, with their values.","Autograph document in the hand of John Augustine Washington II, 20 pages. Includes a list of enslaved workers and household goods listed by room, with some notes on to whom they were bequeathed.","Bond of indenture witnessed and signed by Charles Washington.","Autograph document signed by Bushrod Washington and Henry \"Light-Horse Harry\" Lee, conveying the estate of Belvidere to Washington.","Autograph document signed by Henry \"Light-Horse Harry\" Lee. An agreement about a road connecting the Belvedire estate to a canal.","Autograph letter signed with integral address panel.","Agreement about renting a house.","Agreement for the conveyance of lands in Westmoreland County.","Undated bond between Robert Throckmorton and John Augustine Washington regarding the sale of land. Witnessed and signed by James Rumsey.","Survey created by James Thomas for the action of trespass in the legal case Richard Bushrod vs. Lawrence McNemarra.","Survey by James Thomas, surveyor of Westmoreland County.","Addressed to N. Herbert of Alexandria.","Two print forms from the Commonwealth of Virginia from the case Washington vs. Hite.","Legal advise from Edmund Pendelton to John Augustine Washington regarding a land dispute with Fauntleroy. Lists items to prove to solidify case including deaths of previous owners. Notes survey details of land in question. Feels confident the case will be successful. Autograph letter signed, 1 page, with integral address panel.","Docketed \"Rough Draft of my lands in Berkley with observations of no consequence to any body but myself. C Washington.\"","A plat showing 131 lots and street names in Bath at Berkeley Springs, West Virginia. The lots are listed with their owners' names and prices. The plat includes lots owned by Gen. Washington and W. Fairfax.","Surveyed by Chris Collins.","Docketed \"Frederick Land Papers\" with plat on verso.","Surveyed by Robert Brook.","Three copies of the will of John Bushrod of Westmoreland County with notes by Bushrod Washington for the case Washington vs. Fauntleroy.","An inventory listing household items, furniture, 4 enslaved persons, and animals. With a note by Mildred Bushrod that she received the listed articles from John Augustine Washington on July 27, 1761.","A copy of Bushrod Washington's will in the Fairfax County Court. Includes instructions for the division of the Mount Vernon property, library, and enslaved population, with instructions that land should be given to West Ford.","A manuscript copy of the last will and testament of Hannah Bushrod Washington, in which she specifies that her body be left out until it putrefies so that she is not buried alive. In her will, Hannah specifies that West Ford, the son of an enslaved woman named Venus, should be inoculated from smallpox, apprenticed to a tradesman, and freed at the age of twenty-one.","A \"true\" manuscript copy made from the original, which is dated July 8, 1830. In his will, John Augustine gives his wife Jane the power to dispose of any of his enslaved workers who are disobedient to her after his death. He also stipulates that his children may sell the Mount Vernon estate to the government if Congress wants it.","Printed form with manuscript inputs. Signed on verso B. Washington. Insurance application for Bushrod's residence Belvedary in Richmond City in the county of Henrico. Includes a plan of three buildings – a kitchen, dwelling, and office.","Autograph document in the hand of James Mercer, with an autograph signed note. With integral address panel addressed to George Washington Esq, \"present.\" This memorial or petition was sent by Washington to Dunmore to request additional surveys of the Kanawha lands granted to Virginia veterans of the French and Indian War.","Autograph document. A list of household goods and animals sold at Selby, with an additional list of the sale of the enslaved workers Abraham, Caeser, Siphah, Robin, Daniel, Toby, Harry, and Moses.","Four letters related to Bushrod Washington's involvement in the American Bible Society.","Letter informing Bushrod Washington he has been named Vice President of the American Sunday School Union, 1829 June 2","Letter from Edward Everett informing Bushrod Washington that he has been named an honorary member of the Bunker Hill Monument Association.","Contains 2 items:\n \nConstitution of the Philadelphia Southern Society, 1818 May 13 - a rinted pamphlet, 4 pages, with manuscript additions to the list of members.\n \nLetter informing Bushrod Washington that he has been named an honorary member of the Philadelphia Southern Society.","Letter to Bushrod Washington asking for financial support.","Contains 3 letters:\n \nLetter informing Bushrod Washington that he has been named an honorary member of the Peithesophian Society of Rutgers College, 1829 October 3\n \nLetter informing Bushrod Washington that Harvard University has conferred on him the honorary Degree of Doctor of Laws, 1828 March 3\n \nLetter inviting Bushrod Washington to become an honorary member of the Franklin Society of Penn University, 1824 June 31","Addressed to the President of the United States, Mount Vernon, and docketed \"cement\" in George Washington's hand.","Autograph document, docketed by Bushrod Washington.","Autograph document in the hand of Elizabeth Powel, docketed by Bushrod Washington. Addressed to Judge Washington \"with Mrs. Powels best wishes.\"","For land in the Northern Neck of Virginia.","Autograph document signed. With note on verso by the wife of Robert Worthington that she received four pounds seven shillings from Major Lawrence Washington for lease of the land. Dated 1741 October 14.","Autograph document. Fragile with tape repairs and loss of text.","Autograph document signed John Waller. For the sale of one acre of land and a house in Fredericksburgh in the County of Spotsylvania. With partial manuscript transcription written on Washington State Senate stationary, dated 1950.","Autograph document signed. For land in Fredrick County.","Autograph document signed by John Augustine Washington, Charles Washington, and George A. Washington. For land in Fredericksburg leased by John Augustine to his mother, Mary Ball Washington.","Autograph document. Copy of indenture for land in Fairfax County.","Autograph document signed. For land in Fairfax County."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, George Augustine, approximately 1759-1793","Washington, Lund, 1737-1796","Wythe, George, 1726-1806","Washington, Lawrence, 1718-1752","Washington, Charles, 1738-1799","Washington, John Augustine, 1789-1832","Lee, Ludwell, 1760-1836","Lewis, Robert, 1769-1829","Lee, Richard Henry, 1794-1865","Lewis, Lawrence, 1767-1839","Lee, Henry, 1756-1818","McPherson, William, 1751?-1813","Herbert, Bushrod Washington, -1888","Washington, George Corbin, 1789-1854","Herbert, Noblet","Rumsey, James, 1743?-1792","Pendleton, Edmund, 1721-1803","Bushrod, John, 1662-1719","Ford, West, approximately 1784-1863","Washington, George Steptoe, 1771-1809","Mercer, James, 1736-1793","Everett, Edward, 1794-1865","Powel, Elizabeth Willing, 1743-1830","Washington, Mary Ball, 1708-1789"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Washington, Bushrod, 1762-1829","Alexander, Hannah Lee Washington, 1811-1881","Hamilton, Elizabeth Schuyler, 1757-1854","Peters, Richard, 1744-1828","Washington, Anna Maria Thomasina Blackburn, 1790-1833","Washington, Bushrod, 1785-1830","Washington, Bushrod Corbin, 1790-1851","Washington, Corbin, 1764-1799","Washington, Hannah Bushrod, approximately 1738-1804","Washington, Jane Charlotte Blackburn, 1786-1855","Washington, John Augustine, 1736-1787","Washington, Thomas Blackburn, 1812-1854","Marshall, John, 1755-1835","Caldwell, Charles, 1772-1853","Duvall, Gabriel, 1752-1844","Hamilton, Alexander, 1757-1804","Lee, Edmund Jennings, 1772-1843","Mason, John, 1766-1849","Moore, Richard Channing, 1762-1841","Sparks, Jared, 1789-1866","Washington, George, 1732-1799","Stockton, Richard, 1764-1828","Story, Joseph, 1779-1845","Delaplaine, Joseph, 1777-1824","Hamilton, James A. (James Alexander), 1788-1878","Washington, George Augustine, approximately 1759-1793","Washington, Lund, 1737-1796","Wythe, George, 1726-1806","Washington, Lawrence, 1718-1752","Washington, Charles, 1738-1799","Washington, John Augustine, 1789-1832","Lee, Ludwell, 1760-1836","Lewis, Robert, 1769-1829","Lee, Richard Henry, 1794-1865","Lewis, Lawrence, 1767-1839","Lee, Henry, 1756-1818","McPherson, William, 1751?-1813","Herbert, Bushrod Washington, -1888","Washington, George Corbin, 1789-1854","Herbert, Noblet","Rumsey, James, 1743?-1792","Pendleton, Edmund, 1721-1803","Bushrod, John, 1662-1719","Ford, West, approximately 1784-1863","Washington, George Steptoe, 1771-1809","Mercer, James, 1736-1793","Everett, Edward, 1794-1865","Powel, Elizabeth Willing, 1743-1830","Washington, Mary Ball, 1708-1789"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":266,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:50:40.181Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_44_c01"}},{"id":"viu_repositories_3_resources_941_c01","type":"Series","attributes":{"title":"Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01","ref_ssm":["viu_repositories_3_resources_941_c01"],"id":"viu_repositories_3_resources_941_c01","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","parent_ssi":"viu_repositories_3_resources_941","parent_ssim":["viu_repositories_3_resources_941"],"parent_ids_ssim":["viu_repositories_3_resources_941"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962)."],"title_filing_ssi":"Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","title_ssm":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"title_tesim":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"unitdate_inclusive_ssm":["1806-1988"],"normalized_date_ssm":["1806/1988"],"normalized_title_ssm":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["true"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"arrangement_html_tesm":["\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. "],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962)."],"_nest_path_":"/components#0","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Bell \u0026amp; Bro., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., New York; Negative by Brady \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marks, Houston, Texas\u003c/p\u003e","\u003cp\u003ePublished by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026amp; Picture Frames, 810 Washington St. Boston, Mass\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Main\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Rideout, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. P. \u0026amp; F. W. Hardy, Ranger, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. S. Dunshee, Rochester, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. B. Conant, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePainted by Robt. W. Weit; Engraved by Geo. W. Watch\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01"}},{"id":"vimtvl_repositories_3_resources_71_c02","type":"Series","attributes":{"title":"Series 2. Correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_71_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vimtvl_repositories_3_resources_71_c02","ref_ssm":["vimtvl_repositories_3_resources_71_c02"],"id":"vimtvl_repositories_3_resources_71_c02","ead_ssi":"vimtvl_repositories_3_resources_71","_root_":"vimtvl_repositories_3_resources_71","_nest_parent_":"vimtvl_repositories_3_resources_71","parent_ssi":"vimtvl_repositories_3_resources_71","parent_ssim":["vimtvl_repositories_3_resources_71"],"parent_ids_ssim":["vimtvl_repositories_3_resources_71"],"parent_unittitles_ssm":["Chapin collection of Washington \u0026 Custis family documents"],"parent_unittitles_tesim":["Chapin collection of Washington \u0026 Custis family documents"],"text":["Chapin collection of Washington \u0026 Custis family documents","Series 2. Correspondence","Washington, George, 1732-1799","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Lewis, Eleanor Parke Custis, 1779-1852","Costin, William, 1780?-1842","English ."],"title_filing_ssi":"Series 2. Correspondence","title_ssm":["Series 2. Correspondence"],"title_tesim":["Series 2. Correspondence"],"unitdate_inclusive_ssm":["1768-1829; undated"],"normalized_date_ssm":["1768/1829"],"normalized_title_ssm":["Series 2. Correspondence"],"component_level_isim":[1],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"collection_ssim":["Chapin collection of Washington \u0026 Custis family documents"],"has_online_content_ssim":["true"],"child_component_count_isi":14,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":7,"parent_access_restrict_tesm":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"date_range_isim":[1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829],"names_ssim":["Washington, George, 1732-1799","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Lewis, Eleanor Parke Custis, 1779-1852","Costin, William, 1780?-1842"],"persname_ssim":["Washington, George, 1732-1799","Washington, George, 1732-1799","Scott, John Morin, 1730-1784","Washington, George, 1732-1799","Custis, John Parke, 1754-1781","Washington, George, 1732-1799","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Lewis, Eleanor Parke Custis, 1779-1852","Lewis, Eleanor Parke Custis, 1779-1852","Lewis, Eleanor Parke Custis, 1779-1852","Costin, William, 1780?-1842"],"language_ssim":["English ."],"_nest_path_":"/components#1","timestamp":"2026-05-21T05:46:39.072Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vimtvl_repositories_3_resources_71","ead_ssi":"vimtvl_repositories_3_resources_71","_root_":"vimtvl_repositories_3_resources_71","_nest_parent_":"vimtvl_repositories_3_resources_71","ead_source_url_ssi":"data/oai/MV/repositories_3_resources_71.xml","title_ssm":["Chapin collection of Washington \u0026 Custis family documents"],"title_tesim":["Chapin collection of Washington \u0026 Custis family documents"],"unitdate_ssm":["1758-1829"],"unitdate_inclusive_ssm":["1758-1829"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RM.1201.RM.1202","/repositories/3/resources/71"],"text":["RM.1201.RM.1202","/repositories/3/resources/71","Chapin collection of Washington \u0026 Custis family documents","This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.","The collection is divided into two series: Legal and Financial, and Correspondence. The folders are arranged in chronological order within each series. The undated material is listed at the end of the series, in alphabetical order by folder title.","Eleanor Parke Custis Lewis (1779-1852): Eleanor was born on March 31, 1779. She was the youngest granddaughter of Martha Washington and the step-granddaughter of George Washington. After her father John Parke Custis' death in 1781 and her mother, Eleanor Calvert Custis' marriage to Dr. David Stuart, Eleanor and her brother George Washington Parke Custis began living with the Washingtons. In 1799, Eleanor married Washington's nephew, Lawrence Lewis. Of their eight children, only one son and three daughters lived to maturity. Eleanor and Lawrence remained at Mount Vernon until Martha Washington's death in 1802 and subsequently moved to Woodlawn Plantation upon its completion in 1805. Throughout her life, Nelly regarded herself as the preserver of George Washington's legacy. She died at Audley Plantation on July 15, 1852 and is buried at Mount Vernon in the family tomb.","Martha Washington (1731-1802): Martha Dandridge Custis Washington was born on June 2, 1731 to parents John and Frances Jones Dandridge. She married her first husband, Daniel Parke Custis, on May 15, 1750. Together they had four children, two of whom died in childhood. On July 8, 1757, her husband unexpectedly died, leaving her a widow with their two remaining children, John Parke Custis and Martha Parke Custis. On January 6, 1759, Martha Dandridge Custis married George Washington. Martha Parke Custis or Patsy, died at the age of 17. On February 3, 1774, John Parke Custis married Eleanor Calvert, and together they had four children who survived to adulthood. However, on November 5, 1781, John Parke Custis passed away, and the younger two of his children went to live at Mount Vernon with their grandmother. Martha Dandridge Custis Washington died on May 22, 1802.","George Washington (1732-1799): George Washington was born on February 22, 1732 at a modest farm in Westmoreland County, Virginia to parents Augustine and Mary Ball Washington. In 1749, George Washington was appointed surveyor for Culpepper County. In 1752, he started his military career in the Virginia militia. During the Revolutionary War he was the Commander-in-Chief of the Continental Army and later was elected as the first President of the United States of America. He lived with his wife, Martha Washington, at Mount Vernon, where he passed away December 14, 1799.","Esther Maria Lewis Chapin Collection of Washington Family Documents ;\nGeorge Washington Collection ;\nHistoric Manuscripts Collection ;\nLawrence Lewis Papers ;\nPeter Family Papers","This collection consists of papers inherited and collected by Washington family descendants. Many were purchased in 1927 at auction to reunite Washington family correspondence. The collection includes correspondence, financial documents and legal documents that relate primarily to the Custis and Lewis families, but include other items related to Virginia history. Charles and Peter Chapin, the previous owners of this collection, descended from Eleanor Parke Custis and Lawrence Lewis through Esther Maria Lewis and Charles Chapin. This collection was originally assembled by Esther Maria Lewis Chapin who inherited some of the Washington/Custis papers, but was also an avid collector and brought back together family items that were being dispersed nationwide. This collection is an example of that effort; much of which was at auction in 1927 (Anderson Galleries, sale 2201, 28-29 November 1927).","Partially printed bill of exchange charged to the estate of Daniel Parke Custis and signed by Martha Custis.","Autograph document in George Washington's hand. Receipt for the purchase of a horse. Signed and docketed on verso by George Washington Parke Custis. With facsimile of related receipt provenance notes from the Custis family.","Indenture for the sale of land in New Jersey.","Document signed by Lord Dunmore, 1 page, on vellum, 24 x 26 inches. Docketed on verso \"George Washingon Esq./ 10900 Acres/ Fincastle, Recorded and examined.\"","Autograph document signed in the hand of George Washington, for money received from Doctor Stuart for annuity and a balance due from the estate of John Parke Custis.","Autograph letter signed with integral address panel. Washington writes that Jacky Custis is returning to school after being delayed by illness. Washington writes that Jacky \"promises to stick close to his Book, and endeavour by diligent study to recover his lost time.\"","Autograph letter signed, about financial matters. With an engraving of Charles Carroll of Carrollton by A. P. Durand.","Autograph letter signed, 1 page. Mounted on cardstock. Washington gives orders for the removal of suspected loyalists to New Rochelle. He warns against any injury to persons or property but insists they be kept \"at a distance from the Enemy of whom it is suspected they are favourers and are carrying on correspondances dangerous to the United States of America.","Letter signed, about the case of Colonel John Duyckinck, who surrendered from the British army and was being held in Philadelphia.","Autograph letter signed with integral address panel. Custis writes about financial matters and Sunday dinner plans.","Autograph letter signed, 3 pages. Washington writes criticizing Congress's plan to raise a standing army for only one year, lamenting \"the pernicious State-system is still adhered to.\" Washington worries each victory will \"lull us into security.\" He writes, \"The history of the war is a history of false hopes and temporary expedient.\" With an engraving by W. Humphreys and photogravure of Washington.","Autograph letter signed, 3 pages, with integral address panel. Mounted in folder with an engraving of Charles Stewart.","Autograph letter signed, 1 page, with integral address panel. Letter written in Philadelphia by David Rittenhouse while he is serving as Treasurer for the State of Pennsylvania.","Dandridge writes on behalf of President George Washington to the printers Childs and Swaine that Washington no longer wishes to subscribe to the supplement to their Daily Advertiser because he longer has time to read \"the published prints that are brought to him.\"","Autograph letter signed, 1 page. Trumbull writes of business matters. He also writes of the French, \"from such friends, God Deliver us.\"","Autograph letter signed, 4 pages. Nelly thanks Mrs. Pinckney for the shawl she sent and hopes she can visit Mount Vernon next summer, when Nelly and husband hope to be settled in their own house. She writes about the health of herself, her daughter Frances, and Martha Washington, who had a \"bilious fever.\" She writes of the death of her sister Martha Peter's daughter Eleanor, who was buried in the family vault at Mount Vernon. With an envelope purported to contain Washington's hair.","Autograph letter signed, 3 pages.","Autograph letter signed, 1 page. Nelly writes about visiting Philadelphia, sending bacon, and wishing well to Costin's mother.","One title, The New Testament of our Lord and Saviour Jesus Christ, 1634. Transferred to Rare Books Collection.","Special Collections at The George Washington Presidential Library at Mount Vernon","Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Costin, William, 1780?-1842","English \n.    "],"unitid_tesim":["RM.1201.RM.1202","/repositories/3/resources/71"],"normalized_title_ssm":["Chapin collection of Washington \u0026 Custis family documents"],"collection_title_tesim":["Chapin collection of Washington \u0026 Custis family documents"],"collection_ssim":["Chapin collection of Washington \u0026 Custis family documents"],"repository_ssm":["The George Washington Presidential Library at Mount Vernon"],"repository_ssim":["The George Washington Presidential Library at Mount Vernon"],"creator_ssm":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799"],"creator_ssim":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799"],"creator_persname_ssim":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799"],"creators_ssim":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799"],"has_online_content_ssim":["true"],"extent_ssm":[".5 Linear Feet (2 boxes)"],"extent_tesim":[".5 Linear Feet (2 boxes)"],"date_range_isim":[1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research during scheduled appointments. Researchers must complete the Washington Library's Special Collections and Archives Registration Form before access is provided. The library reserves the right to restrict access to certain items for preservation purposes."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Legal and Financial, and Correspondence. The folders are arranged in chronological order within each series. The undated material is listed at the end of the series, in alphabetical order by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Legal and Financial, and Correspondence. The folders are arranged in chronological order within each series. The undated material is listed at the end of the series, in alphabetical order by folder title."],"bioghist_html_tesm":["\u003cp\u003eEleanor Parke Custis Lewis (1779-1852): Eleanor was born on March 31, 1779. She was the youngest granddaughter of Martha Washington and the step-granddaughter of George Washington. After her father John Parke Custis' death in 1781 and her mother, Eleanor Calvert Custis' marriage to Dr. David Stuart, Eleanor and her brother George Washington Parke Custis began living with the Washingtons. In 1799, Eleanor married Washington's nephew, Lawrence Lewis. Of their eight children, only one son and three daughters lived to maturity. Eleanor and Lawrence remained at Mount Vernon until Martha Washington's death in 1802 and subsequently moved to Woodlawn Plantation upon its completion in 1805. Throughout her life, Nelly regarded herself as the preserver of George Washington's legacy. She died at Audley Plantation on July 15, 1852 and is buried at Mount Vernon in the family tomb.\u003c/p\u003e\n","\u003cp\u003eMartha Washington (1731-1802): Martha Dandridge Custis Washington was born on June 2, 1731 to parents John and Frances Jones Dandridge. She married her first husband, Daniel Parke Custis, on May 15, 1750. Together they had four children, two of whom died in childhood. On July 8, 1757, her husband unexpectedly died, leaving her a widow with their two remaining children, John Parke Custis and Martha Parke Custis. On January 6, 1759, Martha Dandridge Custis married George Washington. Martha Parke Custis or Patsy, died at the age of 17. On February 3, 1774, John Parke Custis married Eleanor Calvert, and together they had four children who survived to adulthood. However, on November 5, 1781, John Parke Custis passed away, and the younger two of his children went to live at Mount Vernon with their grandmother. Martha Dandridge Custis Washington died on May 22, 1802.\u003c/p\u003e\n","\u003cp\u003eGeorge Washington (1732-1799): George Washington was born on February 22, 1732 at a modest farm in Westmoreland County, Virginia to parents Augustine and Mary Ball Washington. In 1749, George Washington was appointed surveyor for Culpepper County. In 1752, he started his military career in the Virginia militia. During the Revolutionary War he was the Commander-in-Chief of the Continental Army and later was elected as the first President of the United States of America. He lived with his wife, Martha Washington, at Mount Vernon, where he passed away December 14, 1799.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Eleanor Parke Custis Lewis (1779-1852): Eleanor was born on March 31, 1779. She was the youngest granddaughter of Martha Washington and the step-granddaughter of George Washington. After her father John Parke Custis' death in 1781 and her mother, Eleanor Calvert Custis' marriage to Dr. David Stuart, Eleanor and her brother George Washington Parke Custis began living with the Washingtons. In 1799, Eleanor married Washington's nephew, Lawrence Lewis. Of their eight children, only one son and three daughters lived to maturity. Eleanor and Lawrence remained at Mount Vernon until Martha Washington's death in 1802 and subsequently moved to Woodlawn Plantation upon its completion in 1805. Throughout her life, Nelly regarded herself as the preserver of George Washington's legacy. She died at Audley Plantation on July 15, 1852 and is buried at Mount Vernon in the family tomb.","Martha Washington (1731-1802): Martha Dandridge Custis Washington was born on June 2, 1731 to parents John and Frances Jones Dandridge. She married her first husband, Daniel Parke Custis, on May 15, 1750. Together they had four children, two of whom died in childhood. On July 8, 1757, her husband unexpectedly died, leaving her a widow with their two remaining children, John Parke Custis and Martha Parke Custis. On January 6, 1759, Martha Dandridge Custis married George Washington. Martha Parke Custis or Patsy, died at the age of 17. On February 3, 1774, John Parke Custis married Eleanor Calvert, and together they had four children who survived to adulthood. However, on November 5, 1781, John Parke Custis passed away, and the younger two of his children went to live at Mount Vernon with their grandmother. Martha Dandridge Custis Washington died on May 22, 1802.","George Washington (1732-1799): George Washington was born on February 22, 1732 at a modest farm in Westmoreland County, Virginia to parents Augustine and Mary Ball Washington. In 1749, George Washington was appointed surveyor for Culpepper County. In 1752, he started his military career in the Virginia militia. During the Revolutionary War he was the Commander-in-Chief of the Continental Army and later was elected as the first President of the United States of America. He lived with his wife, Martha Washington, at Mount Vernon, where he passed away December 14, 1799."],"prefercite_html_tesm":["\u003cp\u003e[Name and date of item], Chapin Collection of Washington \u0026amp; Custis family documents, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name and date of item], Chapin Collection of Washington \u0026 Custis family documents, [Folder], Special Collections, The George Washington Presidential Library at Mount Vernon [hereafter Washington Library], Mount Vernon, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eEsther Maria Lewis Chapin Collection of Washington Family Documents ;\nGeorge Washington Collection ;\nHistoric Manuscripts Collection ;\nLawrence Lewis Papers ;\nPeter Family Papers\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Esther Maria Lewis Chapin Collection of Washington Family Documents ;\nGeorge Washington Collection ;\nHistoric Manuscripts Collection ;\nLawrence Lewis Papers ;\nPeter Family Papers"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of papers inherited and collected by Washington family descendants. Many were purchased in 1927 at auction to reunite Washington family correspondence. The collection includes correspondence, financial documents and legal documents that relate primarily to the Custis and Lewis families, but include other items related to Virginia history. Charles and Peter Chapin, the previous owners of this collection, descended from Eleanor Parke Custis and Lawrence Lewis through Esther Maria Lewis and Charles Chapin. This collection was originally assembled by Esther Maria Lewis Chapin who inherited some of the Washington/Custis papers, but was also an avid collector and brought back together family items that were being dispersed nationwide. This collection is an example of that effort; much of which was at auction in 1927 (Anderson Galleries, sale 2201, 28-29 November 1927).\u003c/p\u003e","\u003cp\u003ePartially printed bill of exchange charged to the estate of Daniel Parke Custis and signed by Martha Custis.\u003c/p\u003e","\u003cp\u003eAutograph document in George Washington's hand. Receipt for the purchase of a horse. Signed and docketed on verso by George Washington Parke Custis. With facsimile of related receipt provenance notes from the Custis family.\u003c/p\u003e","\u003cp\u003eIndenture for the sale of land in New Jersey.\u003c/p\u003e","\u003cp\u003eDocument signed by Lord Dunmore, 1 page, on vellum, 24 x 26 inches. Docketed on verso \"George Washingon Esq./ 10900 Acres/ Fincastle, Recorded and examined.\"\u003c/p\u003e","\u003cp\u003eAutograph document signed in the hand of George Washington, for money received from Doctor Stuart for annuity and a balance due from the estate of John Parke Custis.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Washington writes that Jacky Custis is returning to school after being delayed by illness. Washington writes that Jacky \"promises to stick close to his Book, and endeavour by diligent study to recover his lost time.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed, about financial matters. With an engraving of Charles Carroll of Carrollton by A. P. Durand.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 1 page. Mounted on cardstock. Washington gives orders for the removal of suspected loyalists to New Rochelle. He warns against any injury to persons or property but insists they be kept \"at a distance from the Enemy of whom it is suspected they are favourers and are carrying on correspondances dangerous to the United States of America.\u003c/p\u003e","\u003cp\u003eLetter signed, about the case of Colonel John Duyckinck, who surrendered from the British army and was being held in Philadelphia.\u003c/p\u003e","\u003cp\u003eAutograph letter signed with integral address panel. Custis writes about financial matters and Sunday dinner plans.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 3 pages. Washington writes criticizing Congress's plan to raise a standing army for only one year, lamenting \"the pernicious State-system is still adhered to.\" Washington worries each victory will \"lull us into security.\" He writes, \"The history of the war is a history of false hopes and temporary expedient.\" With an engraving by W. Humphreys and photogravure of Washington.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 3 pages, with integral address panel. Mounted in folder with an engraving of Charles Stewart.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 1 page, with integral address panel. Letter written in Philadelphia by David Rittenhouse while he is serving as Treasurer for the State of Pennsylvania.\u003c/p\u003e","\u003cp\u003eDandridge writes on behalf of President George Washington to the printers Childs and Swaine that Washington no longer wishes to subscribe to the supplement to their Daily Advertiser because he longer has time to read \"the published prints that are brought to him.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 1 page. Trumbull writes of business matters. He also writes of the French, \"from such friends, God Deliver us.\"\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 4 pages. Nelly thanks Mrs. Pinckney for the shawl she sent and hopes she can visit Mount Vernon next summer, when Nelly and husband hope to be settled in their own house. She writes about the health of herself, her daughter Frances, and Martha Washington, who had a \"bilious fever.\" She writes of the death of her sister Martha Peter's daughter Eleanor, who was buried in the family vault at Mount Vernon. With an envelope purported to contain Washington's hair.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 3 pages.\u003c/p\u003e","\u003cp\u003eAutograph letter signed, 1 page. Nelly writes about visiting Philadelphia, sending bacon, and wishing well to Costin's mother.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of papers inherited and collected by Washington family descendants. Many were purchased in 1927 at auction to reunite Washington family correspondence. The collection includes correspondence, financial documents and legal documents that relate primarily to the Custis and Lewis families, but include other items related to Virginia history. Charles and Peter Chapin, the previous owners of this collection, descended from Eleanor Parke Custis and Lawrence Lewis through Esther Maria Lewis and Charles Chapin. This collection was originally assembled by Esther Maria Lewis Chapin who inherited some of the Washington/Custis papers, but was also an avid collector and brought back together family items that were being dispersed nationwide. This collection is an example of that effort; much of which was at auction in 1927 (Anderson Galleries, sale 2201, 28-29 November 1927).","Partially printed bill of exchange charged to the estate of Daniel Parke Custis and signed by Martha Custis.","Autograph document in George Washington's hand. Receipt for the purchase of a horse. Signed and docketed on verso by George Washington Parke Custis. With facsimile of related receipt provenance notes from the Custis family.","Indenture for the sale of land in New Jersey.","Document signed by Lord Dunmore, 1 page, on vellum, 24 x 26 inches. Docketed on verso \"George Washingon Esq./ 10900 Acres/ Fincastle, Recorded and examined.\"","Autograph document signed in the hand of George Washington, for money received from Doctor Stuart for annuity and a balance due from the estate of John Parke Custis.","Autograph letter signed with integral address panel. Washington writes that Jacky Custis is returning to school after being delayed by illness. Washington writes that Jacky \"promises to stick close to his Book, and endeavour by diligent study to recover his lost time.\"","Autograph letter signed, about financial matters. With an engraving of Charles Carroll of Carrollton by A. P. Durand.","Autograph letter signed, 1 page. Mounted on cardstock. Washington gives orders for the removal of suspected loyalists to New Rochelle. He warns against any injury to persons or property but insists they be kept \"at a distance from the Enemy of whom it is suspected they are favourers and are carrying on correspondances dangerous to the United States of America.","Letter signed, about the case of Colonel John Duyckinck, who surrendered from the British army and was being held in Philadelphia.","Autograph letter signed with integral address panel. Custis writes about financial matters and Sunday dinner plans.","Autograph letter signed, 3 pages. Washington writes criticizing Congress's plan to raise a standing army for only one year, lamenting \"the pernicious State-system is still adhered to.\" Washington worries each victory will \"lull us into security.\" He writes, \"The history of the war is a history of false hopes and temporary expedient.\" With an engraving by W. Humphreys and photogravure of Washington.","Autograph letter signed, 3 pages, with integral address panel. Mounted in folder with an engraving of Charles Stewart.","Autograph letter signed, 1 page, with integral address panel. Letter written in Philadelphia by David Rittenhouse while he is serving as Treasurer for the State of Pennsylvania.","Dandridge writes on behalf of President George Washington to the printers Childs and Swaine that Washington no longer wishes to subscribe to the supplement to their Daily Advertiser because he longer has time to read \"the published prints that are brought to him.\"","Autograph letter signed, 1 page. Trumbull writes of business matters. He also writes of the French, \"from such friends, God Deliver us.\"","Autograph letter signed, 4 pages. Nelly thanks Mrs. Pinckney for the shawl she sent and hopes she can visit Mount Vernon next summer, when Nelly and husband hope to be settled in their own house. She writes about the health of herself, her daughter Frances, and Martha Washington, who had a \"bilious fever.\" She writes of the death of her sister Martha Peter's daughter Eleanor, who was buried in the family vault at Mount Vernon. With an envelope purported to contain Washington's hair.","Autograph letter signed, 3 pages.","Autograph letter signed, 1 page. Nelly writes about visiting Philadelphia, sending bacon, and wishing well to Costin's mother."],"separatedmaterial_html_tesm":["\u003cp\u003eOne title, The New Testament of our Lord and Saviour Jesus Christ, 1634. Transferred to Rare Books Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["One title, The New Testament of our Lord and Saviour Jesus Christ, 1634. Transferred to Rare Books Collection."],"names_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon","Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Costin, William, 1780?-1842"],"corpname_ssim":["Special Collections at The George Washington Presidential Library at Mount Vernon"],"persname_ssim":["Lewis, Eleanor Parke Custis, 1779-1852","Washington, George, 1732-1799","Washington, Martha, 1731-1802","Scott, John Morin, 1730-1784","Custis, John Parke, 1754-1781","Rittenhouse, David, 1732-1796","Jacks, James, active 1781-","Dandridge, Bartholomew, approximately 1774-1802","Trumbull, Jonathan, 1740-1809","Costin, William, 1780?-1842"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":2,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:46:39.072Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vimtvl_repositories_3_resources_71_c02"}},{"id":"viu_repositories_3_resources_941_c01_c01","type":"Subseries","attributes":{"title":"Subseries A: Personal Papers, Service Records, and Artifacts","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_941_c01_c01","ref_ssm":["viu_repositories_3_resources_941_c01_c01"],"id":"viu_repositories_3_resources_941_c01_c01","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941_c01","parent_ssi":"viu_repositories_3_resources_941_c01","parent_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01"],"parent_ids_ssim":["viu_repositories_3_resources_941","viu_repositories_3_resources_941_c01"],"parent_unittitles_ssm":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"parent_unittitles_tesim":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians"],"text":["John L. Nau III Civil War History Collection","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians","Subseries A: Personal Papers, Service Records, and Artifacts"],"title_filing_ssi":"Subseries A: Personal Papers, Service Records, and Artifacts","title_ssm":["Subseries A: Personal Papers, Service Records, and Artifacts"],"title_tesim":["Subseries A: Personal Papers, Service Records, and Artifacts"],"unitdate_inclusive_ssm":["1806-1988"],"normalized_date_ssm":["1806/1988"],"normalized_title_ssm":["Subseries A: Personal Papers, Service Records, and Artifacts"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["John L. Nau III Civil War History Collection"],"has_online_content_ssim":["true"],"child_component_count_isi":5383,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-21T14:31:55.729Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_941","ead_ssi":"viu_repositories_3_resources_941","_root_":"viu_repositories_3_resources_941","_nest_parent_":"viu_repositories_3_resources_941","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_941.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189095","title_filing_ssi":"Nau, John L. III, Civil War History Collection","title_ssm":["John L. Nau III Civil War History Collection"],"title_tesim":["John L. Nau III Civil War History Collection"],"unitdate_ssm":["1806-1988","1861-1865"],"unitdate_bulk_ssim":["1861-1865"],"unitdate_inclusive_ssm":["1806-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"text":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941","John L. Nau III Civil War History Collection","United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives","letters (correspondence)","Photograph albums","photographs","newspapers","Good.","The collection is open for research.","The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch","The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.","The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. ","The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.","Albert and Shirley Small Special Collections Library","The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"unitid_tesim":["MSS 16459","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/941"],"normalized_title_ssm":["John L. Nau III Civil War History Collection"],"collection_title_tesim":["John L. Nau III Civil War History Collection"],"collection_ssim":["John L. Nau III Civil War History Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"geogname_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"places_ssim":["United States --  History  -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Personal narratives"],"acqinfo_ssim":["The John L. Nau III Civil War History Collection was acquired and donated by John L. Nau III. It was accessioned by the Albert and Shirley Small Special Collections Library on September 3, 2019 (2019-0149) and in an additional accession in October 2019 (2019-0231)."],"access_subjects_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"access_subjects_ssm":["letters (correspondence)","Photograph albums","photographs","newspapers"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good."],"extent_ssm":["133 Cubic Feet 255 boxes; 9 framed items"],"extent_tesim":["133 Cubic Feet 255 boxes; 9 framed items"],"genreform_ssim":["letters (correspondence)","Photograph albums","photographs","newspapers"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).\u003c/p\u003e","\u003cp\u003eSeries 1 is arranged in three subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Personal Papers, Service Records, and Artifacts, 1806-1988\u003c/p\u003e\n","\u003cp\u003eThe arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. \u003c/p\u003e\n","\u003cp\u003eThe above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003eSubseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. \u003c/p\u003e","\u003cp\u003eSeries 2 is arranged in the following subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e\n","\u003cp\u003eSubseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).\u003c/p\u003e","\u003cp\u003eSeries 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities\u003c/p\u003e","\u003cp\u003eSeries 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The John L. Nau III Civil War History Collection (1806-1988; bulk 1861-1865; 133 cubic feet) has been arranged into five series, Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet); Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet); Series 3: Government Military Records (1855-1913; approx. 9 cubic feet); Series 4: Currency (1839-1875; approx. 1.5 cubic feet); and Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet).","Series 1 is arranged in three subseries.","Subseries A: Personal Papers, Service Records, and Artifacts, 1806-1988","The arrangement approach of Subseries A is based on the archival concept of personal papers. Materials, including those authored by, owned by, addressed to, or relating to a particular individual or individuals, are grouped together and arranged in alphabetical order according to surname or last name. Internally, these groupings of personal papers (or secondary collections) are arranged in chronological order with undated materials at the end. ","The above is followed by materials with incomplete or first name only attributions in alphabetical order. Finally, materials of unknown authorship or provenance are in chronological order, followed by unknown, undated materials in order of donor accession number (see resource record note titled Alphanumeric Designations). ","Subseries B: Materials Related to Libby Prison, Richmond, Virginia, is arranged in chronological order, followed by undated materials.","Subseries C: Veterans' Organizations Materials is arranged by record creator in alphabetical order. Within groupings of the same record creator, files are arranged in chronological order. ","Series 2 is arranged in the following subseries.","Subseries A: Portraits of Known Subjects\nThis subseries is arranged alphabetically by subject surname or last name. This is followed by photographs in alphabetical order by regimental association.","Subseries B: Portraits of Unknown Subjects in Daguerreotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries C: Portraits of Unknown Subjects in Ambrotype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries D: Portraits of Unknown Subjects in Tintype Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries E: Portraits of Unknown Subjects in Carte de Visite Format:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries F: Portraits of Unknown Subjects in Cabinet Card, Albumen, and Other Formats:\nThis subseries is arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries G: Documentary Photographs:\nThis subseries is arranged in alphabetical order by location. This is followed by unknown locations arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Subseries H: Photograph Albums and Collections:\nThis subseries is arranged alphabetically by surname or last name of the associated individual(s). This is followed by photograph albums and collections arranged alphabetically according to regimental association. And, finally, photograph albums and collections of unknown attribution or provenance are arranged in order of donor accession number (see Alphanumeric Designations in resource record).","Series 3 is arranged in the following subseries: Subseries A: Records of the United States Army (USA) and Subseries B: Records of the Confederate States Army (CSA). Materials are arranged alphabetically according to the organization that created or issued them and chronologically therein with materials or unknown provenance or attribution following in order of donor accession number (see Alphanumeric Designations in resource record).","Series 4 is arranged chronologically within the following subseries.  \n \nSubseries A: United States of America (USA) Fractional Currency Notes \nSubseries B: United States of America (USA) Post-Civil War Fractional Currency Notes  \nSubseries C: United States of America (USA) Postage Currency Notes \nSubseries D: Note Issued by a Private Bank in the United States \nSubseries E: Confederate States of America (CSA) Currency Notes \nSubseries F: Confederate States of America (CSA) Postage Stamps \nSubseries G: Confederate States of America (CSA) Bonds \nSubseries H: Notes Issued by Confederate States, Cities, and Counties \nSubseries I: Treasury Warrants Issued by the State of Texas and Limestone County, Texas \nSubseries J: Notes Issued by Southern Banks and Other Corporate Entities","Series 5 is arranged in alphabetical order according to publisher name and chronologically therein with undated materials listed last. This arrangement is followed by materials from unknown publishers arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Petty, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Whitehurst \u0026amp; Co., Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knowles \u0026amp; Hillman, New Bedford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearus, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gooding, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by Handy, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bocardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. W. Barker, Canton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wing's Gallery, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Varriell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. K. Brown, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry M. Wells, Cambridge, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lewis and Kane, Victoria, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003eFrench \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts, and Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Walzl, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co. of New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Bros., Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Pratt, Aurora, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Worms \u0026amp; Co. 383 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Cramer, Carondelet, Missouri\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Williams Gallery; Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Beach, Hastings, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks and Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conaut, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hesler Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallett, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eB. F. Smith and Son, Portland, Maine\u003c/p\u003e","\u003cp\u003eJ. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Beaumont, Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wells and Collins, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. Moses, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Morgan, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. L. Bergstresser, Army of the Potomac\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Jenks, Paterson, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bett's and Prusia, Dansville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stone Bros., Trumansburch, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck's, Elsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. J. Pierce, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E.\u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLe Rue Lemer, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gibbon, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson of New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026amp; New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washburn's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenney, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McPherson \u0026amp; Oliver, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Benjamin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Watson, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burnite \u0026amp; Weldon, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William C. North, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Th. Gubelman, Puliski, TN\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hermos, Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by W.V. Lane, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Tombarger, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O. P. Howe, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cooley \u0026amp; Becket, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. G. Montgomery of Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cushing \u0026amp; King Photographers, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. C. Brown, Norwich, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Marse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Forshew, Hudson, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Silli, Nice, France\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. E. Mosely, Newburyport\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. C. Burnite \u0026amp; Co., Harrisburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. B. Brown's, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Tait, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Conant and Johnson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Durgan, Farmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C.H. Freeman, Montpelier, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kilgore's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePublished by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: I. N. Teague, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003eBarr \u0026amp; Young, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. R. Marks, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Rhodes, St. Law Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Munger \u0026amp; Stone, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Cross, Belvidere, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Emery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. McHenry, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. P. Smith, Kankakee City, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.T. Bradshaw \u0026amp; Co., successors to G. Moses, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Braisted, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce, Galena, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. \u0026amp; F. W. Hardy, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slagle, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Slee Brothers, Poughkeepsie, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Lewis Wires, Milford\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C. Evans, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. B. Jones, Davenport, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. H. Black, Natchez, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of The Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George B. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Joseph Ward, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pein \u0026amp; Co., Washington City\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Good \u0026amp; Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacob's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. \u0026amp; J. L. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Layton's, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bachrach \u0026amp; Bro, Baltimore, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cross and Franke, Arlington, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Watson, Raleigh, North Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Julius Brill, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Weiss, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Cadwallader, Toledo, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Jennings, artist, The New \u0026amp; Reliable Gallery, Lancaster, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow and Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thomas and Pearson, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henzey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew B. Brady\u003c/p\u003e","\u003cp\u003eWilliam Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. P. H. Capron \u0026amp; Bros. , Springfield, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Giers \u0026amp; Co., Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney and Paradise, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: August Morand, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredericks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Davis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henszey \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler and King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, El Mira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Guay and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Batchelder, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George D. Puffer, Nashua, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Murphy Bros., Alton, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Godshaw \u0026amp; Flexner, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moffat and Simpson, Key West, Florida\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. P. Ayer, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William F. Blunt, North Anson, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anson's\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassetts Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Meade Brothers, Astor, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alex. Gardner, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Philp \u0026amp; Solomon, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Watson's, Raleigh, NC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. Thompson, Norwich, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenny, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mason \u0026amp; Gardner, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Outley's, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bragy Gallery\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank E. Stanley, Auburn, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Browne, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs \u0026amp; Company, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask \u0026amp; Lewis\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles K. Bill's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wilder Brothers, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Alex Gardner; Published by Philp \u0026amp; Solomons, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. A. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Smith, Utica, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Dunshee's, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Adams, Nashville, Tenn.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Abbott, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. I. Prince, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Nims, Photographer, Fort Edward, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Summerhays\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Filley \u0026amp; Gilbert, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. N. Medernach, Danville, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Thompson Gallery, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. G. Fetters, Peru, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: New Orleans Photographic Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees of Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J.L. Winner, Annapolis, MD\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bishop \u0026amp; Campbell, Photographers, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Conant, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. P. Paige, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren and Lowell, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Powelson's, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePublished by Vannerson \u0026amp; Jones, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Jewett, Lebanon, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jno. Holyland, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: James S. Earle \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Havens, Jacksonville, FL\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.C. Benjamin, Newark, N. J.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, NY; Published by E. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brendann Bros., Baltimore\u003c/p\u003e","\u003cp\u003ePhotographed by Wenderoth \u0026amp; Taylor; Published by McAllister \u0026amp; Bro., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitaker \u0026amp; Co., Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; Smith, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. R. Davis, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003eBrady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. R. Hall, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. Brown, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredericks and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowers, Lynn, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kin, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Piper \u0026amp; Sanborn, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Ames, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abster \u0026amp; Bro, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. D. Phillips, 14th Army Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. K. Marshall, Circleville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. German, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hawkins \u0026amp; Philpot, Macomb, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. De Camp, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003eUnknown Photographer; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pratt's Gallery, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schreiber \u0026amp; Son, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Erekson \u0026amp; Bodurtha, Bridgeport, Conneticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Abraham Fisher, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Wilson, Savannah, Georgia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Birney Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Louis Walzl\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. A. Turner, D. Appleton \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. H. White, Jacksonport, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin \u0026amp; Col, Washington D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Evans and Prince, York, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Clark, Ionia, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. C. Giers, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePublished by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Bideout \u0026amp; Co., Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Goldin, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eJ. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. S. Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. B. King, Taunton, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  L. D. Cox, Ludlow, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Davis, Columbus, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Brainstead, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Tyler \u0026amp; Co., Charleston, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E \u0026amp; H.T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George C. White, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. S. Morse, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McLure, Allen P.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Peplow \u0026amp; Balch, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Nollen \u0026amp; Van Grieken, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. H. Cole, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. L. Jackson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy and Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. G. Carleton, Waterville, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gilbert's, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Curtis, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Campbell \u0026amp; Ecker, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Pierce \u0026amp; Cogswell, Rochelle, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kennedy \u0026amp; Schenck, Newark, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morell, George Webb\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hall, South Royalton, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fredricks \u0026amp; Co., New Yor\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer's, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. L. Eaton, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hagaman, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Reimer, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hanford, New London, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Carr, Old Town, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Miller and Rowell, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Thompson, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William B. Stearns, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Fassett, Dexter, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kertson \u0026amp; Barker, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Loomis, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball \u0026amp; Sons, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed by A. A. Turner; Published by D. Appleton \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Taylor and Seavey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Milton Lapham, Decatur, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor, \u0026amp; Co, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. I. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. P. Layton, Rockford, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haseltine, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Evans, Norfolk, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M' Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. McNulty, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole of Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. F. Ryder, Cleveland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. H. McKenny, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sprague \u0026amp; Tapley, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. E. Gibbs, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lutges, Detroit, Michigan\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney and Son, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell and Brother, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis and Crosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George E. Collins; Bucksport, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Handy, Washington, D.C..\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quicks, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Armstead \u0026amp; Taylor, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Porter's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. J. Thompson \u0026amp; Co., Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Stevens, Richmond, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Geo. W. Butler, Bath, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003eBrady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rivers', St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George Rockwood, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinds, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimball, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. S. Estabrook, Houlton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. J. Moulton, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M'Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crockett, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Burwell \u0026amp; Homan, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black and Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Magnolia, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith \u0026amp; Wybrant, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Weitfle \u0026amp; Wright, 1st Division, 6th Corps\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles S. Hart, Watertown, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Haas \u0026amp; Peale, Hilton Head, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster \u0026amp; Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  C.H. Smedley \u0026amp; Co., Middletown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  R. A. Lewis, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Moses \u0026amp; Co., Quincy, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. F. Child, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady's National Portrait Gallery; Published by E. \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kimberly Brothers\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. Carbutt, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Samuel Masury, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Photographed by Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, Habana, Paris\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hopkins, Annapolis, Maryland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Churchill \u0026amp; Dennison, Albany, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Variell, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Constant, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Gould, North Bridgton, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Webster and Bro., Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. L. Heath, Norwalk, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Peck, Ellsworth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Crocket, Rockland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. B. Field, Morris, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. P. Greenwald, Newark, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gorham and Co, Providence, Rhode Island\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moses \u0026amp; Piffet, successors to E. Jacobs, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hinton \u0026amp; Cleary's, Montgomery, Alabama\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. F. Yung\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Matthew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Brown, Photographer of the Army of Arkansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Griswold \u0026amp; White, Corinth, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Morse's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Davis, Biddleford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Butler, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Currier, Amesbury, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Cole, Biddeford, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Cahill, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George H. Wood, Towanda, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: George M. Howe, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Hesler, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: by H. Glosser, Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Turner, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Henry Ulke, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Case, Halifax, Nova Scotia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Anderson, New Orleans\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Balkan Studio, Wartham, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Jordan \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. A. Colley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: L. V. Newell\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. W. Black, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. O. Burgan, Yarmouth, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Thurlow, Peoria, Illinois\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Smith, Southbridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Schwing \u0026amp; Rudd, Photographers Army of the Cumberland\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. L. Perkins\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographed by Brady, New York, New York; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Knight, Batavia, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bradley \u0026amp; Rulofson, San Francisco, California\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. W. Loud, Bowery, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Klauber \u0026amp; Campbell, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Butler \u0026amp; Smetters, Springfield, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Van Stavoren, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. Burnham, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. Haslinger in St. Polten\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Fassett's Gallery, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney \u0026amp; Paradise, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. Anthony,  New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Brown's, Waldoboro, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Scholten, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bailey \u0026amp; Silver's, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: McAdams, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographed by Brady; Published by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. L. Troxell, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wykes \u0026amp; Brown, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio:  J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A.C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: French \u0026amp; Sawyer, Keene, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Anderson \u0026amp; Turner, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marshall, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lamson, Portland, Maine\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. E. Alden, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. E. McClees, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Wing's, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Case and Getchell, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whipple, Boston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. L. Marston, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. U. P. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bell \u0026amp; Brother, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. A. Paul, Skowhegan, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. W. Addis, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keith \u0026amp; Ross, Machias, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Estabrook's Ferrotypes, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bogardus, 363 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Otto Wagner, 385 Broadway, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Johnson's, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. Appleton, and Co., New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John H. Pein \u0026amp; Co., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePublished by E \u0026amp; H. T. Anthony, New York\u003c/p\u003e","\u003cp\u003ePhotographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026amp; Brother, Philadelphia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: King, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. H. Williamson's Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. G. Trask, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hallet, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Sumner \u0026amp; Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lomas, Eastport Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: B. F. Smith, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. M. Fassett, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony, New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brady, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Downs \u0026amp; Co., New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Sellers, Keokuk, Iowa\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Fredricks, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Black \u0026amp; Case, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. M. Aiken, Ware, Massachusetts\u003c/p\u003e","\u003cp\u003eLithograph by Murray \u0026amp; Goodwin, Albany, New York; Published by G. H. Treadwell, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Theodore Harris, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Wearn, Columbia, South Carolina\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Keenan, Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. R. Phipps, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rees, Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Frank Browne\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Royan M. Linn\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Quimby of Charleston\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Maynard \u0026amp; Willis, Milford, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. H. Keim, Lebanon, Pa.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Daily, Lebanon, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bowdoin, Taylor \u0026amp; Co., Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Mathew Brady\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Lupton \u0026amp; Brown, Winchester, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Richardson of Lima, Peru\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William P. Holt, Concord, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Orcutt's, Cambridge\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victor Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Elrod Borthers, Lexington, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's, Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. D. Frederick, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. L. Averill, Oldtown, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: William Pierce, Brunswick, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Trask and Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst Gallery, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Lewis, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. A. Mills, Camden, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. McKenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: T. R. Burnham, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ball \u0026amp; Thomas, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. C. Price, New Philadelphia, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bennett, Alexandria, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Warren, Cambridgeport, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Bundy \u0026amp; Williams, New Haven, Connecticut\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. N. Blanchard, Barre, Vermont\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. Gurney \u0026amp; Son, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. M. Vanaken, Lowville, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. Goben, Troy, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Frank Winter, Fort Shaw, Montana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Whitehurst, Washington, DC\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Wm. J. Tate, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Stokes, Trenton, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Clark, Gardiner, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: G. W. Tuttle, Thomaston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: M. F. King\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. M. M. Kenney, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Curtis \u0026amp; Cosby, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hunting's Belfast, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Brooks \u0026amp; Blauvelt, Port Hudson, Louisiana\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. C. Platt, Oberlin, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. E. Prall, Knoxville, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. Worms \u0026amp; Co., New York, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: John Roth, Freehold, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Kerston \u0026amp; Barker, New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. Knecht, Easton, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Victory Piard, Jersey City, New Jersey\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Published by G. L. Collins, Paola, Kansas\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Ullary \u0026amp; Perry, Greenville, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Roberts, Cleveland, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Zay, Findlay, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: V. B. Massey, Lancaster, Ohio\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. Kasten, Freeport, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Aldridge \u0026amp; Merriman, Chicago, Illinois\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. R. Rees \u0026amp; Bros., Richmond, Virginia\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. W. Black, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Masury, Boston, Massachusetts\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: W. H. Pope, Brooklyn, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. Klauber, Louisville, Kentucky\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. J. Jacobs, New Orleans\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: P. Haas\u003c/p\u003e","\u003cp\u003ePhotographer: D. P. Barr, Army Photographer, Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer: French \u0026amp; Co., Vicksburg, Miss.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Barr \u0026amp; Young, Army Photographers, Fort Pickering, Memphis, Tennessee\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Moulton \u0026amp; Larkin, Elmira, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographed and Published by B. W. Kilburn, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Kilburn Brothers, Littleton, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Rollins \u0026amp; Linn\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Company\u003c/p\u003e","\u003cp\u003ePhotographed by Brady \u0026amp; Co., Washington, D.C.; Published by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Alexander Gardner\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., Negative by Brady \u0026amp; Co., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePhotographed and Published by Bell \u0026amp; Bro., Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., New York; Negative by Brady \u0026amp; Co.\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePublished by E. \u0026amp; H. T. Anthony \u0026amp; Co., American and Foreign Stereoscopic Emporium,  New York, NY\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Gardner\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Marks, Houston, Texas\u003c/p\u003e","\u003cp\u003ePublished by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026amp; Picture Frames, 810 Washington St. Boston, Mass\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. B. Crockett, Norway, Main\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: N. R. Rideout, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: F. B. Smith \u0026amp; Son, Portland, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: J. S. Hendee, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: A. P. \u0026amp; F. W. Hardy, Ranger, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: D. K. Jewell, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: E. S. Dunshee, Rochester, New York\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. W. Sawyer, Bangor, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: C. B. Conant, Lewiston, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: S. Piper, Manchester, New Hampshire\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Starbird, Augusta, Maine\u003c/p\u003e","\u003cp\u003ePhotographer/Photography Studio: Hoag \u0026amp; Quick's Art Palace, Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003ePainted by Robt. W. Weit; Engraved by Geo. W. Watch\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. W. Petty, New Orleans, Louisiana","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: John Holyland, Washington, D.C.","Photographer/Photography Studio: O. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: J. H. Whitehurst \u0026 Co., Baltimore, Maryland","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio:","Photographer/Photography Studio: John L. Gihon's Photographic Art Galleries, 1024 Chestnut St. Phila.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Knowles \u0026 Hillman, New Bedford, Massachusetts","Photographer/Photography Studio: William B. Stearus, Bath, Maine","Photographer/Photography Studio: Gooding, Portland, Maine","Photographer/Photography Studio: Wenderoth, Taylor and Brown, Philadelphia, Pennsylvania","Photographer/Photography Studio: Published by Handy, Washington, D.C.","Photographer/Photography Studio: Bocardus, New York","Photographer/Photography Studio: Anderson's, New Orleans, Louisiana","Photographer/Photography Studio: Carpenter's Gem Gallery, Troy, New York","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York and Washington, D.C.","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: McPherson, Bangor, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. W. Barker, Canton, Illinois","Photographer/Photography Studio: F. McNulty, Ar,  Springfield, IL, City Galle","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Wing's Gallery, Waterville, Maine","Photographer/Photography Studio: J. S. Varriell, Gardiner, Maine","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. K. Brown, Augusta, Maine","Photographer/Photography Studio: Henry M. Wells, Cambridge, New York","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: J. W. Taft, artist, Oak Gallery, Memphis, Tennessee","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. A. Simonds, Chillicothe, Ohio","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Published by E. \u0026 H. T. Anthony,  New York, from Photographic Negative by Brady's National Portrait Gallery","Photographer/Photography Studio: Lewis and Kane, Victoria, Texas","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady's, Washington, D.C. and New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: G. D. Hamilton, Boston, Massachusetts","Photographer/Photography Studio:","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts, and Newport, Rhode Island","Photographer/Photography Studio: J. H. Walzl, Baltimore, Maryland","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. and New York","Photographer/Photography Studio:","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. D. Fredricks \u0026 Co. of New York","Photographer/Photography Studio: A. D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Manchester Bros., Providence, Rhode Island","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: Ben Oppenheimer, Mobile, Alabama","Photographer/Photography Studio: D. C. Pratt, Aurora, Illinois","Photographer/Photography Studio: Worms \u0026 Co. 383 Broadway, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: G. Cramer, Carondelet, Missouri","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: C. R. Edwards, Bowling Green, Kentucky","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: George W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. C. Nichols, Leavenworth, Kansas","Photographer/Photography Studio: Brown's Photographic Gallery, Paola, Kansas","Photographer/Photography Studio: Williams Gallery; Skowhegan, Maine","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: W. J. Morrill/C. L. Grossman, Waterville, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Brady's National Photographic Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Black \u0026 Batchelder, Boston","Photographer/Photography Studio: E. A. Beach, Hastings, Minnesota","Photographer/Photography Studio: C. D. Fredricks and Co., New York, New York","Photographer/Photography Studio: J. C. Spaulding, Point Lookout, Maryland","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Conaut, Portland, Maine","Photographer/Photography Studio: Hesler Gallery, Chicago, Illinois","Photographer/Photography Studio: H. P. Carnes' Car, Montpelier, Vermont","Photographer/Photography Studio: R.W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Hallett, Bowery, New York","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","B. F. Smith and Son, Portland, Maine","J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Zimmerman's New York Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Beaumont, Chester, Pennsylvania","Photographer/Photography Studio: Wells and Collins, New Haven, Conneticut","Photographer/Photography Studio: Manchester Brothers, Providence, Rhode Island","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. A. Lord, 158 Chatham Street, New York","Photographer/Photography Studio: B. Moses, New Orleans, Louisiana","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. Morgan, Concord, New Hampshire","Photographer/Photography Studio: Clark, Gardiner Maine","Photographer/Photography Studio: S. L. Bergstresser, Army of the Potomac","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. B. Jenks, Paterson, New Jersey","Photographer/Photography Studio: Brady, Washington, D.C.","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: Bett's and Prusia, Dansville, New York","Photographer/Photography Studio: Stone Bros., Trumansburch, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. M. Peck's, Elsworth, Maine","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: A. J. Pierce, Rockland, Maine","Photographer/Photography Studio: J. W. Hurn, Philadelphia, Pennsylvania","Photographer/Photography Studio:  G. W. Tuttle, Thomaston, Maine","Photographed by Brady; Published by E.\u0026 H.T. Anthony, New York","Photographer/Photography Studio:  F. Forshew, Hudson, New York","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Knoxville, and Chattanooga, Tennessee","Photographer/Photography Studio: Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Le Rue Lemer, Harrisburg, Pennsylvania","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Gibbon, New York","Photographer/Photography Studio: S. Anderson of New Orleans","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: Lumpkin and Tomlinson, Richmond, Virginia","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, NY","Photographer/Photography Studio: Brady's National Photographic Galleries, Washington, D.C. \u0026 New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Washburn's, New Orleans, Louisiana","Photographer/Photography Studio: E. R. Gard's Photographic Art Palace, Chicago, Illinois","Photographer/Photography Studio: Brady, Washington","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: E. H. McKenney, Biddeford, Maine","Photographer/Photography Studio: Whitaker and Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: McPherson \u0026 Oliver, Baton Rouge, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: I. N. Teague","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: A. M. Benjamin","Photographer/Photography Studio: George Watson, Montpelier, Vermont","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Charles H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: Union Photographic Gallery, Camp Butler, Newport News, Virginia","Photographer/Photography Studio: Burnite \u0026 Weldon, Harrisburg, Pennsylvania","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: R. W. Addis, photographer, McClees Gallery, 308 Penna. Avenue, Washington, D.C.","Photographer/Photography Studio: William C. North, Cleveland, Ohio","Photographer/Photography Studio: Th. Gubelman, Puliski, TN","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Hermos, Lima, Peru","Photographer/Photography Studio: Kerston's Photograph Gallery, Newark, New Jersey","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Moses and Piffet, New Orleans, Louisiana","Photographer/Photography Studio: Keet and Gemmill, Harrisburg, Pennsylvania","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Sam A. Cooley, Photographer Tenth Army Corps","Photographer/Photography Studio: Published by W.V. Lane, Camden, Maine","Photographer/Photography Studio: T.M.V. Doughty, Winsted, Conneticut","Photographer/Photography Studio: H. A. Balch's Star Photograph Gallery, Memphis, Tennessee","Photographer/Photography Studio: H. Tombarger, Lancaster, Ohio","Photographer/Photography Studio: Black and Case","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: O. P. Howe, Augusta, Maine","Photographer/Photography Studio: G. M. Howe, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Published by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Cooley \u0026 Becket, Beaufort, South Carolina","Photographer/Photography Studio: Bowdoin, Taylor, and Co., Alexandria, Virginia","Photographer/Photography Studio: R. G. Montgomery of Virginia","Photographer/Photography Studio: Ingraham Brothers, Westfield, Massachusetts","Photographer/Photography Studio: Cushing \u0026 King Photographers, Woodstock, Vermont","Photographed by Brady, New York; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Moses, Trenton, New Jersey","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: H. C. Brown, Norwich, New York","Photographer/Photography Studio: A. S. Marse, Nashville, Tennessee","Photographer/Photography Studio: F. Forshew, Hudson, New York","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hoag \u0026 Quick, Cincinnati, Ohio","Photographer/Photography Studio: Joshua Appleby Williams, Newport, Rhode Island","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Silli, Nice, France","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: E. W. Beckwith, Alexandria, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. E. Mosely, Newburyport","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Harter's Fine Art Gallery, Auburn, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. H. Pein \u0026 Co., Richmond, Virginia","Photographer/Photography Studio: Gorman and Jordan, Alexandria, Virginia","Photographer/Photography Studio: D. C. Burnite \u0026 Co., Harrisburg, Pennsylvania","Photographer/Photography Studio: S. B. Brown's, Providence, Rhode Island","Photographer/Photography Studio: W. J. Tait, New York, NY","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Conant and Johnson, Lewiston, Maine","Photographer/Photography Studio: J. O. Durgan, Farmouth, Maine","Photographer/Photography Studio: C.H. Freeman, Montpelier, Vermont","Photographer/Photography Studio: Kilgore's, Belfast, Maine","Published by Joseph Ward, Boston, Massachusetts;  Photograph by Matthew Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: I. N. Teague, Lewiston, Maine","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Barr \u0026 Young, Vicksburg, Mississippi","Photographer/Photography Studio: Photographed by Brady, Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio:  C. L. Marston, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. R. Marks, Austin, Texas","Photographer/Photography Studio: R. W. Addis, Mc Clee's Gallery, Washington, D.C.","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: A. S. Rhodes, St. Law Co., New York","Photographer/Photography Studio: Munger \u0026 Stone, Quincy, Illinois","Photographer/Photography Studio: A. M. Cross, Belvidere, Illinois","Photographer/Photography Studio: W. H. Emery","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: Wm. McHenry, Freeport, Illinois","Photographer/Photography Studio: Fredricks \u0026 Co., New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Purvience, Pittsburgh, Pennsylvania","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio:  F. L. Lay's, Boston, Massachusetts","Photographer/Photography Studio: S. P. Smith, Kankakee City, Illinois","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, NY","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio:  J.T. Bradshaw \u0026 Co., successors to G. Moses, Quincy, Illinois","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio: Daily's Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: D. F. Brandon, Camp Douglas, Illinois","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: A. Braisted, Freeport, Illinois","Photographer/Photography Studio: A. Hesler, Chicago","Photographer/Photography Studio: Pierce, Galena, Illinois","Photographer/Photography Studio: R.W. Addis, McClees's Gallery, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: J. P. \u0026 F. W. Hardy, Bangor, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Chas. H. Danforth, Cambridgeport, Massachusetts","Photographer/Photography Studio: J. C. Reeve, Lambertville, New Jersey","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Brady, New York, NY","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Morse's Gallery of the Cumberland, Nashville, Tennessee","Photographer/Photography Studio: Geo. S. Cook, Charleston, South Carolina","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Slagle, Washington, D.C.","Photographer/Photography Studio: Slee Brothers, Poughkeepsie, New York","Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio:  J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: E. Lewis Wires, Milford","Photographer/Photography Studio: Bogardus, New York, New York","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio:  C. Evans, Philadelphia","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: P. B. Jones, Davenport, Iowa","Photographer/Photography Studio: N. H. Black, Natchez, Mississippi","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of The Cumberland","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: W. H. Sherman, Milwaukee, Wisconsin","Photographer/Photography Studio: George B. Butler, Bath, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Mathew Brady's National Photographic Portrait Galleries","Photographer/Photography Studio: Joseph Ward, Boston, Massachusetts","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Pein \u0026 Co., Washington City","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon Illinois","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Good \u0026 Stokes, Trenton, New Jersey","Photographer/Photography Studio: E. Jacob's, New Orleans, Louisiana","Photographer/Photography Studio: J. H. \u0026 J. L. Abbott, Albany, New York","Photographer/Photography Studio: Geo. W. Barnes, Rockford, Illinois","Photographer/Photography Studio: Layton's, Rockford, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Nason's Photograph Gallery, Columbus, Ohio","Photographer/Photography Studio: Bachrach \u0026 Bro, Baltimore, Maryland","Photographer/Photography Studio: Cross and Franke, Arlington, Virginia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. W. Watson, Raleigh, North Carolina","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: B. P. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Julius Brill, New York","Photographer/Photography Studio: Saylor's New Photograph Gallery, Reading, Pennsylvania","Photographer/Photography Studio: Crosby, 13th Regiment Mass. Volunteers","Photographer/Photography Studio: John Weiss, New Orleans, Louisiana","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: John Cadwallader, Toledo, Ohio","Photographer/Photography Studio: H. Bitner, Mr. Carroll, Illinois","Photographer/Photography Studio: Bowdoin, Taylor and Company, 204 King Forner Columbus Street, Alexandria, Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: H. Jennings, artist, The New \u0026 Reliable Gallery, Lancaster, Kentucky","Photographer/Photography Studio: Peplow and Balch, Memphis, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Thomas and Pearson, Macomb, Illinois","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Henzey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Mathew B. Brady","William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: John Goldin \u0026 Co., Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: E. P. H. Capron \u0026 Bros. , Springfield, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: T. J. Merritt's National Portrait Gallery, Nashville, Tennessee","Photographer/Photography Studio: Giers \u0026 Co., Nashville, Tennessee","Photographer/Photography Studio: Whitney and Paradise, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: August Morand, Brooklyn, New York","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: C. D. Fredericks \u0026 Co., New York","Photographer/Photography Studio:  J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: Bishop \u0026 Campbell, Army of the Cumberland","Photographer/Photography Studio: Trask and Davis, Portland, Maine","Photographer/Photography Studio: Henszey \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Butler and King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: W. J. Moulton, El Mira, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Guay and Co., New Orleans, Louisiana","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Black \u0026 Batchelder, Boston, Massachusetts","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Loring's Photographic Gallery, Eastport, Maine","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Philadelphia Photographic Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: George D. Puffer, Nashua, New Hampshire","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographed by M. J. Powers; Published by Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: Jno. Holyland, Washington, DC","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Brady, New York","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Murphy Bros., Alton, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Godshaw \u0026 Flexner, Louisville, Kentucky","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Moffat and Simpson, Key West, Florida","Photographer/Photography Studio: G. P. Ayer, Augusta, Maine","Photographer/Photography Studio: William F. Blunt, North Anson, Maine","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: D. Appleton \u0026 Co., New York","Photographer/Photography Studio: Anson's","Photographer/Photography Studio: Fassetts Gallery, Chicago, Illinois","Photographer/Photography Studio: Gardner, Washington, D.C.","Photographer/Photography Studio: Whitehurst Gallery","Photographer/Photography Studio: Meade Brothers, Astor, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Alex. Gardner, Washington, DC","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: Philp \u0026 Solomon, Washington, DC","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographed by Brady; Published by E. \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Watson's, Raleigh, NC","Photographer/Photography Studio: Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: L. Thompson, Norwich, Connecticut","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: T. M. Schleier, Nashville, Tennessee","Photographer/Photography Studio: A. M. McKenny, Portland, Maine","Photographer/Photography Studio: Mason \u0026 Gardner, Providence, Rhode Island","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Outley's, St. Louis, Missouri","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Bragy Gallery","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: W. F. King, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: Frank E. Stanley, Auburn, Maine","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: B. P. Browne, Bath, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: E. Jacobs \u0026 Company, New Orleans, Louisiana","Photographer/Photography Studio: J. Gurney \u0026 Son, New York, New York","Photographer/Photography Studio: Trask \u0026 Lewis","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Charles K. Bill's, New York, New York","Photographer/Photography Studio: Wilder Brothers, Portland, Maine","Photographer/Photography Studio: Zimmermans's N.F W York, Photographic Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographed by Alex Gardner; Published by Philp \u0026 Solomons, Washington, D.C.","Photographer/Photography Studio: R. A. Addis, Washington, D.C.","Photographer/Photography Studio: J. B. Smith, Utica, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Henry Ulke, Washington, DC","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Dunshee's, Boston","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: D. Adams, Nashville, Tenn.","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. H. Abbott, Albany, New York","Photographer/Photography Studio: L. I. Prince, New Orleans, Louisiana","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  J.S. Medlar, Woodstock, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Mrs. A. A. Rhodes, West Rockford, Illinois","Photographer/Photography Studio: D. O. Furnald, Manchester, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Brady's National Photographic Portrait Gallery, New York and Washington, D.C.","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: Cole's Photographic Gallery, Peoria, Illinois","Photographer/Photography Studio: William Nims, Photographer, Fort Edward, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: P. H. McKernon, Saratoga Springs, New York","Photographer/Photography Studio: Jno. Holyland Metropolitan Gallery, Washington, D.C.","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Lobell General Hospital, Portsmouth Grove, Rhode Island","Photographer/Photography Studio: William Summerhays","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: Filley \u0026 Gilbert, New Haven, Connecticut","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: E. N. Medernach, Danville, Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio:  R. H. Dewey, Pittsfield, Massachusetts","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: J. H. Wagoner's, Mt. Morris, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Thompson Gallery, Albany, New York","Photographer/Photography Studio: Warren, Lowell, Massachusetts","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: W. B. Stearns, Bath, Maine","Photographer/Photography Studio: H. G. Fetters, Peru, Indiana","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: New Orleans Photographic Co.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady","Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Rees of Richmond, Virginia","Photographer/Photography Studio:  J.L. Winner, Annapolis, MD","Photographer/Photography Studio: Bishop \u0026 Campbell, Photographers, Army of the Cumberland","Photographer/Photography Studio: S. F. Conant, Skowhegan, Maine","Photographer/Photography Studio: B. P. Paige, Washington, D.C.","Photographer/Photography Studio: Warren and Lowell, Maine","Photographer/Photography Studio: Powelson's, Detroit, Michigan","Photographer/Photography Studio: N. Olsen Photographer, New Orleans, Louisiana","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Published by Vannerson \u0026 Jones, Richmond, Virginia","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, New York","Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographer/Photography Studio: J. O. Jewett, Lebanon, Missouri","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Bell and Brother","Photographer/Photography Studio: Jno. Holyland, Washington, D.C.","Photographer/Photography Studio: G. W. Roseberry, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Whitehurst, Gallery, Washington, D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: L. W. Cook, Weymouth Landing, Massachusetts","Photographer/Photography Studio: James S. Earle \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Havens, Jacksonville, FL","Photographer/Photography Studio: J. W. A. Tresize, Springfield, Illinois","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: O.C. Benjamin, Newark, N. J.","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographed by Brady, New York, NY; Published by E. Anthony, New York, NY","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brendann Bros., Baltimore","Photographed by Wenderoth \u0026 Taylor; Published by McAllister \u0026 Bro., Philadelphia, Pennsylvania","Photographer/Photography Studio: A. H Messenger, US General Hospital, Annapolis, Maryland","Photographer/Photography Studio: D. P. Barr, Army Photographer, Vicksburg","Photographer/Photography Studio: Whitaker \u0026 Co., Philadelphia, Pennsylvania","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: J. P. Burnham, Portland, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Griswold \u0026 Smith, Columbus, Ohio","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. B. Brady's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: A. R. Davis, Biddeford, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor Maine","Photographed by Brady's National Portrait Gallery; Published by E. Anthony, New York","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia","Brady, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. R. Hall, Biddeford, Maine","Photographer/Photography Studio: R. H. Brown, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: Manchester Brothers Photographers, Providence, Rhode Island","Photographer/Photography Studio: Fredericks and Co., New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Conneticut","Photographer/Photography Studio: Bowers, Lynn, Massachusetts","Photographer/Photography Studio: Kin, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Elrod Bro.'s, Lexington, Kentucky","Photographer/Photography Studio: Brady","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Piper \u0026 Sanborn, Manchester, New Hampshire","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio:  J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: W. Ames, Quincy, Illinois","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: Abster \u0026 Bro, Louisville, Kentucky","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: S. D. Phillips, 14th Army Corps","Photographer/Photography Studio: M. K. Marshall, Circleville, Ohio","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio:  J. A. Scholten, Saint Louis, Missouri","Photographer/Photography Studio:  A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. S. Morse","Photographer/Photography Studio: William P. Gault, Mt. Sterling, Illinois","Photographer/Photography Studio: C. S. German, Springfield, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Hawkins \u0026 Philpot, Macomb, Illinois","Photographer/Photography Studio: F. W. De Camp, Newark, New Jersey","Photographer/Photography Studio: Webster, Louisville, Kentucky","Photographer/Photography Studio: E. Jacobs, New Orleans, Louisiana","Unknown Photographer; Published by E. Anthony, New York","Photographer/Photography Studio: Alexander Gardner, Photographer to the Army of the Potomac, Washington, D.C.","Photographer/Photography Studio: Morse, Nashville, Tennessee","Photographer/Photography Studio: Pratt's Gallery, Richmond, Virginia","Photographer/Photography Studio: Schreiber \u0026 Son, Philadelphia, Pennsylvania","Photographer/Photography Studio: Erekson \u0026 Bodurtha, Bridgeport, Conneticut","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Abraham Fisher, Boston, Massachusetts","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: J. N. Wilson, Savannah, Georgia","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: J. Birney Linn","Photographer/Photography Studio: Louis Walzl","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: A. A. Turner, D. Appleton \u0026 Co., New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: M. F. King, Portland, Maine","Photographer/Photography Studio: R. H. White, Jacksonport, Arkansas","Photographer/Photography Studio: C. H. Spieler's, Philadelphia, Pennsylvania","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: O.H. Willard, Philadelphia, Pennsylvania","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: John Goldin \u0026 Col, Washington D.C.","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: N. C. Sanborn, Lowell, Massachusetts","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Partridges Photographic Gallery and Stock Depot, Wheeling, Virginia","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Mrs. W. A. Reed, Quincy, Illinois","Photographer/Photography Studio: Fred C. Low, East Cambridge, Massachusetts","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: Evans and Prince, York, Pennsylvania","Photographer/Photography Studio: Ingraham Bros, Westfield, Massachusetts","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: G. W. Clark, Ionia, Michigan","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: C. C. Giers, Nashville, Tennessee","Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Published by E. Anthony, New York, New York","Photographer/Photography Studio: N. R. Bideout \u0026 Co., Augusta, Maine","Photographer/Photography Studio: John Goldin, Washington, D.C.","Photographer/Photography Studio: Hendee, Augusta, Maine","J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: N. S. Bennett, Alexandria, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: H. B. King, Taunton, Massachusetts","Photographer/Photography Studio: Charles Jameson, Columbia, Pennsylvania","Photographer/Photography Studio: Anderson's Photographic Gallery, New Orleans, Louisiana","Photographer/Photography Studio:  L. D. Cox, Ludlow, Vermont","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: G. W. Davis, Columbus, Ohio","Photographer/Photography Studio: J. W. Black, Boston","Photographer/Photography Studio: A. Brainstead, Illinois","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Tyler \u0026 Co., Charleston, South Carolina","Photographed by Brady; Published by E \u0026 H.T. Anthony, New York","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Larkin Gallery, Philadelphia, Pennsylvania","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: George W. Butler, Bath, Maine","Photographer/Photography Studio: George C. White, Boston","Photographer/Photography Studio: A. S. Morse, Nashville, Tennessee","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Published by E. \u0026 H. Anthony, New York, New York","Photographer/Photography Studio: M. J. Powers, Whitehurst Gallery, Washington, DC","Photographer/Photography Studio: McLure, Allen P.","Photographer/Photography Studio: Peplow \u0026 Balch, Memphis, Tennessee","Photographer/Photography Studio: Nollen \u0026 Van Grieken, Keokuk, Iowa","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: D. H. Cole, Washington, D.C.","Photographer/Photography Studio: R. L. Jackson, Lewiston, Maine","Photographer/Photography Studio: Bundy and Williams, New Haven, Connecticut","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: C. G. Carleton, Waterville, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Gilbert's, Philadelphia","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: J. H. Van Stavorn's Metropolitan Gallery, Nashville, Tennessee","Photographer/Photography Studio: Sprague \u0026 Curtis, Lewiston, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Campbell \u0026 Ecker, Louisville, Kentucky","Photographer/Photography Studio: Pierce \u0026 Cogswell, Rochelle, Illinois","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: H. T. McCormick, Martinsburg, West Virginia","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Hall, Lawrence, Massachusetts","Photographer/Photography Studio: Kennedy \u0026 Schenck, Newark, New Jersey","Photographer/Photography Studio: Morell, George Webb","Photographer/Photography Studio: Hall, South Royalton, Vermont","Photographer/Photography Studio: Fredricks \u0026 Co., New Yor","Photographer/Photography Studio: Schwing \u0026 Rudd, Army of the Cumberland","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: G. H. Scripture, Peterboro, New Hampshire","Photographer/Photography Studio: S. W. Sawyer's, Bangor, Maine","Photographer/Photography Studio: E. L. Eaton, Omaha, Nebraska","Photographer/Photography Studio: Brady, New York, NY","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Gurney \u0026 Son, New York","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hagaman, Philadelphia","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: C. J. I. Murray, Myerstown, Pennsylvania","Photographer/Photography Studio: B. F. Reimer, Philadelphia","Photographer/Photography Studio: Hanford, New London, New Hampshire","Photographer/Photography Studio: Webster's Photograph Gallery, Louisville, Kentucky","Photographer/Photography Studio: A. B. Carr, Old Town, Maine","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Miller and Rowell, Boston, Massachusetts","Photographer/Photography Studio:  S. A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: Kerston \u0026 Thompson, New York, New York","Photographer/Photography Studio: William B. Stearns, Bath, Maine","Photographer/Photography Studio: A. C. Fassett, Dexter, Maine","Photographer/Photography Studio: Kertson \u0026 Barker, New York","Photographer/Photography Studio: A. B. Crockett","Photographer/Photography Studio: John A. Heard, Boston, Massachusetts","Photographer/Photography Studio: G. H. Loomis, Boston, Massachusetts","Photographer/Photography Studio: Kimball \u0026 Sons, Concord, New Hampshire","Photographed by A. A. Turner; Published by D. Appleton \u0026 Co., New York, New York","Photographer/Photography Studio: Taylor and Seavey","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: A. Milton Lapham, Decatur, Illinois","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Bowdoin, Taylor, \u0026 Co, Alexandria, Virginia","Photographer/Photography Studio: C. I. Marston, Bangor, Maine","Photographer/Photography Studio: T. R. Burnham, Boston","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: R. P. Layton, Rockford, Illinois","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Haseltine, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Armstead \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: J. Smith, Sr., Lebanon, Pennsylvania","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: B. F. Evans, Norfolk, Virginia","Photographer/Photography Studio: B. McMahon, Mt. Pleasant, Iowa","Photographer/Photography Studio: Brady, Washington, DC","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: A. M. M' Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio:  R. W. Addis, Washington, D.C.","Photographer/Photography Studio: F. McNulty, Springfield, Illinois","Photographer/Photography Studio: R. W. Addis, McClees' Gallery, Washington, D.C.","Photographer/Photography Studio: B. F. Cole of Biddleford, Maine","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. F. Ryder, Cleveland","Photographer/Photography Studio: E. H. McKenny, Biddleford, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Lilienthal and Co., New Orleans, Louisiana","Photographer/Photography Studio: Sprague \u0026 Tapley, Lewiston, Maine","Photographer/Photography Studio: Geo. P. Hall, St. Louis, Missouri","Photographer/Photography Studio: Brady 's National Photographic Portrait Galleries, New York and Washington, D.C.","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Mrs. M. F. Howe, Jamestown , New York, A. J. Stiles, Photographist","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: P. E. Gibbs, Richmond, Virginia","Photographer/Photography Studio: R. W. Addis, Washington, DC","Photographer/Photography Studio: W. L. Bracey, Great Falls, New Hampshire","Photographer/Photography Studio:  J. Gurney \u0026 Son, New York","Photographer/Photography Studio: Lutges, Detroit, Michigan","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Gurney and Son, Broadway, New York","Photographer/Photography Studio: Bell and Brother, Washington, DC","Photographer/Photography Studio: C. S. Sanderson, Lewiston, Maine","Photographer/Photography Studio: Curtis and Crosby, Lewiston, Maine","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio:  B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: George E. Collins; Bucksport, Maine","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Handy, Washington, D.C..","Photographer/Photography Studio: Hoag \u0026 Quicks, Cincinnati, Ohio","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Armstead \u0026 Taylor, Corinth, Mississippi","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: Brady's National Photographic and Portrait Galleries, New York and Washington, D.C.","Photographer/Photography Studio: Porter's, Cincinnati, Ohio","Photographer/Photography Studio: G. N. Granniss, Waterbury, Connecticut","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: S. J. Thompson \u0026 Co., Albany, New York","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: C. A. Stevens, Richmond, Maine","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographed by Brady; Published by E. Anthony, New York, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Hoag \u0026 Quick's, Cincinnati, Ohio","Photographer/Photography Studio: Geo. W. Butler, Bath, Maine","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Rivers', St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: George Rockwood, New York","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Hinds, Portland, Maine","Photographer/Photography Studio: Kimball, Augusta, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. W. Hornbaker, Alexandria, Virginia","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: T. S. Estabrook, Houlton, Maine","Photographer/Photography Studio: Whitehurst, Washington, D.C.","Photographer/Photography Studio: W. F. King","Photographer/Photography Studio: Brady, New York, NY","Photographer/Photography Studio: W. J. Moulton, Elmira, New York","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A.R. Boynton, Sanbornton Bridge, New Hampshire","Photographer/Photography Studio: Davis Brothers, Portsmouth, New Hampshire","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. M. M'Kenney, Portland, Maine","Photographer/Photography Studio: Whipple, Boston, Massachusetts","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: E. Crockett, Rockland, Maine","Photographer/Photography Studio: Burwell \u0026 Homan, New Haven, Connecticut","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: Black and Case, Boston, Massachusetts","Photographer/Photography Studio: Magnolia, Lexington, Kentucky","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: Smith \u0026 Wybrant, Louisville, Kentucky","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Weitfle \u0026 Wright, 1st Division, 6th Corps","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Charles S. Hart, Watertown, New York","Photographer/Photography Studio: F. Gutekunst, Philadelphia","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: Haas \u0026 Peale, Hilton Head, South Carolina","Photographer/Photography Studio: Webster \u0026 Bro., Louisville, Kentucky","Photographer/Photography Studio:  C.H. Smedley \u0026 Co., Middletown, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: T. McMahon, Photographer, Danville, Pennsylvania","Photographer/Photography Studio:  R. A. Lewis, New York","Photographer/Photography Studio: G. Moses \u0026 Co., Quincy, Illinois","Photographer/Photography Studio: G. F. Child, Washington, D.C.","Photographed by Brady's National Portrait Gallery; Published by E. \u0026 H. T. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio:  A. Hesler, Chicago, Illinois","Photographer/Photography Studio: Kimberly Brothers","Photographer/Photography Studio:  J. Carbutt, Chicago, Illinois","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Samuel Masury, Boston","Photographer/Photography Studio: Charles D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Photographed by Brady, Washington, DC","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, Habana, Paris","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographer/Photography Studio:  Helke and Benecke, St. Louis, Missouri","Photographer/Photography Studio: Hopkins, Annapolis, Maryland","Photographer/Photography Studio: J.H. Keim, Lebanon, Pennsylvania","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Churchill \u0026 Dennison, Albany, New York","Photographer/Photography Studio: J. S. Variell, Gardiner, Maine","Photographer/Photography Studio: J. H. Van Stavoren's, Nashville, Tennessee","Photographer/Photography Studio: A. Constant, New Orleans, Louisiana","Photographer/Photography Studio: S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: A. Gould, North Bridgton, Maine","Photographer/Photography Studio: Webster and Bro., Louisville, Kentucky","Photographer/Photography Studio: J. H. Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio: D. L. Heath, Norwalk, Ohio","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: T. F. Saltsman, Nashville, Tennessee","Photographer/Photography Studio: J. M. Peck, Ellsworth, Maine","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: E. Crocket, Rockland, Maine","Photographer/Photography Studio: W. B. Field, Morris, Illinois","Photographer/Photography Studio: J. P. Greenwald, Newark, Ohio","Photographer/Photography Studio: Gorham and Co, Providence, Rhode Island","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Moses \u0026 Piffet, successors to E. Jacobs, New Orleans, Louisiana","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Hinton \u0026 Cleary's, Montgomery, Alabama","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: W. F. Yung","Photographer/Photography Studio: Matthew Brady","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Brown's Gallery, Little Rock, Arkansas","Photographer/Photography Studio: William Brown, Photographer of the Army of Arkansas","Photographer/Photography Studio: Griswold \u0026 White, Corinth, Mississippi","Photographer/Photography Studio: Morse's, Nashville, Tennessee","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: A. B. Davis, Biddleford, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: P. Butler, Springfield, Illinois","Photographer/Photography Studio: Brady, New York","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: Currier, Amesbury, Massachusetts","Photographer/Photography Studio: B. F. Cole, Biddeford, Maine","Photographer/Photography Studio: Cahill, Boston, Massachusetts","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: George H. Wood, Towanda, Pennsylvania","Photographer/Photography Studio: Brady's, New York, New York","Photographer/Photography Studio: S. F. Sterlin, Woodstock, Vermont","Photographer/Photography Studio: George M. Howe, Portland, Maine","Photographer/Photography Studio: A. Hesler, Chicago, Illinois","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: by H. Glosser, Broadway, New York","Photographer/Photography Studio: Turner, Philadelphia","Photographer/Photography Studio: Henry Ulke, Washington, D.C.","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, NY","Photographer/Photography Studio: Brady, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: W. Case, Halifax, Nova Scotia","Photographer/Photography Studio: Bogardus, New York","Photographer/Photography Studio: S. Anderson, New Orleans","Photographer/Photography Studio: Balkan Studio, Wartham, Massachusetts","Photographer/Photography Studio: Jordan \u0026 Co., New York, New York","Photographer/Photography Studio: S. A. Colley, Beaufort, South Carolina","Photographer/Photography Studio: L. V. Newell","Photographer/Photography Studio:  J. W. Black, Boston","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: R. K. McMurray, Winchester, W. Virginia","Photographer/Photography Studio: J. O. Burgan, Yarmouth, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Photographer/Photography Studio: J. Thurlow, Peoria, Illinois","Photographed by Brady; Published by E. Anthony, New York","Photographer/Photography Studio: Brady","Photographer/Photography Studio: Smith, Southbridge","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: Schwing \u0026 Rudd, Photographers Army of the Cumberland","Photographer/Photography Studio: Sam A. Cooley, Beaufort, South Carolina","Photographer/Photography Studio: P. L. Perkins","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Beecher and Grier's Photograph Rooms, West Chester, Pennsylvania","Photographed by Brady, New York, New York; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: Knight, Batavia, New York","Photographer/Photography Studio: Bradley \u0026 Rulofson, San Francisco, California","Photographer/Photography Studio: F. W. Loud, Bowery, New York","Photographer/Photography Studio: G. G. Johnson,  Dubuque, Iowa","Photographer/Photography Studio: Klauber \u0026 Campbell, Louisville, Kentucky","Photographer/Photography Studio: Butler \u0026 Smetters, Springfield, Illinois","Photographer/Photography Studio: Van Stavoren, Nashville, Tennessee","Photographer/Photography Studio:  E. A. Piffet's Gallery of Art, New Orleans, Louisiana","Photographer/Photography Studio: A. M. Burnham, Bangor, Maine","Photographer/Photography Studio: B. W. Hinds, North Vassalboro, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: G. Haslinger in St. Polten","Photographer/Photography Studio: Fassett's Gallery, Chicago, Illinois","Photographer/Photography Studio: F. Gutekunst, Philadelphia, Pennsylvania","Photographer/Photography Studio: Whitney \u0026 Paradise, New York, New York","Photographed by Brady; Published by E. Anthony,  New York, New York","Photographer/Photography Studio: J. C. Elrod's, Louisville, Kentucky","Photographer/Photography Studio: G. H. Houghton, Brattleboro, Vermont","Photographer/Photography Studio: Brady, New York, New York","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: R. Brown's, Waldoboro, Maine","Photographer/Photography Studio: E. A. Pippet's, New Orleans, Louisiana","Photographer/Photography Studio: J. A. Scholten, St. Louis, Missouri","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Lothrop's Ferrotype Gallery, Philadelphia","Photographer/Photography Studio: Bailey \u0026 Silver's, New York, New York","Photographer/Photography Studio: McAdams, Alexandria, Virginia","Photographer/Photography Studio: C. D. Fredricks \u0026 Co., New York, New York","Photographed by Brady; Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Washington Gallery, Vicksburg, Mississippi","Photographer/Photography Studio: W. L. Troxell, St. Louis, Missouri","Photographer/Photography Studio: Wykes \u0026 Brown, Wheeling, West Virginia","Photographer/Photography Studio:  J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: A.C. Lewis, Portland, Maine","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: French \u0026 Sawyer, Keene, New Hampshire","Photographer/Photography Studio: G. W. Rider, Ondawa House, Salem, New York","Photographer/Photography Studio: Anderson \u0026 Turner, New Orleans, Louisiana","Photographer/Photography Studio: Whitney's Gallery, Saint Paul, Minnesota","Photographer/Photography Studio: Marshall, Boston, Massachusetts","Photographer/Photography Studio: Lamson, Portland, Maine","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: Brady, Washington, DC","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: A. E. Alden, Troy, New York","Photographer/Photography Studio: J. E. McClees, Philadelphia, Pennsylvania","Photographer/Photography Studio: Davis Brothers Photograph Rooms, Portsmouth and Exeter, New Hampshire","Photographer/Photography Studio: W. H. Whitehead, Pittsburg, Pennsylvania","Photographer/Photography Studio: Brady","Photographer/Photography Studio: J. E. McClees, Philadelphia","Photographer/Photography Studio: S. Wing's, Boston, Massachusetts","Photographer/Photography Studio: T. M. Schleier's, Nashville, Tennessee","Photographer/Photography Studio: Case and Getchell, Boston","Photographer/Photography Studio: Whipple, Boston","Photographer/Photography Studio: J. B. Hopkins, Lock-Haven, Pennsylvania","Photographer/Photography Studio: C. L. Marston, Bangor, Maine","Photographer/Photography Studio: J. U. P. Burnham, Portland, Maine","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Bell \u0026 Brother, Washington, D.C.","Photographer/Photography Studio: C. A. Paul, Skowhegan, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: R. W. Addis, Washington, D.C.","Photographer/Photography Studio: J. Perry Elliott's City Gallery, Indianapolis, Indiana","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: Keith \u0026 Ross, Machias, Maine","Photographer/Photography Studio: C. S. Sanderson, Dover, New Hampshire","Photographer/Photography Studio: Estabrook's Ferrotypes, New York, New York","Photographer/Photography Studio: J. S. Hendee","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: Bogardus, 363 Broadway, New York","Photographer/Photography Studio: Otto Wagner, 385 Broadway, New York","Photographer/Photography Studio: E. C. Ely, Greenfield, Massachusetts","Photographer/Photography Studio: Johnson's, Washington, D.C.","Photographer/Photography Studio: D. Appleton, and Co., New York","Photographer/Photography Studio: B. F. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: William P. Gaut, Mt. Sterling, Illinois","Photographer/Photography Studio: John H. Pein \u0026 Co., Richmond, Virginia","Published by E \u0026 H. T. Anthony, New York","Photographed by F. Gutekunst, Philadelphia; Published by McAllister \u0026 Brother, Philadelphia","Photographer/Photography Studio: King, Portland, Maine","Photographer/Photography Studio: Lochman's Photographic Gallery, Allentown, Pennsylvania","Photographer/Photography Studio: P. Tenney Gates, Plattsburgh, New York","Photographer/Photography Studio: C. H. Williamson's Brooklyn, New York","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: M. G. Trask, Bangor, Maine","Photographer/Photography Studio: Hallet, New York","Photographer/Photography Studio: Sumner \u0026 Harris Union Gallery, Gen'l Butler's H. Qrs. in the Field","Photographer/Photography Studio: Lomas, Eastport Maine","Photographer/Photography Studio: B. F. Smith, Portland, Maine","Photographer/Photography Studio: S. M. Fassett, Chicago, Illinois","Published by E. \u0026 H. T. Anthony, New York, New York","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: Brady, Washington, D.C.","Photographer/Photography Studio: Downs \u0026 Co., New Orleans, Louisiana","Photographer/Photography Studio: C. Sellers, Keokuk, Iowa","Photographer/Photography Studio: J. A. Sheldon, New Orleans, Louisiana","Photographer/Photography Studio: Mrs. M. A. Cutler, Dixon, Illinois","Photographer/Photography Studio: C. D. Fredricks, New York","Photographer/Photography Studio: Andrew D. Lytle, Baton Rouge, Louisiana","Photographer/Photography Studio: Black, Boston, Massachusetts","Photographer/Photography Studio: Black \u0026 Case, Boston, Massachusetts","Photographer/Photography Studio: J. M. Aiken, Ware, Massachusetts","Lithograph by Murray \u0026 Goodwin, Albany, New York; Published by G. H. Treadwell, New York","Photographer/Photography Studio: Theodore Harris, Louisville, Kentucky","Photographer/Photography Studio: Possibly S. Anderson, New Orleans, Louisiana","Photographer/Photography Studio: R. Wearn, Columbia, South Carolina","Photographer/Photography Studio: Keenan, Philadelphia, Pennsylvania","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: W. R. Phipps, Lexington, Kentucky","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: Rees, Richmond, Virginia","Photographer/Photography Studio: WM. Frank Browne, Artist, P.O. Box 480, Washington, D.C., U.S. Army","Photographer/Photography Studio: William Frank Browne","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: A. B. Farrar's Photographic Rooms, Bangor, Maine","Photographer/Photography Studio: Royan M. Linn","Photographer/Photography Studio: Quimby of Charleston","Photographer/Photography Studio: Maynard \u0026 Willis, Milford, Massachusetts","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: J. H. Keim, Lebanon, Pa.","Photographer/Photography Studio: Charles A. Saylor, Reading, Pennsylvania","Photographer/Photography Studio: J. Daily, Excelsior Gallery, Lebanon, Pennsylvania","Photographer/Photography Studio: John Daily, Lebanon, Pennsylvania","Photographer/Photography Studio: Bowdoin, Taylor \u0026 Co., Alexandria, Virginia","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Mathew Brady","Photographer/Photography Studio: Lupton \u0026 Brown, Winchester, Virginia","Photographer/Photography Studio: Wolff's Gallery, Alexandria, Virginia","Photographer/Photography Studio: Richardson of Lima, Peru","Photographer/Photography Studio: William P. Holt, Concord, New Hampshire","Photographer/Photography Studio: T. H. Smiley's Photographic Gallery, Knoxville, Tennessee","Photographer/Photography Studio: Orcutt's, Cambridge","Photographer/Photography Studio: Victor Piard, Jersey City, New Jersey","Photographer/Photography Studio: Elrod Borthers, Lexington, Kentucky","Photographer/Photography Studio: Hunting's, Belfast, Maine","Photographer/Photography Studio: C. D. Frederick, New York","Photographer/Photography Studio: M. L. Averill, Oldtown, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: William Pierce, Brunswick, Maine","Photographer/Photography Studio: Trask and Lewis, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Whitehurst Gallery, Washington, D.C.","Photographer/Photography Studio: A. C. Lewis, Portland, Maine","Photographer/Photography Studio: H. A. Mills, Camden, Maine","Photographer/Photography Studio: A. M. McKenney, Portland, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Maine","Photographer/Photography Studio: T. R. Burnham, Portland, Maine","Photographer/Photography Studio: Ball \u0026 Thomas, Cincinnati, Ohio","Photographer/Photography Studio: J. Sidney Brown, St. Louis, Missouri","Photographer/Photography Studio: J. C. Price, New Philadelphia, Ohio","Photographer/Photography Studio: Bennett, Alexandria, Virginia","Photographer/Photography Studio: John A. Heard, Tremont Row, Boston, Massachusetts","Photographer/Photography Studio: J. N. Ramsdill, Ballston Spa, New York","Photographer/Photography Studio: Warren, Cambridgeport, Massachusetts","Photographer/Photography Studio: Bundy \u0026 Williams, New Haven, Connecticut","Photographer/Photography Studio: A. N. Blanchard, Barre, Vermont","Photographer/Photography Studio: J. Gurney \u0026 Son, New York","Photographer/Photography Studio: E. M. Vanaken, Lowville, New York","Photographer/Photography Studio: A. Goben, Troy, New York","Photographer/Photography Studio: Frank Winter, Fort Shaw, Montana","Photographer/Photography Studio: Gill's City Gallery, Lancaster, Pennsylvania","Photographer/Photography Studio: Whitehurst, Washington, DC","Photographer/Photography Studio: Wm. J. Tate, New York, NY","Photographer/Photography Studio: Stokes, Trenton, New Jersey","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: Clark, Gardiner, Maine","Photographer/Photography Studio: G. W. Tuttle, Thomaston, Maine","Photographer/Photography Studio: M. F. King","Photographer/Photography Studio: A. M. M. Kenney, Portland, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Curtis \u0026 Cosby, Lewiston, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hunting's Belfast, Maine","Photographer/Photography Studio: Brooks \u0026 Blauvelt, Port Hudson, Louisiana","Photographer/Photography Studio: A. C. Platt, Oberlin, Ohio","Photographer/Photography Studio: W. E. Prall, Knoxville, Tennessee","Photographer/Photography Studio: C. Worms \u0026 Co., New York, New York","Photographer/Photography Studio: John Roth, Freehold, New Jersey","Photographer/Photography Studio: Kerston \u0026 Barker, New York, NY","Photographer/Photography Studio: R. Knecht, Easton, Pennsylvania","Photographer/Photography Studio: Victory Piard, Jersey City, New Jersey","Photographer/Photography Studio: R. S. Jacoby, Stroudsburg, Pennsylvania","Photographer/Photography Studio: Published by G. L. Collins, Paola, Kansas","Photographer/Photography Studio: H. Bitner, Mt. Carroll, Illinois","Photographer/Photography Studio: Ullary \u0026 Perry, Greenville, Ohio","Photographer/Photography Studio: E. Roberts, Cleveland, Ohio","Photographer/Photography Studio: F. B. Zay, Findlay, Ohio","Photographer/Photography Studio: V. B. Massey, Lancaster, Ohio","Photographer/Photography Studio: W. Kasten, Freeport, Illinois","Photographer/Photography Studio: Aldridge \u0026 Merriman, Chicago, Illinois","Photographer/Photography Studio: C. R. Rees \u0026 Bros., Richmond, Virginia","Photographer/Photography Studio: J. W. Black, Boston, Massachusetts","Photographer/Photography Studio: S. Masury, Boston, Massachusetts","Photographer/Photography Studio: W. H. Pope, Brooklyn, New York","Photographer/Photography Studio: E. Klauber, Louisville, Kentucky","Photographer/Photography Studio: E. J. Jacobs, New Orleans","Published by Keystone View Company","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: P. Haas","Photographer: D. P. Barr, Army Photographer, Vicksburg, Miss.","Photographer: French \u0026 Co., Vicksburg, Miss.","Photographer/Photography Studio: Barr \u0026 Young, Army Photographers, Fort Pickering, Memphis, Tennessee","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Moulton \u0026 Larkin, Elmira, New York","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Photographed and Published by B. W. Kilburn, Littleton, New Hampshire","Photographed and Published by Kilburn Brothers, Littleton, New Hampshire","Photographer/Photography Studio: Rollins \u0026 Linn","Published by Keystone View Company","Photographed by Brady \u0026 Co., Washington, D.C.; Published by E. \u0026 H. T. Anthony \u0026 Co.","Photographer/Photography Studio: Alexander Gardner","Photographer/Photography Studio: Alexander Gardner","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., Negative by Brady \u0026 Co., Washington, D.C.","Photographed and Published by Bell \u0026 Bro., Washington, D.C.","Published by E. \u0026 H. T. Anthony \u0026 Co., New York; Negative by Brady \u0026 Co.","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Published by E. \u0026 H. T. Anthony \u0026 Co., American and Foreign Stereoscopic Emporium,  New York, NY","Photographer/Photography Studio: Gardner","Photographer/Photography Studio: Marks, Houston, Texas","Published by E. M. Worth's American Museum; T. Meehan, Manufacturer of Looking-glass \u0026 Picture Frames, 810 Washington St. Boston, Mass","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. B. Crockett, Norway, Main","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: N. R. Rideout, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: F. B. Smith \u0026 Son, Portland, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: J. S. Hendee, Augusta, Maine","Photographer/Photography Studio: A. P. \u0026 F. W. Hardy, Ranger, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: D. K. Jewell, Augusta, Maine","Photographer/Photography Studio: E. S. Dunshee, Rochester, New York","Photographer/Photography Studio: S. W. Sawyer, Bangor, Maine","Photographer/Photography Studio: C. B. Conant, Lewiston, Maine","Photographer/Photography Studio: S. Piper, Manchester, New Hampshire","Photographer/Photography Studio: Starbird, Augusta, Maine","Photographer/Photography Studio: Hoag \u0026 Quick's Art Palace, Cincinnati, Ohio","Painted by Robt. W. Weit; Engraved by Geo. W. Watch"],"odd_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eThe donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. \u003c/p\u003e\n","\u003cp\u003eDonor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).\u003c/p\u003e\n","\u003cp\u003eThese donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eAbout External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eUpon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.\u003c/p\u003e\n","\u003cp\u003ePlease note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). \u003c/p\u003e\n","\u003cp\u003ePlease also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSuggestions for Using the Donation Listing Spreadsheet\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eMaterials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). \u003c/p\u003e\n","\u003cp\u003ePlease note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.\u003c/p\u003e\n","\u003cp\u003eResearchers can use the spreadsheet to explore the collection in many ways, including the following: \u003c/p\u003e\n","\u003cp\u003e- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).\u003c/p\u003e\n","\u003cp\u003e- To identify photographs of women, Black soldiers, and Native American soldiers.\u003c/p\u003e\n","\u003cp\u003e- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.\u003c/p\u003e\n","\u003cp\u003e- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eAbout External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eTranscript files are titled by donor accession number. (See above note titled Alphanumeric Designations).\u003c/p\u003e\n","\u003cp\u003ePlease be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.\u003c/p\u003e","\u003cp\u003eAdditional materials relating to Fitzhugh Lee are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eAdditional materials related to William S. Rosecrans are located in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eA portrait of James M. Tracy (PC1183) is located in Series 2\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.\u003c/p\u003e","\u003cp\u003eThis item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eThese reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional materials related to States Rights Gist are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003eThis photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003ePC1199.0001 and PC1199.0002 are duplicates.\u003c/p\u003e","\u003cp\u003eTintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eAdditional Materials relating to Fitzhugh Lee are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to Abraham Lincoln are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCartes de Visite PC1196.0002 and PC1196.0003 are duplicates.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0342.\u003c/p\u003e","\u003cp\u003ePortrait of Slocum is the same image as PA0371.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eAdditional materials related to E. Kirby Smith are located in Series 3.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThis case contains portraits of the same unknown soldier in both ambrotype and tintype formats.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eLetter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003eAmbrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.\u003c/p\u003e","\u003cp\u003ePT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype PA0435.0002 a duplicate of ambrotype PA0435.0001.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eTintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eThe relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003ePT0182 and PT0183 are similar images.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003eIt is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003ePT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eIt is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003eAll four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0518.1 and PT0518.2 depict the same unknown soldier.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003ePT0625.1 and PT0625.2 each depict the same unknown Union surgeon.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eCarte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003ePhotograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.\u003c/p\u003e","\u003cp\u003eImage was accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eImage was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).\u003c/p\u003e","\u003cp\u003eAccessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThe association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.\u003c/p\u003e","\u003cp\u003eThis photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThis carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.\u003c/p\u003e","\u003cp\u003eThere is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003ePhotographs PC1113 are associated with carte de visite album PC1113.\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eFrom an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003eCarte de visite was originally housed in carte de visite album PC0192.\u003c/p\u003e","\u003cp\u003e34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eAssociated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album\u003c/p\u003e","\u003cp\u003eCarte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Alphanumeric Designations","Important Information about External Documents","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The John L. Nau III Civil War History Collection contains offensive or harmful language and imagery. This includes—but is not limited to—correspondence and diary entries that express racist views; photographs of enslaved people forced into inhumane conditions by enslavers; descriptions of violence and battle experiences; photographs of deceased soldiers; and correspondence containing explicit descriptions of sex. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The donor's accession numbering system has been preserved to maintain access to collection metadata or descriptive information. Each file title in this finding aid includes the donor accession number at the end of the title and each corresponding physical folder or item is also labeled with the donor accession number. ","Donor accession numbers are comprised of letters denoting document or photograph format followed by a four-digit number that denotes the number of the accession. The following examples can be found in the collection: DA0001 (meaning document - autograph), DC0001.001 (document - currency), DL0001 (document - letter), DN0003 (document - newspaper), DOR0001 (document - order), DOT0001 (document - other), DR0002 (document - requisition), PA0184 (photograph - ambrotype), PC0200 (photograph - carte de visite), PD0007 (photograph - daguerreotype), POT0012 (photograph - other), and PT0003 (photograph - tintype).","These donor accession numbers can be used to search the donation listing spreadsheet for corresponding metadata. This spreadsheet is available to download directly from the finding aid below, under External Documents.","About External Document MSS 16459 John L. Nau II Civil War History Collection - Donation Listing (View and Download Below)","Upon accession of the John L. Nau III Civil War History Collection, the donor provided a spreadsheet donation listing containing metadata and sellers' descriptions associated with collection materials. The spreadsheet can be downloaded below, under the External Documents heading.","Please note that many descriptions contained in this spreadsheet are drawn from sellers' language used by dealers and auction houses and contain biased and qualitative descriptions. In addition, many descriptions contain offensive, racist, and archaic language, some quoted directly from collection materials (also see the above Content Warning). ","Please also note there may be some materials listed in the donor spreadsheet that are not present in the collection. The Small Library's finding aid is the definitive listing of materials available to researchers.","Suggestions for Using the Donation Listing Spreadsheet","Materials found in the finding aid can be identified in the spreadsheet using the keyboard shortcut Control + F. If searching for materials discovered in the finding aid, it is recommended to search using donor accession numbers. (For more on this, see the above note on Alphanumeric Designations). ","Please note that the spreadsheet does not contain additional descriptive information for all materials listed in the finding aid.","Researchers can use the spreadsheet to explore the collection in many ways, including the following: ","- To conduct subject-based searches (e.g., regiments, battles, and military functions, and experiences such as sickness).","- To identify photographs of women, Black soldiers, and Native American soldiers.","- To identify correspondence in Series 1 authored by women and contained within personal papers attributed to men. Series 1 contains a significant amount of correspondence written by women to male relatives and friends. An example includes the many letters written by Mary Stanton to her husband Courtland Stanton, which are found with the Courtland Stanton (DL0011) papers. Another example are the letters of Lucy Britton and Martha Britton found with the Britton Family (DL0100) papers.","- To distinguish between duplicate titles and donor accession numbers in Series 1. Secondary collections such as the papers of Amos Garrison (DL0068) and Albert R. Whitney (DL0269) contain duplicate file titles, and descriptions in the spreadsheet may allow researchers to learn more about the exact nature of the materials they contain.","- To distinguish between portraits of unknown subjects in Series 2. Searching for a particular portrait of an unknown subject using the donor accession number may provide researchers with a description of the portrait, including details such as uniform and rank of the subject.","About External Documents MSS 16459 John L. Nau II Civil War History Collection - Transcripts (View and Download Below)","Transcript files are titled by donor accession number. (See above note titled Alphanumeric Designations).","Please be aware that these transcripts may contain mistakes. They are not intended to be a replacement for the original materials or their digital surrogates.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","This item was accessioned as part of PC0876. There is no known connection between this item and the other materials in PC0876.","Additional materials relating to Fitzhugh Lee are located in Series 2 and 3.","This item was accessioned as part of PC1124. There is no known connection between the calling card and other materials in accession PC1124, which are located in Series 2.","Additional materials related to William S. Rosecrans are located in Series 2 and 3.","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","A portrait of James M. Tracy (PC1183) is located in Series 2","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This record was accessioned as part of PT0225, which included photographs of unknown soldiers. There is no known connection between the photographs located in Series 2 and this record.","This item was accessioned as part of PT0159. There is no known connection between this record and the rest of the materials in PT0159.","This item was accessioned as part of PC1029. There is no know connection between this ledger and the other items in PC1029, which are located in Series 2.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","These reunion programs (POT0140.0011-POT0140.0015) were accessioned as part of POT0140, which is otherwise located in Series 2. There is no known connection between these programs and the other materials in this accession.","Carte de Visite PC0171 of Eugene Carr and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Michael Corcoran and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to Napoleon Jackson Tecumseh Dana can be found in Series 1 and Series 3.","Carte de Visite PC0171 of Charles H. Davis and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of William B. Franklin and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de Visite PC0171 of Quincy A. Gillmore and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional materials related to States Rights Gist are located in Series 3.","Carte de Visite PC0171 of A. C. Gorden and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","This photograph, \"Grant and the Union Staff\" is not part of the photographic series owned and annotated by Francis C. Miller (POT0026). However, it was accessioned by the donor as part of this group (POT0026). It appears to be a reproduction of an earlier photograph dating to ca. 1862.","Tintype PC0171 of Cecil H. Hall and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PC1199.0001 and PC1199.0002 are duplicates.","PC1199.0001 and PC1199.0002 are duplicates.","Tintype PC0171 of Samuel P. Heintzelman and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Additional Materials relating to Fitzhugh Lee are located in Series 1 and 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Additional materials related to Abraham Lincoln are located in Series 3.","Carte de visite engraving PC0171 of George G. Meade and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Cartes de Visite PC1196.0002 and PC1196.0003 are duplicates.","Carte de visite PC0171 of Frank W. Renburger and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of William S. Rosecrans and Carte de Visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional records related to William S. Rosecrans are located in Series 1 and 3.","Portrait of Slocum is the same image as PA0342.","Portrait of Slocum is the same image as PA0371.","Carte de visite PC0171 of E. Kirby Smith and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials. Additional materials related to E. Kirby Smith are located in Series 3.","Additional materials related to E. Kirby Smith are located in Series 3.","Carte de visite PC0171 of Edwin Vose Sumner and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph album DOT0135 attributed to James M. Tracy is located in Series 2, Subseries H.","Carte de visite PC0171 of John E. Wool and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","This case contains portraits of the same unknown soldier in both ambrotype and tintype formats.","Letter PA0202.0002 was housed folded inside of cased photograph PA0202.0001.","Letter PA0202.0002 was previously housed folded inside of cased photograph PA0202.0001.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0205.0001 and tintype PA0205.0002 have been kept together, because they depict the same unknown soldier.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","Ambrotype PA0274.0001 and tintype PA0274.0002 depict the same unknown Union Sergeant from the 11th Indiana Infantry.","PT0190 is a single case containing one tintype and one ambrotype, and is arranged with tintypes.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype PA0435.0002 a duplicate of ambrotype PA0435.0001.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","Tintype (POT0113.0001) of unknown Black cavalryman possibly named Jenkins or Jenning) was owned by Randolph Davis, author of correspondence (POT0113.0002). Davis's descendents allege the pictured soldier worked on Davis's farm as a free man.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0136.0001 and note fragments PT0136.0002 is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","The relationship between tintype PT0159.0001 and records PT0159.0002 (relating to Patrick Clark) is unknown.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","PT0182 and PT0183 are similar images.","PT0182 and PT0183 are similar images.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0225.0001, tintype PT0225.0002, and albumen PT0225.0003. They were part of the same accession.","It is unknown if there is any connection between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0297.0001 and cloth cavalry insignia PT0297.0002. They were part of the same accession.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","It is unknown if there is any relationship between tintype PT0322 and the newspaper clipping of Abraham Lincoln PT0322.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","PT0326.0001 and PT0326.0002 are portraits of the same unknown Confederate soldier.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","It is not known if leather writing case PT0431.0002 is the same as the one pictured in photograph PT0431.0001.","All four photographs labeled with the donor accession number PT0489 depict the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","All four photographs labeled with the donor accession number PT0489 are of the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0518.1 and PT0518.2 depict the same unknown soldier.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","PT0625.1 and PT0625.2 each depict the same unknown Union surgeon.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Carte de visite PC0171 of an unknown subject and carte de visite album PC0171 were part of the same donor accession. There is no known relationship between these materials.","Photograph DL0031.0006 was part of donor accession DL0031. There is no known relationship to the other materials in DL0031.","Image was accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Image was originally accessioned by the donor in a group of 5 Albumen prints (POT0101).","Accessioned as part of PC1254, which also includes Louis von Trebra's carte de visite album (32nd Indiana Infantry). There is no known relationship between these materials.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra's carte de visite album and the print publications included in accession PC1254 is unknown. These volumes were accessioned with Louis von Trebra's album and share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","The association between Louis von Trebra and this publication is unknown aside from their being part of the same accession (PC1254). This volume was accessioned with Louis von Trebra's carte de visite album, and the materials share a common connection with the Army of the Cumberland.","This photograph album previously housed portraits PC0105.0002-PC0105.0035, and is associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","This carte de visite was previously housed in album PC0105.0001, along with other photographs associated with the 33rd Illinois Infantry.","There is no known relationship between carte de visite album PC1143 and albumen PC1143 of Ulysses S. Grant. Both were part of the same donor accession PC1143.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","Photographs PC1113 are associated with carte de visite album PC1113.","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","From an album of a member of the Medical Corps of the 50th Massachusetts Infantry Regiment","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","Carte de visite was originally housed in carte de visite album PC0192.","34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album (PC0082) is currently empty but is associated with cartes de visite of the same donor accession number (PC0082).","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Associated with PC0082, 34th Ohio Volunteer Infantry Regiment (\"Piatt's Zouaves\") Carte de Visite Album","Carte de visite album PC0171 was part of donor accession PC0171, which also contains additional, loose photographs. There is no known relationship between the album and these photographs."],"prefercite_html_tesm":["\u003cp\u003eJohn L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["John L. Nau III Civil War History Collection, MSS 16459, box number, [if applicable] folder number, donor accession number, Albert and Shirley Small Special Collections Library, University of Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online \u003cemph render=\"italic\"\u003eCivil War Soldiers and Sailors Database\u003c/emph\u003e (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's \u003cemph render=\"italic\"\u003eConfederate and Southern State Currency\u003c/emph\u003e, vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's \u003cemph render=\"italic\"\u003eCivil War High Commands\u003c/emph\u003e (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).\u003c/p\u003e","\u003cp\u003eEfforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. \u003c/p\u003e","\u003cp\u003eFile titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Nau Collection was processed from October 2021 to March 2023. Because it is an artificial collection with no original order, it was arranged into series to emphasize the provenance of collection materials and to restore materials attributed to or associated with the same individual. Provenance was determined by the archival materials themselves as well as by donor metadata. Additional resources consulted during processing included The National Park Service's online  Civil War Soldiers and Sailors Database  (https://www.nps.gov/civilwar/soldiers-and-sailors-database.htm); Grover C. Criswell and Clarence L. Criswell's  Confederate and Southern State Currency , vol. 1, (Pass-A-Grille, Florida: Criswell's Publications, 1957); John H. Eicher and David J. Eicher's  Civil War High Commands  (Stanford, California: Stanford University Press, 2001); and the Library of Congress's online newspapers database (https://www.loc.gov/newspapers/).","Efforts were made to restore materials to record creators and keep these materials together. However, there are some exceptions, particularly in relation to high-profile historical figures. For example, materials relating to Robert E. Lee and William Tecumseh Sherman can be found in Series 1, 2, and 3. ","File titles have been devised by the archivist and each contains a donor accession number (see note titled Alphanumeric Designations). Wherever possible or applicable, titles attributed to materials by record creators are included. "],"scopecontent_html_tesm":["\u003cp\u003eThe John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. \u003c/p\u003e\n","\u003cp\u003eThe collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). \u003c/p\u003e","\u003cp\u003eSeries 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).\u003c/p\u003e","\u003cp\u003eSeries 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.\u003c/p\u003e","\u003cp\u003eSeries 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.\u003c/p\u003e","\u003cp\u003eSeries 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.\u003c/p\u003e","\u003cp\u003eSeries 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The John L. Nau III Civil War History Collection (1806-1988, bulk 1861-1865; 133 cubic feet) contains Civil War-era correspondence, service records, pension records, artifacts, photographs, military records (including orders, requisitions, and correspondence), currency, newspapers, and other print materials. ","The collection primarily contains the correspondence, records, and photographs of white soldiers and officers who fought in the Civil War, including white officers serving in the United States Colored Troops (USCT). Additionally, the collection includes some correspondence and portraits of white women as well as a small number of portraits of Black soldiers (including PT0322, a family portrait, and a young Ben Brown, PC0836.0001) and Native American soldiers (including Frederick L. Rainbow, PT0424.0001). ","Series 1: Materials Related to the Civil War Experiences of Soldiers, Officers, and Civilians (1806-1988; approx. 83 cubic feet) consists primarily of personal letters and diaries authored by white Civil War soldiers and officers in addition to associated materials such as service records relating to official wartime functions (e.g., government documents, including paroles, furloughs, pay vouchers, discharge certifications, oaths, and pension records); photographs; autographs; personal belongings and realia (e.g., bibles, publications, and uniform buttons); and veterans' memorabilia (e.g. medals, ribbons, and event programs). Series 1 also contains correspondence written by civilians and family members (often women) from the home front, including letters by Varina Davis (1826-1906) and Helen Dortch Longstreet (1863-1962).","Series 2: Photographs and Prints (circa 1848-1939; approx. 34 cubic feet) consists primarily of portrait photographs of white male Civil War soldiers and civilians in addition to some portraits of white women and a small number of portraits of Black soldiers and Native American soldiers.  Also included are documentary photographs of Civil War-related places and scenes. Series 2 photographs are comprised of a variety of nineteenth-century photographic formats, including daguerreotype, ambrotype, tintype, carte de visite, cabinet card, and stereoview. They also include carte de visite photograph albums as well as larger scale formats, including albumen and salt prints.","Series 3: Government Military Records (1855-1913; approx. 9 cubic feet) is comprised of records produced in the United States of America (USA) and the Confederate States of America (CSA) during and related to the administration of the United States Civil War (1861–1865), including a small number of postwar records. Materials include orders, reports, muster rolls, requisitions, correspondence, broadsides, and financial transactions produced by commanding officers acting in their official capacity as leaders of military organizations (e.g., Robert E. Lee, Ulysses S. Grant, Daniel Ruggles, James Longstreet, and Napoleon Jackson Tecumseh Dana). It also includes records created by military units (e.g., companies, battalions, regiments, brigades, and corps) as well bureaucratic military leadership structures of the USA and CSA (e.g., the Quartermaster's Department and the Ordnance Office as well as the various departments, districts, and armies of strategic leadership). Also included are records from leading figures in the executive branches of government in the USA (e.g., President Abraham Lincoln and Secretary of War Edwin Stanton) and CSA (e.g., Jefferson Davis).  \n \nExceptions include a few groupings of personal papers, including the personal papers of John W. Hanscom of the 6th New Hampshire Infantry Regiment.","Series 4: Currency (1839-1875; approx. 1.5 cubic feet) contains currency predominately from the Civil War period (1861-1865) issued by the United States and the Confederate States, including currency notes, fractional currency notes, postage currency notes, postage stamps, bonds, and treasury warrants. In addition, it also contains currency issued by southern states and local governments, southern banks (with the addition of the Farmers and Merchants Bank, Washington, D.C.), and corporate entities based in the south.","Series 5: Newspapers and Print Materials (1846-1913; approx. 5.25 cubic feet) consists primarily of Civil War-era (1861-1865) newspapers in addition to broadsides, periodicals, pamphlets, and books from or relating to the same period."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["The John L. Nau III Civil War History Collection is predominantly in English. A small number of materials are in Spanish, French, Swedish, and German, and this is indicated at the file level."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10302,"online_item_count_is":5,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:31:55.729Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_941_c01_c01"}},{"id":"viu_repositories_3_resources_1482","type":"collection","attributes":{"title":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1482#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1482#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1482","ead_ssi":"viu_repositories_3_resources_1482","_root_":"viu_repositories_3_resources_1482","_nest_parent_":"viu_repositories_3_resources_1482","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1482.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169294","title_filing_ssi":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"unitdate_ssm":["1700-2014"],"unitdate_inclusive_ssm":["1700-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"text":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","Children","Children's art","postcards","Good","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/","This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)","The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","English German French"],"unitid_tesim":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"normalized_title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_ssim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials."],"access_subjects_ssim":["Children","Children's art","postcards"],"access_subjects_ssm":["Children","Children's art","postcards"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"extent_tesim":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"genreform_ssim":["postcards"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eSome restrictions may apply due to fragile condition of paper dolls.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThere are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"bioghist_html_tesm":["\u003cp\u003eJane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.\u003c/p\u003e\n","\u003cp\u003eIn 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72\u003c/p\u003e\n","\u003cp\u003eThe mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.\u003c/p\u003e","\u003cp\u003eMorris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eBilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.\u003c/p\u003e\n","\u003cp\u003eThe Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"\u003c/p\u003e\n","\u003cp\u003eSource: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567\u003c/p\u003e\n","\u003cp\u003eDa'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/"],"odd_html_tesm":["\u003cp\u003eThis material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e"],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23\u003c/p\u003e","\u003cp\u003eSee also Series 4 Addition 58 Photograph album of the Morris Child Development Center\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center"],"scopecontent_html_tesm":["\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","\u003cp\u003eAddition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. \u003c/p\u003e\n","\u003cp\u003eIt also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" \u003c/p\u003e\n","\u003cp\u003eThe German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  \u003c/p\u003e\n","\u003cp\u003eFrancoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. \u003c/p\u003e\n","\u003cp\u003eThe book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.\u003c/p\u003e","\u003cp\u003eIndenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.\u003c/p\u003e\n","\u003cp\u003eThe contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".\u003c/p\u003e","\u003cp\u003eThis addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.\u003c/p\u003e","\u003cp\u003eThis collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.\u003c/p\u003e","\u003cp\u003e1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. \u003c/p\u003e\n","\u003cp\u003eEarlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. \u003c/p\u003e\n","\u003cp\u003eTitles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. \u003c/p\u003e\n","\u003cp\u003eEach pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. \u003c/p\u003e\n","\u003cp\u003eIncluded in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.\u003c/p\u003e","\u003cp\u003eThe resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. \u003c/p\u003e\n","\u003cp\u003eThe sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  \u003c/p\u003e\n","\u003cp\u003eThe following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" \u003c/p\u003e\n","\u003cp\u003eThe verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. \u003c/p\u003e\n","\u003cp\u003eThere are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.\u003c/p\u003e","\u003cp\u003eThis addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. \u003c/p\u003e\n","\u003cp\u003eFolder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026amp; Company patent table tray, and children's knee elastic protectors (to protect clothes)\u003c/p\u003e\n","\u003cp\u003eFolder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.\u003c/p\u003e\n","\u003cp\u003eFolder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.\u003c/p\u003e\n","\u003cp\u003eFolder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"\u003c/p\u003e\n","\u003cp\u003eFolder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"\u003c/p\u003e\n","\u003cp\u003eFolder 6 contains three color wheels \u003c/p\u003e\n","\u003cp\u003eFolder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"\u003c/p\u003e\n","\u003cp\u003eFolder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"\u003c/p\u003e","\u003cp\u003eCompiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. \u003c/p\u003e\n","\u003cp\u003eSeveral font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  \u003c/p\u003e\n","\u003cp\u003eThe diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  \u003c/p\u003e\n","\u003cp\u003eLouisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.\u003c/p\u003e\n","\u003cp\u003eWhile grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.\u003c/p\u003e","\u003cp\u003eAddition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.\u003c/p\u003e","\u003cp\u003eThis addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. \u003c/p\u003e\n","\u003cp\u003eThe friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. \u003c/p\u003e\n","\u003cp\u003e\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. \u003c/p\u003e\n","\u003cp\u003eJennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. \u003c/p\u003e\n","\u003cp\u003eThis includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; \u003c/p\u003e\n","\u003cp\u003e2. Friar Medicine Company ephemera (5 sheets), 1901; \u003c/p\u003e\n","\u003cp\u003e3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; \u003c/p\u003e\n","\u003cp\u003e4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;\u003c/p\u003e\n","\u003cp\u003e5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; \u003c/p\u003e\n","\u003cp\u003e6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; \u003c/p\u003e\n","\u003cp\u003e7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026amp; Bowne, c, 1877; \u003c/p\u003e\n","\u003cp\u003e8.Sheffield, Herman B., \"The baby's record and health,\" 1913; \u003c/p\u003e\n","\u003cp\u003e9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. \u003c/p\u003e\n","\u003cp\u003eThe instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.\u003c/p\u003e","\u003cp\u003eThis addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).\u003c/p\u003e","\u003cp\u003eAddition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  \u003c/p\u003e\n","\u003cp\u003eThe diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  \u003c/p\u003e\n","\u003cp\u003eContemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).\u003c/p\u003e","\u003cp\u003eAddition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.\u003c/p\u003e","\u003cp\u003eThis addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. \u003c/p\u003e\n","\u003cp\u003eThe pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"\u003c/p\u003e","\u003cp\u003eAddition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.\u003c/p\u003e\n","\u003cp\u003eThese include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026amp; Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026amp; responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026amp; Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026amp; daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.\u003c/p\u003e","\u003cp\u003eThis addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. \u003c/p\u003e\n","\u003cp\u003eIt is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  \u003c/p\u003e\n","\u003cp\u003e\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026amp; Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.\u003c/p\u003e\n","\u003cp\u003eThere is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" \u003c/p\u003e\n","\u003cp\u003eThere is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. \u003c/p\u003e\n","\u003cp\u003eAlso included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. \u003c/p\u003e","\u003cp\u003eFlorence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. \u003c/p\u003e\n","\u003cp\u003eOne oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. \u003c/p\u003e\n","\u003cp\u003eThe other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. \u003c/p\u003e\n","\u003cp\u003eThe books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.\u003c/p\u003e","\u003cp\u003eAddition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. \u003c/p\u003e\n","\u003cp\u003eThe outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. \u003c/p\u003e\n","\u003cp\u003eThe material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.\u003c/p\u003e\n","\u003cp\u003e4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). \u003c/p\u003e\n","\u003cp\u003eShearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. \u003c/p\u003e\n","\u003cp\u003eHer commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. \u003c/p\u003e","\u003cp\u003eAdditon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"\u003c/p\u003e","\u003cp\u003eAddition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. \u003c/p\u003e\n","\u003cp\u003eCommonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. \u003c/p\u003e\n","\u003cp\u003eHowever, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. \u003c/p\u003e\n","\u003cp\u003eSeven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"\u003c/p\u003e","\u003cp\u003e\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. \u003c/p\u003e\n","\u003cp\u003eOriginal metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.\u003c/p\u003e","\u003cp\u003eAddition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.\u003c/p\u003e\n","\u003cp\u003e40 posters from the Hope of a Nation Poster Series\u003c/p\u003e\n","\u003cp\u003eFeeding the majority of bottle babies.Mead Johnson \u0026amp; Co. of Canada, Ltd.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. \u003c/p\u003e\n","\u003cp\u003eThere is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").\u003c/p\u003e\n","\u003cp\u003eAfrican Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.\u003c/p\u003e\n","\u003cp\u003eSource:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5\u003c/p\u003e","\u003cp\u003eThis collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.\u003c/p\u003e","\u003cp\u003eAddition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. \u003c/p\u003e\n","\u003cp\u003eTwo of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. \u003c/p\u003e\n","\u003cp\u003eMiles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.\u003c/p\u003e","\u003cp\u003eAddition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026amp; Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"\u003c/p\u003e","\u003cp\u003eAddition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.\u003c/p\u003e","\u003cp\u003eAddition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. \u003c/p\u003e\n","\u003cp\u003e\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.\u003c/p\u003e","\u003cp\u003eAddition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. \u003c/p\u003e\n","\u003cp\u003ePublished in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" \u003c/p\u003e\n","\u003cp\u003e\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"\u003c/p\u003e","\u003cp\u003eThis addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.\u003c/p\u003e","\u003cp\u003eAddition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)\u003c/p\u003e","\u003cp\u003eAddition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.\u003c/p\u003e","\u003cp\u003eAddition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. \u003c/p\u003e\n","\u003cp\u003eTitles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.\u003c/p\u003e\n","\u003cp\u003e\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"\u003c/p\u003e\n","\u003cp\u003ePublished by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026amp; Griffiths, 76 Ninth Avenue\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.\u003c/p\u003e\n","\u003cp\u003eEach segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.\u003c/p\u003e","\u003cp\u003eAddition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e\n","\u003cp\u003eThe photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.\u003c/p\u003e","\u003cp\u003eThis addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.\u003c/p\u003e","\u003cp\u003eAddition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  \u003c/p\u003e\n","\u003cp\u003eContents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026amp; Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.\u003c/p\u003e","\u003cp\u003eAddition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.\u003c/p\u003e\n","\u003cp\u003eSome guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988\u003c/p\u003e","\u003cp\u003eAddition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. \u003c/p\u003e\n","\u003cp\u003eThe signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" \u003c/p\u003e\n","\u003cp\u003eLMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" \u003c/p\u003e\n","\u003cp\u003eSource from LMNOPI's website: lmnopi.com/my-life-matters.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"\u003c/p\u003e\n","\u003cp\u003eUnidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  \u003c/p\u003e\n","\u003cp\u003eCrudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. \u003c/p\u003e\n","\u003cp\u003eA small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026amp; scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026amp; Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"userestrict_html_tesm":["\u003cp\u003eThis collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request."],"names_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"language_ssim":["English German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:25:29.745Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1482","ead_ssi":"viu_repositories_3_resources_1482","_root_":"viu_repositories_3_resources_1482","_nest_parent_":"viu_repositories_3_resources_1482","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1482.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/169294","title_filing_ssi":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"unitdate_ssm":["1700-2014"],"unitdate_inclusive_ssm":["1700-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"text":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","Children","Children's art","postcards","Good","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/","This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. ","See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)","The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families","This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.","Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965","English German French"],"unitid_tesim":["MSS 16758","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1482"],"normalized_title_ssm":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_title_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"collection_ssim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building."],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials."],"access_subjects_ssim":["Children","Children's art","postcards"],"access_subjects_ssm":["Children","Children's art","postcards"],"has_online_content_ssim":["true"],"physdesc_tesim":["Good"],"extent_ssm":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"extent_tesim":["7.5 Cubic Feet 12 document boxes, 2 os boxes and 1 cubic box"],"genreform_ssim":["postcards"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eSome restrictions may apply due to fragile condition of paper dolls.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThis collection is open for research.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e","\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","Some restrictions may apply due to fragile condition of paper dolls.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request. The sketchbook is availble for research.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","This collection is open for research.","This collection is open for research.","This collection is open for research.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use.","The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThere are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are 23 pamphlets associated with this collection but 9 were removed for print cataloging. Rose Oliveira-Abbey: No.1, 3, 4, 5, 10a, 10b, 11a, 11b, and 11c on the invoice cataloged as print. See invoice in Control folder for Invoice/PurchaseOrder for titles.\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\n\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"bioghist_html_tesm":["\u003cp\u003eJane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.\u003c/p\u003e\n","\u003cp\u003eIn 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72\u003c/p\u003e\n","\u003cp\u003eThe mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.\u003c/p\u003e","\u003cp\u003eMorris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e","\u003cp\u003eBilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.\u003c/p\u003e\n","\u003cp\u003eThe Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"\u003c/p\u003e\n","\u003cp\u003eSource: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567\u003c/p\u003e\n","\u003cp\u003eDa'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Jane Elizabeth \"Jennie\" Hoyt-Stevens was born in Concord, Massachusetts to Sewell Hoit (1807-1875) and Hannah Elizabeth Hoyt, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907.She encouraged a younger generation of women in their medical careers, including Mary Runnells Bird, and donated her family home, (\"impressive mansion\"), to the use of the New Hampshire Congregational Conference, reserving \"a small upstairs apartment\" for her own use.","In 1906, she represented the New Hampshire Medical Society as a delegate to the International Medical Congress in Lisbon, and traveled in Spain and North Africa during that trip. She met Gandhi during an extended visit to India, and published writings about her impressions of him in 1931. She adopted a son in Spain, named Abelardo Linares. She died in 1933, in Concord, New Hampshire, at the age of 72","The mathematical fraktur may have belonged to Elizabeth Urban as a gift from her tutor, A. G. Lees in Conestoga Township, Lancaster County, Pennsylvania. Elizabeth Urban was born on July 22, 1795 in Conestoga to George Urban (1740-1843) and Barbara Keagy (1743-1828). Educational frakturs are very rare.","Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","Bilalians is a name used by early African-American Muslims. It refers to Bilal, a former Black enslaved person of Muhammad. Bilal's importance as the first Muslim muezzin, his ardent support for early Islam, and his favored status under Muhammad made him an important symbol of Black honor and dignity, major themes of early African-American Islam.","The Da'wah Institute (DIN) is the research and public enlightenment department of the Islamic Education Trust (IET) which has its headquarters in Minna, and Zonal Coordinators across Nigeria and West Africa. Its mission is to \"strive in the capacity building and empowerment of other Islamic organizations and individuals involved in facilitating the correct understanding of the message of Islam.\"","Source: \nOxford University Press. Oxford Reference. Accessed 7/18/2024\nhttps://www.oxfordreference.com/display/10.1093/oi/authority.20110803095505567","Da'wah Institute of Nigeria Accessed 7/18/2024\nhttps://dawahinstitute.org/dawah-institute-nigeria-din/"],"odd_html_tesm":["\u003cp\u003eThis material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. \u003c/p\u003e"],"odd_heading_ssm":["Content Warning"],"odd_tesim":["This material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials. "],"prefercite_html_tesm":["\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e","\u003cp\u003eMSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 1, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection of the History of Childhood, Parenting, and Family Buiding, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 31, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 59, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 39, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16748, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, Addition 70, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 11, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 40, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 35, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 7, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 12, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25a, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 60, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 51, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 42, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 19, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 36, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 9, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 43, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 63, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 69, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 61, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 13, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 67, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 20, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 33, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 56, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 66, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 41, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 21, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building \nAddition 46, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, the University of Virginia Collection on Childhood, Parenting, and Family Building Addition 15, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 34, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 27, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 25, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 10, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 30, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 2, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 18, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 16, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 17, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 55, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, University of Virginia History of Childhood Collection, Parenting, and Family Building, Addition 4, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 29, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758,  University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 57, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building-Addition 5 African American Nurses and Children photograph at the Ridge Avenue clinic in Philadelphia, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 45, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 62, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 65, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 38, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 24, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 28, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 48, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 49, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 64, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 47, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 68, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758 , The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 71, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 44, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 54, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 37, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 26, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building Addition 14, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 58, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection of the History of Childhood, Parenting, and Family Building Addition 23, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 6, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 22, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 8, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 50, Albert and Shirley Small Special Collections Library, University of Virginia Library.","MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building Addition 32, University of Virginia Library, Albert and Shirley Small Special Collections Library."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23\u003c/p\u003e","\u003cp\u003eSee also Series 4 Addition 58 Photograph album of the Morris Child Development Center\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["See also Series 4 \"A Report of a Conference on Day Care and the Working Mother\" material from the Morris Child Development Center Addition 23","See also Series 4 Addition 58 Photograph album of the Morris Child Development Center"],"scopecontent_html_tesm":["\u003cp\u003eThe University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.\u003c/p\u003e","\u003cp\u003eAddition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. \u003c/p\u003e\n","\u003cp\u003eIt also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" \u003c/p\u003e\n","\u003cp\u003eThe German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  \u003c/p\u003e\n","\u003cp\u003eFrancoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. \u003c/p\u003e\n","\u003cp\u003eThe book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.\u003c/p\u003e","\u003cp\u003eIndenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.\u003c/p\u003e\n","\u003cp\u003eThe contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".\u003c/p\u003e","\u003cp\u003eThis addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.\u003c/p\u003e","\u003cp\u003eThis collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. \u003c/p\u003e\n","\u003cp\u003eWhile the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. \u003c/p\u003e\n","\u003cp\u003eCategories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.\u003c/p\u003e","\u003cp\u003e1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. \u003c/p\u003e\n","\u003cp\u003eEarlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. \u003c/p\u003e\n","\u003cp\u003eTitles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. \u003c/p\u003e\n","\u003cp\u003eEach pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. \u003c/p\u003e\n","\u003cp\u003eIncluded in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.\u003c/p\u003e","\u003cp\u003eThe resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. \u003c/p\u003e\n","\u003cp\u003eThe sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  \u003c/p\u003e\n","\u003cp\u003eThe following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" \u003c/p\u003e\n","\u003cp\u003eThe verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. \u003c/p\u003e\n","\u003cp\u003eThere are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.\u003c/p\u003e","\u003cp\u003eThis addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. \u003c/p\u003e\n","\u003cp\u003eFolder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026amp; Company patent table tray, and children's knee elastic protectors (to protect clothes)\u003c/p\u003e\n","\u003cp\u003eFolder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.\u003c/p\u003e\n","\u003cp\u003eFolder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.\u003c/p\u003e\n","\u003cp\u003eFolder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"\u003c/p\u003e\n","\u003cp\u003eFolder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"\u003c/p\u003e\n","\u003cp\u003eFolder 6 contains three color wheels \u003c/p\u003e\n","\u003cp\u003eFolder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"\u003c/p\u003e\n","\u003cp\u003eFolder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"\u003c/p\u003e","\u003cp\u003eCompiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. \u003c/p\u003e\n","\u003cp\u003eSeveral font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  \u003c/p\u003e\n","\u003cp\u003eThe diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  \u003c/p\u003e\n","\u003cp\u003eLouisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.\u003c/p\u003e\n","\u003cp\u003eWhile grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.\u003c/p\u003e","\u003cp\u003eAddition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.\u003c/p\u003e","\u003cp\u003eThis addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. \u003c/p\u003e\n","\u003cp\u003eThe friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. \u003c/p\u003e\n","\u003cp\u003e\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. \u003c/p\u003e\n","\u003cp\u003eJennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. \u003c/p\u003e\n","\u003cp\u003eThis includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; \u003c/p\u003e\n","\u003cp\u003e2. Friar Medicine Company ephemera (5 sheets), 1901; \u003c/p\u003e\n","\u003cp\u003e3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; \u003c/p\u003e\n","\u003cp\u003e4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;\u003c/p\u003e\n","\u003cp\u003e5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; \u003c/p\u003e\n","\u003cp\u003e6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; \u003c/p\u003e\n","\u003cp\u003e7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026amp; Bowne, c, 1877; \u003c/p\u003e\n","\u003cp\u003e8.Sheffield, Herman B., \"The baby's record and health,\" 1913; \u003c/p\u003e\n","\u003cp\u003e9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. \u003c/p\u003e\n","\u003cp\u003eThe instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.\u003c/p\u003e","\u003cp\u003eThis addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).\u003c/p\u003e","\u003cp\u003eAddition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  \u003c/p\u003e\n","\u003cp\u003eThe diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  \u003c/p\u003e\n","\u003cp\u003eContemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).\u003c/p\u003e","\u003cp\u003eAddition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.\u003c/p\u003e","\u003cp\u003eThis addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. \u003c/p\u003e\n","\u003cp\u003eThe pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"\u003c/p\u003e","\u003cp\u003eAddition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.\u003c/p\u003e\n","\u003cp\u003eThese include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026amp; Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026amp; responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026amp; Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026amp; Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026amp; daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.\u003c/p\u003e","\u003cp\u003eThis addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. \u003c/p\u003e\n","\u003cp\u003eIt is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  \u003c/p\u003e\n","\u003cp\u003e\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026amp; Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.\u003c/p\u003e\n","\u003cp\u003eThere is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" \u003c/p\u003e\n","\u003cp\u003eThere is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. \u003c/p\u003e\n","\u003cp\u003eAlso included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. \u003c/p\u003e","\u003cp\u003eFlorence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. \u003c/p\u003e\n","\u003cp\u003eOne oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. \u003c/p\u003e\n","\u003cp\u003eThe other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. \u003c/p\u003e\n","\u003cp\u003eThe books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.\u003c/p\u003e","\u003cp\u003eAddition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. \u003c/p\u003e\n","\u003cp\u003eThe outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. \u003c/p\u003e\n","\u003cp\u003eThe material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.\u003c/p\u003e\n","\u003cp\u003e4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). \u003c/p\u003e\n","\u003cp\u003eShearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. \u003c/p\u003e\n","\u003cp\u003eHer commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. \u003c/p\u003e","\u003cp\u003eAdditon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"\u003c/p\u003e","\u003cp\u003eAddition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. \u003c/p\u003e\n","\u003cp\u003eCommonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. \u003c/p\u003e\n","\u003cp\u003eHowever, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. \u003c/p\u003e\n","\u003cp\u003eSeven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"\u003c/p\u003e","\u003cp\u003e\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. \u003c/p\u003e\n","\u003cp\u003eOriginal metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.\u003c/p\u003e","\u003cp\u003eAddition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.\u003c/p\u003e\n","\u003cp\u003e40 posters from the Hope of a Nation Poster Series\u003c/p\u003e\n","\u003cp\u003eFeeding the majority of bottle babies.Mead Johnson \u0026amp; Co. of Canada, Ltd.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. \u003c/p\u003e\n","\u003cp\u003eThere is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").\u003c/p\u003e\n","\u003cp\u003eAfrican Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.\u003c/p\u003e\n","\u003cp\u003eSource:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5\u003c/p\u003e","\u003cp\u003eThis collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.\u003c/p\u003e","\u003cp\u003eAddition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. \u003c/p\u003e\n","\u003cp\u003eTwo of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. \u003c/p\u003e\n","\u003cp\u003eMiles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.\u003c/p\u003e","\u003cp\u003eAddition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026amp; Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"\u003c/p\u003e","\u003cp\u003eAddition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.\u003c/p\u003e","\u003cp\u003eAddition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. \u003c/p\u003e\n","\u003cp\u003e\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.\u003c/p\u003e","\u003cp\u003eAddition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. \u003c/p\u003e\n","\u003cp\u003ePublished in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" \u003c/p\u003e\n","\u003cp\u003e\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"\u003c/p\u003e","\u003cp\u003eThis addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.\u003c/p\u003e","\u003cp\u003eAddition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)\u003c/p\u003e","\u003cp\u003eAddition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.\u003c/p\u003e","\u003cp\u003eAddition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. \u003c/p\u003e\n","\u003cp\u003eTitles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.\u003c/p\u003e\n","\u003cp\u003e\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"\u003c/p\u003e\n","\u003cp\u003ePublished by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026amp; Griffiths, 76 Ninth Avenue\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.\u003c/p\u003e\n","\u003cp\u003eEach segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" \u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.\u003c/p\u003e","\u003cp\u003eAddition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.\u003c/p\u003e\n","\u003cp\u003eThe photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.\u003c/p\u003e","\u003cp\u003eThis addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.\u003c/p\u003e","\u003cp\u003eAddition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  \u003c/p\u003e\n","\u003cp\u003eContents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026amp; Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.\u003c/p\u003e","\u003cp\u003eAddition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.\u003c/p\u003e\n","\u003cp\u003eSome guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988\u003c/p\u003e","\u003cp\u003eAddition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. \u003c/p\u003e\n","\u003cp\u003eThe signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" \u003c/p\u003e\n","\u003cp\u003eLMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" \u003c/p\u003e\n","\u003cp\u003eSource from LMNOPI's website: lmnopi.com/my-life-matters.\u003c/p\u003e","\u003cp\u003eThis addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"\u003c/p\u003e\n","\u003cp\u003eUnidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  \u003c/p\u003e\n","\u003cp\u003eCrudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. \u003c/p\u003e\n","\u003cp\u003eA small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"\u003c/p\u003e","\u003cp\u003eThis addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026amp; scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026amp; Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building is an artificial collection and periodic additions are expected.","Addition 53 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one calligraphy manuscript of Hans Rudolf Gujer from Wermatswil, Switzerland. The book contains thirty-seven leaves in landscape format, in various colored inks and watercolor, with some use of gouache. ","It also includes seven large original drawings; one is in pen-and-ink, and six are ink and watercolor; three pages of alphabets; most other pages have three compartments including ornately decorated capital initials, floral, figurative, and abstract ornamental borders and infills throughout; one page with music, and one with micrograph. The last leaf contains a full-page colophon of calligrapher:  \"Von Mir geschriben, Hans Rudolf guier, Zu Wermmet-schweil, 1750,\" with marginal calligraphic addition noting his age at the time of writing, \"mein alter war 20 jahr.\" ","The German texts of the album are religious: biblical quotations, prayers, and other devotional texts. Gujer was a relative of Jacob Gujer, a celebrated \"philosopher farmer.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains one handmade picturebook of hand-colored engraved cutouts. A later inscription on the front pastedown reads, \"Fait par la baronne de Chalancey née Delcey pour as fille Clémence devenue Ctsse d' Esclaibes d'Hurst.\" The book was was created by the Baroness de Chalancey for her little girl Clemence, born in 1797.  ","Francoise Marie Gabrielle Delecey de Changey, who went under the nickname Fanny, was born in 1769 in Langres, Haute-Marne; she married Baron Jean-Francois Bichet de Chalancey in 1791, whose chateau in Chalancey was 30 kilometers from Langres.  Their first child, a boy, died in 1796 at four; a daughter, Clemence, was born the following year.  Fanny lived to age 77, and Clemence survived her mother by 20 years. ","The book starts with la maison, the home, and it shows people, trades, activities, places, architectural details, animals, concepts, fictional characters, and various household people in various activities.","Indenture between Richard Cumming Weeks, the son of a plumber and brazier, to serve as an apprentice shipwright to James King, a shipwright at His Majesty's Dock in Plymouth, England in 1802.","The contract sets out conditions of Weeks' seven-year apprenticeship and his wages of five shillings per quarter to start with and a note signed by James King, increasing his wages to to \"twelve shillings for single time\" and to \"one Pound a quarter for double time\" in 1804  Signed by Richard, his father, and by two Dock officials, with embossed revenue stamps. The indenture measures 40X 33 cm/ 15.75\" X 13\".","This addition 1 of the collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk date between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and instruction manuals given to parents or teachers on child welfare.","This collection includes sixty-six pamphlets, advertisements, correspondence, programs, postcards, ephemera, and literature on children's welfare, including government and charitable programs. ","While the collection spans from the 1830s to the 1960s, the bulk dates are between 1880 and 1925. ","Categories of content include advertisements that used depictions of poor children to sell their products as well as those that promoted children's charities; pro and con literature on child labor; booklets and annual reports on \"Fresh Air\" camps, Ocean parties; ephemera aiming to raise funds as well as documenting events on behalf of children's charities or causes; correspondence related to the welfare of children, and a government child welfare manual that gives instruction to parents or teachers on child welfare, child needs and development.","1st part of MSS 16758. Twenty-three pamphlets about puberty for women. Some are directed toward mothers, while others are created specifically for daughters. Dates range from 1933 to 1981. ","Earlier pamphlets discuss the process through storytelling, while later examples utilize more medical terminology. ","Titles include \"Marjorie May's Twelfth Birthday\" \"Very Personally Yours,\"  and \"Growing Up and Liking It.\" All pamphlets are illustrated; some have calendars others have quizzes. ","Each pamphlet was published by a manufacturer of women's sanitary products:  Holland-Rantos Co., International Cellucotton Products Co., Kotex (Kimberly Clark), Modess, Personal Product Corporation, and TeenForm. ","Included in folder 3 are two Kotex print blocks, used to illustrate their product packaging in marketing materials. This is part of an artificial collection, ie a  collection of materials with different provenance assembled and organized to facilitate its management or use.","The resolution was passed at a public meeting on August 15, 1838. The resolution discusses the establishment of an infant school. It further describes how education benefits children in the whole community by establishing a desire to learn in children. The pamphlet also notes that parents will be free during the day to work when children are in school, showing a shift in the economic role of mothers.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., contains the artworks of two sisters from Maine, Mary A. Hackett (1830-1908) and Nancy F. (1825-1883) Hackett. The works include watercolors, prose, a reward of Merritt, and two cartes de visite of their great-grandfather Hacket and Aunt Mary Hacket. ","The sister's parents were William Hackett (1780-1869) and Lydia Dutch (1793-1898).  Nancy married Nathaniel Thompson. Census records indicate Mary never married and, as an adult, lived with Nancy in Kennebunk, Maine.  Mary attended Union Academy and Nancy attended Limerick Academy.","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains one handmade juvenile manuscript titled The History of Little Fanny. Dated to March 24, 1849, the book features eleven pages of text with a watercolored cover. A set of seven watercolored paper dolls is in the accompanying slipcase, with each corresponding to a section of the written story. The reader can enact the tale throughout the story by changing Fanny's head between the paper costumes to illustrate her progress.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one volume of an anonymous bereavement commonplace book, dated 1856 and 1874. The manuscript consists of ninety-eight pages of writing, with the rest left blank. The manuscript contains writings by three different women. The first (and most extensive) is by an unnamed governess who writes of the loss of a child in her care, Harry. Her spidery handwriting is even and accomplished, and her use of \"thee\" and \"thou\" throughout suggests she may have been a Quaker. For thirty pages, she expresses her heartfelt love for the child and her grief during Harry's decline. She describes her memories of the boy and his siblings and details the boy's last illness, of about six days' duration, and death.  ","The following forty-eight pages include bereavement verses including poetry, both original and copied from published works, segments of stories, and verses from the bible.  within these pages, the Governess left three pages blank; on the first of these blank pages, \"M.E.G.\" [later identified as Mary E. Grote] wrote about the death of her firstborn son, \"Ernie,\" whose father was Ernest William Davis. In the first line of her text, Grote refers to the manuscript itself as \"this choice collection.\" ","The verse then continues in the governess' hand. Until another passage by Mary Grote appears. It is a five-page memorial titled \"To Ernie,\" dated August 30th, 1874. It is possible that Grote's earlier one-page passage may have been written in 1874. Fourteen blank leaves separate Grote's writing to an entirely different hand and content. ","There are five pages of \"Hints For Housewives.\" These undated, unrelated notes seem to be brief views on issues that arise in a household including damp cupboards, flies, roasting meat, buying eggs, mending china, and other domestic matters.","This addition 11 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains publications, metamorphic trading cards, volvelle (color wheels), and posters. Topics include motherhood, instructional materials on children's behaviour, toilet training, adolescent health, soil conservation for children, and a book about the the education for blind children. ","Folder 1 contains folded out (metamorphic) advertisements for children's clothing by Davidson Brothers, Solar Tip Shoes, E. G. Burrows, J. H. Baldwin \u0026 Company patent table tray, and children's knee elastic protectors (to protect clothes)","Folder 2 contains pamphlets \"Training the Baby\" published in 1931, 1952, and 1957.","Folder 3 contains five illustrated posters with instructions for children on cleaning and bathing themselves.","Folder 4 contains pamphlets for expectant mothers on how to care for their infants: \"The Modern Baby\",  \"Quiet, Baby Is Sleeping\", \"the 14 Days that can seem like a lifetime!\", \"Preparing Baby's Formula\", \"Keeping Baby Clean\", \"Modern Evenflo Nursers\"","Folder 5 contains pamphlets from the Lysol Family Library, \"The Scientific Side of Health and Youth\", \"When Baby Comes\", and \"Preventing the Spread of Common Diseases\"","Folder 6 contains three color wheels ","Folder 7 contains a pledge card for teenagers to abstain from alcoholic drinks and a card that outlines safety guidelines \"Code for survival\"","Folder 8 Publications: \"Let's Save Soil with Sam and Sue\", \"For Bigger Boys and Girls\", \"Facts about the Education of Blind Children\", \"Understanding Your Teenager\"","Compiled in 1858, the decorative title page Cahier d'Écriture par Mercier dédié à mes bien-aimés parents, the book features twenty-four calligraphy entries from a teenage student at the Grand-Classe St. Etienne in Saint-Étienne, France. The entries include the author's reflections on friendship, anger, anxieties, family life, hopes, and religious devotion. ","Several font samplers are present throughout the book, as are full-color pencil-sketched illustrations. Illustrations include buildings, animals, people, and urban scenes. The majority of the calligraphy entries are bordered by an elaborate design, either pressed into the paper or drawn by the author herself. ","This addition to MSS 16758,  The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a small pocket diary with ownership signature of \"Louisa J. Pratt, New Paltz Landing, New York to front endpaper with an early 20th-century hand adding to pastedown and endpaper, \"born 1846\" and \"13 years old.\"  ","The diary contains 366 pages in legible hand. It focuses on the many losses she experiences across 1859 and her youthful awakening to the numerous hardships the women around her confront.  From parental loss to poverty to disease to mental health emergencies, the events of Louisa's 13th year were formative, and she turned to her diary as a place for working out private emotions that burdened her.  ","Louisa balances school, friends, and church with an increasing oversight of her home.  More detail is given as the family continues struggling to keep domestic workers, and it is hinted that Mr. Pratt and the members of the church are drawing labor from girls pulled from the sex trade.  Unprepared for the situations they find themselves in, the girls act out, have mental health crises, and ultimately flee which are documented by Louisa.","While grief, loss, and unexpected adulthood shape much of Louisa's year, she also reports the kinds of joys that remind us she is entering her teens.  Her numerous friends, her love for sleigh rides and horseback riding, her appreciation for school and her recitations are cornerstones.","Addition 7 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two circulars promoting the American School Institute and Schermerhorn's School Agency. There is also a tri-fold trade card ad for a White Mountain refrigerator; an advertisement booklet for a carpet called \"Something Under Foot\"  used as a diary by \"Sara\"; and a plaited hair sentiment with a verse from Charlotte A. Lewis which was sent to a girl named Maryann Gilman.","This addition 12 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a friendship album of Jennie Lizzie Hoit (Dr. Jane Elizabeth Hoyt) made between 1866 and 1871 and a Pennsylvania German Mathematical Fraktur made in 1808 for Elizabeth Urban. ","The friendship book belonging to Jennie is small (3 X 5 inches), about 60 pages, and contains compliments and well wishes from her family members and friends. ","\nThe collection also contains a Pennsylvania German Mathematical Fraktur presented to a schoolgirl, most likely Elizabeth Urban. Fraktur is a Germanic tradition of decorated manuscripts and printed documents noted for its use of bold colors and whimsical motifs. The page contains a Multiplication Table and Pence Table, dated September 15, 1808, inscribed \"Miss Urban, I have the honour to be your humble servant,\" signed A.G. Lees, Conestoga Township, Lancaster County. Initials EU appear in the intersecting hearts. The page is decorated with birds and flowers. The student was likely Elizabeth Urban, born on July 22, 1795. The table was probably presented by her tutor or teacher, possibly Alexander Lees, residing in nearby York County from 1779 to 1781, or Abraham Lees, in York County in 1785. ","Jennie was born in Concord, Massachusetts, in 1860 and later changed her last name to Hoyt. She became a doctor, working as a Second Assistant at the New York Infant Asylum, as a physician at both Lasalle Seminary and Pillsbury Hospital, and as an intern at the New England Hospital for Women and Children. Jennie married George Washington Stevens in 1907. ","This addition to MSS 16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia), contains 23 pamphlets on early learning, education, adolescence, growth and development, health, prenatal and Infant care, and parenting.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to women's health, infancy, and childhood. ","This includes \n1. Woman's tried and true friend, Portland, ME: Caulocorea Mfg. Co.,c.1893; ","2. Friar Medicine Company ephemera (5 sheets), 1901; ","3. Taylor, Marion Sayle, \"The seat of love and youth: plain truths for women, c.1927; ","4. Taylor, Marion Sayle, \"Body hygiene for women,\"1928;","5. Williamson, George H.,\"Personal hygiene for women: explaining the new hygiene which is bringing comfort, peace-of-mind and greater health and efficiency to the world of women,\" 1928; ","6. Wells, H.J. (edited and published by),\" Tennessee journal of medical and surgical diseases of women and children, and abstracts of the medical sciences,\"1884; ","7. \" Wasting diseases: their causes, treatment, and cure,\" New York: Scott \u0026 Bowne, c, 1877; ","8.Sheffield, Herman B., \"The baby's record and health,\" 1913; ","9. Olmstead, Allen S., \"This will interest mothers: Mother Gray, the children's friend,\" c.1910.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one notebook kept by S.B. Coulson with notes regarding Friedrich Fröbel teaching approach and use of Fröbel gifts, which include play materials such as balls, cylinders, cubes, and tablets. ","The instructors were \"Miss Doyle,\" \"Miss Symond,\" and \"Mrs. Meleney,\" the latter being Carrie Coit Meleney, a student and later prolific correspondent of Maria Kraus-Boelté (1836-1918), a pioneer of Fröbel education in the United States and author of the textbook, \"The kindergarten guide\" (1877). The notebook also contains diagrams and illustrations depicting configurations of tiles and boxes. Several pages have been torn out of the notebook.","This addition to MSS-16758, History of Childhood, Parenting, and Family Building Collection (University of Virginia),  contains six pieces of advertising ephemera. Included are: 1. Mrs. Prettyman's celebrated breast salve, c. 1866-1895, (3 advertising broadsides); 2. Celluloid starch requires no cooking, a die-cut point-of-sale display card with an attached cardboard stand depicting a baby seated on a pillow holding a paper advertising celluloid starch; 3. Display card for Johnson and Johnson baby powder; and  4. a pamphlet titled Your baby's diet: Heinz strained foods: their uses and nutritional values. (circa 1950s).","Addition 19 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet: \"Tennessee Industrial School for the Benefit of Orphan, Helpless and Wayward Children, Nashville, Tenn.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a travel diary of Frederica King Davis as she traveled through England and France during her 19th year.  The bulk of the diary contains vivid and dense descriptions of her travel route, means of travel, companions, sites visited, and observations on art and culture; toward the end, she meticulously documents her allowance received, her expenditures, and the list of books she aims to read as a result of her trip.  ","The diary offers insight not only into the type of grand tour provided to well-off 19th-century American women but also into the history of tourism, transport, and a history of artistic exhibits and art criticism, women's education in domestic accounts and budgeting, traditions in women's gift-giving and charitable contributions, the history of women's fashion, and the history of friendship and courtship etiquette.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a set of Courtesy posters to color, a Children's Aid Society Donation Circular, and educational game ideas handwritten and compiled on index cards by elementary school teacher Jane Ehrhard. The educational games are housed in two small commercial portfolios produced by Burgess Publishing Company for their line of printed educational games.  ","Contemporary ink signature of Jane Ehrhard on the back of both portfolios.  One red portfolio is printed with the title \"File O' Fun for social recreation,\" with Jane A. Harris listed as the author.  The second portfolio is orange and printed with \"Games for the elementary school grades: playground, gymnasium, classroom,\" by Hazel A. Richardson.  It appears Jane Ehrhard has repurposed the portfolios. Both measure 18 x 12 cm and are bound with an elastic cord.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets and booklets on pre and post-natal advice for expectant mothers in America. They include: 1. Information for expectant mothers, by Frank LeCocq Jr., and Albert Bostrom, Jr. (c.1959); 2. Instructions for expectant mothers (c.1959); 3. While I am waiting, (1960); 4. Mrs Winslows soothing syrup: for children teething, (c.1888); 5. Baby is king,(1890); Baby feeding made easier, (1956) accompanied by two pieces of ephemera \"It's the nipple that makes the nurser, the Davol No.155 Nipple...\" and \"Terminal sterilization of baby's formula; 6. Pre-natal care: what expectant mothers should know, compiled by Obstetrical Department of The Western Montana Clinic (c.1955); 7. Your baby's formula (1953, 1955); 8.How food helps mother and baby, for parents-to-be (1954); 9. Modern methods of preparing baby's formula: practical suggestions by doctors, nurses, hospitals and mothers, (1954); 10. More nearly perfect: when baby needs milk from a bottle (1934); and 11. Prenatal care (1949).","Addition 63 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets about women at work both in and outside the home. These include: 1.\"My busy week,\" Herrmann Hdkf. Co 1949; 2. \"When women work,\"[Washington, D.C.] : Women's Bureau, U.S. Department of Labor, 1921; 3. Trade card \"Armour's mince meat and canned meats, c.1890; and 4. Trade cards:  Two round cards depicting 19th century women and girls doing laundry washing by hand.","This addition (69) to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains fourteen pamphlets on the subjects of family planning, women's reproductive health, contraception, hildhood disease prevention, gender, religion, education, history published between 1892 and 1973. Many of these pamphlets were distributed as promotional materials by insurance or healthcare companies. ","The pamphlets are: \"Speaking of Birth Control\", \"Industrial Gems\", \"Keeping a Healthy Home\",   \"Protecting the Home Against Disease\", \"Giving Babies Nestle's Food\", \"Nestle's Better Babies\", \"Where Shall We Put the Baby?, \"Vanta Baby Garments\"[advertisement],\"Your Baby's Protection\", \"So You Don't Want to be a Sex Object\",\"Johnny Takes A Wife\", \"Baby Speaks Out on This Matter of Toilet Training\", \"The Power of a Woman\", and \"A Woman's Guide to the Methods of Postponing or Preventing Pregnancy\"","Addition 61 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on childhood growth and development and women's health.","These include: 1. Child culture before and after birth: truths of profound significance to parents and prospective parents, with illustrative examples from real life, Chicago: National Purity Association,|c.1895; 2. Caldwell, J.B., Pre-natal influences, Chicago: National Purity Association,c.1900; 3. Getting ready for baby, Bloomfield, New Jersey: Lehn \u0026 Fink, Inc.,1930; 4. Weeks, Mary Hezlep Harmon, How to tell the story of reproduction to very young children, 1910; 5. Mothers' clubs' and teachers' organizations' course of study, Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910 (2 copies); 6.) Wood-Allen, Mary, Great books for child instruction, Cooperstown, N.Y.: Arthur H. Crist Co.,c.1910; 7. Wood-Allen, Mary, Valuable books for parent and child (2 copies), Cooperstown, N.Y.,: Arthur H. Crist Co.,c.1910; 8. Stephens, Elizabeth L., Sacredness \u0026 responsibility of motherhood, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall,c.1910; 9. Stephens, Elizabeth L., Teaching Obedience, Cooperstown, N.Y., Crist, Scott \u0026 Parshall,:,c.1910; 10. King, E.A. The Cigarette and Youth, Cooperstown, N.Y.,: Crist, Scott \u0026 Parshall, c.1910;  10. What shall be taught and who shall teach it? 1907; 11. Mrs. J.H. Kellogg, Work as an element in character building, c.1907; 12. Rev. W.W. Cook, The father as his sons' counselor, 1907; 13.  Mary Wood-Allen, Confidential relations between mothers \u0026 daughters, c.1907,14. Mary Wood-Allen, When does bodily education begin?,1907, 15. P.M. Bruner, The integrity of the sex nature, 1907; 16. Mary Wood-Allen, A friendly letter to boys, 1907; 17. Preg-No-Matic: the scientific calculator that takes the guesswork out of rhythm, Bridgport, CT: Brooklawn-Park Laboratory, 1956-1957; 18. Mel Johnson. Going steady, 1964; 19. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1935; 20. Natural birth control: sane, safe and legal method advocated by Dr. Ogino, Dr. Knaus, and other prominent scientists, 1939; 21.What every woman wants to know about personal hygiene; Cincinnati, Ohio: Hydrosal Laboratories,1926; 22. Marvel syringe: Whirling Spray for women, c.1900; 23. Healthy happy womanhood: a pamphlet for girls and young women, Springfield, IL: Illinois Dept. of Public Health, Division of Communicable Diseases, c.1938; 24.Sol Gordon, Ten heavy facts about sex that your friends don't know, illustrated by Roger Conant, 1971; 25. Charles A. Clinton, M.D, Sex behavior in marriage, undated, and 26.  M. Sayle Taylor, Ph. D., What's wrong with marriage?,1932.","This addition 13 (ViU-2023-0134)of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the teaching archive of Mrs. Florence Tuttle Baldwin of North Haven, Connecticut (Boxes 3-7). Florence was born in 1854, married in 1881, and died in 1926. She spent her career at the Sixth District School in New Haven, Connecticut. ","It is a large addition containing her teaching materials including her ruler (signed by her), book catalogs, lesson plans and educational books from map making to mathematics, grade book, periodicals, manuscripts poems and letters, art work, needlepoint, phonetical drill cards, flash cards, educational games, and family planning from 1899 to 1905.  ","\nIn addition to Baldwin's teaching materials, other materials include a drawing book entitled \"Our Chat\" with stories by Ella Smith and Audrey, Yvonne \u0026 Clifford Evans; publications on vertical writing (handwriting), \"Talks and Tales\"; and five England-published pamphlets from the 1950s discussing family planning practices and contraception. Titles include \"Modern Family Planning,\" \"A Planned Family,\" \"Planning a Family,\" \"The Planning of a Family\", and a Lloyd's Family Planning Centre pamphlet.","There is a 1934 New York-published pamphlet that discusses Zonite as a family medicine and feminine hygiene products. Titles include \"Another Zonite Product for Intimate Feminine Hygiene;\" \"Facts for Women;\" and \"The real meaning of Antiseptic in everyday family life.\" ","There is a flyer entitled \"Please Give A Quarter\" which promotes the Salvation Army's Fresh Air Camps published circa 1900. ","Also included is a dating book belonging to a young girl titled \"My Him Book\" which has categories of \"High School Hims,\" \"College Hims,\" \"Home Hims,\" and \"Movie Hims\" about her romantic interests, and denotes William Purdy as the \"best of all my beaus\" under the \"Wedding Hims\" section. ","Florence Eleanor Paget (1887-1965) was a professional nature illustrator and artist from England who studied under George Vernon Stokes, a British wildlife and landscape artist. She made these books when she was a young woman, roughly between 1900 and 1910. ","One oblong linen book is labeled \"Sketches\" in pencil on the rear cover, and the owner's signature is on the pastedown in the front of the book. Paget likely drew in the \"Sketches\" book when she was twelve or thirteen. The book has forty drawings in pencil and watercolors. The subjects include landscapes like Redcar Pier, Saltburn Cliffs, Kew Gardens, Etal Church, and Etal Castle, as well as many sketches of her dogs, observations of people, fruit, and fauna. Some drawings have captions that identify the place or provide a funny caption. ","The other is an oblong publisher's cloth binding in green with \"Flora\" stamped in gilt. The book  was likely created five to ten years after the \"Sketches\" book. Dried flowers and plants are artfully pasted down and numbered. She wrote the binomial names in cursive, opposite of the pasted-down plants. There are a total of six total entries. ","The books are mainly written in English, except for one sketch with a caption in French and the Flora books with scientific names in Latin.","Addition 20 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a Salvation Army \"Help the Children\" flyer from June of 1903 sent to raise funds for an outing for poor children in Columbus, Ohio. ","The outing was meant to \"bring some brightness, cheer and comfort into the lives of the poor children of the slums and crowded tenement districts.\" The plea was written by John M. Richards, Adjutant, and the flyer has a cartoon illustration of a children's parade as a decorative border. On the verso of the flyer is a letter written in German written by a woman from Columbus,  dated September 13, 1904.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building,  features one string-bound scrapbook with pasted photographs of dolls collected by Helen E. Perkins. Compiled between 1909 and 1939 by Perkins and Miss Frances Grier, the scrapbook features sixty-nine pasted photographs of dolls of varying origins. Each entry includes the doll's name, a number, their height, manufacturer, material, and place of origin. Nations that have dolls represented in Perkins's album include China, Denmark, Finland, France, Germany, Greece, Guatemala, Holland, Ireland, Mexico, Morocco, Portugal, Russia, and Sweden. ","The material culture of childhood aspect to this scrapbook gives  insight into the importance playing with these dolls to the two girls.  In several of the photos, they've created scenes with the dolls, even  placing them all on the stairs for a \"family portrait.\" ","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains three pamphlets: 1.) Natural Science Camp (Keuka Lake), 1905; 2.) Boy Conservation Bureau (New York, N.Y.) [1930]; and 3.) Teenage gangs, New York City Youth Board, 1957.","4 items were cataloged separately in the print collection: 1.) Playskool Toys, 1956; 2.) J.L. Hammett Company, School Supplies 1928-1929; 3.) The First Public Policy Seminar from a Black Perspective, 1972; and 4.)Stylish Apparel for Expectant Mothers Spring and Summer, 1920.","This addition to MSS 16758, UVA History of Childhood, Parenting, and Family Building contains six pamphlets and one poster related generally to child care. Titles included are 1. \"Trimble Helps For Mothers,\" 1940; 2. \"Narcotics and the Family,\"c.1970; 3.\"What your neighbors say: dream book compliments of World's Dispensary Medical Association, c.1910s; 4.\"How to take care of the baby: treatise on the care and feeding of infants,\" 1905; 5. \"Your Baby,\" 1942; 6. \"Baby Feeding Without Tears,\"c.1940s and 7.\"Correct posture guide,\" c.1955.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a commonplace book belonging to Ethel Shearer (1893-1952). ","Shearer was a prominent artist in the mid-twentieth century San Francisco scene, being one of the featured artists at the opening of the San Francisco Museum of Art and Oakland Art Gallery. She was a member of the Society of Francisco Women Artists. ","Her commonplace book was compiled when Shearer was between thirteen and seventeen years old between 1906 and 1910. The book includes invitations and greeting cards from Ethel's friends, newspaper clippings, clippings from various other media, Ethel's own handwritten entries, and pasted photographs. Drawings from Shearer are present throughout, calling to her future career as an artist. ","Additon 21 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets relating to childhood education and parenting. \"The Nursery Chair\" was distributed by Shepard, Norwell, and Co., Winter Street, Boston, and advertises various department store goods following a short story. \"Bradley's Kindergarten Material and School Aids\", published in 1906, advertises tools for learning shapes and colors, instruments for art, mathematical instruments, and standard inks, leads, etc. \"Food-The Teeth and Health\" discusses the ideal diet of a young person, published in 1930 by the City of New York Department of Health and Board of Education.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains leaflets issued by American motherhood magazine from 1907. They are: \"The Ideal Mother\" and \" Confidential Relationships between Mothers and Daughters.\"","Addition 15 of MSS 16758,  the University of Virginia Collection on Childhood, Parenting, and Family Building, contains twenty-five nursery rhyme handkerchiefs. ","Commonly tucked into story books, these were popular children's mementos between the 1910s and the 1960s. Most handkerchiefs are illustrated in full color and have sewn and colored borders. ","However, six of the earliest editions are printed in black and white or sepia with raw edges.Most examples have sewn and colored borders, besides the earliest examples featuring raw, uncolored trim. ","Seven color designs are by British children's illustrator Mabel Lucie Attwell; others are unattributed.  Stories depicted by Atwell include \"Little Miss Muffet,\" \"Ding-Dong Bell,\" \"Jack and Jill,\" \"Little Bo-Peep,\" \"Hush-A-Bye-Baby,\" \"Little Boy Blue,\" and \"Dickory Dickory Dock.\"","\"Going steady\" / by Daniel A. Lord;\nTonsils and adenoids: is your child handicapped?;\nGood habits for children /|cMetropolitan Life Insurance Company ; [prepared with the cooperation and advice of the National Committee for Mental Hygiene];\nHearing, Metropolitan Life Insurance Company;\nCommon childhood diseases, New York: Metropolitan Life Insurance Company,c[1946];\nMrs. Winslow's diet instruction book for the baby. New York: Anglo-American Drug Company|c[1922];\nCollection of Bank Street Publications pamphlets on early childhood education (35 pamphlets);\nKeeping the well baby well.Washington:U.S. G.P.O.,c. 1927;\nOut of babyhood into childhood: 1 to 6 years. Washington:U.S. G.P.O.,c. 1943;\nWhen your child's in the teens /by Edwina A. Cowan;\nYour child grows up,|cby Edgar A. Doll.[Boston],|b[John Hancock mutual life insurance Company],|1939;\nBetween two years and six / by Richard M. Smith; Boston : John Hancock Mutual Life Insurance Co., 1941.\nThe healthy school child.Boston, Massachusetts : Life Conservation Service of the John Hancock Mutual Life Insurance Company, [1940];\nCount down to discovery!--3- 2- 1-year olds : child development, unit 2 / Alice T. Teddlie. Baton Rouge : LSU Cooperative Extension Service, 1972;\nDiscover the wonderful world of 4 and 5 year-olds. Baton Rouge, La.: Louisiana State University Agricultural and Mechanical College, Cooperative Extension Service,| c[1976];\nThe Student advocate, New York: American Student Union,c1936-1938;\nA doctor talks to 5-to-8 year-olds /|cby Dona Z. Meilach in consultation with Elias Mandel; Chicag :Budlong Press Co.,c1967;\nThe care of the baby: prepared by a committee of the American Association for the Study and Prevention of Infant Mortality and presented to the Association at its annual meeting held in Washington D.C., November 14-17, 1913;\nYour child from one to six / U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, Washington, D.C : U.S. Department of Health, Education and Welfare. Social Security Administration. Children's Bureau, 1945;\nYour child from 6 to 12, written by Mrs. Marion L. Faegre, Washington, D.C. :| Federal Security Agency, Social Security Administration, Children's Bureau,c1949.","This addition to MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a 9.5\" x 6.5\" wooden puzzle with a  wooden frame and a glass window titled the Silver Bullet: Or the Road to Berlin. ","Original metal ball and elements intact. Directions on the verso of the game.  British dexterity puzzle for a juvenile audience, made of wood and glass. The game's object is maneuvering a metal ball through a winding course, avoiding holes, to the Berlin area. Although the topography of the play suggests the trenches of the Western Front, at the time of the game's creation, the troops had not \"dug in.\" The title, Silver Bullet, suggests a quick victory and supports the view that the British public believed the war would be over by Christmas 1914.","Addition 25 of MSS 16758 The University of Virginia Collection on the History of Childhood, Parenting, and Family Building contains twenty-five printed ephemera, including pamphlets and advertising on topics include parenting, child development, sex education, public health, and care of pregnant inmates.","40 posters from the Hope of a Nation Poster Series","Feeding the majority of bottle babies.Mead Johnson \u0026 Co. of Canada, Ltd.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains two items relating to scouting. The first is a broadside printing of the ten Girl Scout laws set among art nouveau illustrations from the 1930s. The second is a photo album compiled by a boy at Kerrville, Texas, with images of playing in the streets, swimming in the Guadalupe River, playing baseball, hiking, marching, and being at a local Boy Scout camp. The black cloth photo album contains fifty-two black and white photos, measuring 10 x 7 cm, with a caption on the album leaves. ","There is a  photograph of an African American man. (Caption reads, \"Uncle Allen\").","African Americans were often referred to as Uncle or Aunt even though they were not a family relative.They were denied use of courtesy titles.\"Aunt,\" as in \"Aunt Jemima,\" was the term used for older enslaved women in the South who were not allowed by their white owners to use the term Mrs or Miss. The same was true for Uncle, as in Uncle Ben's Converted Rice. Uncle was used for older enslaved men because they were not allowed by their white owners to use the term Mr. The African American in this photograph is referred to as \"Uncle Allen.\" It is important to recognize the use of these terms and confront the racism that is embedded in these white cultural terms.","Source:\nGreen, Mark. Do You Know Why Aunt Jemima is Called \"Aunt?\"\nWhy is Aunt Jemima racist? Here's exactly why. And I do mean exactly.\" Medium. Human Stories and Ideas. Acessed 7/17/2024.\nhttps://remakingmanhood.medium.com/do-you-know-why-aunt-jemima-is-called-aunt-5d111b0765a5","This collection consists of a handmade notebook titled Punctuation Party by Melba Tice. The book presents punctuations as characters with rhymes and cutouts from 19th-century editions of Alice in Wonderland and Through the Looking Glass, as well as contemporary advertisements, explaining punctuation rules. Some punctuation characters are not from Carroll, and their descriptions illustrate cultural viewpoints of the time period, including a racist depiction of a \"mammy' figure and a Clorinda Colon\" as an old maid figure.","Addition 2 of MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven hand-painted postcards presumably created by Elisabeth, the sender. The postcards, drawn in black ink, depict children playing outside: a child pushing another child's sled; two children talking under a tree in spring/summer; two children playing with a balloon; a girl having a picnic with a bunny; one older and one younger girl in the snow; an older girl on a swing; and a girl on a dock by a body of water. ","Two of the postcards have written messages and are addressed to Miss Henebry and Miss Camilla Cole. The cards are postmarked Mount Kisco, NY, July 14 and 15, 1922. Both are sent in the care of Graham Miles of Alexandria Bay, New York. ","Miles was a stockbroker and hydroplane racer. He married and divorced Louise Clover Boldt, the daughter of George and Louise Boldt, wealthy Philadelphians and owners of the Boldt Castle in the Thousand Islands. Miles and Boldt had a daughter, Clover Wotherspoon Miles, but Miles's connection to Elisabeth or the other children named is unclear.","Addition 18 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 7 pieces of pamphlets/ or ephemera. \"What every teenager ought to know\" by Abigail Van Buren; T\"urn this page and do as this little man does\" by Colgate \u0026 Co; \"Ways to keep well and happy: booklet for upper elementary grades \"by Ruth Strang; \"Keeping fit\" by the State Board of Health, Bureau of Venereal Disease, North Dakota; \"Family meals at low cost using donated foods\" by the US Dept. of Agriculture; \"The gas cook book for young people\"by Athens Store Works, Inc., Athens, Tennessee; and \"The picture and rhyme book.\"","Addition 16 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three advertising pamphlets that pertain to parents purchasing products for their children. \"The Tinies that Live in a Tube\" advertises toothpaste, \"Flibitty Jibblit\" advertises rennet powder, and \"The New Boss in the House\" promotes the Pittsburgh District Dairy Council. Each uses imagery of children and parents utilizing the respective product.","Addition 17 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains three pamphlets: \"The Science of Prenatal Astrology\" by Edwin S. McKeever; \"The Space Child's Mother Goose\" verses by Frederick Winsor and illustrations by Marian Parry. The third item is a pamphlet titled,\"Reducing the new common sense way\" about the Kryon method of reducing weight by Continental Pharmaceutical Corp. ","\"The Space Child's Mother Goose\" is a personal copy owned by Arthur Schulman, an Associate Professor of Psychology at the University of Virginia and one of the organizers of the American Civil Liberties Union in Charlottesville. ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains seven signs used to warn the public about the spread of contagious diseases and institute quarantine for diseases like smallpox, measles, polio, and diphtheria.","Addition 4 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the American History Hektograph Posters. These are twelve individual monochrome printed poster sheets, measuring 12 X 9 inches,  featuring historical instances in American history. ","Published in 1926 by Beckley-Cardy Company, each scene is intended to be colored, likely by a child. Each scene features suggested coloring methods, a title for the event, and a brief synopsis of the instance below. Scenes are typical origin stories, colonizers, and dominant white narratives and are examples of the narratives taught in classrooms circa 1926. The scenes are numbered 1 through 12, with each respective number placed in the center under the title. Events depicted: 1 - \"Landing of Columbus,\" 2 - \"The Mayflower at Cape Cod,\" 3 - \"The Pilgrims Planting Corn,\" 4 - \"The First Thanksgiving,\" 5 - \"George Washington's Early Home,\" 6 - \"Signing of the Declaration of Independence,\" 7 - \"Washington as President,\" 8 - \"Lincoln Studying by Firelight,\" 9 - \"Lincoln Writing His Inaugural Address,\" 10 - \"The Gettysburg Address,\" 11 - \"Grant Made Commander In Chief,\"  and 12 - \"Digging the Panama Canal.\" ","\"Red Man\" and a Native American \"wearing his bright [British] red coat with great pride\" suggests the presence of reparative content. \"","This addition to  MSS 16758, the University of Virginia Collection on the History of Childhood, Parenting, and Family Building collection, contains one brad-bound scrapbook with a \"HYGIENE\" stencil cut from the paper on its cover. The content discusses healthy living practices for young girls. Entries feature drawings, pasted images, newspaper articles and clippings, handwritten queries on health, and ideas on diet and grooming practices. There are 49 \"chapters,\" each no longer than two pages. The corresponding pages for each chapter are presented in a table of contents at the beginning of the book.","Addition 57 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets related to teenagers, parenting, and sex education. These include: 1.) The school lunch, Battle Creek, Michigan:|bEducational Department, Postum Company, Inc., (1928); 2.) Sex in life: young men, by Dr. Douglas White (1933); Sex in life: young women, by Violet D. Swaisland (1933); 3.) What parents should tell their children (1933);  4.) Starting to school in Kingsport, Kingsport, Tennessee, Kingsport City Schools (1953), 5.) How life goes on and on:  story for girls of high school age, y Thurman B. Rice (1937); 6.) When children ask about sex, by the staff of the Child Study Association of America. Foreword by Marianne Kris (1953);  7.) Woman against myth, by Betty Millard (1948); 8.) The teacher and mental health [prepared by the National Institute of Mental Health] (1955); 9.)The safety zone:|ba frank talk with women concerning their personal problems (1940), 10.)Teen-agers and parties, Ernest F. Miller (1960), 11.) Tips for teeners  by Antoinette Donnelly (c.1950); 12.) Think straight before you date, D.F. Miller. (1959); and 13) Teen-agers and dope, Howard Morin, C.SS.R. (1957)","Addition 5 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single press photograph from the children's clinic at the ridge avenue dispensary in Philadelphia in the 1930s.  The photograph is a group photograph of Black nurses and children in a clinical setting. A typed caption is affixed to the top right edge of the picture. No photographer or studio is noted.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a pamphlet titled Strong bodies sound minds: some health hints for the school-day years (c.1930).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets on public health topics including syphilis and sex education. These include: 1. Management of syphilis in general practice, Joseph Earle Moore, in collaboration with: Harold N. Cole [and others], 1938; 2. Genitoinfectious disease control in Massachusetts, prepared by The Massachusetts Department of Public Health co-operating with the United States Public Health Service, 1940; 3. The diagnosis of syphilis by the general practitioner by Joseph Earle Moore, M.D., 1938; 4. Syphilis in mother and child,by Harold N. Cole and Philip C. Jeans, in collaboration with Joseph Earle Moore ... [et al.], 1940; 5.Your baby and the blood test law, Ernest B. Howard, M.D., c.1939; 6.Clinical excerpts, 1942; 7. Sex education for the preschool child by Harold E. Jones and Katherine Read, 1941; 8. Sex education for the ten year old /|cby M. Marjorie Bolles, 1941; 9. Sex education for the adolescent. by George W. Corner and Carney Landis, 1941; and 10. Sex education for the woman at menopause by Carl G. Hartman, 1941.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains the publication of an educational booklet titled \"The Story of Sex Hormones,\" produced by the Schering Corporation, an American pharmaceutical company. The pamphlet was distributed at the Hall of Science at the Golden Gate International Exposition at an informative display called \"Hormone Woman.\" It briefly outlines recent advances in endocrinology and offers illustrated explanations of menstrual cycles and sex hormones, as well as a short description of menopause.19 cm","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a sample book titled \"Kiddie flowers\" consisting of eight mounted samples of floral fabric potentially for children's clothing.","Addition 24 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet for the Davis Home for Colored Children 34th Anniversary located in in Pittsburgh. This promotional booklet is for the  \"34th Anniversary\" of the Davis Home, a temporary home and day nursery for African-American children. Also of note in the booklet are advertisements for what are likely Black businesses that supported the home. \n \n   Note says, \"This book is dedicated to my mother, Mrs. Fannie Louis Davis, who was the founder of the Davis Temporary Home and Day Nursery in 1907, and organizer of the Colored Women's Relief Association of Western Pennsylvania in 1909. To my wife, Mrs Louise Scott Davis, President of the Davis Home for Colored Children, who has been loyal and faithful in giving her life toward the advancement of this home. To my friends, who have contributed to this Home in any way they could. Finley T. Davis, Business Manager.\"","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. The sketchbook, a string-tied leatherette album, documents a young boy's self-guided attempts to develop cartooning skills. Cut-out tutorials from Frank Webb's \"How to Make Faces\" are mounted on the album's early pages, with attempts in pencil to follow their instructions. Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one pamphlet titled \"Growing Up in the World Today: for Boys and Girls in the Teens\" by Emily V. Clapp.(1946)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains pamphlets for parents and teachers about puberty and sex education. ","Titles include 1. \"Sex Behavior and sex interest in Children,\" by Louise Bates Ames (1952); 2. \"When children ask about sex,\" by the staff of the Child Study Association of America, Sidonie M. Gruenberg [and others] Anna W.M. Wolf, editor, (1946); 3. \"Preparation for puberty: a sex education manual for parents and teachers,\" written by Mrs. Linda K. Teller, illustrated by Mrs. Dorothy Teeters (1965); and 4. \"Sex education in the home,\" Georgia Department of Public Health, (c.1950).","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a chart of hormone interrelation upon which the film \"The physiology of normal menstruation\" is based. Printed in green and black, full color chart. 1 sheet folded to 8 unumbered pages. 23x62 cm folder to 23x16 text.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains  a set of twelve offprints titled \"Your baby at [1-12] months.\" There are twelve pamphlets, one for each month of a baby's first year of life. Reprinted from Baby Talk, published by the Parenting Group, New York, N.Y.Author: Beulah Sanford France (1891)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a spiral-bound sketchbook belonging to an unnamed art student, most likely living in New York City. Page one of the sketchbook details the student's assignment: \"DUE - 300 by June 2nd, Marked Chronologically.\" Traces of what may be an owner's name and grades of \"B\" and \"B+\" are written on the cover. Each sketch is numbered in pencil and is stamped between March and June 1952. The sketchbook's seventy leaves have drawings only on the recto. Drawings are completed in pencil, ink, and crayon.  This student's sketches are primarily figure studies of those in transit on the subway. Other scenes include a roller derby skater, pin-up figure, river traffic with a bridge, a parked car, a cat, and exotic animals.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a handmade fundraising appeal concertina album to the artist Oskar Kokoschka. The book was created by design students at the Modeschule der Stadt Wien (Fashion School of Vienna). In 1946, the school relocated to Schloss Hetzendorf, an eighteenth-century palace that sustained significant damage during the Second World War.Students were pressed to raise money for their art supplies amid the renovations. This fundraising appeal was addressed to exiled Austrian artist Oskar Kokoschka, known for his contributions to expressionism. The album contains hand-cut stencil letters, hand-colored illustrations, and collages of paper, felt, yarn, tin foil, leather, and chipboard. The book reads: \"Dear O.K. [Oscar Kokoschka] / if we would have brushes and colours to paint / coloured paper for handykraft / wools to weave / leather for gloves and bags / felt for millinery/magazines to get suggestions / spezial [sic] books for library/material for dressmaking / then all would be OK. Photographs of the students at rest and at work sewing, trimming, painting, weaving, and drawing are pasted on the verso of each collage. Kokoschka fled Vienna, Austria under the Nazi regime and never returned. It is unknown whether he responded to this appeal from the Modeschule students.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a booklet titled Your Child's Development - Infant to 16 years.","\"This booklet is based on recent studies at the Gesell Institute. Dr. Arnold Gesell, the Institute's research consultant and a household word to parents, founded the Yale Clinic of Child Development, which he directed for 37 years. Today, Dr. Gesell and his collaborators, Dr. Frances L. Ilg, a pediatrician, and Dr. Louise Bates Ames, a psychologist, carry on the pioneer work of the institute.\"","Published by Good Reading Rack Service, Inc., a division of Geffe, Morton \u0026 Griffiths, 76 Ninth Avenue","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains an  original calligraphic manuscript of thirty variously colored linocuts, each by a different girl from a class at St. Helen's Norwood, London. Each linocut has the student's name below in ink. The contents are handwritten verses of Benedicte Omnia Opera. The title page notes, \"Lettered, illustrated and bound by all the members of IVA.\" The endpapers are also original handpainted images of angels. Bound in original black cloth at the school by L. Hardy, D. Lines, and J. Scarth.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a single pamphlet titled \"Doors to Open\" by Ellis Gladwin and Rama Braggiotti (illustrator) published by the Connecticut Mutual Life Insurance Company. It is written as a guide for young people but specifically addresses men embarking on college life and advises on new life changes in the context of conservative social constructs of the mid-twentieth century. Sixth in a series of booklets that dealtwith the tensions of everyday life.","Each segment has a hypothetical person encountering specific issues like overcoming shyness and finding social niches. Towards the end of the booklet, a piece titled \"Girl of My Dreams\" is a thinly veiled reference to a young man questioning and discovering an LGBTQIA+ identity. The advice is negative and clarifies that the hypothetical person should stifle these questions and stick to a hetronormative lifestyle, stating \" \"George is very unhappy, [and] needs help to cope with these festering needs. Otherwise, he may settle for a dim life, arrested by a succession of psychosomatic illness.\" ","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building,  contains a game titled \"Judy's Neighbors: Negro Family.\" It includes two dimensional pressed wood figures of an African-American family including mother, father, daughter, and two sons. There are also stands for the figures. Judy's Neighbors was released sometime between 1963 and 1964.This was part of a series and was sold individually and in sets. Teachers used the game to encourage racial diversity.","Addition 14 of MSS 16758, The UVA Collection on Childhood, Parenting, and Family Building contains two promotional posters (22\"X6\") for the 1965 and 1967 New York Children's Book Week. The art of Caldecott Medal-winning illustrator Barbara Cooney made the artwork for the 1965 poster. The illustration depicts a fox carrying a stack of books with a crow overhead, looking down at the fox perched from a branch with the words \"Sing out for Books\" in French. The other poster from 1967 contains a linocut illustration of hot air balloons with a floating banner reading \"Take Off With Books.\" Marcia Brown, the only triple Caldecott Medal winner, made the art for this poster.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a photo album for the Morris Child Development Center for Infants and Toddlers. Founded by Earlene and Ernest Morris in 1965, The Morris Development Center for Infants and Toddlers was a Black-owned daycare located in the historically African American Bagley neighborhood in Detroit.  In 1965, the center was the only daycare in Michigan licensed to care for infants and toddlers.  The center survived and flourished; it allowed neighborhood mothers to work or go to school and served as a meeting place for community activists in the late 1960's and 1970's.","The photographs document the center's daily operations, including staff and children, and special events, including several photographs of its graduation ceremony and a special \"Father of the Year\" award presentation for the fathers of the \"graduating class.\" The center closed permanently in 2005.","This addition (23) contains a three-fold pamphlet titled, \"A Report of a Conference on Day Care and the Working Mother\" for the Morris Child Development Center: State of Michigan Pilot program.","Addition 6 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains materials collected and produced by the Bilalian Child Development Center and the Developing a World for All Humanity (DAWAH) in Highland Park, Michigan. The Bilalian Child Development Center was incorporated as a non-profit agency in 1977 and appears to provide community services and educational services for the community.  The DAWAH is an institute developed by a group of African-American Muslims in Michigan to develop an effective DAWAH program in America.  ","Contents include an advertising and enrollment form, two brochures for the Bilalian Center, and another for the DAWAH Institute in Highland Park. Also included are the contents of a binder for the DAWAH Institute. Separated by subject tabs, materials include handwritten notes and a typed agenda for the First National Meeting of the DAWAH Institute, an application of employment to the Institute, papers on Community Services, the A.B.C.D. Savings Program, a photocopy of a Western Union Mailgram to President Ronald Reagan, papers on the Food Co-Op \u0026 Gardening club, Home Garden booklet from the 4-H Youth Programs, Fundraising and Grantsmanship, invitations, brochures, news releases, educational programs, news clippings, and a curriculum statement.","Addition 22 of MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains 21 handbills and handouts on HIV and AIDS and LGBTQ health concerns for teens.","Some guidelines to follow in talking to teens about sex and AIDS/STD's -- Where do mermaids stand (From: All I really need to know i learned in kindergarten by Robert Fulghum) -- Bi-Friendly #40, October 1991, San Francisco, East Bay, and U.C. -- 1991 Fact Sheet / State of California Department of Health Services AIDS Prevention and Follow up Centers Early Intervention Program -- Continuing Education Questionnaire -- Continuing Education Agenda / UCSF AIDS Health Project, San Francisco, CA -- Antiviral AIDS drugs in the pipeline, 1991 -- Fact Sheet 1991 / [San Francisco] -- Syphilis Rate Soaring Among S.F. Teenagers / by Nanette Asimov, Chronicle Staff Writer -- Indications for Encouraging Counseling and Testing for Adolescents -- Special Programs for youth consent form for HIV testing -- Special programs for youth pre-test counselor sign-off sheet for informed consent -- A.T.S. Recommendations for youth and young adults / Adolescent HIV Coalition -- Referral list for HIV+ youth and young adults / prepared by Michael Baxter, Adolescent HIV Coalition Chair, San Francisco -- Youth and the HIV antibody test -- Project ahead / [San Francisco Health Clinics] -- Crisis alert: African American youth and HIV/AIDS / by W.J. Brandy Moore -- Some of the barriers that Latino/adolescents can encounter if they do seek health care and related services for HIV/AIDS / presented by Marisa Davis, Aids Health Project -- Counseling high risk youth / Ken Dunnigan, M.D. April 28, 1988 -- Youth and HIV: no immunity / Jane Shalwitz, MD and Ken Dunnigan, MD, circa 1983 -- Normal adolescent development / Parent Survival Kit, Denise Phelan-Desmond, Luanna Rodgers, Mary Isham, et. al. -- The ten mos asked HIV-Insurance questions / reprinted by AIDS Project, Los Angeles ©1988","Addition 8 of MSS 16758,The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains a signed broadside print (11 X 8.5 inches) titled \"My Life Matters\" by the artist and muralist LMNOPI. ","The signed print based on muralist LMNOPI's wheat-pasted street art, is originally produced in response to the Ferguson protests. Artist LMNOPI writes: \"This painting was inspired by the Black Lives Matter movement which originated in Ferguson, Missouri last year in response to the police murder of Mike Brown. I have been doing a series of street paste ups around this movement.\" ","LMNOPI found this image of a young protestor online, eventually identifying the child as a boy named Myles. The image of Myles warily clutching his protest sign (#DontShoot #Ferguson #YourLifeMatters), pasted up on the door of an a condemned factory in Bedford-Stuyvesant, became part of the community: \"The wheatpaste of Myles was much loved by local residents. Often I would observe people taking photos of it on their way to work. I saw many people post it on Instagram. It even survived a local graffiti bomb squad who came through last winter during a snowstorm. They tagged up the entire wall, but did not touch Myles.\" ","Source from LMNOPI's website: lmnopi.com/my-life-matters.","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains one handmade child's artist book based on Samuel Roger's Poem \"Address to the Butterfly.\"","Unidentified youth creates a story beginning with a cardboard hand-cut apple; as the story progresses, a cardboard cut-out worm escapes the apple and begins to \"eat\" the pages before cocooning and then emerging as a pop-up butterfly.  ","Crudely bound with black leather over boards; a window cut out of the front cover allows the painted apple on page [1] to show through. ","A small pocket mounted inside the back board holds five cards printed with Samuel Rogers' poem \"To the butterfly.\"  The pocket is stamped with \"Address to the butterfly, Samuel Rogers.\"","This addition to MSS16758, University of Virginia History of Childhood, Parenting, and Family Building, contains thirty-four pamphlets on various topics, including puberty and sexual development, childhood diseases, motherhood, birth control, and nutrition.\nList of items:\n A Story About You, by Marion O. Lerrigo [and] Helen Southard [in consultation with] Milton J.E. Senn.\nFinding Yourself, by Marion O. Lerrigo, Helen Southard; medical consultant, Milton J.E. Senn.\nApproaching adulthood, by Marion O. Lerrigo, Helen Southard [in consultation with] Milton J.E. Senn.\nHow to use My Bookhouse, Miller, Olive Beaupré, editor.\nScarlet Fever, Metropolitan Life Insurance Co. (c.1925)\nScarlet fever. Metropolitan Life Insurance Company (1940)\nWhooping cough.Metropolitan Life Insurance Co.(c.1930s)\nWhooping cough.Metropolitan Life Insurance Co.(1921)\nVaccination protects you against smallpox. Metropolitan Life Insurance Co. (c.1926)\nFor your information about Rheumatic Fever.Rheumatic Fever Foundation, 20-30 International,(c.1956).\nMeasles and their prevention. Richmond, Virginia, State Health Department (c.1965).\nCommunicable diseases in Virginia: mumps.Virginia, Commonwealth of Virginia Department of Health (c.1967)\nTraining is fun with Little Toidey. Juvenile Wood Products, Inc.,(c.1938)\nSmallpox is still here. Metropolitan Life Insurance Company, (c.1939?)\nRickets \u0026 scurvy. Metropolitan Life Insurance Co. (c.192-?)\nGood teeth: how to get them and keep them. Metropolitan Life Insurance Co. (c.1900s)\nYour baby book.Wyeth Laboratories, Division American Home Products Corporation, (c.1962)\nWomen who go to school.Washington, D.C.National Congress of Parents and Teachers (c.1945)\nChildhood diseases. Prudential Insurance Company of America (c.1966)\nThe prize winner. M.L.I. Co. Press (c.1935?)\n52 bones in a terrible hurry.The May Co.(c.1950's)\nHeight and weight tables for Children-Borden Dairy. The Borden Company (c.1920's)\nVariety gives nutritional balance. Stokely Van Camp, Inc. (c.1950's)\nA better start in life with meat.Nutrition Division, Research Laboratories, Swift \u0026 Company,(c.1950's)\nTummy tingles by Josephine Beardsley; illustrations by Marjorie Peters. (c.1937)\nLydia E. Pinkham's private text-book:  ailments peculiar to women. Lydia E. Pinkham Medicine Co. (between 1878 and 1940)\nMy views on birth control by Dr. B. Goodman. (c.1944)\nWedlock and birth control: straightforward talk on a momentous and delicate subject by Dr. Grayling Stewart (c.1950?)\nA Book about birth control written by Donna Cherniak ; edited by Shirley Pettifer (c.1984)\nThe age of romance. American medical Association (1933)\nQuestions and answers about intrauterine devices.Planned Parenthood Federation, Inc.(c.1970)\nSecrets married women should know.America's Medicine (c.1930?)\nThe new germcide Hyomei: positive cure for coughs, bronchitis, asthma, and consumption.The R.T. Booth Company (c.1906)"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following books have been transferred to the library collection: List of titles\n\"Dr. D. Diller's adjustable vagino-abdominal uterine supporter for prolapsus uteri\",Diller, D. \n\"It's Fun to Write Letters! Jane Eaton\n\"Seventh Annual report of the Baldwin Place Home for Little Wanderers\"Baldwin Place Home for Little Wanderers (Boston, Mass.)\nThe new family / Virginia. Bureau of Child Welfare.\"Public Health Bulletin Praising and Reproducing Virginia's Racial Integrity Act of 1924\"\n[Public Health] [The American Family] [Health Education]\n\"Two Public Health Booklets for American Families Promoting Met Life Insurance\"\n\"The New Family\" Bureau of Child Welfare Correspondence Course for Low Income Mothers and Families"],"userestrict_html_tesm":["\u003cp\u003eThis collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.\u003c/p\u003e","\u003cp\u003eThe Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.","The Flora herbarium is restricted due to its fragility. A digitized version is available for viewing. If you need to see the physical copy, please send a request through our online request portal: https://library.virginia.edu/special-collections/services/reference-request."],"names_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"language_ssim":["English German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:25:29.745Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1482"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":48},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"1828 Catalogue Project digital image collection","value":"1828 Catalogue Project digital image collection","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=1828+Catalogue+Project+digital+image+collection\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Bushrod Washington family papers","value":"Bushrod Washington family papers","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Bushrod+Washington+family+papers\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"C. Harrison Mann, Jr. Map Collection","value":"C. Harrison Mann, Jr. Map Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=C.+Harrison+Mann%2C+Jr.+Map+Collection\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Chapin collection of Washington \u0026 Custis family documents","value":"Chapin collection of Washington \u0026 Custis family documents","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Chapin+collection+of+Washington+%26+Custis+family+documents\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"John L. Nau III Civil War History Collection","value":"John L. Nau III Civil War History Collection","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=John+L.+Nau+III+Civil+War+History+Collection\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Papers of the Randolph Family of Edgehill","value":"Papers of the Randolph Family of Edgehill","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Papers+of+the+Randolph+Family+of+Edgehill\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","value":"Papers of the Randolph Family of Edgehill and Wilson Cary Nicholas","hits":26},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Papers+of+the+Randolph+Family+of+Edgehill+and+Wilson+Cary+Nicholas\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers","value":"Quinby, Teackle, and Upshur families of Somerset County, Maryland, and Accomack and Northampton Counties, Virginia Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Quinby%2C+Teackle%2C+and+Upshur+families+of+Somerset+County%2C+Maryland%2C+and+Accomack+and+Northampton+Counties%2C+Virginia+Papers\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Record Book Listing of Enslaved People of the Massie Family","value":"Record Book Listing of Enslaved People of the Massie Family","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=Record+Book+Listing+of+Enslaved+People+of+the+Massie+Family\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","value":"The University of Virginia Collection on the History of Childhood, Parenting, and Family Building.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=The+University+of+Virginia+Collection+on+the+History+of+Childhood%2C+Parenting%2C+and+Family+Building.\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"The University of Virginia Jefferson Papers","value":"The University of Virginia Jefferson Papers","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcollection%5D%5B%5D=The+University+of+Virginia+Jefferson+Papers\u0026f%5Bdate_range%5D%5B%5D=1807"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"0","value":"0","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=0"}},{"attributes":{"label":"1579","value":"1579","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1579"}},{"attributes":{"label":"1580","value":"1580","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1580"}},{"attributes":{"label":"1581","value":"1581","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1581"}},{"attributes":{"label":"1582","value":"1582","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1582"}},{"attributes":{"label":"1583","value":"1583","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1583"}},{"attributes":{"label":"1584","value":"1584","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1584"}},{"attributes":{"label":"1585","value":"1585","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1585"}},{"attributes":{"label":"1586","value":"1586","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1586"}},{"attributes":{"label":"1587","value":"1587","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1587"}},{"attributes":{"label":"1588","value":"1588","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bdate_range%5D%5B%5D=1588"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Alexander, Hannah Lee Washington, 1811-1881","value":"Alexander, Hannah Lee Washington, 1811-1881","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Alexander%2C+Hannah+Lee+Washington%2C+1811-1881\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Bernie, Frederick, fl. 1792","value":"Bernie, Frederick, fl. 1792","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Bernie%2C+Frederick%2C+fl.+1792\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Bowles, Henry Carington , 1763 - 1830","value":"Bowles, Henry Carington , 1763 - 1830","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Bowles%2C+Henry+Carington+%2C+1763+-+1830\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Carver, Samuel, 1756-1841","value":"Carver, Samuel, 1756-1841","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Carver%2C+Samuel%2C+1756-1841\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Crowquill, Alfred, 1804-1872","value":"Crowquill, Alfred, 1804-1872","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Crowquill%2C+Alfred%2C+1804-1872\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Cruikshank, George, 1792-1878","value":"Cruikshank, George, 1792-1878","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Cruikshank%2C+George%2C+1792-1878\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Dalí, Salvador , 1904-1989","value":"Dalí, Salvador , 1904-1989","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Dal%C3%AD%2C+Salvador+%2C+1904-1989\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Dighton, Robert, 1752-1814","value":"Dighton, Robert, 1752-1814","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Dighton%2C+Robert%2C+1752-1814\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Dunkarton, Robert, 1744-1815","value":"Dunkarton, Robert, 1744-1815","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Dunkarton%2C+Robert%2C+1744-1815\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Faber the Younger, John, 1684-1756","value":"Faber the Younger, John, 1684-1756","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Faber+the+Younger%2C+John%2C+1684-1756\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Gans, Sigismund, 1829-1831 ","value":"Gans, Sigismund, 1829-1831 ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bcreators%5D%5B%5D=Gans%2C+Sigismund%2C+1829-1831+\u0026f%5Bdate_range%5D%5B%5D=1807"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Aaron Quinby","value":"Aaron Quinby","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Aaron+Quinby"}},{"attributes":{"label":"Adams, John, 1735-1826","value":"Adams, John, 1735-1826","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Adams%2C+John%2C+1735-1826"}},{"attributes":{"label":"Albert and Shirley Small Special Collections Library","value":"Albert and Shirley Small Special Collections Library","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Albert+and+Shirley+Small+Special+Collections+Library"}},{"attributes":{"label":"Alexander, Hannah Lee Washington, 1811-1881","value":"Alexander, Hannah Lee Washington, 1811-1881","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Alexander%2C+Hannah+Lee+Washington%2C+1811-1881"}},{"attributes":{"label":"Ball, Burgess, 1749-1800","value":"Ball, Burgess, 1749-1800","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Ball%2C+Burgess%2C+1749-1800"}},{"attributes":{"label":"Bartlett, Josiah, 1729-1795","value":"Bartlett, Josiah, 1729-1795","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Bartlett%2C+Josiah%2C+1729-1795"}},{"attributes":{"label":"Bernie, Frederick, fl. 1792","value":"Bernie, Frederick, fl. 1792","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Bernie%2C+Frederick%2C+fl.+1792"}},{"attributes":{"label":"Biddle, Clement, 1740-1814","value":"Biddle, Clement, 1740-1814","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Biddle%2C+Clement%2C+1740-1814"}},{"attributes":{"label":"Bluemango Books and Manuscripts","value":"Bluemango Books and Manuscripts","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Bluemango+Books+and+Manuscripts"}},{"attributes":{"label":"Bowles, Henry Carington , 1763 - 1830","value":"Bowles, Henry Carington , 1763 - 1830","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Bowles%2C+Henry+Carington+%2C+1763+-+1830"}},{"attributes":{"label":"Burr, Aaron, 1756-1836","value":"Burr, Aaron, 1756-1836","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bnames%5D%5B%5D=Burr%2C+Aaron%2C+1756-1836"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"United States --  History  -- Civil War, 1861-1865","value":"United States --  History  -- Civil War, 1861-1865","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bplaces%5D%5B%5D=United+States+--++History++--+Civil+War%2C+1861-1865"}},{"attributes":{"label":"United States -- History -- Civil War, 1861-1865 -- Personal narratives","value":"United States -- History -- Civil War, 1861-1865 -- Personal narratives","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bplaces%5D%5B%5D=United+States+--+History+--+Civil+War%2C+1861-1865+--+Personal+narratives"}},{"attributes":{"label":"United States -- History -- Revolution, 1775-1783","value":"United States -- History -- Revolution, 1775-1783","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bplaces%5D%5B%5D=United+States+--+History+--+Revolution%2C+1775-1783"}},{"attributes":{"label":"United States -- History -- War of 1812","value":"United States -- History -- War of 1812","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Bplaces%5D%5B%5D=United+States+--+History+--+War+of+1812"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"African Americans -- Virginia","value":"African Americans -- Virginia","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Virginia\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Architecture--Virginia","value":"Architecture--Virginia","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Architecture--Virginia\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Caricatures and cartoons","value":"Caricatures and cartoons","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Caricatures+and+cartoons\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Cartoonists","value":"Cartoonists","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Cartoonists\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Children","value":"Children","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Children\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Children's art","value":"Children's art","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Children%27s+art\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Correspondence","value":"Correspondence","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Engraving (printing process)","value":"Engraving (printing process)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Engraving+%28printing+process%29\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Illustrators","value":"Illustrators","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Illustrators\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Legal correspondence","value":"Legal correspondence","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Legal+correspondence\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"attributes":{"label":"Maps.","value":"Maps.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Baccess_subjects%5D%5B%5D=Maps.\u0026f%5Bdate_range%5D%5B%5D=1807"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":12},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"Item","value":"Item","hits":34},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Series","value":"Series","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026f%5Blevel%5D%5B%5D=Subseries"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":54},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1807"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=1807\u0026page=4\u0026sort=title_sort+desc"}}]}